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International Journal of Trend in Scientific Research and Development (IJTSRD)
Volume 6 Issue 6, September-October 2022 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470
@ IJTSRD | Unique Paper ID – IJTSRD51811 | Volume – 6 | Issue – 6 | September-October 2022 Page 511
A Descriptive Study of Modern and Post-Modern Odia Poetry
Subash Chandra Bhoi, NET-JRF
Student, Department of Odia, Ravenshaw University Cuttack, Odisha, India
ABSTRACT
Literature scholars refer to the works written after 1980s as Post-
modern literature. During this period the thoughts and ideas were too
wide. Poets drew the picture of the world as a village, so to say, a
family. The present paper attempts to elaborate what modern odia
poetry is and what changed during the post-modern time. Here the
discussion elaborates the poet’s love for his motherland, re-
evaluation of humanity, artistry in presentation, Dalit concept of
poems, importance to transgender, feminist new voice and
importance to the reader in the context of post-modern Odia poems.
KEYWORDS: aestheticism, artistry in presentation, Love for
motherland, re-evaluation of humanity
How to cite this paper: Subash Chandra
Bhoi "A Descriptive Study of Modern
and Post-Modern Odia Poetry"
Published in
International
Journal of Trend in
Scientific Research
and Development
(ijtsrd), ISSN:
2456-6470,
Volume-6 | Issue-6,
October 2022, pp.511-512, URL:
www.ijtsrd.com/papers/ijtsrd51811.pdf
Copyright © 2022 by author(s) and
International Journal of Trend in
Scientific Research and Development
Journal. This is an
Open Access article
distributed under the
terms of the Creative Commons
Attribution License (CC BY 4.0)
(http://creativecommons.org/licenses/by/4.0)
Among the other forms of literature, poetry is the
most sensitive and fluid. The picture of society is first
drawn in poetry. Society is ever-changing and
literature is a reflection of society. Poetry has evolved
according to society. While the pre-independence
Odia poetry talks about the struggle of man for
freedom. Post- independence literature talks about
how the dream is a breakdown of man in the context
of the political system. Literature scholars refered to
the works written after the 1980s as post-modern
literature. During this time the earth had easily
accessible. Globalization had come in all fields.
Technology had developed. The entire world became
a market. Since the 1980s, social situation is the
subject of post-modern poetry.
The field of post-modern Odia poetry has moved
away from the global level and embraced the regional
level of thought. It resisted western thought and gave
rise to Indian and Italian thought. Modern Odia
poetry was oriented toward spirituality such as
existentialism, realism, and surrealism but post-
modern Odia poetry adopted a folk culture of the
common man. Therefore poetry is also village
oriented, just as the modern man leaves the city and
returns to the village. Sarat Chandra Pradhan,
Rajendra Kishor Panda, and Sitakanta Mahapatra
awere writing this type of poems.
There is a re-evaluation of humanity in post-modern
Odia poetry. Modern Odia poems emphasized
physical love but in post- modern poetry love is
heavenly, self-sacrificing, and mutual. In the poetry
of this period, there is no more place for the arrogant
characters, the characters had become sympathetic.
Eminent poet Ramakanta rath says in his poem
”Sachchitra Andhara”—
“ mu kipari janithanti hada mansa
Raktare tiari tama deha
Bandhideba dine mo dehaku
Epari nibida bhabe alingane
Jaha jana nahin hadaku ba mansaku raktaku.”
In modern times existentialism dominates the poetry
in which man searches for himself within himself. He
wants to know who brought him to earth. Who
brought him without command? What is the purpose
of bringing? Men became alone. At this time,
Nietzsche declared that ‘God is dead. Those who
accept this view questioned the immutabilityof Gods.
But in the post-modern time, people were privileged
to living a spiritual life. Sachchitananda Routray’s
“Kabita-2003” presents such a collection of poems.
