Printing techniques
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This document describes several different printing techniques: etching uses metal plates and acid to engrave an image; linocut involves carving an image into linoleum with a knife; screen printing uses a stencil and ink on a frame to print the image; lithography uses a printing plate covered in water and ink; letterpress involves relief printing using blocks of wood; gravure uses tiny holes in a printing plate filled with ink; screen process applies ink to a surface to print the non-inked areas; and photocopying allows copying and enlarging/reducing images using a photocopier.
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Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves rolling ink onto a surface, then placing paper on top and making marks on the back of the paper. This transfers an image to the paper. Both positive images from the marks as well as negative spaces appear. The process is simple but results in prints with a painterly, spontaneous quality unlike other art. Examples demonstrate adding shading and tones using fingers on the paper. Monoprints capture accidental ink textures from the rolling process, making each print one-of-a-kind.
Media print techniques
This document discusses various print techniques, including hand techniques like etching, linocut, screen printing, woodcut, and lithography. It notes advantages like the ability to create detailed artwork or prints in multiple, and disadvantages like the time-consuming nature of the processes or messiness of inks. Mechanical techniques discussed are letterpress and screen processes, which allow for mass producing identical images quickly but with expensive equipment costs. Digital techniques covered are photocopying for document copying and laser printing for quality output, though images could be blurred or replacements costly if equipment fails.
Task 1c
This document compares different print techniques, including hand printing methods like etching, linocut, screen print, and woodcut. It also discusses mechanical processes like letterpress, gravure, and screen processes. Finally, it examines digital methods like photocopying and laser printing. For each technique it provides a definition, advantages like speed or quality, and potential disadvantages such as time consumption or messiness.
Monoprinting
Monoprinting involves creating unique prints using ink and paper. To make a monoprint, an artist applies ink to a plate or rolling pin and then places paper on top, drawing into the ink. This creates a "printed painting" with one-of-a-kind textures and marks. Successful monoprints combine spontaneity with control using various tools like fingers, pencils or pens. The document provides step-by-step instructions for making monoprints and examples of techniques like adding shading. It also lists artists who have worked with the monoprinting technique such as Jim Dine, Cy Twombly and Paul Klee.
Year 10 Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves applying ink to a plastic surface with a roller, then placing paper on top and drawing through the paper, which transfers the image to the paper. When the paper is flipped over, it reveals a printed image with accidental background marks that make each monoprint unique. The process is simple but allows for spontaneity and a painted quality in the printed images.
Etching letter power point
Etching is a printmaking technique that has been used for nearly 500 years. It involves engraving lines and grooves into a copper plate or plastic, then forcing ink through those lines. A damp paper is pressed against the plate to transfer the inked design. Originally, etching was used in the Middle Ages to decorate armor. It allowed early printers to formally print words and letters, leading to the development of fonts. Today, graphic designers have a wide variety of digital fonts to choose from for design and communication purposes. The document provides instructions for etching letters into plastic using a sharp needle to cut lines into the surface. It recommends practicing on a sample piece first.
Etching
Dry point etching is a printmaking technique where an artist scratches designs directly into a plastic surface with a needle instead of using acid like in traditional etching. To create a dry point etching, an artist draws lines and textures into the plastic with a needle, applies ink to the scratched areas, places a sheet of wet paper over the plastic, and runs them through a printing press to transfer the inked design onto the paper. The finished etching is then dried between sheets to keep it flat.
Monoprint presentation
Monoprinting is an ancient art form that involves creating unique prints using ink and various mark-making tools on a plate, usually made of plexiglass. Artists can create monoprints by rolling ink onto the plate and then drawing into the ink with tools to remove areas, or by placing paper on the inked plate and drawing on the back of the paper. Monoprinting allows for experimentation and unique results each time as the ink is manipulated in various ways. The document provides instructions for different monoprinting techniques like the subtractive method and using stencils or textured objects pressed into the ink.
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Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves rolling ink onto a surface, then placing paper on top and making marks on the back of the paper. This transfers an image to the paper. Both positive images from the marks as well as negative spaces appear. The process is simple but results in prints with a painterly, spontaneous quality unlike other art. Examples demonstrate adding shading and tones using fingers on the paper. Monoprints capture accidental ink textures from the rolling process, making each print one-of-a-kind.
