This document provides an overview of modern art in Europe and the Americas from 1900-1950. It begins with learning objectives focused on identifying styles, interpreting meaning, and relating works to their contexts. Key events that influenced the period are described, such as World War I and the Great Depression. Several major art movements are then discussed in detail, including the Fauves and their expressive use of color, Picasso's development of Cubism including its analytic and synthetic phases, and the Bridge movement in Germany inspired by Nietzsche. Major artists and their groundbreaking works from this revolutionary period in art history are analyzed.
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document provides an overview of Chapter 28 from an Art History textbook on art and Pacific cultures. It begins with learning objectives for the chapter focused on identifying visual hallmarks of Pacific art, interpreting meanings and themes, and relating art to cultural contexts. It then provides summaries of the art and cultures of major Pacific regions, including Australia, Melanesia, Micronesia, Polynesia, and specific areas like New Guinea and New Ireland/New Britain. For each region, it highlights characteristics of art forms, materials, and cultural practices, providing examples of artworks with descriptions and images.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
This document provides an overview of post-1300 art in the Americas, covering major cultures and artistic traditions. It discusses the Aztec Empire's religious art including sculptures like the Coatlicue statue. Manuscripts and featherworks are described. For the Incas, important cities like Cuzco and Machu Picchu are mentioned as well as textiles, metalwork, and architecture. The impacts of European colonization are also summarized.
This document provides an overview of key developments in art since the 1950s. It discusses the rise of abstract expressionism and its influence on new forms like assemblage, happenings, and performance art. Artists like Rauschenberg, Kaprow, and Beuys staged multimedia performances that combined different elements. Pop art, exemplified by Warhol and Lichtenstein, incorporated popular culture imagery. Minimalism emerged to reduce artworks to basic forms using industrial materials, as seen in Donald Judd's identical rectangular units. The text explores how these new movements reflected the political, economic, and social changes in the post-World War II era.
Human beings migrated throughout the Americas over thousands of years, eventually settling as far south as Tierra del Fuego. Five major early civilizations developed distinctive artistic traditions in Mesoamerica and Central America before 1300. The Olmec, Teotihuacan, and Maya cultures built impressive ceremonial centers featuring colossal sculptures, painted murals, and temples. The Maya made advances in hieroglyphic writing and calendrical systems. Major Maya sites like Tikal, Palenque, and Yaxchilan contain temples, tombs, and carved monuments documenting rulers.
This document provides an overview of art in Europe and the United States from the mid-19th century to the late 19th century. It discusses developments in architecture, painting, sculpture, photography, and the emergence of realism and avant-garde styles. Major topics covered include academic architecture in France, orientalist painting, early pioneers of photography like Daguerre and Talbot, Civil War photographer Alexander Gardner, and the political upheavals in Europe in 1848 that influenced realist art movements. The document is from an art history textbook and provides learning objectives and concepts for understanding art of this period.
This document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses changes in religion that influenced art styles, including the rise of Hinduism and the spread of Buddhism to Southeast Asia. Major artistic periods and sites are covered, such as the Mughal period in northern India and the Vijayanagara empire in the south. Important architectural works like the Taj Mahal and City Palace of Udaipur are analyzed. Painting traditions under the Mughals and Rajputs are also examined. The document concludes by noting ceramic production in Southeast Asian kingdoms like Vietnam.
This document provides an overview of Chapter 28 from an Art History textbook on art and Pacific cultures. It begins with learning objectives for the chapter focused on identifying visual hallmarks of Pacific art, interpreting meanings and themes, and relating art to cultural contexts. It then provides summaries of the art and cultures of major Pacific regions, including Australia, Melanesia, Micronesia, Polynesia, and specific areas like New Guinea and New Ireland/New Britain. For each region, it highlights characteristics of art forms, materials, and cultural practices, providing examples of artworks with descriptions and images.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
This document provides an overview of 17th century art in Europe. It discusses key developments and artists of the Baroque period. Major points covered include:
- The Baroque style aimed to evoke intense emotion in viewers through lifelike depictions. Artists like Bernini and Borromini created works that engaged viewers.
- Bernini's sculptural works like Ecstasy of Saint Teresa and architectural works at St. Peter's Basilica in Rome exemplified the Baroque style.
