Op art
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Op art uses optical illusions to create abstract works that often feature movement, hidden images, or patterns when viewed. It is created through the use of lines and patterns, especially black and white stripes like Bridget Riley's famous painting Current from 1964, which causes the eye to perceive movement and shifting figures. Some op artists like Bridget Riley, Julian Stanczak, and Richard Anuszkiewicz also use color as the primary focus, adding the element of contrasting hues to generate optical effects.
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Optical illusions bridget riley1
This document provides information about optical illusions and the Op Art movement. It discusses how Op Art uses geometric designs and shapes to create sensations of movement and vibration. The document focuses on the artist Bridget Riley, a pioneer of Op Art in the 1960s. It includes facts about Op Art and guides students to create their own copy of one of Bridget Riley's works titled "Movement in Squares".
Abstractionism pt. 1
The document provides an overview of abstractionism in art. It discusses how abstract art uses color, lines and shapes to create visual language without representing real world things. Abstract art can deviate from reality slightly, partially or fully. It was primarily influenced by early 20th century movements like Fauvism and Cubism. Additional influences came from philosophy, technology, science and reflections of society at the time. Key abstract artists mentioned include Wassily Kandinsky, Kasimir Malevich and Piet Mondrian. Kandinsky was one of the first creators of pure abstraction and was inspired by color, sound, music and other artists.
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This document discusses abstract art from 1908-1920s. It defines abstract art as nonrepresentational works that are based on color, shapes, textures rather than depicting people, places or things. Two main types are described: lyrical abstraction which emphasizes organic forms over geometric; and geometric abstraction based on relationships between geometric shapes. Major artists who pioneered abstraction mentioned are Kandinsky, Mondrian, and Malevich. Factors that contributed to the growth of abstract art included Cubism's less representational style and Fauvism's use of color.
Op art intro
This document provides information about op art and optical illusions. It defines op art as "optical art" that uses techniques like geometric patterns and contrasting colors to create optical illusions and trick the eye. Examples of op art illusions include works by Bridget Riley that use line and shape to create the illusion of movement. The document also discusses famous op artists like Victor Vasarely and provides examples of their works that employ optical illusions. It suggests options for a student art project to create original op art designs using geometric or organic illusions with colored pencils.
Abstractionism
Abstraction is a genre of art that represents reality in a generalized or simplified manner without reference to concrete objects or examples. It uses visual elements like form, color, and line to create compositions that may exist independently from visual references in the real world. Some key influences on abstract art included Impressionism, Post-Impressionism, Fauvism, Cubism, as well as sciences, philosophy, psychology, politics, and music. Pioneering abstract artists mentioned include Kandinsky, Malevich, Mondrian, and O'Keeffe.
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The document discusses different types of optical illusions and trompe l'oeil art that tricks the eye. It mentions how op art creates the illusion of depth on a flat surface through the organization of shapes, colors, and patterns. Examples shown include artwork by Vasarely, Arcimboldo, and Escher that use ordinary objects or tessellations to create 2D or 3D illusions. Viewers are encouraged to try out spiral and after image illusions.
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Optical art originated in the 1960s and aims to create visual effects and illusions through the use of color, patterns, and geometry. It uses elements like contrast and movement to play tricks on the eye. Victor Vasarely is considered the pioneer of op art, using geometric shapes and color variations to create the illusion of depth on a flat surface. Bridget Riley also experimented with visual illusions through her black and white linear works that appear to wave or move. Op art aims to disturb the eye and make images or movement appear on a flat surface through optical effects.
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M.C. Escher was a prominent artist known for his optical illusions and use of mathematical concepts in works like Drawing Hands from 1948 and Relativity from 1953. Optical art, or op art, emerged in the 1900s using patterns and colors to create movement and distortions when viewed. While Escher denied being an op artist, his work was influential. Op art expanded notions of art and explored connections between vision, the brain, and perception. The document encourages creating one's own op art by using alternating patterns and colors in linear and curved designs.