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This document discusses various print techniques, including hand techniques like etching, linocut, screen printing, woodcut, and lithography. It notes advantages like the ability to create detailed artwork or prints in multiple, and disadvantages like the time-consuming nature of the processes or messiness of inks. Mechanical techniques discussed are letterpress and screen processes, which allow for mass producing identical images quickly but with expensive equipment costs. Digital techniques covered are photocopying for document copying and laser printing for quality output, though images could be blurred or replacements costly if equipment fails.
Task 1c
This document compares different print techniques, including hand printing methods like etching, linocut, screen print, and woodcut. It also discusses mechanical processes like letterpress, gravure, and screen processes. Finally, it examines digital methods like photocopying and laser printing. For each technique it provides a definition, advantages like speed or quality, and potential disadvantages such as time consumption or messiness.
Monoprinting
Monoprinting involves creating unique prints using ink and paper. To make a monoprint, an artist applies ink to a plate or rolling pin and then places paper on top, drawing into the ink. This creates a "printed painting" with one-of-a-kind textures and marks. Successful monoprints combine spontaneity with control using various tools like fingers, pencils or pens. The document provides step-by-step instructions for making monoprints and examples of techniques like adding shading. It also lists artists who have worked with the monoprinting technique such as Jim Dine, Cy Twombly and Paul Klee.
Year 10 Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves applying ink to a plastic surface with a roller, then placing paper on top and drawing through the paper, which transfers the image to the paper. When the paper is flipped over, it reveals a printed image with accidental background marks that make each monoprint unique. The process is simple but allows for spontaneity and a painted quality in the printed images.
Etching letter power point
Etching is a printmaking technique that has been used for nearly 500 years. It involves engraving lines and grooves into a copper plate or plastic, then forcing ink through those lines. A damp paper is pressed against the plate to transfer the inked design. Originally, etching was used in the Middle Ages to decorate armor. It allowed early printers to formally print words and letters, leading to the development of fonts. Today, graphic designers have a wide variety of digital fonts to choose from for design and communication purposes. The document provides instructions for etching letters into plastic using a sharp needle to cut lines into the surface. It recommends practicing on a sample piece first.
Etching
Dry point etching is a printmaking technique where an artist scratches designs directly into a plastic surface with a needle instead of using acid like in traditional etching. To create a dry point etching, an artist draws lines and textures into the plastic with a needle, applies ink to the scratched areas, places a sheet of wet paper over the plastic, and runs them through a printing press to transfer the inked design onto the paper. The finished etching is then dried between sheets to keep it flat.
Monoprint presentation
Monoprinting is an ancient art form that involves creating unique prints using ink and various mark-making tools on a plate, usually made of plexiglass. Artists can create monoprints by rolling ink onto the plate and then drawing into the ink with tools to remove areas, or by placing paper on the inked plate and drawing on the back of the paper. Monoprinting allows for experimentation and unique results each time as the ink is manipulated in various ways. The document provides instructions for different monoprinting techniques like the subtractive method and using stencils or textured objects pressed into the ink.
Year 10 graphics etching letter 2020
Etching is a printmaking technique that has been used for nearly 500 years. It involves engraving lines and grooves into a metal plate or plastic surface and applying ink so it is absorbed into the recessed areas. A damp piece of paper is placed on top and run through a printing press, transferring the inked design onto the paper. Originally used to decorate armor, etching allows for creation of detailed drawings and textures through scratching or engraving an image onto a surface with a dry needle. The document then provides instructions for creating an etching, including drawing the image, inking the plate, printing it, and mounting the finished print.
Etching
Dry point etching is a printmaking technique where an artist scratches designs into a plastic surface with a needle to create tiny grooves. The plastic plate is then inked so that the ink fills the grooves. Wet paper is laid on top and run through a printing press, transferring the ink from the grooves onto the paper to create a print. The document provides instructions for students to create their own dry point etchings by scratching designs into plastic and guiding them through the printing process.
Drypoint prinkmaking
Drypoint is a printmaking technique that produces a softer line than etching. The artist scratches an image into a Plexiglass plate with a stylus, forming raised burrs of plexiglass. These burrs hold ink well initially but flatten with each pass through the printing press, limiting the number of high-quality prints that can be pulled from the plate. The document provides instructions for creating drypoint prints, including preparing the plate by drawing on Plexiglass, inking and printing the plate, and properly labeling proofs and editions.
