This document contains a skills audit that assesses the author's skills in various areas related to musical theatre performance. It evaluates their skills in movement, vocals, musical theatre interpretation, character interpretation, physical skills, dance, singing, personal management, and other specialist skills. For each area, it rates their level of understanding and skill from no understanding/skill to excellent understanding/skill. It then has the author set long term SMART goals in acting, dancing, singing and another area to work on improving over time, with targets to be reviewed periodically. The goals focus on fully committing to characters, improving dance ability and focus, and expanding vocal range and breath control. Regular self-recording and feedback from teachers will help track progress.
GCSE Film Studies revision guide for WJEC Paper 1 exploring film superhero filmsIan Moreno-Melgar
Please note: I have had to remove the download and embed options as I've unfortunately seen this being sold by others and embedded elsewhere, claiming credit for crediting it.
If you would like to download it, you can find the full 100+ page revision guide compiled as a PDF here: https://sellfy.com/p/J0Ei/
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A comprehensive revision guide to the current WJEC GCSE Film Studies Paper 1, focusing on Hollywood films. This revision guide and workbook focuses on Superhero films, the film industry, how movies are marketed, has explanations and guides as to how the exam works and a series of exercises, worksheets and bespoke tasks for students. I've used this with my own students for the last 2 years and have had some great feedback from it. However, as with all of my resources, please note that it's by no means a definitive guide and there is plenty that could be improved or developed.
GCSE Film Studies revision guide for WJEC Paper 1 exploring film superhero filmsIan Moreno-Melgar
Please note: I have had to remove the download and embed options as I've unfortunately seen this being sold by others and embedded elsewhere, claiming credit for crediting it.
If you would like to download it, you can find the full 100+ page revision guide compiled as a PDF here: https://sellfy.com/p/J0Ei/
____________________________________
A comprehensive revision guide to the current WJEC GCSE Film Studies Paper 1, focusing on Hollywood films. This revision guide and workbook focuses on Superhero films, the film industry, how movies are marketed, has explanations and guides as to how the exam works and a series of exercises, worksheets and bespoke tasks for students. I've used this with my own students for the last 2 years and have had some great feedback from it. However, as with all of my resources, please note that it's by no means a definitive guide and there is plenty that could be improved or developed.
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
This PowerPoint uses the case study of Peaky Blinders. It includes details of when Gemma Nunn and Jo Watkinson, who both worked on Peaky Blinders, visited our school and shared information and advice with us.
A2 Film A-Level Film Studies FM4 Spectatorship RevisionIan Moreno-Melgar
A PowerPoint that collates a range of key ideas for the FM4 Spectatorhship area of A2 Film Studies. There may be some formatting issues with the presentation as it was created using Keynote and there are often compatibility issues. The contents of this presentation is a mix of original work and ideas and words taken from a multitude of various sources. I haven't credited anyone directly and if you have any objection to your content appearing in this presentation, please get in touch and I'll be more than happy to accomodate your needs.
A study/revision guide that introduces film students to (or reminds them of) mise-en-scene. 33 pages of activities, commentary, analysis and screenshots, all designed by an experienced film studies teacher and senior examiner.
This guide, which is perfect as a unit of work, homework booklet or as a revision guide, can be purchased for just £2.50 at: https://www.tes.com/teaching-resource/-12009989 and can then be easily printed and handed out to students.
A arte está sempre presente nas questões que afligem a humanidade. A violência existe em várias formas - nas guerras e na intimidade do ambiente doméstico.
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
This PowerPoint uses the case study of Peaky Blinders. It includes details of when Gemma Nunn and Jo Watkinson, who both worked on Peaky Blinders, visited our school and shared information and advice with us.
A2 Film A-Level Film Studies FM4 Spectatorship RevisionIan Moreno-Melgar
A PowerPoint that collates a range of key ideas for the FM4 Spectatorhship area of A2 Film Studies. There may be some formatting issues with the presentation as it was created using Keynote and there are often compatibility issues. The contents of this presentation is a mix of original work and ideas and words taken from a multitude of various sources. I haven't credited anyone directly and if you have any objection to your content appearing in this presentation, please get in touch and I'll be more than happy to accomodate your needs.
A study/revision guide that introduces film students to (or reminds them of) mise-en-scene. 33 pages of activities, commentary, analysis and screenshots, all designed by an experienced film studies teacher and senior examiner.