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This document provides information about optical illusions and the Op Art movement. It discusses how Op Art uses geometric designs and shapes to create sensations of movement and vibration. The document focuses on the artist Bridget Riley, a pioneer of Op Art in the 1960s. It includes facts about Op Art and guides students to create their own copy of one of Bridget Riley's works titled "Movement in Squares".
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The document provides an overview of abstractionism in art. It discusses how abstract art uses color, lines and shapes to create visual language without representing real world things. Abstract art can deviate from reality slightly, partially or fully. It was primarily influenced by early 20th century movements like Fauvism and Cubism. Additional influences came from philosophy, technology, science and reflections of society at the time. Key abstract artists mentioned include Wassily Kandinsky, Kasimir Malevich and Piet Mondrian. Kandinsky was one of the first creators of pure abstraction and was inspired by color, sound, music and other artists.
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This document discusses abstract art from 1908-1920s. It defines abstract art as nonrepresentational works that are based on color, shapes, textures rather than depicting people, places or things. Two main types are described: lyrical abstraction which emphasizes organic forms over geometric; and geometric abstraction based on relationships between geometric shapes. Major artists who pioneered abstraction mentioned are Kandinsky, Mondrian, and Malevich. Factors that contributed to the growth of abstract art included Cubism's less representational style and Fauvism's use of color.
Op art intro
This document provides information about op art and optical illusions. It defines op art as "optical art" that uses techniques like geometric patterns and contrasting colors to create optical illusions and trick the eye. Examples of op art illusions include works by Bridget Riley that use line and shape to create the illusion of movement. The document also discusses famous op artists like Victor Vasarely and provides examples of their works that employ optical illusions. It suggests options for a student art project to create original op art designs using geometric or organic illusions with colored pencils.
Abstractionism
Abstraction is a genre of art that represents reality in a generalized or simplified manner without reference to concrete objects or examples. It uses visual elements like form, color, and line to create compositions that may exist independently from visual references in the real world. Some key influences on abstract art included Impressionism, Post-Impressionism, Fauvism, Cubism, as well as sciences, philosophy, psychology, politics, and music. Pioneering abstract artists mentioned include Kandinsky, Malevich, Mondrian, and O'Keeffe.
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The document discusses different types of optical illusions and trompe l'oeil art that tricks the eye. It mentions how op art creates the illusion of depth on a flat surface through the organization of shapes, colors, and patterns. Examples shown include artwork by Vasarely, Arcimboldo, and Escher that use ordinary objects or tessellations to create 2D or 3D illusions. Viewers are encouraged to try out spiral and after image illusions.
Op art cube 6th
Optical art originated in the 1960s and aims to create visual effects and illusions through the use of color, patterns, and geometry. It uses elements like contrast and movement to play tricks on the eye. Victor Vasarely is considered the pioneer of op art, using geometric shapes and color variations to create the illusion of depth on a flat surface. Bridget Riley also experimented with visual illusions through her black and white linear works that appear to wave or move. Op art aims to disturb the eye and make images or movement appear on a flat surface through optical effects.
Op art
M.C. Escher was a prominent artist known for his optical illusions and use of mathematical concepts in works like Drawing Hands from 1948 and Relativity from 1953. Optical art, or op art, emerged in the 1900s using patterns and colors to create movement and distortions when viewed. While Escher denied being an op artist, his work was influential. Op art expanded notions of art and explored connections between vision, the brain, and perception. The document encourages creating one's own op art by using alternating patterns and colors in linear and curved designs.
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Abstract art is an independent creative art form that uses the basic elements of art and means of expression in two ways: geometric abstraction and lyrical abstraction. Geometric abstraction uses points, lines, and surfaces in compositions while lyrical abstraction opposed Cubism and Surrealism and includes styles like Tachism, Color Field painting, and Abstract Expressionism. Abstract art developed through different art movements and schools using pure colors and forms or through an analogy to music. Famous abstract artists include Piet Mondrian and Wassily Kandinsky.