Printmaking
This document discusses various printmaking techniques including acid etching, lino printing, collographs, direct offset monoprinting, additive and reductive monoprinting, monotypes, gyotaku fish printmaking, and gelatin monoprinting. The techniques involve drawing or collaging onto plates or surfaces, applying ink, and pressing onto paper to transfer the image. Some techniques like acid etching involve etching into metal plates while others like collographs build textures through collage that are then printed.
Drypoint
This document provides instructions for creating a drypoint etching print. It outlines the necessary materials, including plexiglass, masking tape, a scratching tool, ink, and printing paper. It then explains the steps to create the etching, which are to draw an image on plexiglass, tape it down, scratch the lines into the plexiglass to make the printing plate, ink the plate, take a proof print, and make additional prints. Artist examples are provided at the end.
Print based media
Etching is an intaglio printmaking technique that uses acid or mordant to cut into a metal plate to create designs. It is one of the oldest printmaking forms dating back 500 years. The process involves covering a metal plate in wax or resin, using an etching needle to cut an image, then dipping the plate in acid which bites into the exposed metal. Etching allows for detailed images but is very time consuming.
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Intaglio, lithography, woodcut, linocut, and screen printing are printmaking techniques. Intaglio involves incising an image into a plate then rubbing ink into the incisions to transfer the image to paper under pressure. Lithography uses a grease-based image on stone or aluminum that repels water but not oil-based ink. Woodcut and linocut involve cutting away sections of a wood or linoleum block to leave a raised surface for printing. Screen printing uses a woven mesh screen with an ink-blocking stencil to transfer ink through the mesh onto paper or fabric.
Etching
Dry point etching is a printmaking technique where images are incised into plastic or other materials using a sharp needle or tool, transferring ink onto paper to create a print. Originally used to decorate armor, it is now a modern equivalent to traditional etching. The document provides step-by-step instructions for creating dry point etchings, including drawing with a needle, making rubbings, cutting sections, applying tape for texture, inking the surface, printing, and drying the finished print. Students are assigned tasks to create sample pages showcasing etching effects and profiling a selected artist who uses the technique.
Printmaking
Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
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This document discusses various hand printmaking techniques and technologies, including etching, intaglio, linocut, screen printing, woodcut, and lithography. It provides definitions and brief histories for each technique. Etching involves using acid to cut a design into a metal surface, and was one of the earliest intaglio techniques. Intaglio uses an etched or engraved metal plate to leave ink in recessed areas and create an image. Linocut is a relief printmaking variant of woodcut that uses linoleum. Screenprinting uses a woven mesh screen to block out areas and transfer ink. Woodcut involves carving away areas of a block of wood to leave an image. Lithography uses a stone or
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Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
Print production techniques
This document defines and describes various print production techniques, including hand techniques like etching, linocut, screen print, and woodcut. It also covers mechanical techniques such as letterpress and gravure, as well as digital techniques like photocopying, laser printing, and inkjet printing. For each technique, it provides a definition and discusses advantages and disadvantages.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Printmaking
Printmaking is an indirect means of creating art by transferring an image or design by contact with a matrix such as a block, plate, stone, or screen.
Design Printmaking Terms Pics
Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
The representation of objects
The document discusses different methods for representing objects through technical drawings. It describes freehand sketches and diagrams which are created without tools and use light pencil strokes. Views and perspectives are also covered, with views showing an object from specific angles in the front, top, and side. Technical drawing establishes rules for graphic representations of objects through different types of drawings.
Print based production
Hand etching involves engraving into stone, glass, or ceramic tile and dates back to the early 1900s. It requires using very dark stone to contrast with the white etching.
Linocut is a printmaking technique where designs are cut into linoleum, which was first used for printing in Germany in 1905-1913. The raised uncarved parts of the linoleum create a mirror image that is printed.
Intaglio involves etching, engraving, or drypoint into copper or zinc plates. Ink is applied and wiped, leaving ink only in the incisions, then damp paper is run through a press to transfer the ink from the recessed plate.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
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Year 10 graphics etching letter 2020
Etching is a printmaking technique that has been used for nearly 500 years. It involves engraving lines and grooves into a metal plate or plastic surface and applying ink so it is absorbed into the recessed areas. A damp piece of paper is placed on top and run through a printing press, transferring the inked design onto the paper. Originally used to decorate armor, etching allows for creation of detailed drawings and textures through scratching or engraving an image onto a surface with a dry needle. The document then provides instructions for creating an etching, including drawing the image, inking the plate, printing it, and mounting the finished print.
