This document discusses minimalist art and conceptual art from the 1960s-1970s. It features works by American artists such as Donald Judd, Sol LeWitt, Carl Andre, Richard Serra, Walter De Maria, Christo, and Joseph Kosuth. Minimalist art focuses on simple geometric forms and aims to reduce art to its most essential elements. Conceptual art emphasizes ideas over physical objects, using words and language in their works. Joseph Kosuth is cited saying that art has become philosophy made concrete. The works in the document illustrate the rejection of traditional artistic techniques in favor of minimal and conceptual forms of expression.

1. 1
Minimalizm
Основная единица
современного
искусства — не идея,
а анализ и
расширение
ощущений.
Сьюзан Cонтаг
1950 1960 1970 1980
Donald Judd (1928-1994)
1967.

2. 2
Sol LeWitt Pavadinimas: Du atviri kubai, 1972
60 x 305 x 233cm

3. 3Donald Judd 1969

4. 4
Donald Judd
1967
Барбара Роуз
«Искусство ABC».
Art in America, октябрь 1965
Это искусство отрицания и
отречения. Такой длительный
аскетизм обычно свойственен
размышляющим или мистикам…
Как и мистики, эти художники в
своих работах отрицают эго и
индивидуальность в попытке
пробудить полугипнотическое
состояния чистого
бессознательного.

5. 5
Carl Andre 1976
Carl Andre 1978

6. 6
Tony Smith

7. 7
Sol LeWitt

8. 8
Sol LeWitt 1967-71.
Sol LeWitt

9. 9
Robert Morris

10. 10
Frank Stella
«What you see is what you see» звучит ставшая знаменитой
тавтология, которой Стелла

11. 11
Eva Hesse, 1967

12. 12
Dan Flavin

13. 13
Daniel Buren

14. 14
Wall Drawings: LeWitt creates instructions for lines and shapes to be
painted directly on gallery walls. When an exhibition ends, the wall
drawing is painted over. The “work of art” consists of LeWitt’s written
installation instruction and a certificate of authenticity.

15. 15
Richard Serra
Richard Serra

16. 16
Richard Serra
Richard Serra 1971Walker Meno Centras, Mineapolis.

17. 17
The Lightning Field, 1977, by the
American sculptor Walter De
Maria, is a work of Land Art
situated in a remote area of the
high desert of southwestern New
Mexico. It is comprised of 400
polished stainless steel poles
installed in a grid array measuring
one mile by one kilometer. A
sculpture to be walked in as well as
viewed, The Lightning Field is
intended to be experienced over an
extended period of time, and
visitors are encouraged to spend as
much time as possible in The
Lightning Field alone, especially
during sunset and sunrise. In order
to provide this opportunity, Dia
offers overnight visits for up to six
people during the months of May
through October.

18. 18
The New York Earth Room by Walter De Maria
250 cubic yards of earth (197 cubic meters) 3,600 square feet of floor space (335 square
meters) 22 inch depth of material (56 centimeters) Total weight of sculpture: 280,000
lbs. (127,300 kilos) , is the third Earth Room sculpture executed by the artist, the first
being in Munich, Germany in 1968. The second was installed at the Hessisches
Landesmuseum in Darmstadt, Germany in 1974. The first two works no longer exist.

19. 19
Walter De Maria
The Lightning Field, 1977.
Isolated in and interacting with
the high desert of southwestern
New Mexico, the sculpture
consists of 400 stainless steel
poles situated in a rectangular
grid array one mile by one
kilometer. A full experience of
The Lightning Field depends
upon the opportunity to view it
alone or with a small group of
people over an extended period
of time. Dia Center for the Arts,
which commissioned and
maintains The Lightning Field,
schedules overnight visits in
advance, limiting groups to six
or fewer persons.

20. 20
Robert Smithson. Spiral Jetty, 1970, black basalt rocks, earth and salt crystals, coil:
1,500 x 15 feet, stretching out counterclockwise into the translucent red water of Great
Salt Lake, UT. As yet this has not been done. Spiral Jetty was acquired by Dia Center for
the Arts as a gift from the artist's estate in 1999

21. 21
ХРИСТО. ВОРОТА, 2005. Центральный парк, Нью Йорк.

22. 22
Mur de Barils de
PИtrole Le Rideau
de Fer
rue Visconti, Parijs,
27 juni 1962
foto: Jean-
Dominique Lajoux

23. 23
ХРИСТО. ВОРОТА, 2005. Центральный парк, Нью Йорк.

24. 24Christo and Jean-Claude. Paris, 1975 The Pont Neuf Wrapped

25. 25Christo and Jean-Claude. Paris, 1975 The Pont Neuf Wrapped

26. 26Running Fence, 1972-6 -- Christo

27. 27ХРИСТО И ЖАН-КЛОД. УПАКОВАННЫЙ РЕЙХСТАГ. Берлин

28. 28
Концептуализм
(от лат. conceptus – мысль, понятие)
• Джозеф Кошут. Искусство после философии
(1969):
• «Основное значение концептуализма, как мне
представляется, состоит в коренном
переосмыслении того, каким образом
функционирует произведение искусства – или, как
функционирует сама культура: как может
меняться смысл, даже если материал не меняется.
…физическая оболочка должна быть разрушена,
т.к. искусство – это сила идеи, а не материала».

29. 29
Joseph Kosuth, One & Three Chairs,
1965. sculptural installation. American.

30. 30Joseph Kosuth, Art as Idea: Nothing, 1968

31. 31Joseph Kosuth, Art as Idea: Nothing, 1968
Джозеф Кошут:
«двадцатый век
принес с собой
то, что можно
назвать концом
философии и
началом
искусства. Само
искусство — это
философия,
ставшая
конкретной».

32. 32
Four Colors Four Words (1966) by Joseph Kosuth