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Op Art was a 1960s movement that used precise geometric patterns in vivid colors or black and white to create optical illusions of movement and fool the viewer's perspective. Artists used warm and cool colors to create the illusion of advancing or receding. Key Op Art artists included Bridget Riley, Victor Vasarely, Julian Stanczak, and Patrick Hughes.
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Op Art, also known as Optical Art, was an art movement that developed in the United States in the mid-1960s. It uses color and abstract patterns to create the illusion of movement through optical effects and illusions. Artists employ shapes, colors like black and white, and special patterns to generate images that appear to vibrate or move. Unlike traditional paintings, Op Art aims to reach out to the viewer rather than draw the viewer into the work.
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Bridget Riley is one of England's most well-known artists known for her op art paintings that use optical illusions to create the sensation of movement. Her early work from the 1960s was done primarily in black and white and featured wavy lines that appeared to ripple or change as the viewer moved. Riley's paintings are intended to produce disorienting effects like flashing, vibration, or warping for those viewing them. The term "Riley sensation" was coined to describe the dizzy feeling one gets from looking at her op art style.
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The document discusses several abstract artists and their philosophies of abstractionism. It explains that abstract artists like Kandinsky, Mondrian, and O'Keeffe shifted away from representational art to focus on expressing emotions and revealing spiritual truths through arrangements of color, line, and form. The document also notes that abstractionism developed from earlier movements like Impressionism and Cubism and that abstract artists believed their work was a process, not an end goal, to uncover deeper understandings of the universe.
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2) Wassily Kandinsky was an early pioneer of abstract art in the early 1900s. His work helped usher in movements like Cubism and Surrealism.
3) Abstract Expressionism emerged in the 1940s in New York. Pioneers like Jackson Pollock emphasized the creative process over representations, focusing on how paint interacted with the canvas. This allowed art to directly express unconscious feelings.
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Optical Art, also known as Op Art, uses simple shapes and colors to create visual effects like vibrating patterns, blurred lines between foreground and background, exaggerated depth perception, and other illusions. In the 1960s, the term "Op Art" was coined to describe abstract paintings by artists like Victor Vasarely and Bridget Riley, who led the movement. Their works used repetition and geometric shapes to create the impression of movement or shifting perspective in the eye of the viewer.
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2) Techniques like layering, collaging, assemblage and double exposures that bring different media, materials, images or objects together to create new meanings or illusions.
3) How some artists, through mark making, sculpture, photography or other means imagine fictional worlds, abstract patterns, or capture movement, time, memory or the inner workings of objects.
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The document provides an overview of abstractionism in art. It discusses how abstract art uses color, lines and shapes to create visual language without representing real world things. Abstract art can deviate from reality slightly, partially or fully. It was primarily influenced by early 20th century movements like Fauvism and Cubism. Additional influences included philosophy, technology, science and reflections of society at the time. Key abstract artists mentioned include Wassily Kandinsky, Kasimir Malevich and Piet Mondrian. Kandinsky was one of the first creators of pure abstraction and was inspired by sources like color, sound, music and other artists.
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I did not create this, this was shared by other other art teachers. A really good resource for teaching art.
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Optical illusion art, also known as Op Art, uses abstract patterns and stark contrasts between light and dark to create the illusion of movement through visual tricks that exploit human perception. Two important Op Art artists were Bridget Riley and Victor Vasarely, whose works used shapes, colors, and lighting techniques to change the appearance of 2D images. Op Art intentionally creates optical illusions through the eye's ability to deceive the brain. It became popular in the 1960s and was used commercially in clothing, advertising, and other industries due its eye-catching black and white abstract patterns that produce visual tension. Op Art continues to influence fabric and fashion design today.
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Victor Vasarely is considered the father of Op Art. Op Art originated in the 1960s and uses color and patterns that disturb the eye and cause optical illusions on a flat surface. Vasarely explored visual illusions and combined geometric elements with color and value, resulting in optical illusions. One of the most effective Op Art illusionists is Bridget Riley, whose black and white linear works make her pictures appear to wave.
