Maurice Mersinger, Founder/Music Composer/Concept, kling klang klong There is no such thing as silence. In mixed media environments, so called ‘silence’ often turns out to be noise. Audio Guides isolate visitors from each other. Many sound sources might invade the space and dilute the message. But sound can also help people concentrate, understand and experience subjects. In 2015 kling klang klong teamed up to develop new strategies and technologies in order to enhance the sound experience of exhibition spaces. Maurice will share insights from research and development and explore how the exhibition space can adapt to visitors.

1. —
STUDIO FOR SOUND
MUSIC AND INTERACTION

2. Space = Sound
Acoustic Scenography
—
MAURICE MERSINGER
FOUNDER

3. _Who we are
_Sound as spatial medium?
_Point of Engagement
_Virtual Rooms in real spaces
_Acoustic Scenography
CONTENT

4. WHO WE ARE
_Composers, Sound Artists and Programmers
_Spatial sound
_Music and sound interaction
_Programming of multi-channel Audioplayers
_Spatial Composition Methods
_Algorithmic and data related composition, sonification
_Research in Urban Soundscapes

5. _Sound as spatial medium

6. _Sound as spatial medium

7. _Sound as spatial medium

8. _Point of engagement

9. _Point of engagement

10. _Point of engagement

11. Designing the Space in between
_Virtual Rooms in real spaces

12. _Virtual Rooms in real spaces

13. _Virtual Rooms in real spaces

14. _Virtual Rooms in real spaces

15. _Virtual Rooms in real spaces

16. _Virtual Rooms in real spaces

17. _Acoustic Scenography
Programming
Composition&
Sound Design
Technical
Consulting
Concept and
Aesthetics
Acoustic
Scenography

18. _Acoustic Scenography
Include the digital features into real spaces
Synchron Communication
A perceived change of the physical reality of
objects and rooms
Realtime Information influencing the Soundscape
Advanced methods of interacting
etc.

19. _Acoustic Scenography

20. _Acoustic Scenography
Thank you