Etching
Dry point etching is a printmaking technique where an artist scratches designs into a plastic surface with a needle to create tiny grooves. The plastic plate is then inked so that the ink fills the grooves. Wet paper is laid on top and run through a printing press, transferring the ink from the grooves onto the paper to create a print. The document provides instructions for students to create their own dry point etchings by scratching designs into plastic and guiding them through the printing process.
Drypoint prinkmaking
Drypoint is a printmaking technique that produces a softer line than etching. The artist scratches an image into a Plexiglass plate with a stylus, forming raised burrs of plexiglass. These burrs hold ink well initially but flatten with each pass through the printing press, limiting the number of high-quality prints that can be pulled from the plate. The document provides instructions for creating drypoint prints, including preparing the plate by drawing on Plexiglass, inking and printing the plate, and properly labeling proofs and editions.
Printmaking
This document discusses various printmaking techniques including acid etching, lino printing, collographs, direct offset monoprinting, additive and reductive monoprinting, monotypes, gyotaku fish printmaking, and gelatin monoprinting. The techniques involve drawing or collaging onto plates or surfaces, applying ink, and pressing onto paper to transfer the image. Some techniques like acid etching involve etching into metal plates while others like collographs build textures through collage that are then printed.
Drypoint
This document provides instructions for creating a drypoint etching print. It outlines the necessary materials, including plexiglass, masking tape, a scratching tool, ink, and printing paper. It then explains the steps to create the etching, which are to draw an image on plexiglass, tape it down, scratch the lines into the plexiglass to make the printing plate, ink the plate, take a proof print, and make additional prints. Artist examples are provided at the end.
Print based media
Etching is an intaglio printmaking technique that uses acid or mordant to cut into a metal plate to create designs. It is one of the oldest printmaking forms dating back 500 years. The process involves covering a metal plate in wax or resin, using an etching needle to cut an image, then dipping the plate in acid which bites into the exposed metal. Etching allows for detailed images but is very time consuming.
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Understand print-based media production techniques and technology
Intaglio, lithography, woodcut, linocut, and screen printing are printmaking techniques. Intaglio involves incising an image into a plate then rubbing ink into the incisions to transfer the image to paper under pressure. Lithography uses a grease-based image on stone or aluminum that repels water but not oil-based ink. Woodcut and linocut involve cutting away sections of a wood or linoleum block to leave a raised surface for printing. Screen printing uses a woven mesh screen with an ink-blocking stencil to transfer ink through the mesh onto paper or fabric.
Etching
Dry point etching is a printmaking technique where images are incised into plastic or other materials using a sharp needle or tool, transferring ink onto paper to create a print. Originally used to decorate armor, it is now a modern equivalent to traditional etching. The document provides step-by-step instructions for creating dry point etchings, including drawing with a needle, making rubbings, cutting sections, applying tape for texture, inking the surface, printing, and drying the finished print. Students are assigned tasks to create sample pages showcasing etching effects and profiling a selected artist who uses the technique.
Printmaking
Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
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This presentation introduces different types of printers. It begins with an agenda that outlines an overview of printers, and then discusses dot matrix printers, ink jet printers, and laser printers in more detail. The document explains that printers are either impact printers that use a device to strike an inked ribbon or non-impact printers that use other methods like spraying ink droplets. It provides specifics on how each type—dot matrix, ink jet, and laser—works.
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This document discusses various hand printmaking techniques and technologies, including etching, intaglio, linocut, screen printing, woodcut, and lithography. It provides definitions and brief histories for each technique. Etching involves using acid to cut a design into a metal surface, and was one of the earliest intaglio techniques. Intaglio uses an etched or engraved metal plate to leave ink in recessed areas and create an image. Linocut is a relief printmaking variant of woodcut that uses linoleum. Screenprinting uses a woven mesh screen to block out areas and transfer ink. Woodcut involves carving away areas of a block of wood to leave an image. Lithography uses a stone or
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This document discusses different types of graphic representations of objects. It defines technical drawing as representations that follow established rules. It analyzes representations created with and without drawing tools, as well as those using views and perspectives. It provides details on sketches and diagrams as initial freehand drawings, describing characteristics like use of measurements. The document offers tips for creating freehand sketches, such as using an appropriate pencil, practicing strokes, avoiding pressing too hard, and paying attention to primary shapes. It encourages trying freehand drawing.
Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
Print production techniques
This document defines and describes various print production techniques, including hand techniques like etching, linocut, screen print, and woodcut. It also covers mechanical techniques such as letterpress and gravure, as well as digital techniques like photocopying, laser printing, and inkjet printing. For each technique, it provides a definition and discusses advantages and disadvantages.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Printmaking
Printmaking is an indirect means of creating art by transferring an image or design by contact with a matrix such as a block, plate, stone, or screen.
Design Printmaking Terms Pics
Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
The representation of objects
The document discusses different methods for representing objects through technical drawings. It describes freehand sketches and diagrams which are created without tools and use light pencil strokes. Views and perspectives are also covered, with views showing an object from specific angles in the front, top, and side. Technical drawing establishes rules for graphic representations of objects through different types of drawings.
Print based production
Hand etching involves engraving into stone, glass, or ceramic tile and dates back to the early 1900s. It requires using very dark stone to contrast with the white etching.
Linocut is a printmaking technique where designs are cut into linoleum, which was first used for printing in Germany in 1905-1913. The raised uncarved parts of the linoleum create a mirror image that is printed.
Intaglio involves etching, engraving, or drypoint into copper or zinc plates. Ink is applied and wiped, leaving ink only in the incisions, then damp paper is run through a press to transfer the ink from the recessed plate.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
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History of Printing
Early Chinese printing techniques involved block printing where text was written on paper, placed face down on a wood block, and the impression was carved out. Ink was applied and a new sheet of paper was pressed onto the block to transfer the text. In 1040, Bi Sheng invented movable type printing in China using removable type tables to organize different character types, which greatly increased printing efficiency.
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MAPEH 6 - ARTS PPT Q3 - Printmaking Types.ppt.pptx
This document discusses the four main types of printmaking: relief printing, intaglio, planography (lithography), and stencil (serigraphy). Relief printing involves cutting away areas of a surface to create a raised image. Intaglio involves engraving or cutting an image into a surface. Lithography uses a greasy drawing on a flat surface that interacts with water and ink. Serigraphy uses a stencil made of fabric with cut out areas to transfer ink through to the printing surface. The document provides details on the tools and processes used for each type of printmaking.
printing
This document discusses the four main types of printmaking: relief printing, intaglio, planography (lithography), and stencil (serigraphy). Relief printing involves cutting away areas of a surface to create a raised image. Intaglio involves engraving or cutting an image into a surface. Lithography uses a greasy drawing on a flat surface that interacts with water and ink. Serigraphy uses a stencil made of fabric with cut out areas to transfer ink through to the printing surface. The document provides details on the tools and processes used for each type of printmaking.
MAPEH 6 - ARTS PPT Q3 - Printmaking Types.pptx
This document summarizes the four main types of printmaking: relief printing, intaglio, planography (lithography), and stencil (serigraphy). Relief printing involves cutting away areas of a surface to create a raised image that transfers ink. Intaglio involves engraving or cutting an image into a surface so ink gets pushed into the lines. Lithography uses a flat surface where grease and water repel each other to transfer an image. Serigraphy uses a stencil made of a fine mesh to push ink through openings and onto a surface. Each technique uses different materials and processes but all involve transferring a designed image through application of ink.
MAPEH 6 - ARTS PPT Q3 - Printmaking Types.ppt
This document discusses the four main types of printmaking: relief printing, intaglio, planography (lithography), and stencil (serigraphy). Relief printing involves cutting away areas of a surface like wood or linoleum to create a raised image that transfers ink. Intaglio cuts into a metal or plexiglass surface to create grooves that hold ink. Lithography uses the properties of grease and water to transfer an image from a flat stone or plate. Serigraphy uses a stencil made of paper, fabric or other material with cut out designs to push ink through and print an image.