IJTSRD51811
International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD51811 | Volume – 6 | Issue – 6 | September-October 2022 Page 512
Literature perpetually reflects the image of society
and tries to create awareness among the people. But
in modern times it has been reduced merely to a
slogans.Society doesn’t change merely by words it
requires action. Therefore if the poet gives
importance to people, problems, and society, itself
will be changed. Post-modern Odia poetry
emphasized artistry in presentation. We can take
some lines of Jayanta Mahapatra—
“ Sardina nakhhaile kete
Ta’ Peta kamudile kete
Ta’ stree daktara khanare padithile kete
Ta’ pua naire budigale kete
Ama saikeelati chata pat sajadile hela.”
(Gotie tankara mulya)
The social class takes a vital role in the creation of
literature. Literature has been divided into high-class
culture literature and low-class culture literature. In
this context, Dr. BR Ambedkar started the Dalit
panther community, and this community was
influenced by the Black panther party of America.
Both parties (Dalit and Black) have long suffered
oppression at the hand of dominant forces the whites
in America and the upper caste in India. The high-
class people create non-Dalit literature and the low-
class culture creates Dalit literature. Dalit
aestheticism is art for life's sake but non-Dalit believe
in art for art's sake. In our surroundings, low-class
people are victimized by high-class people. Bharat
may, Jayadratha Suna, Bassudev Sunni, Sanjaya Bag,
and Akhila Nayak are this types of poets. We can take
an example:-
“A krodha samparkare is kemiti kahibi
Mo agare Sani, Rahu, Ketu
Pachharu bhiduchhi bruhaspati
Anguthi Badhei Deuchhanti
Lakshya lakshya tara”
(Haratma Jani Uchchamadhyabitta- Bharat Majhi)
Generally, transgenders are persecuted by male and
female society day by day. Both males and females
behave rudely and disrespectfully towards the
transgenders. Beat generation (1945s) writers wrote
novels and poems in support of homosexual relations.
After the 1980s so many movements arose in support
of homosexual relationships and opposed gender
inequality. Poet Raja Panda wrote this type of poems.
Women are always oppressed and neglected in this
male-dominated society. But now women are asking
the society ‘Why women will be oppressed?’ It is not
innate It is an art form of a male-dominated society.
Today women are perpetually equal with men in
economic and social spheres and due to globalization
women have got freedom and a great opportunity.
Brahhmatri Mahanty, Pratibha Satapathy, Aparna
Mahanty, Giribala mahanty, and Manorama Biswala
Mahapatra are eminent feminist poets.
French literary critic Jacques Derrida said ‘author is
dead in his essay “The Death of Author”. In modern
Odia poems, the reader blindly accepted what the
poet was saying but in the course of criticism, the
poet gained the ability to determine the meaning of
the text. This is called the reader response theory.
Therefore post-modern literature gave importance to
the reader.
Conclusion:-
Finally, this much can be said that Odia poetry never
ends, it’s a journey, it would always be changing.
New feelings about poetry will inevitably be revealed
over time. Post-modern Odia poetry portrays poest’s
love for his mother land, the re-evaluation of
humanity, presents feminist voice in new and
different way, the artistry of the poem, the importance
of the third genders, the oppressed consciousness, and
the reader's responses. Therefore, the scope in the
post-modern Odia poetry is too wide.
References:
[1] Das, Hemanta kumar, Odia Natakara Utttara
Adhunika Parba, Cuttack, Vidyapuri, 2008 1st
edition.
[2] Kumari, Priyanka, Understanding dalit
literature: A critical prospective towards Dalit
aesthetics, Rupakatha Journal, Vol. 13,
November-4, 2021
[3] Mishra, Chitttaranjan, Sampratiika Pashchatya
SahittyaTattwa, Cuttack, Grantha Mandir, 2005
1st
edition.
