Allen Jones is a British Pop artist best known for his figurative paintings and sculpture. He is a famous painter with works presented in major museums and exhibitions worldwide, including the Museum Ludwig in Cologne, the Museo Nacional Centro de Arte Reina Sofía in Madrid, and the Montreal Museum of Fine Arts.
Visit: https://www.marlboroughgallery.com/artists
Allen Jones is a British Pop artist best known for his figurative paintings and sculpture. He is a famous painter with works presented in major museums and exhibitions worldwide, including the Museum Ludwig in Cologne, the Museo Nacional Centro de Arte Reina Sofía in Madrid, and the Montreal Museum of Fine Arts.
Visit: https://www.marlboroughgallery.com/artists
Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also, a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.
Ramon Casas
https://www.slideshare.net/slideshow/ramon-casas-4-spanish-artist-18661932/267470051
https://www.slideshare.net/slideshow/ramon-casas-3-spanish-18661932ssppsx/267470030
https://www.slideshare.net/slideshow/ramon-casas-2-spanish-artist-18661932/267470009
https://www.slideshare.net/slideshow/ramon-casas-1-spanish-artist-18661932/267469972
Rio de Janeiro: Two Centuries of Urban Change, 1808-2008UCLA Library
Rio de Janeiro is a magical place, a city of fabled beauty and dramatic contrasts, where nature and the human hand have joined to create a landscape of panoramic views and iconic images—Guanabara Bay, the peaks of Sugarloaf and Corcovado, the rows of royal palms, Copacabana and Ipanema beaches, the arcos of the eighteenth-century aqueduct, the Avenidas Rio Branco and Beira-Mar, the statue of Christ the Redeemer, historic churches, and hilltop shantytowns known as favelas.
This exhibit shows how over the past two hundred years artists and photographers have repeatedly been drawn to these images in a process of icon building within a dynamic context of urban growth and modernization. Such visual presentations reect not only the changing times through which the cariocas—people of Rio—have lived, but are tied to their indomitable spirit as manifested in Carnival, popular music, beach culture, and daily life. Transcending persistent problems of poverty and crime, Rio is internationally acclaimed for its fun-loving atmosphere and its people, who call it the "marvelous city."
Materials selected for this exhibit, principally from UCLA Library Special Collections, illustrate the depth and variety of UCLA’s collections on Rio de Janeiro. Printed books, periodicals, and photographs are featured, as are, to a lesser extent, manuscripts, maps, films, original artworks, lantern slides, stereocards, chapbooks, and ephemera.
“Antonio da Canal (1697-1768) - More than any other artist, Canaletto has immortalized the architectural beauty of Venice. His topographical views of the city were immensely popular especially with foreign gentry, who treasured them as mementoes of their Grand Tours. At the peak of his career, during his 30’s and 40’s, Canaletto was overwhelmed with commissions, and many lesser artists filled the demand for his work with inferior copies. Although admired in his native city, Canaletto’s main patrons were always the English. When work was scarce in Venice, he spent the best part of the decade from 1746 to 1756 in England, painting views of the River Thames and country houses. He had a great influence on the English school of topographical watercolourists and secured a longstanding reputation which has not diminished over the years.” The Great Artists Volume 3, parts 47, page 1473.
Norman Brodeur William Nichols
Norman Brodeur William Nichols, Spanish painter created the gallery Las Meninas. heres history of spanish paintings through the centuries
Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also, a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.
Ramon Casas
https://www.slideshare.net/slideshow/ramon-casas-4-spanish-artist-18661932/267470051
https://www.slideshare.net/slideshow/ramon-casas-3-spanish-18661932ssppsx/267470030
https://www.slideshare.net/slideshow/ramon-casas-2-spanish-artist-18661932/267470009
https://www.slideshare.net/slideshow/ramon-casas-1-spanish-artist-18661932/267469972
Contemporary Arts - Grade 12 & 11
Philippine Art during the Spanish Colonial Period
The Spanish Colonial Period of the Philippines began when explorer Ferdinand Magellan came to the islands in 1521 and claimed it as a colony for the Spanish Empire. They introduced formal paintings, sculpture and architecture influenced with Byzantine, Gothic, Baroque and Rococo art style.
Most art are religious (catholic based) because Spaniards is focused in promoting Christianity towards the Filipinos.
Byzantine
Byzantine art are artistic products of the Eastern Roman (Byzantine) Empire, as well as the nations and states that inherited culturally from the empire. These are more Christian based art.
