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Museums in an Earth
Crisis & how digital helps
Bridget McKenzie
climatemuseumuk.org climatemuseumuk@gmail.com follow us on social
I’ll talk about...
● Climate Museum UK
● The Earth Crisis
● Commons collecting on
climate
● Our Activist Museum
Award project
Who are we?
A mobile and digital museum
stirring & collecting responses to the the
Earth crisis.
A team of creative people based in the
UK, passionate about the planet, we
produce & gather art, objects, ideas,
games and books
We use these in activations to help
people to play, make, think & talk about
the Earth crisis and to open their
imaginations to possible futures.
Why the Earth crisis,
not just the Covid-19
crisis?
Some of our digital commons collecting
● #EverydayEcocide - collecting incidents of
eco-blindness in media & culture
● #ExtremeWeatherStories - collecting
experiences of people in frontline
● #ActsOfTreeKindness - for the Urban Tree
Festival
● #MyClimateMuseum – make & share
climate museums wherever you are
● Pinterest boards - 1000s of links
Collecting without owning
Activist Museum Award
● £1000 grant
● scoped idea for distributed digital collection on climate
● aim to encourage commons-based approach to digital
museum practices
● issued survey & held Zoom discussion
● tested theme of Extractivism as possible starting point
● inviting people to share ideas
Extractivism?
Globally dominant mindset that
colonises, exploits &
accumulates. Fails to replace or
regenerate what is taken or
harmed.
History: colonialism is an
environmental issue.
Now: Earth crisis is systemic
justice issue.
Applies to all in this pyramid.
Outcomes
● 12 blogposts, 2 open Zoom events, and learning towards
several projects
● Contributed to bids for Towards a National Collection
● Defined an ideal vision of a digital commons on climate
https://climatemuseumuk.org/2020/08/28/digital-vision-for-
climate-engagement/
● A kind of ‘wikihow’ for activists to tell stories and make
change using joined up cultural collections
#EcoLensOnThings
Simple Twitter-based experiment.
Exploring ways to interpret objects with
an eco lens.
Collection description of this bird feather
hat: ‘Round disk-like hat with crown only
slightly elevated, foundation of linen
completely covered with polychrome
feathers; lined with pale pink taffeta, one
pale pink silk ribbon.’
Did thread on how feather fashion has
been interpreted in different ways.
climatemuseumuk.org
climatemuseumuk@gmail.com
follow us on social
@climatemuseumuk

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Museums in an Earth crisis – and how digital can help Bridget McKenzie, Climate Museum

  • 1. Museums in an Earth Crisis & how digital helps Bridget McKenzie climatemuseumuk.org climatemuseumuk@gmail.com follow us on social
  • 2. I’ll talk about... ● Climate Museum UK ● The Earth Crisis ● Commons collecting on climate ● Our Activist Museum Award project
  • 3. Who are we? A mobile and digital museum stirring & collecting responses to the the Earth crisis. A team of creative people based in the UK, passionate about the planet, we produce & gather art, objects, ideas, games and books We use these in activations to help people to play, make, think & talk about the Earth crisis and to open their imaginations to possible futures.
  • 4. Why the Earth crisis, not just the Covid-19 crisis?
  • 5.
  • 6. Some of our digital commons collecting ● #EverydayEcocide - collecting incidents of eco-blindness in media & culture ● #ExtremeWeatherStories - collecting experiences of people in frontline ● #ActsOfTreeKindness - for the Urban Tree Festival ● #MyClimateMuseum – make & share climate museums wherever you are ● Pinterest boards - 1000s of links
  • 8. Activist Museum Award ● £1000 grant ● scoped idea for distributed digital collection on climate ● aim to encourage commons-based approach to digital museum practices ● issued survey & held Zoom discussion ● tested theme of Extractivism as possible starting point ● inviting people to share ideas
  • 9. Extractivism? Globally dominant mindset that colonises, exploits & accumulates. Fails to replace or regenerate what is taken or harmed. History: colonialism is an environmental issue. Now: Earth crisis is systemic justice issue. Applies to all in this pyramid.
  • 10. Outcomes ● 12 blogposts, 2 open Zoom events, and learning towards several projects ● Contributed to bids for Towards a National Collection ● Defined an ideal vision of a digital commons on climate https://climatemuseumuk.org/2020/08/28/digital-vision-for- climate-engagement/ ● A kind of ‘wikihow’ for activists to tell stories and make change using joined up cultural collections
  • 11. #EcoLensOnThings Simple Twitter-based experiment. Exploring ways to interpret objects with an eco lens. Collection description of this bird feather hat: ‘Round disk-like hat with crown only slightly elevated, foundation of linen completely covered with polychrome feathers; lined with pale pink taffeta, one pale pink silk ribbon.’ Did thread on how feather fashion has been interpreted in different ways.

Editor's Notes

  1. Youth Panel of Kids in Museums run a project called Objects Declare Emergency - inviting digital donations to share on Instagram, of objects and interpretations about climate change. As part of this project, they had a banner competition. This was the winning banner. The prize was to go behind the scenes of Peoples History Museum and to have a digital version of their banner in our collection. We commissioned this painting of young climate activists by young artist Milly Bampini. We borrowed it for an exhibition, but the artist has kept it. The deal was that she would send us a high res photo of the painting so that we could reproduce it as a poster, but she hasn’t done it yet, nearly a year later.
  2. asset-holders ‘donate’ relevant objects into a digital repository and encourage participatory interpretation of them, illuminating their relevance to climate and ecology. Objects might be heritage sites, or born-digital documents, or natural history datasets, or more typically, artworks or artefacts in museums. By donating, they keep the object but point to the repository with a digital label (e.g. QR code on a gallery label), and actively invite diverse interpretations of the object which can be added to metadata directly by participants or by the asset-holding organisation.