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Abstract art is an independent creative art form that uses the basic elements of art and means of expression in two ways: geometric abstraction and lyrical abstraction. Geometric abstraction uses points, lines, and surfaces in compositions while lyrical abstraction opposed Cubism and Surrealism and includes styles like Tachism, Color Field painting, and Abstract Expressionism. Abstract art developed through different art movements and schools using pure colors and forms or through an analogy to music. Famous abstract artists include Piet Mondrian and Wassily Kandinsky.
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Op Art was a 1960s movement that used precise geometric patterns in vivid colors or black and white to create optical illusions of movement and fool the viewer's perspective. Artists used warm and cool colors to create the illusion of advancing or receding. Key Op Art artists included Bridget Riley, Victor Vasarely, Julian Stanczak, and Patrick Hughes.
What is Op Art?
Op Art, also known as Optical Art, was an art movement that developed in the United States in the mid-1960s. It uses color and abstract patterns to create the illusion of movement through optical effects and illusions. Artists employ shapes, colors like black and white, and special patterns to generate images that appear to vibrate or move. Unlike traditional paintings, Op Art aims to reach out to the viewer rather than draw the viewer into the work.
0425 1931 bridget riley2
Bridget Riley is one of England's most well-known artists known for her op art paintings that use optical illusions to create the sensation of movement. Her early work from the 1960s was done primarily in black and white and featured wavy lines that appeared to ripple or change as the viewer moved. Riley's paintings are intended to produce disorienting effects like flashing, vibration, or warping for those viewing them. The term "Riley sensation" was coined to describe the dizzy feeling one gets from looking at her op art style.
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The document discusses abstract art and its history. It provides background on abstract art movements from Impressionism to the present. Key artists discussed include Kandinsky, Mondrian, Matisse, and Picasso. Various abstract art styles are defined such as Neoplasticism, Cubism, and Expressionism. The document concludes with guidance on creating abstract artworks using different techniques like brushing, smearing, and dabbing. Sources cited provide further information on abstract art.
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This document provides an overview of abstract art and cubism. It discusses key learning goals around creating synthetic cubism art and self portraits. It defines abstract art as non-representational art that uses shapes, colors and gestures rather than attempting an accurate visual representation. It discusses the emergence of abstract art after World War 2, including German Expressionism. It also covers different eras and styles of abstract art before and after WW2, such as Fauvism, Cubism, Dadaism and Surrealism. Finally, it instructs students to create synthetic cubism art incorporating materials in their art books and provides a task deadline.
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The document discusses several abstract artists and their philosophies of abstractionism. It explains that abstract artists like Kandinsky, Mondrian, and O'Keeffe shifted away from representational art to focus on expressing emotions and revealing spiritual truths through arrangements of color, line, and form. The document also notes that abstractionism developed from earlier movements like Impressionism and Cubism and that abstract artists believed their work was a process, not an end goal, to uncover deeper understandings of the universe.
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1) The document discusses the evolution of abstract art from Impressionism to Abstract Expressionism. Impressionism introduced abstraction and focused on capturing light, while Post-Impressionists like Van Gogh and Gauguin expressed more emotion.
2) Wassily Kandinsky was an early pioneer of abstract art in the early 1900s. His work helped usher in movements like Cubism and Surrealism.
3) Abstract Expressionism emerged in the 1940s in New York. Pioneers like Jackson Pollock emphasized the creative process over representations, focusing on how paint interacted with the canvas. This allowed art to directly express unconscious feelings.
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Optical Art, also known as Op Art, uses simple shapes and colors to create visual effects like vibrating patterns, blurred lines between foreground and background, exaggerated depth perception, and other illusions. In the 1960s, the term "Op Art" was coined to describe abstract paintings by artists like Victor Vasarely and Bridget Riley, who led the movement. Their works used repetition and geometric shapes to create the impression of movement or shifting perspective in the eye of the viewer.