[4] Pandav, Satrughna, Adhunika kabitara
Uttarayan, , Bhubaneswar, Arjyabedant
publication, 2007 1st
edition
[5] Satapathy, Nityananda, Sabujaru Sampratika,
Cuttack, Grantha Mandir, 2016 7th
edition
[6] Satapathy, Pratibha, Uttara Adhunika Odia
Kabita O Anyanya Prabandha, Cuttack,
Granttha Mandir, 2014 3rd
edition
[7] Swain, Dillip Kumar, Prachya Pashchatya O
Pradesika Sahitya Tattwa, Cuttack Bijayiinee
Publication, 2019 1st
edition

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A Descriptive Study of Modern and Post Modern Odia Poetry

  • 1. International Journal of Trend in Scientific Research and Development (IJTSRD) Volume 6 Issue 6, September-October 2022 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470 @ IJTSRD | Unique Paper ID – IJTSRD51811 | Volume – 6 | Issue – 6 | September-October 2022 Page 511 A Descriptive Study of Modern and Post-Modern Odia Poetry Subash Chandra Bhoi, NET-JRF Student, Department of Odia, Ravenshaw University Cuttack, Odisha, India ABSTRACT Literature scholars refer to the works written after 1980s as Post- modern literature. During this period the thoughts and ideas were too wide. Poets drew the picture of the world as a village, so to say, a family. The present paper attempts to elaborate what modern odia poetry is and what changed during the post-modern time. Here the discussion elaborates the poet’s love for his motherland, re- evaluation of humanity, artistry in presentation, Dalit concept of poems, importance to transgender, feminist new voice and importance to the reader in the context of post-modern Odia poems. KEYWORDS: aestheticism, artistry in presentation, Love for motherland, re-evaluation of humanity How to cite this paper: Subash Chandra Bhoi "A Descriptive Study of Modern and Post-Modern Odia Poetry" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-6 | Issue-6, October 2022, pp.511-512, URL: www.ijtsrd.com/papers/ijtsrd51811.pdf Copyright © 2022 by author(s) and International Journal of Trend in Scientific Research and Development Journal. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0) (http://creativecommons.org/licenses/by/4.0) Among the other forms of literature, poetry is the most sensitive and fluid. The picture of society is first drawn in poetry. Society is ever-changing and literature is a reflection of society. Poetry has evolved according to society. While the pre-independence Odia poetry talks about the struggle of man for freedom. Post- independence literature talks about how the dream is a breakdown of man in the context of the political system. Literature scholars refered to the works written after the 1980s as post-modern literature. During this time the earth had easily accessible. Globalization had come in all fields. Technology had developed. The entire world became a market. Since the 1980s, social situation is the subject of post-modern poetry. The field of post-modern Odia poetry has moved away from the global level and embraced the regional level of thought. It resisted western thought and gave rise to Indian and Italian thought. Modern Odia poetry was oriented toward spirituality such as existentialism, realism, and surrealism but post- modern Odia poetry adopted a folk culture of the common man. Therefore poetry is also village oriented, just as the modern man leaves the city and returns to the village. Sarat Chandra Pradhan, Rajendra Kishor Panda, and Sitakanta Mahapatra awere writing this type of poems. There is a re-evaluation of humanity in post-modern Odia poetry. Modern Odia poems emphasized physical love but in post- modern poetry love is heavenly, self-sacrificing, and mutual. In the poetry of this period, there is no more place for the arrogant characters, the characters had become sympathetic. Eminent poet Ramakanta rath says in his poem ”Sachchitra Andhara”— “ mu kipari janithanti hada mansa Raktare tiari tama deha Bandhideba dine mo dehaku Epari nibida bhabe alingane Jaha jana nahin hadaku ba mansaku raktaku.” In modern times existentialism dominates the poetry in which man searches for himself within himself. He wants to know who brought him to earth. Who brought him without command? What is the purpose of bringing? Men became alone. At this time, Nietzsche declared that ‘God is dead. Those who accept this view questioned the immutabilityof Gods. But in the post-modern time, people were privileged to living a spiritual life. Sachchitananda Routray’s “Kabita-2003” presents such a collection of poems. IJTSRD51811