Print based production
Hand etching involves engraving into stone, glass or ceramic using a dark material with white etching for contrast. Linocut is a printmaking technique where a design is cut into linoleum and the raised parts are inked to create a mirror image print. Intaglio involves etching, engraving or drypoint into copper or zinc plates, which are then inked and printed under pressure. Screen printing uses a woven mesh screen coated with an impermeable substance to transfer ink through open areas onto paper. Woodcut involves carving away areas of a wood block to leave an inked image when rolled over the surface. Letterpress involves inked printing blocks or type being pressed into paper to leave a positive image. Gravure
Task 2a printing techniques
This document discusses and describes various printing techniques including etching, linocut, screen printing, lithography, letterpress, gravure, photocopying, laser printing, and inkjet printing. It explains that etching involves using acid to carve into metal plates, while linocut involves carving into lino. Screen printing uses a mesh screen and stencil to force ink onto paper. Letterpress and gravure are relief printing techniques that use plates with raised or sunken images. Photocopying and laser printing reproduce images digitally, and inkjet printing sprays ink onto paper.
Etching 16
Dry point etching is a printmaking technique where an artist scratches an image into a plastic surface with a sharp needle. This intaglio process cuts fine lines that hold ink which is then transferred to paper through printing. The document provides step-by-step instructions for creating a dry point etching, including drawing with a needle, making rubbings, cutting out sections, applying tape for texture, inking the scratched lines, wiping excess ink, and printing the etched plate onto wet paper. Students are assigned to create a double page showing dry point etching effects and techniques, and research an etching artist as examples.
Print based media t&t
Print-based media techniques can be categorized as hand techniques, mechanical techniques, and digital techniques. Hand techniques include etching, intaglio, linocut, screen print, woodcut, and lithography. Mechanical techniques are letterpress and gravure screen processes. Digital techniques have evolved from photocopying to laser printing, inkjet printing, desktop publishing, and digital screen printing. These techniques allow artists and publishers to create images and transfer designs to paper through manual, mechanized and computer-based methods.
Etching 19
Etching has been used for nearly 500 years as a printmaking technique where ink is forced through lines etched into a copper or plastic plate to create prints. Originally used to decorate armor, etching involves using a needle or sandpaper to scratch designs into a surface, then applying ink which is transferred to paper under pressure. The document provides instructions for creating an etching, including drawing and rubbing designs, cutting shapes, applying tape for texture, inking the plate, printing, and adding details like watercolor once printed.
Robert's work media level 2
The document describes the process for creating a lino print. First, an image is drawn and taped face down onto a piece of lino. The artist then traces the image onto the lino with a pencil. Next, they carefully cut along the traced lines using a lino cutter. The lino is inked with a roller and pressed onto paper to create the print. The paper is then rubbed to ensure an even print without smears. The final step is removing the paper to reveal the completed lino print.
Robert's work media level 2
The document describes the process for creating a lino print. First, an image is drawn and taped face down onto a piece of lino. The artist then traces the image onto the lino with a pencil. Using a lino cutter, the artist carefully cuts along the traced lines. Ink is rolled onto the lino, which is then pressed onto paper to create the print. The paper is rubbed to ensure an even print without smears. The process produces a unique print.
Etching 15
Dry point etching is a printmaking technique where an artist scratches an image into a plastic surface with a sharp needle. This intaglio process cuts fine lines into the surface that hold ink. A sheet of wet paper is placed on top of the inked surface and run through a printing press, transferring the ink from the incised lines onto the paper to create a print. Artists can create different tones and textures using various mark-making techniques with the needle. Additional effects can be made by creating rubbings on the surface or cutting out and overlapping sections of plastic. Dry point etching is the modern equivalent of the traditional etching process and allows artists creative control over the marks and textures within their prints.
Task 2
Several traditional printing techniques are described, including etching, linocut, and screen printing which involve using acids, cutting linoleum, or transferring ink through a mesh respectively. Lithography involves using oil and water on a stone or metal plate to print, while letterpress uses an inked raised surface and movable press. Gravure uses small impressions in a printing plate surface to transfer ink to paper.
Etching
Dry point etching is a printmaking technique where an artist scratches an image into a plastic surface with a sharp needle. This intaglio process cuts lines that hold ink which is then transferred to paper. Artists can create tonal effects and textures through varied needle techniques. Additional effects come from rubbings made on the surface with sandpaper or by cutting out and overlapping sections of plastic. Tape is also used to add textures before inking the surface and pressing it to transfer the image to wet paper. The finished etching is dried under weight to ensure it lies flat.