Chuck Close
Chuck Close is an American artist born in 1940 who found his passion for art at a young age through lessons after developing physical and learning disabilities. Close is known for his large-scale photorealistic portraits created using a grid technique that capture fine details, and his work has evolved over his career from photorealism to a more abstract style. After suffering a stroke in 1988, Close continues to make art from his wheelchair and give talks on his process.
Apart together
This document discusses various artistic concepts and techniques related to being apart or together, including:
1) Artists who explore themes of individual solitude within crowded places like George Segal and ways that artists like Antony Gormley place figures in everyday environments.
2) Techniques like layering, collaging, assemblage and double exposures that bring different media, materials, images or objects together to create new meanings or illusions.
3) How some artists, through mark making, sculpture, photography or other means imagine fictional worlds, abstract patterns, or capture movement, time, memory or the inner workings of objects.
Frank Stella Art
art education for the elementary and secondary classroom
- Slides meet curriculum expectation for cycle 3 & 4 Quebec students
Frank stella
Frank Stella is an American artist born in 1936 in Massachusetts. He studied painting at Phillips Academy and graduated from Princeton University. Stella lives in New York City and is known for his minimalist and abstract paintings that use simple geometric shapes and repetitive lines. In the 1960s, Stella focused on flat, two-dimensional canvases but in the 1980s his work became more sculptural and three-dimensional. Some of his most notable series include works based on circles from the 1970s called the Protractor Series. Stella continues to experiment with form and push the boundaries of abstract art.
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The document provides an overview of abstractionism in art. It discusses how abstract art uses color, lines and shapes to create visual language without representing real world things. Abstract art can deviate from reality slightly, partially or fully. It was primarily influenced by early 20th century movements like Fauvism and Cubism. Additional influences included philosophy, technology, science and reflections of society at the time. Key abstract artists mentioned include Wassily Kandinsky, Kasimir Malevich and Piet Mondrian. Kandinsky was one of the first creators of pure abstraction and was inspired by sources like color, sound, music and other artists.
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Chuck Close is an American artist known for his photorealistic portraits and self-portraits. He received his MFA from Yale University in 1964. In 1988, he was paralyzed from the neck down due to a spinal artery collapse, but continued his art practice. Close is known for pioneering a style using grids of different colored squares to abstractly represent faces and figures. Throughout his career he has experimented with different media and techniques to push his artistic boundaries.
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This document provides information about Pop Art and the work of American artist Wayne Thiebaud. It begins with a definition of Pop Art as an artistic movement that emerged in the 1950s and used imagery from popular culture and mass media. Key Pop artists like Andy Warhol and Roy Lichtenstein are mentioned. The document then discusses Thiebaud's life and career, noting that he is associated with Pop Art for his interest in depicting everyday objects. Examples of Thiebaud's colorful paintings of cakes, pastries and toys are shown. The document concludes with instructions for students to create their own Pop Art-style drawings in the manner of Thiebaud or Warhol.
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The visual arts are creations that can be seen such as paintings, drawings, sculptures, prints, photographs and more. They are made using various mediums like paint, clay, ink and involve elements such as line, shape, color, form and space. Visual arts are different from performing arts which use the artist's body as the medium. There are many organizations that support and promote the visual arts through exhibitions, grants, education and advocacy.
Art words for images
I did not create this, this was shared by other other art teachers. A really good resource for teaching art.
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Preview of “10 dominique enz abstract art sgp fnal ”
Preview of “10 dominique enz abstract art sgp fnal ”
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This document provides an outline for an Art Appreciation course. It lists the class schedule, key objectives, and course topics. The class will meet virtually on Tuesdays and Thursdays, and asynchronously on Wednesdays and Fridays, with Monday being a consultation day. The course will introduce students to basic art concepts, different ways of appreciating art, and the philosophies and theories behind art. It will cover where art is found, the roles of different players in the art world, and examine elements of visual art, literature, poetry and principles of composition. The outline also lists units on the art market, art history, evaluating art through critiques, and becoming an artist.