  • 2. International Journal of Trend in Scientific Research and Development @ www.ijtsrd.com eISSN: 2456-6470 @ IJTSRD | Unique Paper ID – IJTSRD51811 | Volume – 6 | Issue – 6 | September-October 2022 Page 512 Literature perpetually reflects the image of society and tries to create awareness among the people. But in modern times it has been reduced merely to a slogans.Society doesn’t change merely by words it requires action. Therefore if the poet gives importance to people, problems, and society, itself will be changed. Post-modern Odia poetry emphasized artistry in presentation. We can take some lines of Jayanta Mahapatra— “ Sardina nakhhaile kete Ta’ Peta kamudile kete Ta’ stree daktara khanare padithile kete Ta’ pua naire budigale kete Ama saikeelati chata pat sajadile hela.” (Gotie tankara mulya) The social class takes a vital role in the creation of literature. Literature has been divided into high-class culture literature and low-class culture literature. In this context, Dr. BR Ambedkar started the Dalit panther community, and this community was influenced by the Black panther party of America. Both parties (Dalit and Black) have long suffered oppression at the hand of dominant forces the whites in America and the upper caste in India. The high- class people create non-Dalit literature and the low- class culture creates Dalit literature. Dalit aestheticism is art for life's sake but non-Dalit believe in art for art's sake. In our surroundings, low-class people are victimized by high-class people. Bharat may, Jayadratha Suna, Bassudev Sunni, Sanjaya Bag, and Akhila Nayak are this types of poets. We can take an example:- “A krodha samparkare is kemiti kahibi Mo agare Sani, Rahu, Ketu Pachharu bhiduchhi bruhaspati Anguthi Badhei Deuchhanti Lakshya lakshya tara” (Haratma Jani Uchchamadhyabitta- Bharat Majhi) Generally, transgenders are persecuted by male and female society day by day. Both males and females behave rudely and disrespectfully towards the transgenders. Beat generation (1945s) writers wrote novels and poems in support of homosexual relations. After the 1980s so many movements arose in support of homosexual relationships and opposed gender inequality. Poet Raja Panda wrote this type of poems. Women are always oppressed and neglected in this male-dominated society. But now women are asking the society ‘Why women will be oppressed?’ It is not innate It is an art form of a male-dominated society. Today women are perpetually equal with men in economic and social spheres and due to globalization women have got freedom and a great opportunity. Brahhmatri Mahanty, Pratibha Satapathy, Aparna Mahanty, Giribala mahanty, and Manorama Biswala Mahapatra are eminent feminist poets. French literary critic Jacques Derrida said ‘author is dead in his essay “The Death of Author”. In modern Odia poems, the reader blindly accepted what the poet was saying but in the course of criticism, the poet gained the ability to determine the meaning of the text. This is called the reader response theory. Therefore post-modern literature gave importance to the reader. Conclusion:- Finally, this much can be said that Odia poetry never ends, it’s a journey, it would always be changing. New feelings about poetry will inevitably be revealed over time. Post-modern Odia poetry portrays poest’s love for his mother land, the re-evaluation of humanity, presents feminist voice in new and different way, the artistry of the poem, the importance of the third genders, the oppressed consciousness, and the reader's responses. Therefore, the scope in the post-modern Odia poetry is too wide. References: [1] Das, Hemanta kumar, Odia Natakara Utttara Adhunika Parba, Cuttack, Vidyapuri, 2008 1st edition. [2] Kumari, Priyanka, Understanding dalit literature: A critical prospective towards Dalit aesthetics, Rupakatha Journal, Vol. 13, November-4, 2021 [3] Mishra, Chitttaranjan, Sampratiika Pashchatya SahittyaTattwa, Cuttack, Grantha Mandir, 2005 1st edition. [4] Pandav, Satrughna, Adhunika kabitara Uttarayan, , Bhubaneswar, Arjyabedant publication, 2007 1st edition [5] Satapathy, Nityananda, Sabujaru Sampratika, Cuttack, Grantha Mandir, 2016 7th edition [6] Satapathy, Pratibha, Uttara Adhunika Odia Kabita O Anyanya Prabandha, Cuttack, Granttha Mandir, 2014 3rd edition [7] Swain, Dillip Kumar, Prachya Pashchatya O Pradesika Sahitya Tattwa, Cuttack Bijayiinee Publication, 2019 1st edition