Etching 18
Dry point etching is a printmaking technique where an artist scratches an image into a plastic surface with a sharp needle. This intaglio process cuts fine lines that hold ink which is then transferred to paper through printing. The artist can create tonal variation and textures through different scratching techniques with the needle. Additional effects are made by creating rubbings on the surface with sandpaper or adding tape for texture. The inked etching plate is pressed through a printing press to leave the incised image on paper. Students will create a double page demonstrating various dry point etching effects and techniques by the assigned deadlines.
Etching Letter PowerPoint.pptx
The document discusses the history and process of etching. It has been used for nearly 500 years, originally to decorate armor, where designs were etched into metal plates. Etching involves using a needle to cut lines into a plate, usually copper or plastic, then applying ink so it flows through the lines to create a print on paper. In graphics, etching was one of the first techniques used to print letters and fonts, leading to the development of typefaces. Today graphic designers have a wide variety of fonts to choose from for communication and design.
Etching letter power point
Etching is a printmaking technique that has been used for nearly 500 years. It involves engraving lines and grooves into a copper plate or plastic, then forcing ink through those lines. A damp paper is pressed against the plate to transfer the inked design. Originally, etching was used in the Middle Ages to decorate armor. It allows for precise detailed drawings and was one of the first methods used to print letters and develop fonts. Today, graphic designers have a wide variety of digital fonts to choose from for communication and design. The document provides instructions for etching a letter by carefully tracing a design onto plastic with a needle to create grooves that hold ink. It recommends practicing on a sample first.
Print making report
Printmaking is the process of making multiple artworks through various techniques involving transferring ink from a matrix or screen onto paper or other material. The main printmaking techniques discussed include intaglio methods like engraving, etching, mezzotint and aquatint where ink is pressed into lines or tones on a plate before printing; lithography which uses the repulsion of oil and water to create images on stone or metal plates; and screenprinting which forces ink through a fabric stencil using a squeegee. Artists over centuries have experimented with these techniques to produce artistic prints.
art dry point etching powerpoint for students
Dry point etching is a printmaking technique where an image is inscribed into a surface like plastic or metal using a sharp needle or tool, creating tiny grooves that hold ink. To create a dry point etching, an artist scratches lines and patterns into a plastic surface with a needle to build up tones and textures. Ink is applied and wiped across the surface, filling the grooves, then a damp paper is placed over the plastic and run through a printing press to transfer the inked image. The process produces a textured, delicate print similar to drawing but permanently preserved through printing. Students are assigned a project to create double pages demonstrating dry point etching techniques and showcasing the work of an artist who uses etching in their
Longgggg asssss powerpoint. homework
Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. A roller or squeegee is used to force ink through the mesh onto the substrate, creating a sharp-edged image. It is also known as silkscreen printing. Etching is an intaglio printing process where an image is incised into a surface like copper or zinc. The incised lines are then filled with ink to create the print. Woodcut is a relief print where the artist cuts away sections of a block of wood to leave the image in raised areas. The raised areas are then inked before the print is taken.
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MAPEH 6 - ARTS PPT Q3 - Printmaking Types.ppt.pptx
MAPEH 6 - ARTS PPT Q3 - Printmaking Types.ppt.pptx
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Task 4: Case Study 5
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Task 4: Case Study 4
The document discusses a short documentary called "Behind the scenes with a top referee" about referee Xavi Estrada Fernandez. It follows his daily routine and preparations for refereeing games in the UEFA European under 21 Championships. The documentary was well-edited into a 5-minute video that gave viewers insight into the hard work and sacrifices required to have a career as a referee. It was produced by UEFA to educate football fans about the lives of referees.
Task 4: Case Study 3
The document summarizes a short video produced by FIFA about VAR (Video Assistant Referee) technology. It explains that VAR involves a group of 3 people analyzing video replays to help referees make decisions. The video uses interviews and footage to show how VAR works and how it benefits referees. It aims to help football fans understand VAR and why it's being implemented. The production quality is good and it provides insight into the process in an authentic way over its 3 minute runtime.
Task 4: Case Study 2
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Final Magazine (2)
Sweden qualified for the 2018 World Cup by defeating Italy 1-0 on aggregate in their playoff. It is Sweden's first World Cup qualification since 2006. Meanwhile, Italy failed to qualify for the first time since 1958. Denmark thrashed Ireland 5-1 in their playoff, with Christian Eriksen scoring a hat-trick. Leyton Ladies lost a close volleyball match to Barnet despite Jasmine's strong performance. Brazil won the men's volleyball gold medal at the Olympics, defeating Italy 3-0 at home to achieve their goal after losing in two previous finals."
