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BAROQUE ARCHITECTURE
BY :- sakshi vaswani
Cronologyand geography
• Fromtheend of 16th century until 1750.
• Geography: wholeEurope+America.
• Characteristicsof theperiod:
– Religiousand political conflicts
– Geographical colonization
– Scientificdevelopment
– New astrologicaldiscoveries⇨Sun centreof Universe
BaroqueStyle
• Thewordmeans imperfection
• New naturalism that reflects the scientific
advances
• Taste for dramaticactionand emotion:
– Colourand light contrasted
– Rich textures
– Asymmetrical spaces
– Diagonal plans
– New subjects: landscape,genre,still-life
BaroqueStyle
• Variety within thestyle
• Art at theserviceof power
• Twomain centres:
– Rome:Pope’
sauthority
– France:powerful monarchy
• Influenceof theCounter-Reform
• Worryabout plasticvalues
Architecture:Characteristics
• Longnarrownavesreplaced by broaderorcircular
forms
• Dramaticuseof light
Architecture:Characteristics
• Dramaticuseof light
• Large-scaleceilingfrescoes
Architecture:Characteristics
• Large-scaleceilingfrescoes
• Interior ashell for painting andsculpture
Architecture:Characteristics
• Illusoryeffects
• EkialdekoEuropan tipula-kupulak
Architecture:Italy
• They evolvedfromtheRenaissanceforms
• Movement toward grand structureswith flowing,
curvingshapes
• Landscapewasfrequently incorporated
• New elements as gardens, squares, courtyards and
fountains.
• Influence of the rebuildingof Saint Peter, in which
classical forms integratedwith thecity.
Architecture:Italy
• Maderno
– HemadetheVatican’
sfaçade
– His work destroyed partially Michelangelo’
sdesign
– His work combinedthe domewith the creationof an space
wherethe Popecouldappearpublicaly
– Otherworks:
• SantamariadellaVittoria
• PalazzoBarberini
Vaticano’s façade
Santa Maria della Vittoria
Palazzo Barberini
Architecture:Italy
• Longhena
– Heworkedmainly in Venice
– His designwas selectedfor building Santa Maria della
Salute
– It is buildingof central plan with agreat domethat
becamethesymbol of Venice.
Santa Maria della Salute
Ca’ Rezzonico
Santa Maria of Nazaret
Architecture:Italy
• Bernini
– Hecreatedafusion of architecture,painting and sculpture
– Heusedfalse perspectiveand trompe-l’oeilto impact
– Heusedapalacefaçadethat becameamodelwith massive pilasters
abovearusticatedbase.
– Works:
• Saint Peter’
s square
• Baldaquin
San Peter’s colomnade
San Pete’r Baldaquine
Architecture:Italy
• Borromini
– His works springfromthe contrast betweenconvention
and freedom
– Heused tradition asabasis, but not asalaw
– Works:
• San CarloalleQuattroFontane
• San CarloBorromeo
• Oratoriodegli Fillipenses
San Carlo alle quattro fontane
San Ivo’s dome
Oratorio degli Filipensi
Stairs
Palacio Spada (trompe l’oeil)
Architecture:France
• It was elegant, ordered,rational and restraided
• It is arectilinear model, closerto classicism
• It aimed at showingthepowerof LouisXIV
monarchy.
• Themain worksare:
– Louvre: LeVau and Perrault
– Versailles:LeBrun, LeVau, LeNotre
Louvre palace
Versailles palace
Architecture:Central Europe
• It began laterduetotheThirty Years’War
• Austria developedthe Imperialstyle with Fischervon Erlach
and Hildebrandt
• In Germany,in the CatholicSouth Jesuitmodelswere
followedwhilein theProtestant North workswereless
important
• Palacearchitecturewasimportant in thewholearea
Fisher von Erlach: Karlskirtche and Schönbrunn
Hildebrandt: Belvedere palace
Architecture:Englandand Russia
• In England is important Wren
• Baroquewas the style usedto designtown planning
• In Russia it is very decorative, in quite traditional
churchessometimesmadeof brick;laterit was
imported from the Low Countries and finally it
becamean extravagant art.
Wren: San Paul
Cambridge library
Wren: Cambridge
Emmanuel chapel
Architecture:Spain
• At the beginning it continued the pattern of the
Escorial
• Decoration tendsto concentrate just in thefaçade
• The Rococowas the time of the development of the
Churrigueresque style, with exaggerated decoration
aroundthedoor
• ThePlateresque (last Renaissancethat imitates the
work onsilver) and the Churrigueresquewere
exportedto America,mainly to Mexico.
Jose Benito Churriguera: Salamanca’s
San Esteban convent altarpiece
Alberto Churriguera: Salamanca’s main
square
Rococo
• French stylefor interiordecoration
• It developpedmainly at theend of 1720
• It was used in othercountriesas aFrench Style
• Characteristics:
– Galante:luxuriousthings
– Contraste:asymmety
– Chinoiserie:exoticcharacterimitatingChinesearts
RococoArchitecture
• It caught thepublictaste
• Small and curiousbuildings
• Elegant parlours, dainty sitting-roomsand boudoirs
• Walls, ceiling, furnitureand worksof metal asdecoration
• Ensembleof sportive, fantastic and sculptured forms
• Horizontal lines almost completely supressed
• Shell-likecurves
• Wallscoveredby stucco
• Whiteand bright colours.
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