This document provides descriptions of artworks created during and after World War 1 in Western Europe. It includes brief descriptions of 13 artworks created between 1916-1927 by artists such as Marcel Duchamp, Man Ray, Hannah Höch, George Grosz, Otto Dix, Max Beckmann, Jean Arp, Marcel Janco, and Sophie Taeuber. The artworks depicted scenes from the war, masks, assemblages, photomontages and portraits that represented the aftermath of World War 1 and the emergence of the Dada movement in Western Europe during this period.
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EFFECTS, MUSIC AND MORE SLIDES AFTER DOWNLOAD. His style of painting influenced an entire generation of painters, graphic artists, draughtsmen and designers and in the minds of many, his work epitomizes the Art Nouveau. Su estilo de pintura influyó en toda una generación de pintores, artistas gráficos, dibujantes y diseñadores y en las mentes de muchos, su obra representa, el Art Nouveau.
Impressionism was a historic start that painters from France had the right to emerge as artists based on their loosened pigments, vibrant brushstrokes, romantic sentiments and naturalistic compositions.
NEW YORK – A series of seven stainless steel sculptures by a distinguished Amsterdam- based German artist Ewerdt Hilgemann will land on Park Avenue in New York on August 1, 2014. Entitled “Moments in a Stream“, Hilgemann’s installation will parade along the avenue in seven locations, from 52nd Street to 67th Street
EFFECTS, MUSIC AND MORE SLIDES AFTER DOWNLOAD. His style of painting influenced an entire generation of painters, graphic artists, draughtsmen and designers and in the minds of many, his work epitomizes the Art Nouveau. Su estilo de pintura influyó en toda una generación de pintores, artistas gráficos, dibujantes y diseñadores y en las mentes de muchos, su obra representa, el Art Nouveau.
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2. Marcel Janco
Mask
1919
Paper, cardboard, string,
gouache, and pastel
17-3⁄4 × 8-5⁄8 × 2”
Musée National d’Art Moderne,
Centre d’Art et de Culture
Georges Pompidou, Paris
[Fig. 10-01]
4. Jean (Hans) Arp
Fleur Marteau
(Hammer Flower)
1916
Oil on wood
24-3⁄8 × 19-5⁄8”
Fondation Arp
Clamart, France
[Fig. 10-06]
5. Marcel Duchamp
Bicycle Wheel
New York, 1951
(third version, after lost original of 1913)
Assemblage: metal wheel
25-1⁄2” diameter, mounted on painted
wooden stool
23-3⁄4” high;
overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8”
The Museum of Modern Art, New York
[Fig. 10-09]
6. Marcel Duchamp
The Passage from Virgin
to Bride
Munich
July–August 1912
Oil on canvas
23-3⁄8 × 21-1⁄4”
The Museum of Modern
Art, New York
[Fig. 10-07]
7. Marcel Duchamp
The Bride Stripped Bare by Her
Bachelor Even
or
The Large Glass
1915–23
Oil, lead wire, foil, dust, and
varnish on glass
8’ 11” × 5’ 7”
Philadelphia Museum of Art
[Fig. 10-12]
8. Man Ray
Seguidilla
1919
Airbrushed gouache,
pen and ink, pencil, and
colored pencil on paper
board
22 × 27-7⁄8”
Hirshhorn Museum &
Sculpture Garden
Smithsonian Institution
Washington, D.C.
[Fig. 10-16]
10. Hannah Höch
Cut with the Kitchen Knife
Dada Through the Last
Weimar Beer Belly Cultural
Epoch of Germany
1919–20
Photomontage
44-7⁄8 × 35-1⁄2”
Staatliche Museen zu Berlin,
Preussischer Kulturbesitz,
Nationalgalerie
[Fig. 10-20]
12. Käthe Kollwitz
Lamentation: In Memory
of Ernst Barlach (Grief)
1938
Bronze
height 10-1⁄4”
Hirshhorn Museum and
Sculpture Garden,
Smithsonian Institution,
Washington, D.C.
[Fig. 10-29]
13. George Grosz
Fit for Active Service
(The Faith Healers)
1916–17
Pen, brush, and India
ink, sheet
20 × 14-3⁄8”
The Museum of
Modern Art, New York.