Sports magazine Version 1
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This call sheet is for the production "Lions Sports" being filmed on October 11, 2017. It will be shooting scene 1 at a TV studio location. The call sheet lists the director, assistant director, estimated wrap time, location contact and other production crew including those handling camera, lighting, props, costumes, makeup and catering. Smoking is prohibited on set.
Film Screenplay
A screenwriter named Walter Smith used a script format to tell about a boy named Kane in a difficult situation. The script starts on a bridge and uses short descriptions to depict a stark new world, with action like explosions of gas occurring. It introduces the character and setting in each section to advance the story.
Genre
The document discusses a case study on the sports videogame genre. Specifically, it chooses FIFA 17 as the game to focus on because it is the latest edition in the FIFA football franchise and accurately reflects the sports genre. The genre was chosen because the author enjoys sports like football and has experience playing FIFA games. PES 2011 is also mentioned as another representative of the sports genre that could be discussed in the case study.
Reflections and research for human rights
The document discusses human rights themes that could be explored for a campaign project. It considers equality in pay between men and women, with a focus on addressing the unfairness of women typically earning less than men for equal work. Secondary research presented finds that the pay gap persists and impacts minority women and mothers most significantly. It also discusses how certain job fields tend to see salary decreases as more women enter. The research suggests closing the pay gap could take over 100 years at the current rate of progress. The document explores these issues to inform the development of a poster, radio, or TV campaign on human rights and equality in pay.
Human rights: Equality Pay
This document discusses human rights and equality in pay. Specifically, it talks about how women often earn less than men for doing the same work. The author wants to create a poster and TV campaign to raise awareness about unequal pay and push for equal treatment and compensation regardless of gender. Classmates provided positive feedback on the topic and discussed how inequality and unfair judgments still exist in many areas of life. The author believes highlighting these issues could help answer why such disparities occur and hopes to engage the government and public on creating meaningful change through their work.
Critical and contextual studies film analysis
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Reviews of documentary posters
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Task 2 pre production
Onder and Thaddeus are producing a documentary on the death penalty. They must take safety precautions such as avoiding loose wires, slippery surfaces, and bumping into students. The documentary will involve Thaddeus introducing facts about the death penalty and then interviewing students to get their opinions on issues like innocence, costs, and morality. They have scheduled multiple filming sessions and selected quiet locations on campus. Release forms will be used to get permission from interviewees.
Task 1 research
The document outlines a research plan to survey students ages 16-19 about their views on the death penalty. Researchers will first present facts about the death penalty gathered from secondary research, such as that at least 1 in 25 people sentenced to death are innocent. They will then ask the students a series of questions to understand their stance on the death penalty and whether the facts presented changed their views. The goal is to see if presenting objective facts can influence opinions on this controversial issue.
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Journalism2 task 4
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Printing techniques
- 2. Etching It was made in the 15th century and is a hand printing technique. It is basically engraving using metals as acid goes over it. This exposes the parts that you want to hand print.
- 3. Linocut This is using a sharp knife or chisel and it mirrors the image. You use it to carve into paper when another piece is on top and on it transfers onto the other piece of paper.
- 4. Screen Print This is when you have a frame and then you put what you want to print on top of it. You use a stencil and colour over it and then it appears of the frame.
- 5. Lithography This when a printing plate is used and a relief images is covered with water and then ink goes over it so it prints.
- 6. Letterpress This is a type of relief printing. You have a block of wood and chop of some of it so what you want to print is raised up. You then get a roller and ink the top and then apply material to what the top of it then it will print and show on the material.
- 7. Gravure A images is created and contains tiny holes that sinks into the surface of a printing plate. The holes are then filled with ink and any extra ink is removed. It is then pressed on paper and prints
- 8. Screen Process This is when you apply ink on a surface so it can be printed out. The fabric that does not touch the surface of ink will not get printed.
- 9. Photocopying This is a when you use a photocopier and paper. You can copy reference material (if copyright allows). Some photocopiers use colour which is good. Also you can enlarge or reduce some drawings when you copy it out.