- Caravaggio introduced tenebrism and gritty realism through paintings like The Calling of Saint Matthew. He influenced other artists like Artemisia Gentileschi.
- The document discusses developments in
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
This document provides an overview of Chinese and Korean art after 1279. It discusses the Mongol invasions and establishment of the Yuan dynasty in China, and the development of literati painting during this period. Notable artists from the Yuan dynasty discussed include Zhao Mengfu and Ni Zan. The document also covers the founding of the Ming dynasty, characteristics of Ming painting and porcelain, and important artistic centers like the Forbidden City. Key Ming artists mentioned are Yin Hong, Dai Jin, Qiu Ying, and Shen Zhou. The styles of literati, court, and landscape painting during this time period are also summarized.
This document provides an overview of 14th century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic style. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-14th century Italy.
This document provides an overview of art in 16th century Italy. It discusses major Italian Renaissance artists such as Leonardo da Vinci, Raphael, and Michelangelo. For Leonardo, it summarizes key works like the Mona Lisa and Last Supper. For Raphael, it describes Madonna paintings and his famous School of Athens fresco. For Michelangelo, it mentions his early Pietà sculpture and famous David statue. The document also provides context on trends, patrons, and the development of oil painting during this influential period of Italian Renaissance art.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of Chapter 9 from the textbook "Art History" which covers Islamic art. It includes learning objectives, summaries of key topics like the origins and spread of Islam, important architectural structures like the Dome of the Rock and Great Mosque of Cordoba, as well as artistic elements like calligraphy, ceramics, and ornamentation. Images and captions are provided to illustrate different architectural features, works of art, and artistic techniques discussed in the chapter summaries.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
This document provides an overview of Byzantine art during the Early Byzantine period under Emperor Justinian I's rule. It discusses major architectural works like the Hagia Sophia and Church of San Vitale, highlighting their use of domes, pendentives, and mosaic artwork. Luxury goods produced in Constantinople included illuminated manuscripts, ivory panels, and silver plates depicting biblical scenes. Icons on walls and panels depicted saints and Mary to venerate holy figures without idolatry.
This document provides an overview of early African art from prehistoric times to the 16th century CE. It discusses rock art traditions in Namibia and South Africa dating back 25,000 years. Ancient civilizations like Nubia and Ethiopia produced monumental sculptures and architecture influenced by Egyptian and Byzantine styles. Islamic influences are seen in the Great Mosque of Djenné in Mali and the Great Mosque of Kairouan in Tunisia. The document examines artistic traditions across the diverse regions of Africa and how they reflected cultural and political influences.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of early medieval art in Europe between the 5th and 8th centuries CE. It discusses the migration of groups like the Huns, Goths, and Vandals throughout Europe after the fall of the Roman Empire. Artistic traditions developed among these groups as well as the Franks, Anglo-Saxons, and Celts in places like France, Britain, Ireland, and Scandinavia. Important artworks included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as metalwork and jewelry. Stylistic influences incorporated remnants of classical styles with new abstract, geometric, and knot patterns that characterized Insular art of the British Isles.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
The document provides an overview of major artistic movements in Europe and America between 1900-1945. It discusses the evolution of modernism through Fauvism, German Expressionism, Cubism, Futurism, Dada and Surrealism in Europe. In America, it covers the impact of the 1913 Armory Show, various styles in the early 20th century, art of the Depression era depicting social issues, and Regionalism. Key artists and works from the period are also mentioned.
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
This document provides an overview of European and American art from 1715-1840. It discusses three major artistic styles that flourished during this period: Rococo, Neoclassicism, and Romanticism. For Rococo, it describes the ornate salon decor and paintings of Watteau, Boucher, and Fragonard that featured mythological themes. Neoclassicism grew from the Grand Tour to Italy and featured portraits, cityscapes, and sculptures that drew inspiration from classical antiquity such as the works of Mengs and Canova. British Neoclassicism combined patriotism and civic virtue while Romanticism embraced emotion. Architecture during this period turned to classical Greek and Roman designs for inspiration,
This document provides an overview of prehistoric art from the Paleolithic to Bronze Age periods in Europe and other regions. It discusses early tools and artifacts from the Lower Paleolithic and the emergence of representational images in the Upper Paleolithic, including cave paintings, sculptures, and figurines found across Europe and Africa dating back as far as 38,000 BCE. The document also examines theories about the meaning and purpose of prehistoric art and explores techniques used by early cave painters. Key examples of prehistoric art are cited and illustrated throughout.
