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The student took inspiration from Rihanna's digipak design of spreading one image across the side. For their design, they used a concert photo from an Arctic Monkeys gig that draws attention due to the lighting. They also used a photo from Reading Festival for the front cover, which features people with their arms raised similarly to other images. Through feedback, they selected a close-up stage photo that linked better with the top image due to matching colors. The final digipak design ties the images together through a cohesive atmosphere and coloring.
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Print screens digipak
The document summarizes the design choices for a digipak album cover. It took inspiration from Rihanna's use of a single image spread across the front. Most digipaks have the band's name inside, so it includes that. The front image is one taken at an Arctic Monkeys concert to draw attention to the song titles listed inside, along with a barcode and record label information. The front cover image comes from a festival and reflects the album title with eye-catching black and white writing.
Evaluation question 4 powerpoint
Myself and Josh created a band poster using Photoshop. They began with a rose image from Google, adding a glow effect and toning down the colors to look unnatural. Black paint splats were added below the rose to add chaos. Layering was useful to make the elements seem seamless. Finally, band information like title and contact details were added in inspired fonts, completing the poster. Photoshop's tools and layering allowed recreating desired visual effects to convey the band's style.
Digipak and magazine advert editing updates
This document provides details on the design of a digipak and magazine advertisement. It describes the basic structure and backgrounds used for the digipak, including the font, images, outer glow, and text colors. It then explains the design process for the magazine advertisement, including starting with a gradient background, adding the sunset image, text, main digipak image, streaming site logos, star reviews, and a drop shadow.
A Live Magazine
The document describes the design process for a magazine cover and contents pages featuring singer P!nk. The designer experimented with different images of P!nk, fonts, and layouts to create an eye-catching cover related to P!nk's "Funhouse" tour. Images of the crowd were also included. The contents pages list categories and include more photos of P!nk and the cover. A double page feature uses a large central image along with additional photos and titles relating to the "Funhouse" theme.
Photoshop printscreens
The document describes the steps taken to design a digipak album cover in Photoshop. The designer first imported an image of Ella and increased the contrast to make her lips brighter red. They cropped the image and added it to the digipak template at 37% opacity. The image was also duplicated and added to the other inside cover. Text was added including the artist's name from an online font site. Additional elements were included like the album title, song list, and barcode. Lyrics from one of the songs were also added to the inside fold.
Digipak Printscreens
The document describes the process of designing a digipak for a music album. The designer edited photos to portray the happy and fun persona of the artist. Images were cropped, had their contrast, brightness, and saturation adjusted to make colors stand out. Photos were placed on the front and back covers along with the artist name and song titles. Additional interior pages featured close-up portraits and lyrics. The goal was to convey the artist's emotion and style through visual design of the digipak consistently across formats to engage audiences.
5 Digipack Features
The document discusses various digipacks and posters for music albums. It analyzes how the visual elements, themes, and imagery shown in the digipacks relate and correspond to the posters for each album. Specific elements that are compared between the digipacks and posters include themes, outfits, logos, images of band members, track listings, and background imagery. The goal appears to be examining the visual continuity and links between how each album is represented in its digipack and poster.
How effective is the combination of your product and ancillary texts?
1) The document discusses the creative choices made in designing the packaging, advertising, and visual components for a pop album by artist Madelyniris.
2) Key elements like outfits, locations, and color palettes were chosen to create continuity across the music video, album cover, and additional marketing materials.
3) Photographic styles ranging from close-ups to landscape shots were selected deliberately based on research of successful indie pop artists, with the goal of representing the artist and appealing to their target audience.
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Print screens digipak
The document summarizes the design choices for a digipak album cover. It took inspiration from Rihanna's use of a single image spread across the front. Most digipaks have the band's name inside, so it includes that. The front image is one taken at an Arctic Monkeys concert to draw attention to the song titles listed inside, along with a barcode and record label information. The front cover image comes from a festival and reflects the album title with eye-catching black and white writing.
Evaluation question 4 powerpoint
Myself and Josh created a band poster using Photoshop. They began with a rose image from Google, adding a glow effect and toning down the colors to look unnatural. Black paint splats were added below the rose to add chaos. Layering was useful to make the elements seem seamless. Finally, band information like title and contact details were added in inspired fonts, completing the poster. Photoshop's tools and layering allowed recreating desired visual effects to convey the band's style.
Digipak and magazine advert editing updates
This document provides details on the design of a digipak and magazine advertisement. It describes the basic structure and backgrounds used for the digipak, including the font, images, outer glow, and text colors. It then explains the design process for the magazine advertisement, including starting with a gradient background, adding the sunset image, text, main digipak image, streaming site logos, star reviews, and a drop shadow.
