2. Jean (Hans) Arp
Head with Three Annoying
Objects
1930 (cast 1950)
Bronze
14-1⁄8 × 10-1⁄4 × 7-
1⁄2”
Estate of Jean Arp.
[Fig. 14-03]
3.
4.
5. Max Ernst Europe after the Rain
1940–42 Oil on canvas 21-1⁄2 × 58-1⁄8”
Wadsworth Atheneum, Hartford, Connecticut [Fig. 14-07]
6. Max Ernst
Surrealism and Painting
1942
Oil on canvas
77 × 92”
Menil Collection
Houston, Texas
[Fig. 14-08]
7. Joan Miró
Dog Barking at the
Moon
1926
Oil on canvas
28-3⁄4 × 36-1⁄4”
Philadelphia Museum of
Art
[Fig. 14-11]
8. André Masson Battle of Fishes 1926
Sand, gesso, oil, pencil, and charcoal on canvas 14-1⁄4 × 28-3⁄4”
The Museum of Modern Art, New York [Fig. 14-15]
9. Yves Tanguy
Maman, Papa est blessé!
(Mama, Papa Is
Wounded!)
1927
Oil on canvas
36-1⁄4 × 28-3⁄4”
The Museum of Modern
Art, New York
[Fig. 14-17]
12. Salvador Dalí
Gala and the Angelus of Millet Immediately
Preceding the Arrival of the Conic
Anamorphoses
1933
Oil on panel
9-3⁄8 × 7-3⁄8”
National Gallery of Canada, Ottawa
[Fig. 14-20]
13. René Magritte
The Treachery
(or Perfidy)
of Images
1928–29
Oil on canvas,
23-1⁄4 × 31-1⁄2”
Los Angeles
County
Museum of Art
[Fig. 14-22]
26. Arthur G. Dove
Nature Symbolized
No. 2
c. 1911
Pastel on paper
17-7⁄8 × 21-1⁄2”
The Art Institute of Chicago
[Fig. 15-13]
27. Alfred Stieglitz
O’Keeffe Hands and Thimble
1919
printed 1947 by Lakeside Press,
Chicago
Photomechanical (halftone)
reproduction
7-3⁄4 × 6”
George Eastman House, Rochester,
New York
[Fig. 15-15]
28. Georgia O’Keeffe
Music—Pink and Blue, II
1919
Oil on canvas
35-1⁄2 × 29”
Whitney Museum of American
Art, New York
[Fig. 15-16]
39. Elie Nadelman
Man in the Open Air
c. 1915
Bronze
54 1⁄2” high
at base 11 3⁄4 × 21 1⁄2”
The Museum of Modern Art, New York
[Fig. 15-60]
40. Alexander Calder
Romulus and Remus
1928
Wire and wood 30-1⁄2 × 124-1⁄2 × 26”
Solomon R. Guggenheim Museum, New York [Fig. 15-63]
Editor's Notes
Jean (Hans) Arp, Head with Three Annoying Objects, 1930 (cast 1950). Bronze, 14-1⁄8 × 10-1⁄4 × 7-1⁄2” (35.9 × 26 × 19.1 cm). Estate of Jean Arp. [Fig. 14-03]
Max Ernst, Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 27-1⁄2 × 22-1⁄2 × 4-1⁄2” (69.8 × 57.1 × 11.4 cm). The Museum of Modern Art, New York. [Fig. 14-05]
Max Ernst, The Horde, 1927. Oil on canvas, 44-7⁄8 × 57-1⁄2” (114 × 146.1 cm). Stedelijk Museum, Amsterdam. [Fig. 14-06]
Max Ernst, Europe after the Rain, 1940–42. Oil on canvas, 21-1⁄2 × 58-1⁄8” (54.6 × 147.6 cm). Wadsworth Atheneum, Hartford, Connecticut. [Fig. 14-07]
Max Ernst, Surrealism and Painting, 1942. Oil on canvas, 77 × 92” (1.95 × 2.3 m). Menil Collection, Houston, Texas. [Fig. 14-08]
Joan Miró, Dog Barking at the Moon, 1926. Oil on canvas, 28-3⁄4 × 36-1⁄4” (73 × 92 cm). Philadelphia Museum of Art. [Fig. 14-11]
André Masson, Battle of Fishes, 1926. Sand, gesso, oil, pencil, and charcoal on canvas, 14-1⁄4 × 28-3⁄4” (36.2 × 73 cm). The Museum of Modern Art, New York. [Fig. 14-15]
Yves Tanguy, Maman, Papa est blessé! (Mama, Papa Is Wounded!), 1927. Oil on canvas, 36-1⁄4 × 28-3⁄4” (92.1 × 73 cm). The Museum of Modern Art, New York. [Fig. 14-17]
Salvador Dalí, Accommodations of Desire, 1929. Oil and collage on panel, 8-5⁄8 × 13-3⁄4” (22 × 34.9 cm). The Metropolitan Museum of Art, Jacques and Natasha Gelman Collection, 1998 (1999.363.16). [Fig. 14-18]
Salvador Dalí, Gala and the Angelus of Millet Immediately Preceding the Arrival of the Conic Anamorphoses, 1933. Oil on panel, 9-3⁄8 × 7-3⁄8” (23.8 × 18.7 cm). National Gallery of Canada, Ottawa. [Fig. 14-20]