The document provides an overview of African arts from the 16th century to the present. It discusses how royal arts in the 16th century shaped art across the continent. It then examines artistic traditions in specific African countries and regions, including Ghana, Cameroon, the Democratic Republic of Congo, and Nigeria. It describes how colonialism and modernity in the 19th century impacted African artists as they gained European patrons while struggling with political changes under colonial rule. Key concepts discussed include participation, contemporaneity, abstraction, and cultural fluency in African art.
This document provides an overview of early Japanese art history from prehistoric times through the Heian period (794-1185 CE). It discusses the origins of art in Japan during the Jomon period, characterized by earthenware vessels and figurines. The Yayoi period saw the introduction of wet-rice agriculture and metalworking from Korean immigrants. Funerary objects called haniwa were produced during the Kofun period. Buddhism was introduced in the Asuka period, influencing architecture like the wooden Horyuji temple and its lacquer paintings. The capital moved to Nara during the Nara period, where large Buddhist temples and the Kasuga shrine were constructed. Literary and artistic culture flourished during
This document provides an overview of art in South and Southeast Asia before 1200 CE. It begins with learning objectives for the chapter and then provides summaries of the origins of civilization in South Asia, including the Indus Valley civilization. Major artistic periods discussed include the Maurya period, when Ashoka promoted Buddhism, and the Shunga and early Satavahana period, noting important structures like the Great Stupa at Sanchi. The document presents images and summaries of key artworks to illustrate the developments in South and Southeast Asian art over this time period.
This document provides an overview of Chinese and Korean art after 1279. It discusses the Mongol invasions and establishment of the Yuan dynasty in China, and the development of literati painting during this period. Notable artists from the Yuan dynasty discussed include Zhao Mengfu and Ni Zan. The document also covers the founding of the Ming dynasty, characteristics of Ming painting and porcelain, and important artistic centers like the Forbidden City. Key Ming artists mentioned are Yin Hong, Dai Jin, Qiu Ying, and Shen Zhou. The styles of literati, court, and landscape painting during this time period are also summarized.
This document provides an overview of 14th century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic style. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-14th century Italy.
This document provides an overview of art in 16th century Italy. It discusses major Italian Renaissance artists such as Leonardo da Vinci, Raphael, and Michelangelo. For Leonardo, it summarizes key works like the Mona Lisa and Last Supper. For Raphael, it describes Madonna paintings and his famous School of Athens fresco. For Michelangelo, it mentions his early Pietà sculpture and famous David statue. The document also provides context on trends, patrons, and the development of oil painting during this influential period of Italian Renaissance art.
This document provides an overview of Etruscan and Roman art from approximately the 8th century BCE to the 1st century CE. It discusses the key developments and influences in Etruscan and Roman architecture, sculpture, and tomb painting. The Etruscans established city planning techniques and temple designs that influenced later Roman architecture. Their tomb paintings depicted vivid scenes of daily life. Etruscan artists also excelled at life-sized terra cotta sculptures. The Romans adopted many elements of Etruscan and Greek culture as they expanded their Republic throughout the Mediterranean world.
This document provides an overview of Chapter 9 from the textbook "Art History" which covers Islamic art. It includes learning objectives, summaries of key topics like the origins and spread of Islam, important architectural structures like the Dome of the Rock and Great Mosque of Cordoba, as well as artistic elements like calligraphy, ceramics, and ornamentation. Images and captions are provided to illustrate different architectural features, works of art, and artistic techniques discussed in the chapter summaries.
This document provides an overview of 15th century art in Northern Europe, with a focus on the Netherlands and Belgium. It discusses major artists of the time including Jan van Eyck, Rogier van der Weyden, the Master of Flémalle, and the Limbourg Brothers. Key works mentioned include van Eyck's Arnolfini Portrait and Ghent Altarpiece, van der Weyden's Deposition, and illuminated manuscripts like the Très Riches Heures. The text also covers art forms like oil painting, manuscript illumination, tapestries, and the patronage of the wealthy Burgundian dukes.