This guide, which is perfect as a unit of work, homework booklet or as a revision guide, can be purchased for just £2.50 at: https://www.tes.com/teaching-resource/-12009989 and can then be easily printed and handed out to students.
A arte está sempre presente nas questões que afligem a humanidade. A violência existe em várias formas - nas guerras e na intimidade do ambiente doméstico.
These are examples of targets I have set for myself for before the final showcase that include skills that are achievable throughout the three areas of Musical theatre
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Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
1. Skills Audit
START OF UNIT 2
No
understanding/
no skill
Some
understanding/
some skill
Good
understanding/
good skill
Excellent
understanding/
excellentskill
MOVEMENT SKILLS
Coordination
Balance
Weightplacement
Focusand control
Spatial awareness
relaxation
Movementmemory
Gesture
Facial Expression
Characterisation
Pace,energy,dynamics
trust
VOCAL SKILLS
articulation
inflection
modulation
projection
register
pitch
timing
breath control
use of pause
use of pace
dialect and accent
characterisation
projection.
2. MUSICAL THEATRE INTERPRETIVE SKILLS
analysis of score, dialogue, lyrics
and choreography to build an
understanding of
character and relationships to other
roles/characters
social and historical background of
the musical
author’s/composer’s/choreographer’s
intention
CHARACTER INTERPRETATION
Analysingphysical characteristics
Proxemics/relationships
Semiotics
Sub-text
PHYSICAL SKILLS
characterisation
facial expression
gesture
mannerism
posture
rhythm and tempo
weight placement
timing and pace
relationship
reaction and interaction with other
characters/roles
audience
proxemics
use of space
use and manipulation of props and
equipment.
3. DANCE PHYSICAL SKILLS
physical skills appropriate to the
dance style
physical characterisation and
expression
timing and rhythmic accuracy
emphasis
musicality
phrasing
projection
breathing
impetus
facial expression
bodily expression
relationship
reaction and interaction with other
performers
stylistic quality of movement
use of space
spatial awareness.
MUSICAL THEATRE AND SINGING SKILLS
tuning
rhythm
tempo
intonation
musicality
dynamics
characterisation
projection
phrasing
expression
awareness of accompaniment.
4. PERSONAL MANAGEMENT SKILLS
attendance and punctuality
being ready to work, warming up
and cooling down
wearing correct attire and
presentation, e.g. footwear, dance
wear, loose clothing,
hair tied back, no jewellery
concentration and focus
learning dialogue and actions
listening and responding positively
to direction, instruction and
feedback
willingness to experiment and try
things out
sensitivity and empathy towards
others.
SPECIALIST SKILLS: please give details
5. LONG TERM TARGETS
Look at your initial skills audit and set yourself a long term SMART target for acting, dancing,
singing and one other fromthe initial skills audit sub headings.
SMART TARGETS - Long Term target no. 1 ON ACTING SKILLS
Specific EXACTLY whatis it
you want to
achieve (state:
which, who, what,
where, when, why,)
I need to improve on reaching the top tier of
characterisation as acting is my most confident skill
regarding the three art forms but I want to completely
indulge myself in each character thrown at me
understanding who I’m playing and why each decision
I make is necessary to communicate that. This means
retaining all character movements added in rehearsal
and understanding why I’m moving in a certain
degree.
Measurable How will you
demonstratethat
your target has
been met?
By receiving constant direction when acting and
braking down each performance I do, this means
annotating lines of dialogue on what I should be doing
so none of my movement or reactions are improvised
and instead well-rehearsed.
Achievable How will you
ensurethis is in
your ability? Are
there specific
resources thatcan
assistyou? Can it
be done at all?
This will be achievable by asking for criticismof my
teachers and concentrating when they’re directing
me. By having the help of them I can gain honest
feedback on if my methods are benefiting my
performance or not. I will also research into each role
given to me so I personally have a better
understanding of the person I am playing.
Realistic Itshould be
challenging but
realistic. Why/how
is it realistic?
This is a realistic target because with hard work and
concentration it can be achieved, I simply need to
place more time and effort outside of sixth form into
my performances injecting more enthusiasm and
energy into them and bring more knowledge of each
character to the stage and use it to my advantage.
Time frame Clearly specifies
target dates,
review dates. Itwill
give a feasible
deadline and a
reason.