A Live Magazine
The document describes the design process for a magazine cover and contents pages featuring singer P!nk. The designer experimented with different images of P!nk, fonts, and layouts to create an eye-catching cover related to P!nk's "Funhouse" tour. Images of the crowd were also included. The contents pages list categories and include more photos of P!nk and the cover. A double page feature uses a large central image along with additional photos and titles relating to the "Funhouse" theme.
Photoshop printscreens
The document describes the steps taken to design a digipak album cover in Photoshop. The designer first imported an image of Ella and increased the contrast to make her lips brighter red. They cropped the image and added it to the digipak template at 37% opacity. The image was also duplicated and added to the other inside cover. Text was added including the artist's name from an online font site. Additional elements were included like the album title, song list, and barcode. Lyrics from one of the songs were also added to the inside fold.
Digipak Printscreens
The document describes the process of designing a digipak for a music album. The designer edited photos to portray the happy and fun persona of the artist. Images were cropped, had their contrast, brightness, and saturation adjusted to make colors stand out. Photos were placed on the front and back covers along with the artist name and song titles. Additional interior pages featured close-up portraits and lyrics. The goal was to convey the artist's emotion and style through visual design of the digipak consistently across formats to engage audiences.
5 Digipack Features
The document discusses various digipacks and posters for music albums. It analyzes how the visual elements, themes, and imagery shown in the digipacks relate and correspond to the posters for each album. Specific elements that are compared between the digipacks and posters include themes, outfits, logos, images of band members, track listings, and background imagery. The goal appears to be examining the visual continuity and links between how each album is represented in its digipack and poster.
How effective is the combination of your product and ancillary texts?
1) The document discusses the creative choices made in designing the packaging, advertising, and visual components for a pop album by artist Madelyniris.
2) Key elements like outfits, locations, and color palettes were chosen to create continuity across the music video, album cover, and additional marketing materials.
3) Photographic styles ranging from close-ups to landscape shots were selected deliberately based on research of successful indie pop artists, with the goal of representing the artist and appealing to their target audience.
Photoshops
The document describes the process an artist took to design an advertisement for their magazine. They chose an image of the artist that represented her positively and linked to her genre of calm love songs. They added the artist's logo, album name, and release date using the same fonts from the album packaging to create consistency. Critic reviews and ratings were included to make the ad look more professional. The designer reflects that they would experiment with different images and black and white in the future to better match the overall branding.
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Digipak progression mockup
This document discusses the design elements of Taylor Swift's album "1989" and how they were used as inspiration for a mock-up album design. Key elements copied from Swift's design include a minimalist, neutral color scheme carried throughout the front cover, spine, and back cover. Photos were chosen that could be recreated on a low budget. The mock-up CD designs were kept simple with the album's color on the rims to look professional. Sample photos were used inside in a polaroid format, continuing the theme while being affordable for an independent artist. Overall continuity of color scheme and design was maintained to make the mock-up digipak visually cohesive.
Digi pak 2
The front of the digipak uses a vintage, flowery background with muted colors to simplify the cover. It features an edited photo of the lead singer, Marina, representing her perfection like the "diamonds." The same white font is used for the artist name as a motif. The back continues the perfect, natural beauty idea with a similar photo and uses the white font for the track list that flows with her hair against a solid off-white background.
Task 43
The document discusses design plans for a digipak for a music album. It will use colorful lighting and themes on the front and back despite the dark theme of the song lyrics. On the back, there will be a picture of the singer holding a woman's hand and a list of other songs. On the front, the singer will be pictured looking seriously into the camera against a bright blue background to contrast his disturbed emotional state with the otherwise colorful design. Alternative designs featuring leafless trees are also considered to represent the singer's inner emptiness.
Digipak
This digipak design is for an unsigned artist named Carly Jones. The front cover features Carly's photo with the album title "Reason to Smile", which is also the title of one of her songs and the music video produced for her. The back contains the track list in black and white. Inside spreads contain additional photos of Carly to connect the viewer to the artist and music throughout opening the digipak. Colors and design elements were chosen to tie the front and back covers together cohesively.
6. fmp production reflection
The document provides details about the process of creating various promotional materials for a retro 1980s-themed band called Blue Thunder. It describes designing an album cover featuring a grid, space background, mountain, and lightning effects. It also outlines designing a band t-shirt with the same space background and lightning bolts, as well as a poster advertising the band's tour from London to NYC featuring grids, text, and duplicated fonts for continuity across projects. The goal was to create cohesive designs capturing the retro 80s theme and attracting audiences.
