This document discusses Indian aesthetics and literature, covering several topics: It outlines the theory of rasa from Bharata Muni's Natya Sastra, including vibhavas, anubhavas, and vyabhicharibhavas. It also lists various sastras or treatises related to poetry, drama, mathematics. It describes the senses and theory of rasa, mentioning sparsa, gandha, shravana, roopa, and rasa. It also lists the eight sthayi bhavas or permanent emotional states. Finally, it discusses several terms used in poetics like vibhava, anubhava, vyanjana, and schools of

1. INDIAN ENGLISH
LITERATURE

2. INDIAN AESTHETICS
• Bharata Muni
• Natya Sastra
• THE THEORY OF RASA
• Vibhavas, Anubhavas and the Vyabhicharibhavas.

3. VARIOUS SASTRAS
• 1. Kaviya Sastra
• 2. Sounderya Sastra
• 3. Natya Sastra
• 4. Ganith Sastra

4. SENSES AND THEORY
• 1. Sparsa –
• 2. Gandha –
• 3. Dhavni. –
• 4. Roopa – Kalai
• 5. Rasa (Rasiga) –

5. Sthayi Bhava
1. Rathi
2. Shoke
3. Utsaah
4. Krodh
5. Hras
6. Bhaya
7. Jugupsa
8. Vismaya
9. Sham/Nirved

6. TERMS
• Vibhava
• Anubhava
• Vyanjana.
• ‘Abidha’
• ‘Lakshnna’
• Anumana

7. • Vakrokti.
• Kuntaka
• “very essence of poetry consists in Vakrokti.”
• ‘Lokottara’

8. • Kaviya Alankara (poetics)
• Bhamaha
• Vennikara

9. ANANDHA VARATHANA
• Dhvanyaloka
• the dhvani theory
• Best poetry according to him Him is – Vinnie Kaviya.
• 2nd class poetry according to him is – Viyakiyakaviya
• 3rd class – Chithra kaviya (use of decorations) allitrations.