I want to increase on this skill by the end of February
showcase. Because when I come back I will need to
start applying this skill to rehearsals and performances
I take part in. Plus the faster it’s achieved the quicker I
can reflect on my newly gained skill and build on it by
setting more targets for myself to achieve for future
performances I take part in.
6. Review of this SMARTtarget
Have you achieved it? How did you achieve it? When did you achieve it? What difference
has it made to you as an actor?
Yes I feel I have fully achieved this target, I achieved it through gaining constant direction but also going
out and doing research in my own time, a great method I’ve found is researching the background and
area the character is within and apply yourself to it, this was my reactions are raw and real. I achieved it
when I was tasked with playing an urban street character for my ‘Bring it On’ dance group repertoire,
that night I went home researching into the culture what would be around this character and influence
myself into thinking how he would react to particular situations, then I took part in an improvisational
task with my peers and felt completely in role thanks to the research knowledge I could apply on the
spot. It has made a significant difference letting me strive towards something greater, as now it isn’t
just lines I’m delivering with the placement of specific reactions, instead when I’m in a
workshop/rehearsal I am committing myself to fully being that character meaning I’m not thinking
about reactions or how to particularly move, I’m just doing it.
SMART TARGETS - Long Term target 2 ON DANCE SKILLS
Specific EXACTLY whatis it
you want to
achieve (state:
which, who, what,
where, when, why,)
I need to improve on my overall dancing ability and
my focus towards learning and taking part in new
dances. Due to my lack in confidence in my ability to
dance I have tended to drift and lose complete focus
when taking part in dances in the past (school shows)
therefore my coordination and muscle memory has
been poor. In order to fix this I must overcome this
hurdle and concentrate when learning new dances.
Measurable How will you
demonstratethat
I will measure this by recording myself dancing
throughout the rehearsal process giving my all in each
workshop and I should start to notice gradual
improvement.
7. your target has
been met?
Achievable How will you
ensurethis is in
your ability? Are
there specific
resources thatcan
assistyou? Can it
be done at all?
This will be achievable by receiving feedback from
teachers and braking down each step of a dance
through video and workshop. By doing this I should
begin to notice what I’m doing wrong and begin to fix
the missteps.
Realistic Itshould be
challenging but
realistic. Why/how
is it realistic?
This is a realistic target because it’s requiring me to
make gradual improvements which shouldn’t be out
of reach if I apply full determination and commitment
to improve my dance ability.
Time frame Clearly specifies
target dates,
review dates. Itwill
give a feasible
deadline and a
reason.
I want to increase on my skills within dance by the
February showcase. Because I recognise this may take
some time before I’m feeling confident however that
is a long enough time frame to begin to seeing
improvements and to notice I’m making less mistakes
and keeping in time with my peers.
Review of this SMARTtarget
Have you achieved it? How did you achieve it? When did you achieve it? What difference
has it made to you as an actor?
Yes I can confidently say that I have improved my ability to dance and my focus towards learning
repertoire. It has been a gradual process but from when I set myself this target I have ignored my
confidence issues and applied full concentration to each workshop, my increase in my level of focus
helped me improve but also watching back videos of me dancing, since we record a lot as evidence for
our blogs I had constant videos to watch and see where I was making the mistakes which was
extremely helpful. It is still got a way to go but I feel each session I begin to improve more which is only
increasing my confidence regarding dance ability. It’s also allowing me to improve as an overall
performer giving me time to focus on polishing particular moves and refining particular sequences
rather than focusing on timing and doing a move correctly.
8. SMART TARGETS - Long Term target 3 ON SINGING SKILLS
Specific EXACTLY whatis it
you want to
achieve (state:
which, who, what,
where, when, why,)
I need to improve on my breath control and my
singing range. The only previous singing I have
done on stage is in school shows, normally
ensemble singing and once a character solo in
Anything Goes despite this being nerve wracking it
wasn’t a difficult song to sing and it didn’t help me
towards knowing what range I have in my voice. I
will explore my singing range by putting myself
forward for different songs in various genres and I
will improve my breath control by spending time
with teachers and asking for honest criticismas to
when I should inject breaths into the song to
prepare myself for longer and harsher notes, if I
gain this skill this will help me have a larger range in
my singing ability and will help me to perform
different notes and lengths in key.
Measurable How will you
demonstratethat
your target has
been met?
