Quincy has pursued architecture since childhood due to an interest in structures and design. Their portfolio demonstrates skills in various areas related to architecture including painting, drawing, model making, material studies, construction techniques, heritage revival, and sensorial design. Key projects include a foldable origami chair exploring materials, a personal den using honeycomb geometry, and a fish market applying sensorial design concepts.

1. PORTFOLIO
Quincy chugh

2. Painting, sketching has always caught my interest since childhood; whether
it be an art competition in school or an everyday time pass hobby at home.
From doodling to a detailed canvas painting helped me expand my
imagination, thought process and improve the quality of my skills at a very
early stage. Houses, buildings and structures have also always caught my
attention. Since I was a child, it fascinated me to observe how many
different kinds of houses existed, how buildings of different forms existed.
And as I went to high school I analyzed my interest in architecture and
chose that to be my profession.
Architecture as said, “jack of all, master of none”, is a true quote.
Being a passionate, dedicated and hardworking child, everything I learn
was always completed with 100% effort. Participation in group projects
helped me realize my leadership qualities and cooperative nature for team
work as well. As followed I have tried to absorb maximum knowledge(studio
based as well as practical) in all the modules necessary for the study of
architecture. The major modules including:
*Architecture design*building construction*architectural
drawing*materials, techniques &processes*fine arts*lighting and
acoustics*sanitation services*history*theory and criticism*
Design being the most creative and wide module has always attracted me
the most. Its diversity has always motivated me to push myself far beyond
my limits. But it is not all if one has knowledge about one subject only.
Knowledge of construction, drawing, materials, software's has always
helped me to develop my design.

3. FINE ARTS
STILL LIFE SKETCHING
PERPECTIVE SKETCHING
NEGATIVE
AND
POSITIVE
STUDY OF LIGHT AND
SHADOW
PERPECTIVE
CHARCOAL
The main aim of the subject was to learn the basic
concepts Of art i.e. the study of light and shadow,
perspective drawings, shading, sketching, role of light.
We also learnt the use of different mediums like charcoal.
Another thing we did was the use of different colors to
change the character of a drawing.

4. ABSTRACT COLLARGES

5. CANVASES PAINTED
Creativity and skills were the
only objectives while doing
projects like these. We had the
freedom to explore and express
anything and everything we
wanted. Understanding the
depth of colors, proportions,
scale, combination were also
tried to achieve in the process.

6. MATERIALS
WIRE
FRAME
STRUCTURE
COVERED
WITH CLOTH
PAPER MASHE
PAPER MASHE MASK MADE WITH
WIRE MESH
WIRE
STRUCTURE
COVERED
WITH CLOTH
ORIGAMI STRUCTURE
MADE WITH MDF AND
FELT
EVOLVED FROM THIS
PAPER FORM
The project was to explore
the different materials,
understand the techniques
to work with them and
learn the processes
involved in it .

7. SCIOGRAPHY
The study of light
and shadow is
called sciography.
We learnt it by
hand drafting as
well as sketching.
The concepts
learned were for
different forms
and different light
sources.

8. TIMBER JOINERIES BOOK SHELF
MADE OUT OF
TIMBER JOINERIES
MITERED MORTISE
AND TENON
MORTISE AND TENON
LAP JOINT

9. TIMBER DOOR AND WINDOW STUDY
TIMBER DOUBLE
PANEL WINDOW SECTION DETAIL
EXTERNAL WALL SECTION
TIMBER DOUBLE
PANEL DOOR SECTION DETAIL

10. STUDY ABOUT BRICKS
FOUNDATION
FLEMISH BOND
ENGLISH BOND
FLEMISH BOND

11. STUDY ABOUT ARCHES
ARCH
LINTEL
PRACTICAL
WORK
ROUND ARCH
HORSE SHOE
ARCH
GOTHIC ARCH TRI-FOIL
ARCH
ELLIPTICAL
ARCH
ACUTE ARCH
FOUR
CENTRED
ARCH

12. CONSTRUCTION
OF MEZZANINE
STUDY
We studied the detail construction
of timber mezzanine in a factory.
It was an area of about
250sq.m(total factory area)and a
timber mezzanine was supposed to
be designed for the same.