Promotion print screens
The document summarizes the creative process behind designing a music promotion poster. Key elements included:
1) Choosing a red background to symbolize love and passion for the storyline.
2) Placing a cracked mirror in front of the actor to represent his distorted past and broken life.
3) Editing an image of a happy couple and placing it in the cracked mirror, faded to represent a memory from the actor's past.
4) Including details like a shadow and title to convey that this was a promotion for a club song called "On & On".
Evaluation – the ancillary task
Katherine evaluates her ancillary task of designing a CD cover and inserts for the fictional band Fire Drive Tiger. She summarizes the design process for each element, including using inspiration from real band covers and layouts. Key design elements included a cartoon tiger face, orange and black colors, and matching fonts. Katherine believes the final ancillary product captures the pop/rock genre, appeals to their target audience, and complements their music video well through consistent use of the tiger icon and colors across all pieces.
Analysis of digipak and magazine advert drafts
This document analyzes four draft designs for Digipaks and magazine advertisements. For each draft, the document discusses design elements and how they relate to audience feedback or conventions of the indie genre. Key points addressed include color schemes, use of images versus text, placement of band name and album title, and maintaining continuity across panels. The document provides feedback on what elements were effective and which designs could be improved for a final product.
How did you attract an audience?
The document discusses how imagery, text, and color were used to attract the intended audience for an electronic music magazine. For imagery, photos were taken at concerts and of DJ equipment to engage readers interested in genres like drum and bass. Photos were edited with techniques like depth of field and composite backgrounds. Fonts like Bauhaus 93 and Eris Bold ITC were used for text to look modern. Color schemes of purple, black, white and yellow were chosen to represent the electronic music genre and emulate club/festival lighting styles. Together these visual elements aimed to attract younger audiences by accurately representing the electronic music scene.
Digipak research
This document analyzes and describes the digipak for the album "The Heist" by Macklemore and Ryan Lewis. It notes the minimalist design uses black, gold, and white colors. The front features a simple snake skin pattern design. The back lists the songs and continues the color scheme. The insert provides artwork related to each song to give fans context and a connection to the music and artists. Overall, the design draws connections to Macklemore's style and music through imagery while diverging from conventions of typical hip hop digipaks.
Ancillaryworkinside
The document describes the design process for the inside cover of a digipak album. It discusses:
1) Using a dark blue gradient background for consistency with the front cover and advertisements.
2) Creating a graphic of a cat with multicolored teeth to represent the house genre and make it distinct from mainstream pop music.
3) Refining the graphic by selecting eyes that fit with the rainbow teeth but also looked realistic, leaving enough space for the CD hole.
4) Including an overlay of the CD to ensure accurate sizing and placement of the graphic.
5) Noting that the artist's image cannot yet be added as planned due to their unavailability, so alternative designs
Digipak prints
This document describes the process of creating a custom CD digipak. [1] The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. [2] A template was used to aid the layout, and the creator designed a logo for the artist in Photoshop. [3] Drawing inspiration from Ellie Goulding's "Lights" album cover, the creator used a close-up image of the artist's face on the front cover and experimented with layouts before finalizing the design.
Contents page powerpoint - Rachael Sampson
The document describes how the author created a contents page for a magazine incorporating a photo they took with a musician. They edited the photo to change hair color and background. Advertisements and competitions were added to entice the target audience of late teenagers. A variety of bands and styles were featured to appeal to more readers. The layout imitated a newspaper with enlarged page numbers and divided sections. Original and online images were used to make it seem like a realistic magazine.
Analysis of student digipak
The Digipak uses a consistent color scheme of purple, pink, black and white across three pages to promote a single called "Talking Dreams" by a band. Each page features a nighttime landscape background image representing the theme of dreams. Page one displays the song and band name prominently in purple. Page two depicts band members in a studio setting continuing the color scheme. Page three shows the band members in the landscape from page one, with song details listed below in purple. Consistency in images, colors and layout across the three pages creates an effective overall design for the Digipak that matches the theme of the song and genre of music.
manipulation
The document summarizes the steps taken to edit a photo in Photoshop to create an album cover for an EDM artist. It describes starting with a gray background and placing the photo on top. Settings were adjusted to lower brightness, increase saturation and change hue to fit the EDM genre. Text was added using the artist's standard font. Effects were used to gradually fade the image into the background to imply deterioration from the negative effects of EDM culture. The album title was centered across the artist's eyes following conventions. Feedback was gathered on font options before finalizing the cover design.
Digipak analysis for five video's
This digipak features an eye-catching central image of a spotlight on a square, which is a trademark symbol for the band. While it does not include photos of the band members, the unique font used for the band name makes it clear who the artist is. Information on the back includes social media links, the record label, and a list of the songs on the CD.
