Scheduling[1]
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This document discusses television scheduling and ratings. It explains that programmers schedule shows according to lifestyle factors like children's shows in the morning and prime time in the evenings. Ratings data is collected by BARB to determine viewer demographics and profiles for each show. Poor ratings can lead to shows being cancelled. Advertisers use ratings data to determine when and where to place ads. Programming and advertising aim to appeal to stereotypes to make shows easy to follow for audiences. However, television often simplifies or leaves out facts due to biases.
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The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
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Peer assessment for magazine recreation text
This document describes different levels for a print media assignment and provides feedback on two students' submissions. Level 1 indicates an incomplete work that shows minimal technical skills. Level 2 reflects a basic ability to use some relevant skills like appropriate layout, fonts, images, and text integration. The feedback suggests one student's work is above level 1 and creative. For the other student, minor adjustments like costume choices, image size and position could improve making it look more like the original work.
2 codes & conventions
This document lists various cinematic techniques and codes used in thriller and horror films including surprises, quick cuts, music, lighting, point of view shots, flashbacks, and intense sounds to build tension and manipulate viewer perspective. It also categorizes common genres for these types of films such as crime, psychological, mystery, horror, and supernatural stories.
2 seven
SE7EN is a 1995 thriller film directed by David Fincher. The opening scenes establish conventions of the thriller genre such as a dark and gloomy tone, a focus on two detectives investigating disturbing crimes, and hints that more disturbing revelations are yet to come.
4 film editing glossary
Editors select shots from filmed material and arrange them to create a coherent narrative for the viewer. They consider how one shot transitions to the next using techniques like cuts, dissolves, and fades to link shots together seamlessly. Editors also match elements like character eyelines and the placement of props across shots to establish continuity and avoid confusion. The final cut is the finished edited version of the film approved by the director and producer.
OCR MEDIA - G322 Section B Revision Guide ppt
The document discusses the British film Trainspotting, describing it as a gritty and realistic portrayal of heroin addiction in Scotland that was both critically acclaimed and commercially successful. It explores themes of urban poverty and the dark side of drug culture while also being fascinating to audiences. While some accused it of glamorizing drug use, it was praised for its social realism in representing British youth subcultures of the time. The film was a hit in both Britain and the United States.
Question 4a mock exam
The document instructs the reader to watch two specific TV programs - Family Guy on BBC3 at 11:05pm and Benidorm on ITV1 at 9pm. It also tells the reader to use their notes to include relevant information about the programs. The reader is given the option to write about either Family Guy or Benidorm for a second question, or another comedy program of their choice, and to draw from their notes on audience pleasures.
Question 4a
- The document discusses scheduling and institutional factors related to broadcasting comedy programming.
- It prompts analysis of why a particular comedy show is broadcast at a certain time/day on different channels, comparing a public service channel like BBC3 to a commercial channel like ITV1.
- Responses should focus on scheduling details and information about the institutions (channels), reading the question carefully as it may ask about one or two comedy programs.
Intro
This document provides guidance for answering two questions about TV comedy shows worth 15 marks each. Candidates should discuss the channel the shows air on, the channel's brand identity, programming, and transmission times. Answers should consider how transmission times attract the intended audiences using evidence from schedules. Candidates can also mention regulatory requirements and the channel's history and ethos. Higher marks will be awarded for in-depth knowledge of audience pleasures from one show with clear writing and few errors.
Audiences
The document discusses the differences between channels targeted at mass audiences versus niche audiences. MTV's logo uses an edgy graffiti style to target a young, niche audience interested in reality television shows about wealthy young people. In contrast, ITV uses an orderly logo to target a wide, mass audience with a varied schedule including soaps, talk shows, dramas, and news.
4b audience pleasures benidorm
Mel owes money to a loan shark and must find a way to repay her debt before things turn violent. The episode relies on familiar sitcom conventions and codes to create comedy through stereotypes, physical and verbal humor between the characters, and their attempts to restore equilibrium as unexpected events threaten Mel's personal identity and safety. Comic surprises keep the audience laughing as disequilibrium arises from Mel's mounting debt and efforts to solve her money problems.
Past exam questions
The document lists possible exam questions for British cinema from January 2008 to June 2003. The questions discuss the strengths of British cinema in recent years, the view that the origin of films is irrelevant, the struggle of British films to achieve commercial success, how the British film industry has survived, the importance of Britain having a successful film industry, the role of representing "Britishness" in the success of British films since 1990, and factors that determine if a film can be defined as "British".
Revision guide section b
This document provides information about Section B of a film exam, which asks students to analyze the British film industry. Students will choose a British film institution, Working Title Films, and compare it to the Hollywood studio Vivendi Universal. They will look at how Working Title Films obtains funding, distributes, and exhibits its films, focusing on one or two specific films. The document defines the key terms of production, distribution, and exhibition and explains how they relate to getting a film made and seen by audiences. It provides resources for students to research these topics and how the British film industry has survived against Hollywood.
AS Media - Boat That Rocked Case Study
The document discusses various marketing strategies used by film production companies, including theatrical trailers, official websites, press junkets, advertisements, celebrity appearances, product placements, publicity stunts, and tailoring promotions to specific target audiences. It provides examples of how trailers and promotions may differ for American versus British audiences. Students are prompted to discuss how the British film industry is affected by large American studios in Hollywood.
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Scheduling[1]
- 1. THE GRAND PLAN OF WHAT PROGRAMME GOES OUT AT WHAT TIME! SCHEDULING
- 13. QUIZ