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Nouveau realism right side
- 2. Manifesto of Nouveau Réalisme signed October 27, 1960 The New Realists have seized awareness of their collective singularity New Realism = new ways of perceiving the real
- 3. Yves Klein Leap into the Void Fontenay-aux-Roses October 23, 1960 Photograph by Harry Shunk [Fig. 18-02]
- 5. Yves Klein Leap into the Void Fontenay-aux-Roses October 23, 1960 Photograph by Harry Shunk [Fig. 18-02]
- 6. Jean Tinguely Homage to New York 1960 Mixed media Self-destructing installation in the garden of The Museum of Modern Art, New York [Fig. 18-05]
- 8. Arman Long-Term Parking 1982 Sixty automobiles imbedded in cement 60 × 20 × 20’ Centre d’Art de Montcel, Jouy-en-Josas France [Fig. 18-10]
- 9. Christo and Jeanne-Claude Surrounded Islands Biscayne Bay, Greater Miami, Florida 1980-83
- 10. George Maciunas Fluxus Manifesto 1963 Offset 8-3⁄16 × 5-11⁄16” The Museum of Modern Art, New York [Fig. 18-17]
- 11. Yoko Ono performing Cut Piece at Carnegie Recital Hall New York City March 21, 1965 [Fig. 18-19]
- 12. Joseph Beuys The Pack 1969 Installation with Volkswagen bus and twenty sledges, each carrying felt, fat, and a flashlight Staatliche Kunstsammlungen Kassel, Neue Galerie Kassel, Germany [Fig. 18-21]
Editor's Notes
- Manifesto of Nouveau Réalisme signed October 27, 1960. The New Realists have seized awareness of their collective singularity. New Realism = new ways of perceiving the real.
- Yves Klein, Leap into the Void, Fontenay-aux-Roses, October 23, 1960. Photograph by Harry Shunk. [Fig. 18-02]
- Yves Klein, Leap into the Void, Fontenay-aux-Roses, October 23, 1960. Photograph by Harry Shunk. [Fig. 18-02]
- Jean Tinguely, Homage to New York, 1960. Mixed media. Self-destructing installation in the garden of The Museum of Modern Art, New York. [Fig. 18-05]
- Arman, Long-Term Parking, 1982. Sixty automobiles imbedded in cement, 60 × 20 × 20’ (18.3 × 6.1 × 6.1 m). Centre d’Art de Montcel, Jouy-en-Josas, France. [Fig. 18-10]
- George Maciunas, Fluxus Manifesto, 1963. Offset, 8-3⁄16 × 5-11⁄16” (20.8 × 14.5 cm). The Museum of Modern Art, New York. [Fig. 18-17]
- Yoko Ono performing Cut Piece at Carnegie Recital Hall, New York City, March 21, 1965. [Fig. 18-19]
- Joseph Beuys, The Pack, 1969. Installation with Volkswagen bus and twenty sledges, each carrying felt, fat, and a flashlight. Staatliche Kunstsammlungen Kassel, Neue Galerie, Kassel, Germany. [Fig. 18-21]