René Magritte, The Treachery (or Perfidy) of Images, 1928–29. Oil on canvas, 23-1⁄4 × 31-1⁄2” (60 × 80 cm). Los Angeles County Museum of Art. [Fig. 14-22]
Hans Bellmer, Doll, 1935. Wood, metal, and papier mâché. Manoukian Collection, Paris. [Fig. 14-26]
Dorothea Tanning, Some Roses and Their Phantoms, 1952. Oil on canvas, 29-7⁄8 × 40” (75.9 × 101.6 cm). Tate, London. Gift of Robert Shapazian. [Fig. 14-32]
Pablo Picasso, Seated Bather, early 1930. Oil on canvas, 64-1⁄4 × 51” (163.2 × 129.5 cm). The Museum of Modern Art, New York. [Fig. 14-37]
Henry Moore, Reclining Figure, 1939. Elm wood, 3’ 1” × 6’ 7” × 2’ 6” (0.94 × 2 × 0.76 m). The Detroit Institute of Arts. [Fig. 14-50]
Man Ray, Observatory Time—The Lovers, 1936. Halftone reproduction. Published in Harper’s Bazaar, November 1936 [Fig. 14-53]
Bill Brandt, Portrait of a Young Girl, Eaton Place, London, 1955. Gelatin-silver print, 17 × 14-3⁄4” (43.2 × 37.5 cm). [Fig. 14-61]
George Bellows, Cliff Dwellers, 1913. Oil on canvas, 39-1⁄2 × 41-1⁄2” (100.3 × 105.4 cm). Los Angeles County Museum of Art. [Fig. 15-04]
Alfred Stieglitz, The Steerage, 1907. Gelatin-silver print, 4-5⁄16 × 3-5⁄8” (11 × 9.2 cm). The Art Institute of Chicago. Alfred Stieglitz Collection, 1949. [Fig. 15-07]
Edward Steichen, Gloria Swanson, 1924. Gelatin-silver print, 16-1⁄16 × 13-1⁄2” (42.1 × 34.2 cm). The Museum of Modern Art, New York. [Fig. 15-09]
Arthur G. Dove, Nature Symbolized No. 2, c. 1911. Pastel on paper, 17-7⁄8 × 21-1⁄2” (45.8 × 55 cm). The Art Institute of Chicago. Alfred Stieglitz Collection, 1949. 533. [Fig. 15-13]
Alfred Stieglitz, O’Keeffe Hands and Thimble, 1919, printed 1947 by Lakeside Press, Chicago. Photomechanical (halftone) reproduction, 7-3⁄4 × 6” (19.7 × 15.3 cm). George Eastman House, Rochester, New York. [Fig. 15-15]
Georgia O’Keeffe, Music—Pink and Blue, II, 1919. Oil on canvas, 35-1⁄2 × 29” (90.2 × 73.7 cm). Whitney Museum of American Art, New York. [Fig. 15-16]
Postcard showing the Armory Show, 1913. The Museum of Modern Art Archives, New York. [Fig. 15-21]
Charles Sheeler, Church Street El, 1920. Oil on canvas, 16 × 19-1⁄8” (40.6 × 48.6 cm). Cleveland Museum of Art. Mr. and Mrs. William H. Martlatt Fund, 1977.43. [Fig. 15-24]
Charles Demuth, The Figure 5 in Gold, 1928. Oil on composition board, 36 × 29-3⁄4” (91.4 × 75.6 cm). The Metropolitan Museum of Art, New York. [Fig. 15-27]
Edward Hopper, Carolina Morning, 1955. Oil on canvas, 30 × 40-1⁄8” (76.2 × 102 cm). Whitney Museum of American Art, New York. Given in memory of Otto L. Spaeth by his family. [Fig. 15-33]
Alfred Eisenstaedt, The Kiss (Times Square), 1945. Life magazine. [Fig. 15-42]
Diego Rivera, Detroit Industry, 1932–33. Fresco, north wall. The Detroit Institute of Arts. [Fig. 15-46]
Frida Kahlo, Self-Portrait with Thorn Necklace, 1940. Oil on canvas, 24 × 18-3⁄4” (61 × 47.6 cm). Art Collection, Harry Ransom Humanities Research Center, University of Texas, Austin. [Fig. 15-50]
Milton Avery, Swimmers and Sunbathers, 1945. Oil on canvas, 28 × 48-1⁄8” (71.1 × 122.2 cm). The Metropolitan Museum of Art, New York. [Fig. 15-57]
Elie Nadelman, Man in the Open Air, c. 1915. Bronze, 54 1⁄2” (138.4 cm) high; at base 11 3⁄4 × 21 1⁄2” (29.9 × 54.6 cm). The Museum of Modern Art, New York. [Fig. 15-60]
Alexander Calder, Romulus and Remus, 1928. Wire and wood, 30-1⁄2 × 124-1⁄2 × 26” (77.5 × 316.2 × 66 cm). Solomon R. Guggenheim Museum, New York. [Fig. 15-63]
![Jean (Hans) Arp
Head with Three Annoying
Objects
1930 (cast 1950)
Bronze
14-1⁄8 × 10-1⁄4 × 7-
1⁄2”
Estate of Jean Arp.
[Fig. 14-03]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)