WEEK Elements, Principles, and Distinct Characteristics of Various Art Moveme...
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Elements, Principles, and Distinct Characteristics of Various Art MovementsSurrealism and abstract realism
Surrealism sought to channel the unconscious through fantastic imagery to unlock the power of imagination. Surrealists believed revelations could be found in everyday life, allowing artists to forgo conscious thought and embrace chance. Max Ernst, Salvador Dali, and Joan Miro were famous surrealist artists known for outlandish, perplexing works.
opartintro-131111154954-phpapp02.pdf
This document provides information about op art and optical illusions. It defines op art as "optical art" that creates optical illusions by tricking the eyes. Examples of op art artists mentioned are Bridget Riley, known for her geometric patterns that create the illusion of movement, and Victor Vasarely, often called the "father of op art." The document also discusses key elements of op art like line, shape, and space as well as principles of design like pattern and movement. Students are assigned an op art project to create their own original geometric, organic, or combined design using colored pencils that incorporates optical illusions.
Extended Essay Visual Arts 2012
The document discusses the interpretation and perception of artworks by Jackson Pollock and Wassily Kandinsky. It provides background on both artists, noting that Pollock used an "action painting" technique involving pouring paint onto canvases, while Kandinsky was an abstractionist who incorporated geometric shapes and colors in his works. The document puts forth the topic question of whether interpretation and perception bring about differences in Pollock and Kandinsky's works, given their unique styles, and analyzes some of the key differences in how they used lines, styles, and color in their paintings.
Warhol project 1
Andy Warhol experimented with printmaking techniques in the 1950s but became famous for his photographic silkscreen prints in the 1960s. This process allowed him to easily reproduce popular images like Marilyn Monroe. He would underpaint canvases and then print photographic silkscreen images on top in multiple colors. Warhol used color theory in his work, printing images with different color combinations. He appropriated celebrity images from magazines and manipulated them in his silkscreen process.
Abstract Expressionism, Pop Art, Op Art.pptx
This document provides an overview of installation art and performance art. It defines installation art as using sculptural materials and other media to modify how viewers experience space. Installation art is not confined to galleries and can be constructed publicly. Performance art uses the human body and actions in a particular time and place as the artwork. It may involve theater, dance or unexpected activities. The performer is the artist, and performances can vary in venue, duration, and level of improvisation. Examples of influential installation and performance artists from the Philippines are provided.
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Floral canvas painting understanding the basics of abstract art
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Vision
Here are the key ways color became part of the design process for this book cover:
1. Color theme selection: Green was chosen as the main theme color to represent concepts from the novel like harmony, hope, and life. Green symbolizes these positive meanings.
2. Color application: Green tones were applied throughout the painting, primarily in the fur and clothing of the characters. This helped tie the artwork visually to the chosen theme.
3. Color balancing: Additional colors like greys, browns, and blacks were used to provide contrast and balance to the green tones. This created a cohesive color palette.
4. Color correction: Adjusting brightness, contrast, and tones ensured the colors worked well together and
Bully (storyline)
A teenage girl named Jane was being bullied physically and mentally by a group of gangsters at her college every day. After one incident of bullying in the library, Jane went to the bathroom to cut her wrist but was stopped by Lily. Lily talked to Jane and learned about the bullying. Lily then confronted the gangsters about bullying Jane but they did not take it seriously. The next time the gangsters bullied Jane, Jason saw and intervened by apologizing to Jane and explaining he did not mean to hurt her. The gangsters then left while Jason walked Jane back to college.
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This document does not contain any discernible words, sentences or meaningful information to summarize. It appears to be random characters without any context.
