Radio glossary
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This document contains definitions of common radio industry terms related to broadcasting, programming, production, and audience research. It defines terms such as deejay, drive-time, hype, jingle, mix, narrowcasting, playlist, production, psychographics, punch, reach, spots, station identification, talent, talk radio, time spent listening, total survey area, transmit, turnover, voice-over, and volume control. The glossary provides concise explanations of important audio and radio broadcasting concepts.
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Linguistic conventions in radio include abbreviation, writing numbers, expanding acronyms, punctuation, formal and colloquial language, jargon, phonetic spelling, and writing for the ear. Proper conventions help make radio scripts flow smoothly and sound natural. Different radio stations also have their own house styles and standard cues, signposting, and continuity links to connect segments and establish context. Recognized genres include music scripts, documentary programs, speech packages, and live feature material.
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This unit focuses on developing skills in music-based programming for radio broadcasting and in-store audio. Learners will understand different types of music programming like contemporary hit radio, recurrent radio, and formats like gold, easy listening, and specialist genres. They will learn to create music sequences for different audiences and incorporate additional elements. Learners will review their own programs and how suitable they are for the intended purpose and audience.
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Merchant of Venice Analysis
Portia is introduced as a wealthy heiress in Belmont who Bassanio is interested in marrying. However, she has been left her fortune by her father and is unable to choose a husband for herself due to the constraints of the patriarchal society. Over the course of the play, Portia is initially portrayed as a passive and vulnerable character trapped by these societal expectations. However, she eventually emerges as an intelligent and active woman with a plan to take control of her own destiny by disguising herself as a man in order to intervene in Bassanio's affairs. This transition challenges the typical gender stereotypes of the time and presents Portia as a more empowered and complex character than first assumed.
R&j act 1 scene 4 and prologue
The prologue introduces the feuding families of Romeo and Juliet and foreshadows the tragic death of the star-crossed lovers which will end the family feud. It establishes the drama and conflict that will unfold in the play.
Romeo is melancholy and reluctant to attend the Capulet ball, while Mercutio tries to lighten Romeo's mood and get him to have fun. They debate the meaning and reliability of dreams, with Romeo seeing significance and Mercutio being cynical. Romeo fears an ominous outcome from the night's events hinted at in the stars, foreshadowing the tragedy to come.
R&j act 1 scene 4 and prologue
The prologue introduces the feuding families of Romeo and Juliet and foreshadows the tragic death of the "star-crossed lovers" as the only way to end the fighting between their families. Romeo is melancholy due to his love life, frustrating his friends Mercutio and Benvolio. Mercutio mocks Romeo's romantic view of love and dreams, using vivid imagery to argue that dreams are meaningless. Romeo continues to brood on his fate as they head to the Capulet ball, where he and Juliet will meet.
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This document discusses how the Holocaust shaped modern interpretations of Shakespeare's The Merchant of Venice and the character of Shylock. It provides historical context on the persecution of Jews in Europe during World War 2, including how the Nazis sought to exterminate the Jewish population. It also notes that Hitler was a fan of The Merchant of Venice and discusses how a 2000 production by Trevor Nunn visually echoed the Nuremberg trials to emphasize the reality of the Holocaust and not allow the play to shrink from it.
Merchant screen shot analysis
This document provides analysis of scenes from different film adaptations of The Merchant of Venice. It discusses the use of symbolism, composition, costumes, and other directorial choices to convey meaning and interpretation. Specifically, it notes how the 2000 Trevor Nunn version references the Nuremberg Trials to draw parallels between the treatment of Shylock and the Holocaust.
Mrs Brown Preliminary Evaluation
This document provides guidance for a student to evaluate a preliminary media production task. It outlines three key stages to evaluate: planning and pre-production, production and shooting, and post-production. For each stage, it lists several questions for the student to consider in their evaluation, such as what planning methods they used, how the shoot went, what software and editing decisions they made. It also prompts the student to reflect on how they documented the process in their blog and how they will present their evaluation.
