The document discusses how the film uses conventions of other horror films to tell the story of a shy, lonely girl. It draws influences from films like Carrie and Black Swan to show the girl's transformation from innocent to evil. The title sequence introduces ambiguity and hints at two sides to her personality. The film targets a female audience by focusing on the girl's struggles to overcome her traumatic past.
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
2024.06.01 Introducing a competency framework for languag learning materials ...
Question 1
1. Question 1:In what ways does
your media product use,
develop or challenge forms
and conventions of real media
products?
Aziezatt Salisu
2. Narrative:
The movie is about a story of a girl who is a
loner. She has no friends and the relationship
with her mother is bad she hardly speak to
her mother. She witness the death of her
father and ever since then she has keep to
herself and prefers not to talk to anyone. At
the beginning the girl is shown as someone
innocent a shy girl who is outcast by her
peers.
At the beginning of my title
sequences it is introduced with a
middle shot a girl showing only half of
her face with blood running down her
eyes with a image of a girl next to
her. This creates an enigma because
it makes the audiences asked
themselves why does the girl look like,
why is there running down her face.
3. Influences http://www.youtube.com/watch?v=pEYRY4C8rW4
This is the opening scene of the movie Carrie
The movie Carrie 2013 links to my
movie a lot because at the beginning
the movie Carrie is showed as a weak
and innocent girl and also harmless
but at the end of the movie Carrie
transform into someone strong. In my
movie we see the girl with blood
running down her face showing that
girl has be harmed but she is smiling on
most of the scene also making the
audiences asking is she pain or is
someone else in pain
http://www.youtube.com/watch?v=HgTimEkYZh0
This scene is when we see the true personality of Carrie
4. Another influences
The movie Black Swan
also relate to movie in
the last dance scene of
the movie she was
wearing white than she
transform into wearing
black this connotes that
the evil side of her has
come out of her
http://www.youtube.com/watch?v=7hVT9y2fM7A
This last dance when she dance and falls and dies. Within my title sequences
We see her on the floor smiling
http://www.youtube.com/watch?v=CsvtIzebNcw
This scene shows us the bad side of her as she faces
The camera inviting the audience to see what she
Has become
5. The title sequences introduce the main
character of the film. The two faces
effect connotes the two sides or
behaviour of the girl. The two faces
also connotes the personality and
symbolise idea of death, change and
the girl fighting for her life as she is
being taken over by a sprits.
6. The movie
The title sequences does introduce the main character and also crates an
enigma for the audiences. The movie is about a shy girl that is outcaste by her
peers and the relation with her mother is weak. In the beginning of the movie the
audiences get to know that she wittiness her father but when we get to the end
of the movie we learn that she was the one that killed her father. This can be a
link o the movie Silent House when the girl though she was being pushed but it
was just her childhood coming back to life and she remember than she kills her
father. In my movie she though she witness someone killed her father but it was
her that killed her father because when she was young her dad rape her and
she got pregnant and her father killed the child so she killed her father because
of the pain that is eating her inside. And the reason why her and her mother
have a weak bond is because she grow to the her mother because her mother
did not save her. In the movie we see her as she starts to become more and
more evil.
7. My Target Audience
My target audiences for my movie are females
this is because it represent the female audience
more than the male audiences. In my movie it
talks about the females most of the time in the
movie how she fights her way into life that was
hiding inside her
8. Barbara Creed
The author examines the role of women in horror films challenging the dominant, patriarchal
view which frequently puts the woman in the position of victim. She argues that when the
feminine is constructed as monstrous, it is frequently done in conjunction with its mothering
functions. The Monstrous-Feminine goes on to discuss and analyse the films Carrie, The Exorcist,
Psycho, Alien and others. According to the author there are seven possible faces of female
monstrosity: 1) archaic mother; 2) monstrous womb; 3) vampire; 4) witch; 5) possessed monster;
6) deadly femme castratrice and 7) the castrating mother. Creed draws heavily on the literary
concept of ‘abjection’, as proposed by Kristeva, which is roughly horror derived from bodily
fluids and excrements (another female-related aspect: the teaching of toiletry). In that sense,
Creed does not bring any innovation, she transposes the main concepts of Kristeva’s literary
feminist perspective to underpin her analysis of horror films. The horror films Creed analysed
were supposed to define the female body as an alien and oppressive realm that provokes
feelings of disgust or fear but the acceptance of such a statement will depend of who you are.