What is colour
This document discusses color theory and color psychology. It provides definitions of color properties including primary colors (red, yellow, blue), secondary colors (orange, green, purple) and tertiary colors. It also describes color harmonies such as analogous, complementary, split complementary and triad. The document then discusses how color affects moods and emotions. It notes that color psychology is used in therapy and different cultures associate different meanings with colors. Finally, the document reflects on how colors can inspire self-confidence and understanding and help one reach their potential.
Past perfect tense
The document explains the past perfect tense, which refers to an event that occurred earlier than some past time or event that is being discussed. It provides examples of using the past perfect tense, such as "John had gone out when I arrived in the office." It also discusses using the past perfect tense with "just" to refer to something that happened a short time ago. The document then provides exercises for learners to practice using the past perfect tense, past continuous tense, and simple future tense.
Quinnie ng nyen hoong english assignment 1 create product
- The document describes a new soft drink product called "Sante" that contains fruit juices and has various health benefits.
- "Sante" contains juices from 5 fruits: grapes, apples, oranges, kiwis, and strawberries, which provide various vitamins and antioxidants.
- The product is being marketed in Malaysia as a healthier alternative to other soft drinks, and is promoted through television, radio, endorsements, free samples, coupons, and competitive pricing.
Quinnie ng nyen hoong english assignment 1 create product
The document discusses a proposal for a new line of fruit juice drinks called "Santé" that are made from organic fruits and can also be used as a face mask. It provides details on the product, including five flavors, nutritional information, packaging, pricing, and a marketing plan. An observation showed that Santé outperformed competitors in sales over its first few months. In-depth customer interviews found positive feedback on Santé's health and beauty benefits.
Contemporary art and design
Contemporary art refers to art produced by living artists in the 21st century, providing an opportunity to reflect on current social issues and the modern world. Contemporary art history includes the mid-to-late 20th century periods after World War II and the Cold War, as well as from 1985 to the present. Contemporary art is part of an ongoing cultural dialogue about personal and community identity. The Museum of Contemporary Art in Miami, Florida exhibits both temporary and permanent collections of contemporary art.
Deconstructivism
Deconstructivism is a postmodern architectural style that began in the late 1980s and was influenced by deconstruction theory. It is characterized by fragmented, non-rectilinear designs that appear to distort structures and play with a building's surfaces and skin.
The Dancing House in Prague was built between 1992-1996 on the site of a building destroyed in World War 2 bombing. The uniquely shaped building, designed by Frank Gehry in collaboration with Vlado Milunic, resembles two dancing figures - a glass tower for the female dancer and a rock tower with an imaginary hairpiece for the male dancer.
Post modernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, architecture, and criticism. It is characterized by combining different styles and media rather than pursuing a single pure form, and is skeptical of overarching theories. In architecture, postmodernism rejects the notion of perfect form, instead drawing openly from all available methods and materials. The Sony Building in New York is an example, topping a boxy office tower with a classical broken pediment not typically seen in modern architecture.
Minimalism
Minimalism began in post-World War II Western art, especially American visual arts in the 1960s-1970s. Minimalist architecture strips down designs to their most fundamental features, achieving simplicity by removing anything further to improve the design. Minimalist design has been influenced by Japanese traditions and the work of De Stijl artists, aiming to reduce subjects to their necessary elements through architectural control and not being disempowered.
Op art
Op art uses optical illusions to create the impression of movement, hidden images, or warping in the viewer. It is created through the use of patterns and lines, often black and white stripes as in Bridget Riley's famous painting Current. Beginning in 1965, some op artists like Bridget Riley began to focus on color in their works, while others like Julian Stanczak and Richard Anuszkiewicz had always been interested in using color as the primary element in their op art.
Abstract expressionism
Abstract expressionism was an American post-World War II art movement developed in New York in the 1940s that achieved international influence and made New York City the new center of the western art world, surpassing Paris. It featured paintings by American artists like Arshile Gorky, Franz Kline, and Mark Rothko that moved away from figurative representation toward abstraction through raw emotion and gesture.
