Day 1: The filmmaker worked on experiments for effects, including overlaying video on an old TV and adding lens flares. The challenge was fitting masks properly on the TV screen.
Days 2-3: Footage was edited to look like it was filmed at night instead of during the day for alternatives.
Day 4: All footage was transferred to the computer and lined up to the music to streamline editing.
Day 5: A film border was added around the video by drawing and feathering a mask. Freeze frames for titles were attempted but dropped.
Day 6: Original filmed ideas were disliked so scenes were replanned to connect stages of grief without a linear story.
Day