Art
[Fig. 10-31]
14. Otto Dix
The Skat Players—Card
Playing War Invalids
1920
Oil and collage on canvas
43-5⁄16 × 34-1⁄4”
Staatliche Museen zu
Berlin, Preussischer
Kulturbesitz,
Nationalgalerie
[Fig. 10-33]
16. Max Beckmann
Self-Portrait in Tuxedo
1927
Oil on canvas
55-1⁄2 × 37-3⁄4”
Busch-Reisinger Museum,
Harvard University Art
Museums, Cambridge, MA
[Fig. 10-39]
Editor's Notes
Marcel Janco, Mask, 1919. Paper, cardboard, string, gouache, and pastel, 17-3⁄4 × 8-5⁄8 × 2” (45 × 22 × 5 cm). Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris. [Fig. 10-01]
Sophie Taeuber, Rythmes Libres (Free Rhythms), 1919. Gouache and watercolor on vellum, 14-3⁄4 × 10-7⁄8” (37.6 × 27.5 cm). Kunsthaus, Zurich. [Fig. 10-04]
Jean (Hans) Arp, Fleur Marteau (Hammer Flower), 1916. Oil on wood, 24-3⁄8 × 19-5⁄8” (61.9 × 49.8 cm). Fondation Arp, Clamart, France. [Fig. 10-06]
Marcel Duchamp, Bicycle Wheel, New York, 1951 (third version, after lost original of 1913). Assemblage: metal wheel, 25-1⁄2” (63.8 cm) diameter, mounted on painted wooden stool, 23-3⁄4” (60.2 cm) high; overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8” (128.3 × 64.8 × 42.2 cm). The Museum of Modern Art, New York. [Fig. 10-09]
Marcel Duchamp, The Passage from Virgin to Bride, Munich, July–August 1912. Oil on canvas, 23-3⁄8 × 21-1⁄4” (59.4 × 54 cm). The Museum of Modern Art, New York. [Fig. 10-07]
Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even or The Large Glass, 1915–23. Oil, lead wire, foil, dust, and varnish on glass, 8’ 11” × 5’ 7” (2.7 × 1.7 m). Philadelphia Museum of Art. [Fig. 10-12]
Man Ray, Seguidilla, 1919. Airbrushed gouache, pen and ink, pencil, and colored pencil on paper board, 22 × 27-7⁄8” (55.9 × 70.8 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 10-16]
Man Ray, Untitled, 1922. Gelatin-silver print (Rayograph), 9-3⁄8 × 7” (23.8 × 17.78 cm). The Museum of Modern Art, New York. [Fig. 10-18]
Hannah Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919–20. Photomontage, 44-7⁄8 × 35-1⁄2” (114 × 90.2 cm). Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie. [Fig. 10-20]
Max Ernst, Celebes, 1921. Oil on canvas, 51-1⁄8 × 43-1⁄4” (129.9 × 109.9 cm). Tate, London. [Fig. 10-26]
Käthe Kollwitz, Lamentation: In Memory of Ernst Barlach (Grief), 1938. Bronze, height 10-1⁄4” (26 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. [Fig. 10-29]
Otto Dix, The Skat Players—Card Playing War Invalids, 1920. Oil and collage on canvas, 43-5⁄16 × 34-1⁄4” (110 × 87 cm). Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Nationalgalerie. [Fig. 10-33]
Otto Dix, Dr. Mayer-Hermann, 1926. Oil and tempera on wood, 58-3⁄4 × 39” (149.2 × 99.1 cm). The Museum of Modern Art, New York [Fig. 10-35]
Max Beckmann, Self-Portrait in Tuxedo, 1927. Oil on canvas, 55-1⁄2 × 37-3⁄4” (141 × 96 cm). Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. [Fig. 10-39]
Max Beckmann, Departure, 1932–33. Oil on canvas, triptych, center panel 7’ 3⁄4” × 3’ 9-3⁄8” (2.2 × 1.15 m); side panels each 7’ 3⁄4” × 3’ 3-1⁄4” (2.2 × 1 m). The Museum of Modern Art, New York. [Fig. 10-41]
![Marcel Janco
Mask
1919
Paper, cardboard, string,
gouache, and pastel
17-3⁄4 × 8-5⁄8 × 2”
Musée National d’Art Moderne,
Centre d’Art et de Culture
Georges Pompidou, Paris
[Fig. 10-01]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)