De stijl
De Stijl was a Dutch artistic movement founded in 1917 that consisted of artists and architects. The movement was centered around the journal of the same name published by Theo van Doesburg to propagate the group's theories of pure abstraction using only basic geometric forms, primary colors, and black and white. Key members included painters Piet Mondrian, Vilmos Huszár, and Bart van der Leck and architects Gerrit Rietveld, Robert van’t Hoff, and J. J. P. Oud.
Bauhaus
The Bauhaus was an influential German art school operating from 1919 to 1933 that combined crafts and fine arts. It taught an approach to design that emphasized simplicity and functionality. The Bauhaus style went on to have a profound impact on art, architecture, design, and related fields. The school was founded in Weimar and later relocated to Dessau and Berlin under the direction of Walter Gropius and others before ultimately being closed by the Nazis.
Art deco
Art Deco was an influential visual arts style that emerged after World War I and flourished in the 1920s-1940s before declining after World War II. It combined traditional motifs with modern machine imagery and materials, and was characterized by rich colors, geometric shapes, and lavish ornamentation. Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress. The Jazz Age of the 1920s saw the rise in popularity of jazz music and dance, especially in the US, Britain, and France. This new music and dances like the Charleston outraged some older generations.
Art nouveau
Art Nouveau was an international style popular from 1890-1910 that used natural, flowing forms like flowers, plants, and curved lines in architecture, decorative arts, and fine arts. It aimed to harmonize art with the natural environment. Key influences included Japanese woodblock prints, Czech artist Alphonse Mucha's posters, and new printing technologies. Art Nouveau was expressed through many mediums like glasswork, ceramics, furniture, and graphics.
Art and crafts movement
The Arts and Crafts Movement was a design movement between 1860 and 1910 that developed as a reaction against the poor state of decorative arts at the time. It advocated for traditional craftsmanship using simple forms that were often inspired by medieval, romantic, or folk styles. The movement began in England and was developed in the 1850s by figures like William Morris and Edward Burne-Jones who wrote about their experiences with industrial society. An early example is The Red House in London, designed by Philip Webb for Morris in 1859, which exemplified the style with well-proportioned forms, wide porches, and traditional materials.
Industrial revolution
The camera evolved from the camera obscura and progressed through many technological changes including daguerreotypes, calotypes, dry plates, film, and digital cameras. Early photographic cameras projected an image onto a viewing surface like the camera obscura and used techniques developed by Daguerre and Talbot to expose light-sensitive materials to capture images. Film then allowed cameras to develop into practical tools for movies. Now, digital cameras can wirelessly transfer and share photos and are commonly found in mobile phones. The modern steel industry began in the 1850s but steel has since become essential to the global economy, though production has consolidated in Europe and China and India have become major producers and consumers.
19th century art
The 19th century saw the rise of three major art movements: Neoclassicism, Romanticism, and Impressionism. Neoclassicism drew inspiration from ancient Greek and Roman art and was characterized by idealized forms and stable compositions. Romanticism placed emphasis on emotion over rationale and individual expression, seen in works with bright color and expressive brushstrokes. Impressionism originated in Paris and was known for its small brushstrokes, emphasis on light/color, and depictions of everyday subjects and movement.
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Op art
- 1. Op Art Op art, also known as optical art, is a style of visual art that makes use of optical illusions. Op art works are abstract, with many of the better known pieces made in black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping. Op art is created in two primary ways. The first, and best known method, is the creation of effects through the use of pattern and line. Often these paintings are black-and-white, or otherwise grisaille, as in Bridget Riley's famous painting, Current (1964), on the cover of The Responsive Eye catalogue; here, black and white wavy lines are placed close to one another on the canvas surface, creating such a volatile figure-ground relationship that one's eyes begin to hurt. Beginning in 1965 Bridget Riley began to produce colour-based op art, however, Julian Stanczak and Richard Anuszkiewicz, were always interested in making colour the primary focus of their work. Often, colourist work is dominated by the same concerns of figure-ground movement, but they have the added element of contrasting colours which have different effects on the eye.