This document provides an overview of Bronze Age art in the Aegean region, including the Cycladic, Minoan, and Mycenaean cultures. It describes distinctive art forms from each culture, such as the abstract marble figures produced by the Cycladic civilization. For the Minoan civilization, it highlights artistic achievements like the elaborate palace complexes, vivid frescoes, and finely crafted sculptures. The document aims to familiarize readers with the visual hallmarks and historical context of ancient Aegean art.
This document provides an overview of ancient Greek art from 900 BCE to 480 BCE. It covers the Geometric, Orientalizing, and Archaic periods. Key points include:
- During the Geometric period, ceramic vessels featured linear motifs and figurines used elemental shapes. This included the Funerary Krater depicting mourning figures.
- The Orientalizing period saw pottery move away from linear decoration towards large motifs influenced by Eastern styles, like animals on a Corinthian olpe.
- The Archaic period was innovative, including the Treasury of the Siphnians at Delphi with caryatids and relief sculpture on its frieze and pediments depicting gods and giants.
This document provides an overview of Byzantine art during the Early Byzantine period under Emperor Justinian I's rule. It discusses major architectural works like the Hagia Sophia and Church of San Vitale, highlighting their use of domes, pendentives, and mosaic artwork. Luxury goods produced in Constantinople included illuminated manuscripts, ivory panels, and silver plates depicting biblical scenes. Icons on walls and panels depicted saints and Mary to venerate holy figures without idolatry.
This document provides an overview of early African art from prehistoric times to the 16th century CE. It discusses rock art traditions in Namibia and South Africa dating back 25,000 years. Ancient civilizations like Nubia and Ethiopia produced monumental sculptures and architecture influenced by Egyptian and Byzantine styles. Islamic influences are seen in the Great Mosque of Djenné in Mali and the Great Mosque of Kairouan in Tunisia. The document examines artistic traditions across the diverse regions of Africa and how they reflected cultural and political influences.
This document provides an overview of early Chinese and Korean art before 1279 CE. It discusses important Neolithic cultures like Yangshao and Liangzhu and their painted pottery and jade carvings. The Bronze Age saw the rise of the Shang dynasty, known for ritual bronzes made through piece-mold casting. Subsequent Zhou dynasty artifacts included bells. Under the Qin, Emperor Shihuangdi's terra cotta army was constructed, while the Han dynasty saw prosperity and the opening of the Silk Road, as well as artifacts like the painted banner from Changsha tomb.
This document provides an overview of early medieval art in Europe between the 5th and 8th centuries CE. It discusses the migration of groups like the Huns, Goths, and Vandals throughout Europe after the fall of the Roman Empire. Artistic traditions developed among these groups as well as the Franks, Anglo-Saxons, and Celts in places like France, Britain, Ireland, and Scandinavia. Important artworks included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as metalwork and jewelry. Stylistic influences incorporated remnants of classical styles with new abstract, geometric, and knot patterns that characterized Insular art of the British Isles.
This document provides an overview of Japanese art after 1333 CE across several historical periods. It begins with foundational Japanese culture developed during the Jomon and Yayoi periods and influence of Chinese culture during Asuka and Nara periods. During the Muromachi period, Zen Buddhism was popular and influenced ink paintings and dry gardens. The Momoyama period saw development of castles, shoin rooms, and the tea ceremony. The Edo period was characterized by the shogunate, spread of arts, and ukiyo-e prints. Key artists and their works are discussed for each period.
A slideshow connected to a lecture of Northern Renaissance Art available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Christina McCollum.
The document provides an overview of major artistic movements in Europe and America between 1900-1945. It discusses the evolution of modernism through Fauvism, German Expressionism, Cubism, Futurism, Dada and Surrealism in Europe. In America, it covers the impact of the 1913 Armory Show, various styles in the early 20th century, art of the Depression era depicting social issues, and Regionalism. Key artists and works from the period are also mentioned.
The document provides an overview of early modern art in Europe and America between 1900-1945. It discusses several major artistic movements that emerged during this period like Fauvism, German Expressionism, Cubism, Futurism, Dada, and Surrealism. It summarizes the goals and styles of these movements, and provides context on how some influenced others. Key artists and their major works from each movement are also mentioned to understand their contributions to the development of modern art.