Print glossary
This document defines various terminology used in print media, including the masthead, cover lines, main artist image, direct/indirect mode of address, main artist credit, centre of visual interest, left third, cover mount, font, colour, barcode, issue, price, date, representation, awards and nominations, brand identity, tagline, age rating, director credit, actor credit, teaser poster, main poster, DVD release poster, price, billboard, banner advertising, and footer.
Spoken language quiz
1. The document provides a quiz about analyzing a speech by Boris Johnson and an interview with him conducted by Jeremy Paxman. It includes 20 multiple choice questions about context, language features, and strategies used by Boris Johnson.
2. The answers are then provided on the next slide, explaining things like what paralinguistic features are, the difference between an interruption and overlap, and how Boris Johnson digresses in the interview to avoid answering questions directly.
3. The quiz and answers are meant to test understanding of analyzing spoken language based on a case study of Boris Johnson's public speaking style.
Spoken language features
The document discusses various features that may be present in hesitant speech. It notes that hesitancy can involve deciding whether remarks are planned or spontaneous. Context is provided about some British political figures including Boris Johnson and David Cameron. Examples of controversial topics are given such as the use of performance enhancing substances in sports and criticism of the UK welfare system. The document also discusses concepts relevant to engaging an audience such as humor, inclusive language, and rapport.
Boris Johnson Transcript 2
Jeremy Paxman interviews Boris Johnson and Ken Livingstone in a debate about proposals for London's transport system. Paxman aggressively questions Boris about cost estimates for a proposed new fleet of Routemaster buses, but Boris avoids giving a direct figure, instead digressing and attempting to turn the conversation to his opponent's proposals. Frustrated by Boris' evasiveness, Paxman interrupts and presses for a clear cost, but Boris continues dodging the question and trying to control the agenda.
Y10 war poetry notes
The poem describes the miserable conditions faced by soldiers in World War I. It depicts them waiting in trenches during a snowstorm, exhausted by the cold and silence. While under constant threat from the elements and enemy fire, the soldiers question the purpose of the war and their circumstances, with death seeming inevitable as they "turn back to their dying." The poem conveys the bleak atmosphere and existential reflections of soldiers trapped in the trenches.
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L5A&1
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L3A&1
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Radio glossary
- 1. RADIO GLOSSARY Audio Sound; Crossfade Fade out of one element while simultaneously introducing another. Deejay or DJ Host of radio music program; announcer; "disk jockey." Drive-time Radio's primetime: 6-10 a.m. and 3-7 p.m. Dub Copy of recording; duplicate (dupe). Hype Exaggerated presentation; high-intensity, punched. Jingle Music commercial or promo; signature, aural-logo. Mix Integration of sound elements to create desired effect; production Morning Drive Radio’s most listened-to day section: 6:00-10:00 a.m. Music sweep Several selections played back-to-back without interruption; music segue. Narrowcasting Directed programming; targeting specific audience demographic. Playlist Roster of music for airing. Production The use of studio equipment to combine sounds into a finished product. Psychographics Research term dealing with listener personality, such as attitude, behaviour, values, opinions, and beliefs. Punch Emphasis; stress. Reach Measurement of how many different members of an audience will be exposed to a message. Recut Retake; re-record, remix. Sound bite Audio portion of interview.
- 2. Sponsor Advertiser; client, account, underwriter. Spots Commercials; paid announcements. Station identification Station call letters and wavelength; for example: 97.6FM BBC RADIO 1 Stringer Field or on-scene reporter; freelance reporter. Sweep link Transitional jingle between sound elements. Talent Radio performer; announcer, deejay, newscaster. Talk Conversation and interview radio format. Telescoping Compressing of sound to fit a desired length; technique used in audition tapes and concert promos, editing. Time spent listening (TSL) Measurement of average amount of time spent by average listener tuned to a station. Total Survey Area (TSA) Geographic area in radio survey. Transmit To broadcast Turnover Measurement of how often listenership changes from time period to time period. Voice-over Talk over sound. Voice-track Recording of announcer message for use in mix. Volume Quality of sound; audio level. Volume control fader. Vox Pop usually a recorded interview used in a later show Windscreen Microphone filter used to prevent popping and distortion. Wow Distortion of sound created by inappropriate speed; miscue.