13. STUDY
OF
CONCRETE
AND RCC
ELEVATION
GROUND FLOOR PLAN
BASEMENT PLAN
FOUNDATION DETAIL
SECTIONS
EXTERNAL WALL
SECTION AND
CLADDING DETAIL
STAIRCASE
DETAIL

14. FOLDABLE ORIGAMI CHAIR
Derived from the concept of origami
this chair Was designed and made to
understand the different Materials ,
their techniques and processes.
This chair following the principle of
origami also represents modernism.
We explored the usage of
mdf(medium density fiberboard) and
felt together.
It was made in a group of
two(including me) with mdf board
using hinges to create the basic
structure and later on covered with
felt. The chair is folded to its form
from a flat sheet and stuck with a
Velcro tape to join the two different
ends.
Boxboard
model at scale
1:5
UNFOLDED CHAIR
SKETCHUP MODEL

15. STUDY TRIP TO SHEKHAWATI

16. ABSTRACT EXPERIMENT OF FORM , SHAPES
AND CHARACTER.

17. Book cells
with
partitions
My personal den is
inspired by
HONEY COMB
Using principle of
geometry and
repetition, I designed
my form using
hexagons.
The design also follows
the principles of
ANTHROPOMETRY.
The aim of the project
was to design a
anthropometrically
functional den
creatively designed
for a human.
The seating was also
designed using the same
principles.
Two tables along with a
table in the middle.
PERSONAL DEN

18. DETAIL STUDY OF ZAHA HADID,S WORK
D-VILLA(2008)
Max build height:32 feet)
D-villa merges landscape
and architecture to
create elegant, public and
semi-public places which
appears to grow from
ground and float above
it.
KUSNACHT VILLA(2006)
Its internal and external spaces
organically integrated; folding of floors
into walls into ceiling- seamless flow
from inside out.
Detail study with hand
drafted plans, sections
and elevations along
with their analyses,
materials used, design
concept was done by me
as Zaha Hadid being an
ideal architect.

19. PLAN ELEVATION SECTION
MEMORIAL DESIGN
This is a memorial designed
for very reputed cricketer,
Mr.Sachin Tendulkar. This
form was evolved so as to
represent characteristics of
his personality and his
journey as a cricketer
through ABSTRACTION.
The l-shaped blocks randomly arranged together
showing confusion, represents the journey of the
cricketer; the problems he has faced in becoming what
he achieved. The different sizes of the blocks
representing his success story of where he started from
and now followed by the entire country as a king.
The main aim of the project was to learn to transfer a
character to a form along with abstraction

20. RESIDENCE DESIGN
This project was assigned to REDESIGN
our own house according to the
problems faced by us everyday.
I redesigned my own room. I tried to
resolve issues like the heat rays entering the room
and heating it up because of the east facing
direction of the room and also utilizing the the
entire room area(100 sq.m) by dividing the room
into two different spaces using a partition wall;
hence separating the semi-private(siting) and the
private (sleeping) spaces into two different parts.
It was done through a long
processes of the analysis, case
studies of famous architect’s ,
listing of the design requirements
and hence evolving the
redesigning schemes.
HOUSE PLAN
ISOMETRIC VIEW OF THE ROOM
HOUSE ANALYSIS

21. FISH MARKET DESIGN
Using the concept of SENSORIAL
DESIGNING, this project was assigned to
design a fish market.
The main aim of the project was to
understand the concept of sensorial
architecture; where the space is designed
keeping I mind all the human senses
including smell, taste, visual, touch and
sound.
It was designed on a site in Gurgaon
having a triangular shape where one of the
vertices being a major node. Hence the site
also helped us lean to designing on such an
irregular shaped space.
SENSORIAL ANALYSIS OF THE
SITE
SECTIONS
EVOLVEMENT OF FORM

22. REVIVAL OF MANDVI
THE IDEA OF REVIVAL WILL TAKE PLACE ON 3
LEVELS:
AT CITY LEVEL: The Economic Development Of The
City By Introducing A Better Networking System (i.e.
Railway station)
REVIVAL OF RIVER-CITY RELATIONSHIP: the
river in Mandvi played a major role in the past.
Recreating a river edge relationship would lead to a
start to the revival of the river with the city.
REVIVAL OF MATERIALS AND SYSTEMS: a
building which does not stand out but merges into the
city fabric. The use of existing materials and system
in a new way of design. The buildings will be designed
sustaining the character of Mandvi and character of
their individual functions but with huge volumes
containing smaller volumes inside it, giving even a
closed space the character of an open space.
EXTERNAL WALL SECTIONS PLAN
ELEVATION

23. MANDVI SITE MODEL (1:4000)
In a group of five people we made this site model of the city of Mandvi at scale of 1:4000.

24. STUDY OF MATERIALS AND ELEVATION
ANALYSIS
We detail studied the sections of various
buildings made up of different materials And
made with different techniques to study their
application, function, sizes, their source material
to understand the properties of them separately
and understanding the purpose of individual
materials as their individual function with the
help of these MATERIAL MATRICES.
And in the next exercise we tried to GROW THE
ELEVATION of an older building vertically and
horizontally without changing the character it
carries.
MATERIAL MATRICES

25. OTHER
CAMPUS
DEVELOPMENT
ACTIVITIES I
PARTICIPATED
IN
PAINTING ON THE FLOOR
WALLS PAINTED
AMPHITHEATRE PAINTED