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Literary criticism - 2
• Presented by :- Prinjal Shiyal
• Rall no. :- 26
• Course:- M. A. Sem. 2
• Paper no. :- 7
• Topic:- Theory of Riti.
• Enrollment no. :- 2069108420190041
• Email ID. :- prinjal00123@gmail.com
• Submitted to, :- S. B. GARDI DEPARTMENT OF
ENGLISH MKBU.
Literary theory in major
schools/Orthodoxy.
• 1) Rasa;
• 2)Alamkara;
• 3)Riti;
• 4) Dhvani;
• 5) Vakrokti;
• 6) Guna- Dosa;
• 7) Aucitya;
Riti;
• Riti by Vamana.
• In "KAVYALAMKARASUTRA" in ninth century A. D.
Meaning of Riti.
• In simply Riti means Style, Method.
• According to Vamana,
• *" Riti or Mode of expression
constitute the Soul of poetry."
• Riti is the theory of language of literature.
• Through it is described for the first time in Bharata's
Natyasastra itself under the rubric of "Vrtti".
• It is Vamana who developed it into a theory, as the theory
of Visista padaracana riti- formation or arrangement of
marked infected constructions is Riti in
Kavyalamkarasutra 1.2.6.
• Two other words used for riti are -
• "Marga" and
• "Vrtti".
Continue...
Continue...
• Later Anandavardhana (ninth century A. D.)
distinguished these styles on the basis of the use of
particular kinds of compounds.
• Dandin uses the term marga and talks of two
Marga.
• Mammata designates the different modes as Vrttis.
Different categories of Riti.
Theorist
• Dandin's Kavyadarsa.
• Vamana's -
Kavyalamkarasutra.
• Kuntaka's - Vakroktijivita.
• Mammata's Kavya
prakasha.
• Anandavardhana's
Dhvanyaloka.
Categories
• Vaidarbhi, gaudiya.
• Vaidarbhi, gaudiya, pan hali.
• Sukumara, vicitra,
madhyama.
• Upanagarika, prasada,
komala.
• Samasa, madhyamasamasa,
dirghasamasa.
Ritis correlate with;
• Thems,
• Effect on the hearers/ viewers, and
• Sentiment.
• Example, Kavya Prakasa 8.77,
• Sec. example Dhvanyaloka 3.33.
Bharata's discussion of Vrttis:
• 1) Kaisiki,
• 2) Bharati,
• 3) Sattavati,
• 4) Arbhatti.
• Vishwanatha considers proper organisation of language
as Riti words and phrases have to be properly selected
and organised in poetry and this is necessary for Rasas
and Bhavas.
• Riti/ Styles are defined by gunas (excellence) as well.
• Riti may be called 'diction', particularly when Guna/Dosa
become part of the discussion.
• Exa. Sahityadarpana, chepter 7.
• But Riti is much more than just diction.
Continue...
•Basically it is a theory that handles
the psychophonetic fitness of
language for speakers, themes and
sentiments, and therefor becomes a
study of craftsmanship and
psychology of speech
Conclusion.
• Vamana defined Bharata and Dandin them away
suit his theory of rity and started that all the gunas
existed clearly and fully in the Vaidarbha Riti while
only a few of them existed in other Rities.
 P. 7. Theory of Riti.

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P. 7. Theory of Riti.

  • 1. Literary criticism - 2 • Presented by :- Prinjal Shiyal • Rall no. :- 26 • Course:- M. A. Sem. 2 • Paper no. :- 7 • Topic:- Theory of Riti. • Enrollment no. :- 2069108420190041 • Email ID. :- prinjal00123@gmail.com • Submitted to, :- S. B. GARDI DEPARTMENT OF ENGLISH MKBU.
  • 2. Literary theory in major schools/Orthodoxy. • 1) Rasa; • 2)Alamkara; • 3)Riti; • 4) Dhvani; • 5) Vakrokti; • 6) Guna- Dosa; • 7) Aucitya;
  • 3. Riti; • Riti by Vamana. • In "KAVYALAMKARASUTRA" in ninth century A. D.
  • 4. Meaning of Riti. • In simply Riti means Style, Method. • According to Vamana, • *" Riti or Mode of expression constitute the Soul of poetry."
  • 5. • Riti is the theory of language of literature. • Through it is described for the first time in Bharata's Natyasastra itself under the rubric of "Vrtti". • It is Vamana who developed it into a theory, as the theory of Visista padaracana riti- formation or arrangement of marked infected constructions is Riti in Kavyalamkarasutra 1.2.6. • Two other words used for riti are - • "Marga" and • "Vrtti". Continue...
  • 6. Continue... • Later Anandavardhana (ninth century A. D.) distinguished these styles on the basis of the use of particular kinds of compounds. • Dandin uses the term marga and talks of two Marga. • Mammata designates the different modes as Vrttis.
  • 7. Different categories of Riti. Theorist • Dandin's Kavyadarsa. • Vamana's - Kavyalamkarasutra. • Kuntaka's - Vakroktijivita. • Mammata's Kavya prakasha. • Anandavardhana's Dhvanyaloka. Categories • Vaidarbhi, gaudiya. • Vaidarbhi, gaudiya, pan hali. • Sukumara, vicitra, madhyama. • Upanagarika, prasada, komala. • Samasa, madhyamasamasa, dirghasamasa.
  • 8. Ritis correlate with; • Thems, • Effect on the hearers/ viewers, and • Sentiment. • Example, Kavya Prakasa 8.77, • Sec. example Dhvanyaloka 3.33.
  • 9. Bharata's discussion of Vrttis: • 1) Kaisiki, • 2) Bharati, • 3) Sattavati, • 4) Arbhatti.
  • 10. • Vishwanatha considers proper organisation of language as Riti words and phrases have to be properly selected and organised in poetry and this is necessary for Rasas and Bhavas. • Riti/ Styles are defined by gunas (excellence) as well. • Riti may be called 'diction', particularly when Guna/Dosa become part of the discussion. • Exa. Sahityadarpana, chepter 7. • But Riti is much more than just diction.
  • 11. Continue... •Basically it is a theory that handles the psychophonetic fitness of language for speakers, themes and sentiments, and therefor becomes a study of craftsmanship and psychology of speech
  • 12. Conclusion. • Vamana defined Bharata and Dandin them away suit his theory of rity and started that all the gunas existed clearly and fully in the Vaidarbha Riti while only a few of them existed in other Rities.