Spain and New Spain 729brought and the value of visual imChereCheek752
Spain and New Spain 729
brought and the value of visual imagery in communicating e!ec-
tively with a wide audience. "us both kings continued to spend
lavishly on art.
Juan Sánchez Cotán. One painter who made a major con-
tribution to the development of Spanish art, although he did not
receive any royal commissions, was J#$% S&%'()* C+,&% (1560–
1627). Born in Orgaz, outside Toledo, Sánchez Cotán moved to
Granada and became a Carthusian monk in 1603. Although he
painted religious subjects, his greatest works are the still lifes (paint-
ings of artfully arranged inanimate objects) that he produced before
entering monastic life (and never therea-er). Few in number, they
nonetheless established still-life painting as an important genre in
17th-century Spain.
Still Life with Game Fowl (./0. 24-25) is one of Sánchez Cotán’s
most ambitious compositions, but it conforms to the pattern he
adopted for all of his still lifes. A niche or a window—the artist
clearly wished the setting to be indeterminate—1lls the entire sur-
face of the canvas. At the bottom, fruits and vegetables, including
a melon—cut open with a slice removed—rest on a ledge. Above,
suspended on strings from a nail or hook outside the frame, are
a quince and four game fowl. All are meticulously rendered and
brightly illuminated, enhancing the viewer’s sense of each texture,
color, and shape, yet the background is impenetrable shadow. "e
sharp and unnatural contrast between light and dark imbues the
still life with a sense of mystery that is absent, for example, in Dutch
still-life paintings (./02. 25-1, 25-22, and 25-23).
"ere may, in fact, be a religious reference. Sánchez Cotán
once described his 11 paintings of fruits, vegetables, and birds as
“o!erings to the Virgin”—probably a reference to the Virgin as the
fenestra coeli (“window to Heaven”) and the source of spiritual food
for the faithful.
Fra Andrea Pozzo. Another master of ceiling decoration was
F3$ A%43)$ P+**+ (1642–1709), a lay brother of the Jesuit order
and a master of perspective, on which he wrote an in5uential trea-
tise. Pozzo designed and executed the vast ceiling fresco Glori!ca-
tion of Saint Ignatius (./0. 24-24) for the church of Sant’Ignazio
in Rome (see “How to Make a Ceiling Disappear,” page 728). Like
Il Gesù, Sant’Ignazio was a prominent Counter-Reformation
church because of its dedication to the founder of the Jesuit order.
"e Jesuits played a major role in Catholic education and sent
legions of missionaries to the New World and Asia.
SPAIN AND NEW SPAIN
During the 16th century, Spain had established itself as an interna-
tional power. "e Habsburg kings had built a dynastic state encom-
passing Portugal, part of Italy, the Netherlands, and extensive areas
of the New World. By the beginning of the 17th century, however,
the Habsburg Empire was in decline, and although Spain mounted
an aggressive e!ort during the "irty Years’ War, by 1660 the impe-
rial age of the Spa ...
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
1. 1888 Foundation of Santiago by Pedro Lira (1845-1912)
By Alejandra Riquelme V.
Foundation of Santiago, dating from 1888, is a
painting by Pedro Lira. It is exhibited at the National
Historical Museum in Santiago, Chile. It is oil on
canvas considered the master piece of this Chilean
artist. Its historical importance and the impact this
painting produce in the viewer are enough reasons to
take a look of it in situ.
Pedro Lira Rencoret is considered one of the most
important painters of the later 19th
century. He also
was an art critic and one of the founders of the
Chilean National Museum of Fine Arts. Form 1873 to 1884 he lived in France where improved his
technique. Soon after his arrival, he organized an exposition devoted exclusively to Chilean
painters.
The Foundation of Santiago is an enormous painting of 98.42”x157.48” (250cm x 400cm), well-
known for being in Chilean history coursebooks and part of the last five hundred pesos bill used
during the second middle of the 20th
century. This work of art was exhibited at 1889 Paris Universal
Exposition, where it won a second medal. It was purchased by the Chilean government for $4,000.
The painting depicted the moment when Pedro de Valdivia founded the city of Santiago in 1541
onto the Santa Lucia Hill. Nearby the protagonist, there are people en masse giving movement to
this work; Spanish soldiers, natives and a priest help us to imagine that important moment in
Chilean history. The sight at the bottom of the picture is the Mapocho river and its valley where
actually was built the city of Santiago.
This drawing is one of the high points in an exhibition, named Discovery and Conquer, which
whets the appetite not only about the Chilean art, but also about its history. I highly recommend to
take a look to this beautiful painting.