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This document discusses the design elements of Taylor Swift's album "1989" and how they were used as inspiration for a mock-up album design. Key elements copied from Swift's design include a minimalist, neutral color scheme carried throughout the front cover, spine, and back cover. Photos were chosen that could be recreated on a low budget. The mock-up CD designs were kept simple with the album's color on the rims to look professional. Sample photos were used inside in a polaroid format, continuing the theme while being affordable for an independent artist. Overall continuity of color scheme and design was maintained to make the mock-up digipak visually cohesive.
Digi pak 2
The front of the digipak uses a vintage, flowery background with muted colors to simplify the cover. It features an edited photo of the lead singer, Marina, representing her perfection like the "diamonds." The same white font is used for the artist name as a motif. The back continues the perfect, natural beauty idea with a similar photo and uses the white font for the track list that flows with her hair against a solid off-white background.
Task 43
The document discusses design plans for a digipak for a music album. It will use colorful lighting and themes on the front and back despite the dark theme of the song lyrics. On the back, there will be a picture of the singer holding a woman's hand and a list of other songs. On the front, the singer will be pictured looking seriously into the camera against a bright blue background to contrast his disturbed emotional state with the otherwise colorful design. Alternative designs featuring leafless trees are also considered to represent the singer's inner emptiness.
Digipak
This digipak design is for an unsigned artist named Carly Jones. The front cover features Carly's photo with the album title "Reason to Smile", which is also the title of one of her songs and the music video produced for her. The back contains the track list in black and white. Inside spreads contain additional photos of Carly to connect the viewer to the artist and music throughout opening the digipak. Colors and design elements were chosen to tie the front and back covers together cohesively.
6. fmp production reflection
The document provides details about the process of creating various promotional materials for a retro 1980s-themed band called Blue Thunder. It describes designing an album cover featuring a grid, space background, mountain, and lightning effects. It also outlines designing a band t-shirt with the same space background and lightning bolts, as well as a poster advertising the band's tour from London to NYC featuring grids, text, and duplicated fonts for continuity across projects. The goal was to create cohesive designs capturing the retro 80s theme and attracting audiences.
Promotion print screens
The document summarizes the creative process behind designing a music promotion poster. Key elements included:
1) Choosing a red background to symbolize love and passion for the storyline.
2) Placing a cracked mirror in front of the actor to represent his distorted past and broken life.
3) Editing an image of a happy couple and placing it in the cracked mirror, faded to represent a memory from the actor's past.
4) Including details like a shadow and title to convey that this was a promotion for a club song called "On & On".
Evaluation – the ancillary task
Katherine evaluates her ancillary task of designing a CD cover and inserts for the fictional band Fire Drive Tiger. She summarizes the design process for each element, including using inspiration from real band covers and layouts. Key design elements included a cartoon tiger face, orange and black colors, and matching fonts. Katherine believes the final ancillary product captures the pop/rock genre, appeals to their target audience, and complements their music video well through consistent use of the tiger icon and colors across all pieces.
Analysis of digipak and magazine advert drafts
This document analyzes four draft designs for Digipaks and magazine advertisements. For each draft, the document discusses design elements and how they relate to audience feedback or conventions of the indie genre. Key points addressed include color schemes, use of images versus text, placement of band name and album title, and maintaining continuity across panels. The document provides feedback on what elements were effective and which designs could be improved for a final product.
How did you attract an audience?
The document discusses how imagery, text, and color were used to attract the intended audience for an electronic music magazine. For imagery, photos were taken at concerts and of DJ equipment to engage readers interested in genres like drum and bass. Photos were edited with techniques like depth of field and composite backgrounds. Fonts like Bauhaus 93 and Eris Bold ITC were used for text to look modern. Color schemes of purple, black, white and yellow were chosen to represent the electronic music genre and emulate club/festival lighting styles. Together these visual elements aimed to attract younger audiences by accurately representing the electronic music scene.
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This document analyzes and describes the digipak for the album "The Heist" by Macklemore and Ryan Lewis. It notes the minimalist design uses black, gold, and white colors. The front features a simple snake skin pattern design. The back lists the songs and continues the color scheme. The insert provides artwork related to each song to give fans context and a connection to the music and artists. Overall, the design draws connections to Macklemore's style and music through imagery while diverging from conventions of typical hip hop digipaks.
Ancillaryworkinside
The document describes the design process for the inside cover of a digipak album. It discusses:
1) Using a dark blue gradient background for consistency with the front cover and advertisements.