This document provides an overview of early 20th century modern art movements from 1900-1950, including Fauvism, Die Brucke, Der Blaue Reiter, Cubism, and key artists. It summarizes:
- Fauvism emerged around 1904-1908 in France, known for wild brushwork and bright, unnatural colors. Leaders were Matisse and Derain.
- Die Brucke formed in 1905 in Germany and emphasized emotional expression through color and distorted forms. Key members were Kirchner and Nolde.
- Der Blaue Reiter formed in Germany and promoted spiritual and symbolic uses of color. Kandinsky and Marc moved toward abstraction.
Chapter 19 taking chances with popular culturePetrutaLipan
Pop Art began in England in the 1950s as a reaction against Abstract Expressionism. Key early figures included Richard Hamilton, who coined the term "Pop art", and Eduardo Paolozzi, whose collages incorporated imagery from mass media and popular culture. Pop Art spread to the United States in the 1960s, where artists like Andy Warhol, Jasper Johns, Robert Rauschenberg, Claes Oldenburg, and Jim Dine incorporated everyday objects and imagery into their work. They challenged definitions of art and blurred lines between high and low culture.
Chapter 18 nouveau realisme and fluxusPetrutaLipan
The document summarizes key developments in Nouveau Réalisme and Fluxus, two influential post-World War II art movements. It describes how Nouveau Réalisme was founded in 1960 and utilized techniques like collage and assemblage. Key figures like Yves Klein, Arman, and Christo & Jeanne-Claude are discussed for their use of materials and performances. Fluxus is presented as encouraging accessible art and events, led by founder George Maciunas. Figures like Joseph Beuys and Yoko Ono incorporated performance art. Both movements rejected conventions and emphasized experimental approaches.
Satellite television, the internet, and colonialism helped drive the evolution of globalism. Several key figures and events influenced changes in racial equality, gender equality, and other social movements in the latter half of the 20th century, including Martin Luther King Jr., the women's movement, and the gay rights movement. Abstract Expressionism emerged as the dominant art movement in the 1940s-1960s in New York, pioneered by artists like Jackson Pollock, Willem de Kooning, and Franz Kline who experimented with action painting and color field techniques.
The document summarizes artistic styles and developments in Europe and America between 1700-1800. It describes the Rococo style as delicate and focused on themes of love. The Enlightenment emphasized rational thought and scientific questioning of beliefs. Neoclassicism emerged in the late 18th century reflecting interest in antiquity and reinforcing Enlightenment ideals through themes of honor and civic duty in rational, balanced compositions.
The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
The document provides an overview of several art movements from Realism to Environmental Art, summarizing key aspects of each. Realism in the 1850s aimed to portray ordinary lives and scenes. Impressionism from 1867-1886 involved painting outdoors in a direct style focused on landscapes. Cubism from 1907-1914 fragmented subjects into multiple planes. Fauvism from 1905-1954 used radical colors and distortions. Later movements discussed include Dada, Surrealism, Abstract Expressionism, Pop Art, and Environmental Art.
Art 1020 Chapter 24 Modernism in Europe and America 1900-1945Amelia Jones
The document provides an overview of modernism in Europe and America between 1900-1945. It discusses the major art movements including Fauvism, German Expressionism, Cubism, Futurism, Dada, Suprematism, Constructivism, and more. Key aspects covered include the experimental approaches artists took with subject matter, techniques, and materials. Major figures and works are referenced to illustrate the styles and philosophies of each movement. The document also touches on related historical events and concepts that influenced modernist art during this period.
The document provides an overview of major artistic movements and artists in the 20th century up to 1950, including Fauvism, German Expressionism, Cubism, Dadaism, Futurism, and others. It discusses key works and innovations in color, form, and rejection of conventions by artists like Matisse, Picasso, Kandinsky, Duchamp, and others who revolutionized modern art.
The document introduces the La Colección Jumex art collection located in Mexico City. It contains around 2,000 pieces from the 1960s to present by international and Mexican artists. The title "WHERE DO WE GO FROM HERE?" questions the future of artistic materials, styles, ideas and topics as well as globalization. It also outlines four subject categories - Art about Art, Urban Anthropology, Text in Art, and Artists' Profiles - to think about when viewing the artworks.
In this week’s lecture we will continue our study of materiality – but where we have previously considered the perceptual and affectual aspects of materiality, this week we will focus on the conceptual side of materials – the way that materials signify or embody ideas.