I will measure this by recording myself and
practicing whenever I can with my efforts and
teachers help this should help to meeting my
target. As I need feedback from particular experts
in order to know what and how to practice.
9. Achievable How will you
ensurethis is in
your ability? Are
there specific
resources thatcan
assistyou? Can it
be done at all?
This will be achievable by putting in time and
staying after school with particular teachers that I
know will help, if I begin to gain a better
understanding in breaking down a song and
injecting particular breaths into them. I will build
vocal strength by singing outside of rehearsal
practicing over and over again until I feel
comfortable with my performance capability.
Realistic Itshould be
challenging but
realistic. Why/how
is it realistic?
This is a realistic target because I feel it’s a
necessary skill to retain if I’m wanting to have a
career in musical theatre. Reasons for not having it
already is due to the fact I don’t have a lot of
knowledge in how to execute a song perfectly
injecting particular breaths in moments to hit a
higher or lower key. Once I succeed I will begin to
sound better and perform better.
Time frame Clearly specifies
target dates,
review dates. Itwill
give a feasible
deadline and a
reason.
I want to increase on these skills by the February
showcase because once I come back I want to be
able to tackle any song thrown at me, plus
throughout half term I can practice what I’ve been
taught and begin to gain a better understanding
and apply to future performances I am a part of,
not forgetting everything I’ve learnt.
Review of this SMARTtarget
Have you achieved it? How did you achieve it? When did you achieve it? What
difference has it made to you as an actor?
Yes after reflection I would state with full confidence that I have increased my singing ability and my
knowledge in techniques to apply to particular notes so I struggle less and sound better. First of all I
increased my knowledge in singing terminology which allowed me to focus on different particular
aspects when it comes to voice, it also massively helped that I was casted in the school show as a
male lead who had multiple numbers so even outside the BTEC workshops I had pressure on me to
sing correctly, this allowed me to constantly receive advice from the various singing specialists we
had, in and out of the stage space. I definitely achieved this target by half term, however I still have
much to learn and am still not fully comfortable with particular notes and songs but this gives me
room for constant progression. Particularly as an actor this has helped as I can focus on my
articulation with the body and voice whilst delivering the song which allows me to enhance my
characterisation even more and make me a more stand out performer.
10. SMART TARGETS - Long Term target 4 ON Professionalism
Specific EXACTLY whatis it
you want to
achieve (state:
which, who, what,
where, when, why,)
I need to improve on the levels of commitment I
put in, by this I mean dedicating more time outside
of sixth form into; researching my roles, learning
lyrics, practicing song and dance and breaking
down my scripts. Through this course I want to
immerse myself in all the work a musical theatre
performer would have to do, on and off stage.
Therefore I must spend more time doing all those
actions to increase my dedication and
professionalismtowards the course.
Measurable How will you
demonstratethat
your target has
been met?
I will measure this by self-assessing and noticing if
it’s making a difference. I must ask myself is this
work at home making me more confident and
better at what I’m performing.
Achievable How will you
ensurethis is in
your ability? Are
there specific
resources thatcan
assistyou? Can it
be done at all?
This will be achievable by receiving feedback from
teachers, if they begin to comment that I’m
improving in one of or all the arts forms then I
know I’m certainly on the right track and I must
continue it to excel even more.
11. Realistic Itshould be
challenging but
realistic. Why/how
is it realistic?
This is a realistic target because it benefits all of the
art forms, improves my overall ability as a musical
theatre performer and is a necessary component if
I’m wanting a career in this field.
Time frame Clearly specifies
target dates,
review dates. Itwill
give a feasible
deadline and a
reason.
I want to increase on these skills by the start of
October because I want to instantly immerse
myself in all the outside work I am willing to do in
order to achieve and excel my performances.
Review of this SMARTtarget
Have you achieved it? How did you achieve it? When did you achieve it? What
difference has it made to you as an actor?
I can safely say this target was achieved the quickest from the second I wrote this segment I applied
it immediately to my life. I’ve dedicated a huge amount of hours outside workshops in refining my
skills I already have and skills I have just learnt, I have also spent numerous hours researching my
roles making sure I understand the character inside and out. This has certainly been great as it has
educated me so much regarding what themes I am trying to communicate through different
characters and the work I have put in is definitely expected in order to be the best performer I can
possibly be.