2) Creating a graphic of a cat with multicolored teeth to represent the house genre and make it distinct from mainstream pop music.
3) Refining the graphic by selecting eyes that fit with the rainbow teeth but also looked realistic, leaving enough space for the CD hole.
4) Including an overlay of the CD to ensure accurate sizing and placement of the graphic.
5) Noting that the artist's image cannot yet be added as planned due to their unavailability, so alternative designs
Digipak prints
This document describes the process of creating a custom CD digipak. [1] The creator began by taking inspiration from existing album covers in terms of color, pattern, images and typography. [2] A template was used to aid the layout, and the creator designed a logo for the artist in Photoshop. [3] Drawing inspiration from Ellie Goulding's "Lights" album cover, the creator used a close-up image of the artist's face on the front cover and experimented with layouts before finalizing the design.
Contents page powerpoint - Rachael Sampson
The document describes how the author created a contents page for a magazine incorporating a photo they took with a musician. They edited the photo to change hair color and background. Advertisements and competitions were added to entice the target audience of late teenagers. A variety of bands and styles were featured to appeal to more readers. The layout imitated a newspaper with enlarged page numbers and divided sections. Original and online images were used to make it seem like a realistic magazine.
Analysis of student digipak
The Digipak uses a consistent color scheme of purple, pink, black and white across three pages to promote a single called "Talking Dreams" by a band. Each page features a nighttime landscape background image representing the theme of dreams. Page one displays the song and band name prominently in purple. Page two depicts band members in a studio setting continuing the color scheme. Page three shows the band members in the landscape from page one, with song details listed below in purple. Consistency in images, colors and layout across the three pages creates an effective overall design for the Digipak that matches the theme of the song and genre of music.
manipulation
The document summarizes the steps taken to edit a photo in Photoshop to create an album cover for an EDM artist. It describes starting with a gray background and placing the photo on top. Settings were adjusted to lower brightness, increase saturation and change hue to fit the EDM genre. Text was added using the artist's standard font. Effects were used to gradually fade the image into the background to imply deterioration from the negative effects of EDM culture. The album title was centered across the artist's eyes following conventions. Feedback was gathered on font options before finalizing the cover design.
Digipak analysis for five video's
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Digipak analysis task 4
The document provides summaries of several different album digipaks:
1) The "Distorture" digipak uses a simple color scheme of red, white, and black that is clean but conveys horror themes inappropriate for the artist's genre.
2) Rihanna's "Loud" digipak consistently uses red coloring throughout and capitalized font for readability, focusing more on her image than the music.
3) Take That's "Beautiful World" digipak features the band on every panel in natural settings relating to the album title, clearly showing the artists.
4) Florence and the Machine's mystical, fairy tale-esque digipak uses superimposed images and avoids
Digipak analysis task 4
The document provides examples and analyses of different album digipaks across various genres:
- The "Distorture" digipak uses a simple black, white, and red color scheme that the author likes for its clean cut style, though the horror themes do not fit their own album.
- Rihanna's "Loud" digipak consistently uses the color red and features her image sexualized across panels, with a clean font, though the author feels her ubiquitous image is too mainstream.
- Take That's "Beautiful World" digipak prominently features the band's images relating to the title's natural settings, showing the artists clearly while creating theme coherence.
- Florence and
Digipak analysiss
The document analyzes and summarizes key elements of digipak album covers from three indie artists - Gabrielle Aplin, Imagine Dragons, and Lana Del Rey. Some elements that the author notes as effective include contrasting fonts that make the albums stand out, continuity of design elements across the front and back covers, inclusion of the artist's website, and bold positioning of song titles that catches the viewer's attention. The author indicates they will consider incorporating inspirations from these digipaks, such as continued colors, layouts, and inclusion of legal/website information, into their own designed digipak.
Creating the poster
Amelia and Siobhan worked together to create a Digipak for a group called O.M.G on a tight deadline. Amelia had originally designed a poster that served as the basis for the Digipak design. This PowerPoint shows the process they used to collaboratively design the Digipak, which included researching existing Digipaks, creating mood boards, designing cover pages in PowerPoint, and selecting photos and fonts. The final Digipak designs followed conventions of the pop genre and were intended to appeal to their target audience of 11-16 year old girls.
Step by step costruction of media products
The document provides step-by-step instructions for designing the packaging and advertising materials for a rock album. It describes editing a photo of a model's eye for the digipak cover, adding the band and album names. It then details constructing the back cover, inside, and a black and white magazine ad, maintaining consistent fonts and motifs. Recurring elements include an edited eye photo and red/pink colors to create a recognizable visual style across the materials to promote the album.