The document provides an overview of major art movements and styles from 1945 to the present. It discusses Abstract Expressionism, Pop Art, Minimalism, and Postmodern architecture as some of the prominent developments. It also examines feminist art and conceptual art forms like performance, earthworks, and new media that combined art with other disciplines or eliminated the physical object. The document seeks to familiarize readers with influential artists, key works, styles, and theories across this period of modern to contemporary Western and American art.
The document provides an overview of major art movements from the 20th century, including Modern art, Cubism, Abstract art, Expressionism, Dada, Surrealism, Abstract Expressionism, Pop Art, and Post-Modernism. It summarizes key works and artists from each movement, such as Picasso's Les Demoiselles d'Avignon for Cubism and Warhol's Campbell's Soup Cans for Pop Art. The document traces how art evolved from realistic representations to more conceptual and interactive forms over the turbulent 20th century.
The largest European cities were destroyed by WWII bombings. Many artists fled to New York, which became the new center of financial and artistic power. In the postwar period, abstract expressionism emerged from New York and had a global influence. In Europe, artists grappled with existential themes of suffering and trauma from the war in their figurative works like Giacometti and Richier. Non-figurative styles like Tachism, Art Informel and Lyrical Abstraction developed in reaction to cubism with a focus on spontaneity. Artists across Europe experimented with abstraction, including pioneers of Concrete Art like Max Bill. The trauma of war could also be seen in the works of Picasso
The document provides an overview of major art movements from the 20th century, including Modern art, Cubism, Abstract art, Expressionism, Dada, Surrealism, Pop Art, and Post-Modernism. It summarizes key works and artists from each movement, such as Picasso's Les Demoiselles d'Avignon for Cubism and Warhol's Campbell's Soup Cans for Pop Art. The document traces how art evolved from realistic representations to more conceptual and interactive forms over the turbulent 20th century.
This document summarizes major artistic developments and movements from the mid-20th century onwards. It discusses Neo-Dadaism, Minimalism, Pop Art, Photo-Realism, Superrealism, and Neo-Expressionism. Key artists mentioned include Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Andy Warhol, Richard Estes, Chuck Close, Duane Hanson, and George Segal. It also provides background historical context and describes the mediums and methods used by these influential artists.
This document provides an overview of concepts discussed in Chapter 1 of the textbook World of Art. It discusses several key points:
1) The artist Cai Guo-Qiang is introduced, known for pyrotechnic artworks like extending the Great Wall of China with gunpowder. For the 2008 Beijing Olympics, he directed a fireworks display tracing Chinese history.
2) The creative process is examined through examples like Picasso's Les Demoiselles d'Avignon, which evolved from sketches to the final radical work.
3) Artists can help viewers see the world differently, as seen in works by Cai, Ken Gonzales-Day documenting lynching sites, and coffins in Ghana celebrating
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
This document provides an overview of fourteenth-century European art. It discusses key artists and developments in Italy, including Giotto di Bondone's frescoes in the Scrovegni Chapel in Padua which depicted biblical scenes in a realistic way. Duccio di Buoninsegna's Maestà altarpiece for Siena Cathedral synthesized Byzantine and Gothic styles. Ambrogio Lorenzetti later painted frescoes for the Palazzo Pubblico in Siena depicting the effects of good and bad government. The document also notes the impact of the Black Death pandemic on art in mid-fourteenth century Europe.
This document provides an overview of concepts in art history. It discusses four key ways that art historians investigate works of art: assessing physical properties, analyzing formal structure, identifying subject matter, and integrating works within their cultural context. It provides examples to illustrate each of these methods. The document also summarizes in detail how these four approaches were used to analyze Rogier van der Weyden's painting "Crucifixion with the Virgin and St. John the Evangelist."
This document provides an overview of Gothic art and architecture in Europe between the 12th and 13th centuries. It begins with learning objectives and then discusses the rise of Gothic style, focusing on key developments at the Abbey Church of Saint-Denis, considered the first Gothic building. These included rib vaulting, larger windows, and stained glass installations. The document then examines Chartres Cathedral in depth, highlighting its architectural innovations, sculptures, stained glass windows illustrating biblical scenes, and the social context of cathedral construction.
