1. >usually works extremely close with director and choreographer in order to have a better
understanding of the production and to compare ideas with other people of significant roles
>auditory creator- sound designers may even compose due to this normally being a previous
job.
>evoke emotion, create and reflect the mood, underscore action
>source music and sound, physically go out and find it themselves
>editing music, being able to manipulate sound
>to be able to tell the difference and implement diegetic and non-diegetic sounds
>to be able to work out the location, where sound equipment should be placed in order to
for the audience to receive the right effect for example; radio microphones, ambient
microphones, orchestra microphones (what areas of backstage need them)
>take the script and analyse it to the best of there ability, and to extract what's required
>who needs what when? Act 1, scene 2
Web definition:
“Sound design is the process of specifying, acquiring, manipulating or generating audio
elements. It is employed in a variety of disciplines including filmmaking, television
production, theatre, sound recording and reproduction, live performance, sound art, postproduction, and video game...”