Planning my digipak - Looking at my inspirations and influences
Here is a presentation about planning my digipak and looking at my inspirations and influences. I looked at the digital booklets from artists such as Ariana Grande, Carly Rae Jepson, Ellie Goulding, Selena Gomez and Marina and The Diamonds.
Analysis Of Three Digipaks
The document analyzes three existing digipacks to gain inspiration for creating a new one. It summarizes:
1) Katy B's digipack features her standing in a city road with edited blue and purple colors, representing dubstep music in a simple yet current design.
2) Tinie Tempah's uses pink, black and purple colors that stand out, along with a triangle motif on the front and back, and features urban scenery edited onto his jacket.
3) Rita Ora's features a close-up of her face against a white background, drawing the eye to prominently feature the new artist, which the author wants to incorporate.
Digipak development
The document summarizes the steps taken to design a digipak for a band. The designer applied a watercolor effect to photos using an online tool and experimented with different color schemes before selecting a focused green hue. Text and other elements were added to the photos and panels were arranged and refined based on feedback from the target audience of 17-year-old girls. The watercolor effect and green colors were used consistently throughout the digipak to link the elements and create a cohesive alternative design.
Drafts of Ancillary 1 and 2 (Magazine Advert and Digipak)
The document describes the process of creating ancillary products to promote a fictional album. It discusses drafting a magazine advertisement with feedback that led to adding floral framing and reviews. Two versions were made - portrait and landscape. It also covers designing the front and inside of a digipak cover, including images of the artist, notes, and continuity across products to represent the album's whimsical theme. The back cover layout includes a non-conventional track listing and additional images and elements to tie the design together cohesively.
Idea for my digipak
The document discusses the process of designing a digipak for an alt-rock band. It begins by researching existing alt-rock digipaks to understand common design elements like strong colors contrasted with black, unusual designs, and drawings. The creator then uses these elements like drawings from an old school book as the base for their own digipak design. Next, they scan the book, edit it in Photoshop, and add band name, album title, and other design elements. Finally, interior pages are designed to look like aged paper with drawings to be visually interesting.
Evaluation 4 - Digipak
The document discusses the process of creating a digipak for an album. It summarizes:
1) Research was conducted on album covers from similar indie and rock artists to identify conventions like the use of the artist's image and dark color schemes.
2) A photoshoot was set up with the artist using studio lighting equipment like a bar light and beauty light to capture high quality portraits for the cover.
3) Photoshop was used to edit the photos by adding layers and masks, and Canva was used to design the front and inside pages by importing photos and fonts onto templates.
A Level Digipak Research
A detailed insight into music artist's digipaks and an analysis of how I may utilise some of these ideas as inspiration for my own A Level piece of digipak artwork. This presentation focuses on the conventions of the reggae genre because the music video I am basing my product on is from this genre.
Digipak mock p 1,2,3
This document discusses three mockups for a digipak album cover. The first mockup follows typical conventions seen in market research, using a mid-shot of the artist inspired by another artist with similar demographics. 45% of the audience preferred this urban-feeling cover. The second mockup aims to look like a Polaroid, using handwritten text, vintage inspiration from Taylor Swift, and colors to draw in the target female audience. The third mockup uses bright neon colors but audience feedback found it did not relate to the album theme.
Task 13 - Digipak Design
The document provides details about designing a digipak for a single from the Arctic Monkeys album AM. It discusses using the same black and white color scheme as the original album. Research was conducted into digipak designs and inspirational artwork. Photographs were taken from the music video and edited using Photoshop to give them a realistic cartoon style. Feedback was gathered on font and image choices. The final designs were selected for the front cover, back cover, extra panel, and inside pages based on the audience feedback.
Question one
The digipak challenges some conventions while developing and conforming to others. It takes inspiration from Rihanna's and Mika's album covers in its use of a close-up image, color, and clip art. However, it places the image off-center and includes a parental advisory sticker. The inside continues the color scheme and mirrored images but does not include as much clip art as Mika's due to technical limitations. The back focuses on the song list and follows conventions like not including images and including copyright information. Overall, the digipak aims to appeal to its target audience while experimenting with some conventions of existing media products.
My digipak
Here is the planning, contruciton, production of my digipak also, the way that I chose the different aspects of it.
Photoshop screen shots 4
The document describes the process of creating a digipak promotion poster in Photoshop. Key steps include:
1) Importing an image from Google and adjusting its levels to blend with the background layer.
2) Using the eraser tool to remove a watermark from the image.
3) Duplicating layers from a digipak front cover file to maintain consistency.
4) Adding text with the song and band details, repositioning elements for emphasis.