This document provides an overview of Romanesque art and architecture in Europe between the 11th and 12th centuries. It discusses the political, economic, and social contexts, including the growing power of the Church. Major architectural developments are outlined, including the first all-masonry churches, pilgrimage churches like Santiago de Compostela, and influential monasteries like Cluny and the Cistercian monastery of Fontenay. Reliquaries and the importance of relics are also mentioned. The document aims to identify the key characteristics and developments of Romanesque art through both text and images.
This document provides an overview of ancient Egyptian art and architecture from the Predynastic period through the Old Kingdom. It begins with a summary of the importance of the Nile River to early Egyptian civilization and the emergence of chiefdoms. Key developments included the unification of Upper and Lower Egypt, the rise of pharaonic kingship, and the establishment of artistic conventions like composite figures. Early royal tombs took the form of mastabas and pyramids grew more elaborate, like the stepped pyramid of Djoser. The peak of Egyptian art and architecture was seen in Old Kingdom sites like the three great pyramids of Giza.
This document provides an overview of Jewish and early Christian art from antiquity. It begins with learning objectives focused on identifying formal qualities, interpreting themes and symbols, and analyzing historical context. Background information is given on Judaism, Christianity, and their existence in the late Roman Empire. Early Jewish art discussed includes the First Temple in Jerusalem, wall paintings from the Jewish catacomb in Rome depicting menorahs and the Ark of the Covenant, and synagogues with mosaics and paintings. Early Christian art discussed includes paintings from the house church at Dura-Europos depicting scenes from Christ's life, wall paintings and sculptures from the catacombs in Rome, and the adoption of basilica architecture for
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
42. Franz Marc THE LARGE BLUE HORSES
1911. Oil on canvas, 3'5-3/8" × 5'11-1/4" (1.05 × 1.81 m).
Walker Art Center, Minneapolis. Gift of T.B. Walker Collection, Gilbert M. Walter Fund,
1942 [Fig. 32-17]
110. El Lissitzky PROUN SPACE
Created for the Great Berlin Art Exhibition. 1923, reconstruction 1971.
Collection Van Abbemuseum, Eindhoven, The Netherlands. Photo: Peter Cox,
Eindhoven, The Netherlands.
[Fig. 32-48]
156. Dorothea Lange MIGRANT MOTHER, NIPOMO, CALIFORNIA
February 1936. Gelatin-silver print. Library of Congress, Washington, DC. Courtesy the
Library of Congress. [Fig. 32-70]
161. Emily Carr BIG RAVEN
1931. Oil on canvas, 34-1/4" × 44-7/8" (87 × 114 cm).
Collection of the Vancouver Art Gallery, Emily Carr Trust. Vancouver Art Gallery, Photo:
Trevor Mills . [Fig. 32-72]
178. Joaquín Torres-García ABSTRACT ART IN FIVE TONES AND COMPLEMENTARIES
1943. Oil on board mounted on panel, 20-1/2" × 26-5/8" (52.1 × 67 cm).
Albright Knox Art Gallery, Buffalo, NY. Gift of Mr. and Mrs. Armand J. Castellani, 1979. Art
Resource, NY. [Fig. 32-80]
Franz Marc THE LARGE BLUE HORSES1911. Oil on canvas, 3'5-3/8" × 5'11-1/4" (1.05 × 1.81 m).Walker Art Center, Minneapolis. Gift of T.B. Walker Collection, Gilbert M. Walter Fund, 1942 [Fig. 32-17]
El Lissitzky PROUN SPACECreated for the Great Berlin Art Exhibition. 1923, reconstruction 1971.Collection Van Abbemuseum, Eindhoven, The Netherlands. Photo: Peter Cox, Eindhoven, The Netherlands.[Fig. 32-48]
Emily Carr BIG RAVEN1931. Oil on canvas, 34-1/4" × 44-7/8" (87 × 114 cm).Collection of the Vancouver Art Gallery, Emily Carr Trust. Vancouver Art Gallery, Photo: Trevor Mills . [Fig. 32-72]
Joaquín Torres-García ABSTRACT ART IN FIVE TONES AND COMPLEMENTARIES1943. Oil on board mounted on panel, 20-1/2" × 26-5/8" (52.1 × 67 cm).Albright Knox Art Gallery, Buffalo, NY. Gift of Mr. and Mrs. Armand J. Castellani, 1979. Art Resource, NY. [Fig. 32-80]