The document discusses the history of photography. It describes how the first permanent photograph was created by Joseph Nicéphore Niépce in 1826 using a pewter plate covered in bitumen. This was followed by the first photo of people in 1838 or 1839, which showed two people in the bottom left corner as they were the only ones still long enough to appear in the 10+ minute exposure. The document provides context and examples of some of the earliest photographs.
The Stedelijk Museum is being renovated and a brand new wing and main entrance added. The museum mangement invited a number of young artists to develop proposals for the fence around the building site. I was one of the artists and theorists to hold a pitch talk for the selected artists during a workshop held in May 2008.
The Stedelijk Museum is being renovated and a brand new wing and main entrance added. The museum mangement invited a number of young artists to develop proposals for the fence around the building site. I was one of the artists and theorists to hold a pitch talk for the selected artists during a workshop held in May 2008.
Chapter 4 of a university course in media history by Prof. Bill Kovarik, based on the book Revolutions in Communication: Media History from Gutenberg to the Digital Age (Bloomsbury, 2nd ed., 2015).
Art and Photography History of Photography .docxwraythallchan
Art and Photography
History of Photography
C. Jabez Hughes �
: photography into three classes
• 1) Mechanical photography
• 2) Art photography
• 3) A photograph that can “instruct, purify and
ennoble.”
• Depiction vs imagination
• Objective description vs moral uplift
• Entertainment vs. Education
(textbook 3.6) Etienne Carjat, Charles Baudelaire, c. 1862. Woodburytype.
Nadar (Gaspard-Félix Tournachon), Portrait of Charles Baudelaire, c. 1863.
3.7. Nadar, Panthéon Nadar, 1854. Lithographic print, George Eastman House,
Rochester, New York.
Nadar, “Revolving” Self-Portrait, c. 1865.
Nadar, pseudonym of
Gaspard-Félix Tournachon,
(1820 - , 1910),
French writer, caricaturist
and photographer.
-best known for his
photographic portraits.
Nadar, Paris from above in 1858.
3.9. Nadar, Theophilie Gautier, 1854-55. Albumen salted paper print, mounted on Bristol
board, Musee d’Orsay, Paris.
*Gautier: proponent of art
for art’s sake and author
of the novel about
Parisian bohemian life,
Mademoiselle de Maupin
(1835)
*the writer’s antagonism
toward the bourgeois.
*Nadar’s photographic
studio became a
fashionable intellectual
salon.
3.10. Nadar, The Sewers of Paris, 1864-65. Modern print from a glass negative.
Nadar, Catacombs, c. 1860.
Nadar, Sarah Bernhardt, c. 1860.
Nadar, Victor Hugo at Deathbed. 1885.
Tableaux Vivants (living pictures)
William Lake Price, An Interior, 1858.
High Art Photography
Tableux vivants
3.12. William Lake Price, Don Quixote in His Study. Early 1850s.
Albumen print from a wet collodion negative. [Miguel de Cervante]
Tableux vivants
High Art Photography
(textbook 3.13) Oscar Rejlander, The Two Ways of Life, 1857.
Combination Albumin print.
High Art Photography
Raphael, School of Athens 1509-1511, Vatican City
Thomas Couture, The Romans of Decadence, 1855.
(see also your textbook for the scale of this painting, page 461.
13.31. Thomas Struth, Musee d’Orsay, Paris, 1989)
3.14. Henry Peach Robinson, Group with
Recumbent Figure (Sketch with cut-out),
1860. Albumen print and pastel collage on
paper. Gernsheim Collection.
Henry Peach Robinson
(1830 – 1901)
Self-portrait, 1895.
Henry Peach Robinson, When Day’s Work is Done, 1877.
A combination print made from six different negatives.
Henry Peach Robinson, Figures in Landscape, early 1890s, Combination albumen print
3.15. Henry Peach Robinson, Fading Away, 1858, Albumen composite print
(Combination Print),
Science Museum, London.
• Robinson, Henry Peach: “Pictorial Effect In Photography:
Being Hints On Composition And Chiaroscuro For
Photographers.” Piper & Carter, 1869
• Robinson, Henry Peach: “The Elements of a Pictorial
Photograph”. Lund, 1896.
• Video: combination printing darkroom techniques.
Julia Margaret Cameron (1815 – 1879)
Henry Hersschel Hay Cameron, Julia Margaret.
Hello class today i am going to talk to you about photography
1. Hello class today I am going to talk to you about photography.
History
First of we have the history of photography, The first permanent photograph was an
image produced in 1826by the French inventor Joseph Nicéphore Niépce. His
photographs were produced on a polished pewter plate covered with a petroleum
derivative called bitumen of Judea, which he then dissolved in white petroleum
Bitumen hardens with exposure to light.
Here we have the first image.
(Image on slide)
Next we have the first image of people in late 1838 or early 1839,was the first-ever
photograph of people. It is an image of a busy street, but because exposure time
was over ten minutes, the city traffic was moving too much to appear. The
exceptions are the two people in the bottom left corner, one who stood still getting
his boots polished by the other long enough to show up in the picture.
(Image on slide)