5) Taking a screenshot of the front cover to feature on the promotion poster.
Photoshop screen shots 4
The document describes the process of creating a digipak promotion poster in Photoshop. Key steps include:
1) Importing an image from Google and adjusting its levels to blend with the background layer.
2) Using the eraser tool to remove a watermark from the image.
3) Duplicating layers from a digipak front cover file to maintain consistency.
4) Adding text with the song and band information, repositioning elements for emphasis.
5) Taking a screenshot of the front cover to feature on the promotion poster.
Making my dig pak
Lauren created a Digi-Pak using Photoshop to design her band's album cover. She divided the template into six panels - with the front cover on one panel, back cover on another, and individual photos of each band member on the remaining four panels. Lauren added the song list and a group photo on the back panel. For the front cover, she used the edited image from her band's magazine advert and added their name in pink text with shadows. In the end, Lauren's band will choose which Digi-Pak design to use for their real album cover.
Similar to digi (20)
Planning my digipak - Looking at my inspirations and influences
Planning my digipak - Looking at my inspirations and influences
Drafts of Ancillary 1 and 2 (Magazine Advert and Digipak)
Drafts of Ancillary 1 and 2 (Magazine Advert and Digipak)
More from tiapeek
Question4
The document describes the various digital tools and online resources the author used to complete their music video production project. These included PowerPoint and Prezi to create presentations; Google to research information; YouTube to view music videos; and Adobe Premiere Pro and a camcorder to film and edit the music video. The author found these tools helpful for researching information, presenting their work, filming and editing the final music video product.
aud
The survey results showed that the target audience for the music video is 16-25 year olds who listen to indie/indie-rock music. They typically watch music videos a couple times a week on YouTube and TV. Key features they expect are people playing instruments, indie clothing, and unusually placed things. Storylines, colors, and things relating to the lyrics most appeal to them. While preferences for narratives are split, using one could help understand the lyrics. All respondents preferred multiple locations over a single location in music videos.
number 3
The document discusses feedback received from an audience survey about music video preferences. The survey found that the target audience was mostly 16-25 year old females who prefer indie/indie-rock music videos that feature bands playing instruments, include indie clothing styles, tell a story or relate to the song lyrics, use more than one location, and have a narrative structure. The creator incorporated this feedback by developing a music video with an indie/indie-rock genre, indie clothing, multiple locations, and a narrative storyline.
magad
The document describes revisions made to a music magazine advertisement. The advertisement was updated to have a black background to make the image and text stand out more. Large text was added at the bottom to highlight the album title, release information, and a song featured in a music video. An image of the album cover was also included to help readers recognize the album if they wanted to purchase it. Feedback confirmed that the bold font caught attention as desired. The album cover image was replaced to be clearer and blend in better. Additional details like the record label and website were added at the bottom for more information.
eval
This document describes the various digital tools and online resources used during different stages of a research project. For research, the document lists PowerPoint, Slideshare, Google, Prezi, Blogger, YouTube, Glogster, and Bubbl.us. For audience research, it mentions PowerPoint, Google, YouTube, SurveyMonkey, Prezi, Glogster, Word, a scanner, camera, and Excel. For production, the tools used were Adobe InDesign, Google, Adobe PremierPro, a Sony camcorder, DSLR camera, and Word. For evaluation, Prezi and PowerPoint were utilized.
Evaluation4m
The document discusses the various media technologies used during the construction, research, planning, and evaluation stages of a music video project. YouTube was used extensively for research by analyzing existing music videos within the chosen genre. Premier Pro was used to edit and add effects to video clips. Facebook and blogger were utilized to share and receive feedback on the final product. Other tools mentioned include Word for presentations, PowerPoint for clear information sharing, Prezi for creative presentations, Slideshare to upload PowerPoints, Glogster for showcasing planning ideas creatively, a timeline tool, and Bubbl.us for creating a reflective spider diagram.
Clothingg
The document describes the costumes and outfits used in a video to represent the style of Arctic Monkeys lead singer Alex Turner and fit with the indie music genre. For the first male costume, the outfit includes jeans, a black coat, white top, and brogues, mimicking what Turner typically wears. The first female costume also includes a similar coat to represent Turner's style. Subsequent costumes for both stick to dark colors to make the characters stand out against light surroundings. The goal is to relate the video to the band and genre through consistent and recognizable clothing choices.
print screen
The creator inserted audio and video clips into their project, renamed the clips for organization, and added title slides to the beginning and end with information about the song, performers, and to note it was for a media coursework assignment. Having finished inserting clips, the creator rendered the project to export the completed video for uploading to YouTube.
recee2
This document summarizes the location recce for a music video production. It finds that Eve's house is suitable for filming and has the necessary locations. Permission to film has been granted by Eve. The recce identifies the equipment needed, including a video camera and tripod. No safety hazards or noise issues were found. Filming will use natural daylight in the afternoon. Test recordings were made to check camera angles and shots. Actors have been scheduled for filming on Tuesday and Thursday. No parking is needed as filming will be at an actress's house. All involved will be briefed on the production plan.
recee
The document discusses planning for a video production at a location in Henley. It notes that Henley is a suitable location due to available buildings and easy access. The recce identifies using a video camera and tripod, and that filming can be done without permissions as the location is public. Potential safety hazards are roads, but they will not be crossed. Filming will be done in the morning for better lighting. Dates and times are scheduled for filming with actors at a college and house, so no parking is needed.
Storyb
The story board has undergone some changes, with the location no longer being a house but instead around Henley. Square 5 will now feature multiple photographs of a couple hugging in a kitchen rather than the original scene. Additionally, some of the arguing between characters will take place over the phone rather than in person.
Storyboard
The storyboard has undergone some changes, with the location no longer being a house but now taking place around Henley. Additionally, square 5 of the storyboard has been altered from its original depiction to instead show a close-up of the couple hugging, likely due to difficulties securing the intended location.
Music video pitch
This music video pitch proposes using Arctic Monkeys' song "Mardy Bum" about a couple where the boyfriend sings about his girlfriend's bad moods. Locations like a kitchen, train station, and street will depict lyrics about cuddling, missing a train, and remembering good times. The lead singer Alex Turner's indie rock style will inspire the clothing to help audiences connect the video to the band. Feedback affirmed the strong connection of locations and lyrics and using Turner's fashion, advising filming on a street instead of in a house.
music vid clothing
The male costume consists of jeans, a black coat, white top, and brogues to represent Arctic Monkeys lead singer Alex Turner, who typically wears similar outfits. The female wears a coat like the male's to also represent Turner and fit with the indie genre. Dark colors were chosen for her to stand out against lighter surroundings and focus attention on her as the main character. Similar clothing throughout relates the video to the band and genre for audience connection to the music.
Print screens magazine advert
This 3 sentence summary provides the high level information from the document:
The document discusses the design choices for a print advertisement. It explains that bold fonts and a colorful image with blank space were used to catch readers' eyes. Additionally, including the album cover photo, like a Wretch 32 magazine ad, allows people to identify the album when shopping.
Digipak
This document discusses using a digipak for packaging and shares feedback received. The feedback indicated that people liked using an image spread across the inside of a digipak and found it to be simple yet creative. Examples of images were shown and people felt digipak 2 was the best choice as the other options were not as visually interesting.
Magazine advert
The document provides feedback on magazine advertisements. It recommends using the second advert as it is simple yet provides necessary information. The writer plans to modify the font and add an image to make the second advert bold and eye-catching. The other two adverts were deemed less striking.
Shooting scriptt
This shooting script outlines 16 shots to tell a story about a couple experiencing ups and downs in their relationship. The shots include over-the-shoulder and long shots of the couple laughing together and arguing in various locations around their house and in public. There are also close-ups of the girlfriend looking moody as the boyfriend tries different tactics to cheer her up or make amends after an argument. The story appears to span many years as one shot shows the couple aging and revisiting memories, and it ends with the girlfriend slamming a door during another argument.
Planning shooting script 2
The document describes 16 different shots for a music video. Shots 9 and 15 both involve a couple laughing and cuddling in the kitchen while wearing casual clothes and with lyrics playing. Shot 10 is a close-up of the girlfriend's moody face in the kitchen. Shots 11-14 continue telling a story through various shots of the arguing couple in different locations with lyrics or instrumental music.
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digi
- 1. Print Screens – Digipak I took inspiration from RihannasDigipak that I looked at as she spread the image across one side of the digipak. I liked this idea as it looked more interesting than having loads of different images. I have used an image that I took at the Arctic Monkeys gig from October at Earls Court. I think this image works well as the lighting makes you pay attention to the writing. For the front cover I have used an image I took at reading festival. It fits in well with the digipak because in the other images there are people with their arms in the air, so this one is similar and fits in.
- 2. I asked people which image on the bottom left looks better. The majority of the people I asked preferred the bottom one because the colour of the stage linked with the top image in the digipak, therefore it looked like a close up of the image due to the people and colouring. The top one didn’t fit in as well due to the colouring. This is my final outcome. I am happy with how this has turned out. The images all link together due to the atmosphere and colours and I think they work well.