Non-Diegetic Sound In Trailer.
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The document discusses three non-diegetic soundtracks to include in a movie trailer for a slasher film. A party soundtrack was chosen to emphasize reckless teenage behavior inspired by the film "Project X." A nursery rhyme, "Teddy Bear Picnic," was selected to represent contrapuntal sound and reference the forest setting, played in a creepy version. A heartbeat soundtrack was proposed for a montage section to mirror the characters' and audience's heart rates, adding thrill and anticipation for the characters' lives.
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Question 1
Our film Red Powder uses several conventions of real media productions such as titles, establishing shots, studio logos, and diegetic and non-diegetic music. It challenges stereotypes by having the likable character be the supposed villain and vice versa. Sounds were mixed diegetically and non-diegetically to make the car scenes more realistic. Locations included a large house for the drug dealer scenes and an apartment to contrast the characters. Costumes were used to signify the characters' wealth, power, and decline. Props like guns were used to engage audiences as is common in thriller films. Different shots represented the emotions of the two main characters. The film introduces music to set the scene and immerse audiences.
Question 1
Our film Red Powder uses several conventions of real media productions such as titles, establishing shots, studio logos, and diegetic and non-diegetic music. It challenges stereotypes by having the likable character be the supposed villain and vice versa. Sounds were mixed diegetically and non-diegetically to make the car scenes more realistic. Locations included a large house for the drug dealer scene and an apartment to contrast the characters. Costumes were used to signify the characters' wealth, power, and decline. Props like guns were used to engage audiences as is common in thriller films. Different shots represented the emotions of the two main characters. The film introduces music to set the scene and immerse audiences.
Evaluation 1
The document discusses how the media product challenges conventions of real horror films. It analyzed the horror film "Chucky" and other slashers to understand conventions like locations, characters, sounds, and lighting. The media product challenges some conventions - the main character is black and survives, while the villain is a female doll. It establishes horror elements like a dark park setting, ominous music, and storms, but aims to feel realistic for a teenage audience.
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The document discusses how the media product challenges conventions of real horror films. It analyzed the horror films Chucky, Scream, and Unborn to understand conventions like locations, characters, sound, lighting, narratives, and themes. The media product challenges some conventions - the main character is black instead of being the first killed, the villain is a female doll, and characters have diverse personalities rather than following stereotypes. It develops conventions through things like using a park location rather than a forest, including pathetic fallacy weather, and employing theories of narrative structure. The goal was to create something believable yet also distinctive from typical horror openings.
Evaluation
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As media evaluation Q1
In What Way Does Your Media Product Use, Develop or Challenge Forms and Conventions of Real Media Products?
Costume and props
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Treatment sheet
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Evaluation question 1 finished
This document summarizes the research and conventions used in the production of a teen horror media product. It discusses:
- Research conducted, including watching popular horror films, researching their popularity online, and surveying the public about horror film preferences.
- Common conventions discovered in teen horror films, such as good vs evil themes, stereotypical scary locations, monsters/villains vs victims, and suspense-building sounds.
- The decision to mainly conform to horror conventions that have proven successful, while subverting one convention by using an unexpected child villain rather than visibly evil child.
- Examples of both conventional and subversive elements used relating to soundtrack, locations, film title, and costumes.
Cast, crew, budget...
This document outlines the cast, crew, budget, and contingency plan for a short film. It identifies the actors who will play the main characters, including the filmmaker's friend Bethany Driscoll who will play the lead role of Megan. The filmmaker's sister, French friend, and parents will also be involved. A budget of £200 is allocated across props, costumes, food, travel, and a £50 contingency to cover any unexpected costs.
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The document provides an analysis of three movie trailers: Shutter Island, Paranormal Activity, and The Exorcism of Emily Rose. It examines the trailers' styles, editing techniques, characters, plots, target audiences, and representation of social groups. The analysis aims to inform the development of the author's own horror/psychological thriller movie trailer, which will involve a female protagonist possessed by a devil figure in a mental asylum. Key elements that will be incorporated from the trailers include mysterious music, found footage scenes, and a plot that creates conflict around whether the possession is real or imagined.
Evaluation question 1 finished
The document discusses the conventions of teen horror films and how the media product challenges or conforms to these conventions. Research was conducted by watching horror films, analyzing their popularity, and surveying the public. Common teen horror conventions like good vs evil themes, stereotypical settings at nighttime, and suspense-building sounds were identified. The media product mainly conforms to conventions but challenges one by using an unexpected villainous child. This balances familiar elements with something unique. Audience feedback showed the product successfully related to viewers and set out what it aimed to do with horror conventions.
Analyse of our three chosen trailers;
The trailer for The Exorcism of Emily Rose summarizes the plot of a young woman, Emily Rose, who is possessed by the devil. Her family and a priest perform an exorcism to try and heal her, but they are taken to court and accused of performing an illegal procedure. The trailer uses dialogue from the film and disturbing shots of Emily's possessed behavior to portray the narrative and conflict between those who believe she is possessed versus those in the court who question the exorcism. It aims to leave the audience wondering what is real.
Question one final version 2
The document summarizes the filmmakers' process in developing the opening of their action film. They aimed to subvert stereotypes by casting an Asian actor as the superhero rather than a white actor. They included a flashback to establish the superhero's backstory and origin of powers. However, the transitions between the flashback and present were confusing. They also included many unanswered questions and enigmas that could not be resolved within the short two-minute opening. The filmmakers worked on sound design, music, and titles that followed conventions of action films like Hulk.
Question one final version 2
The document summarizes the film opening created by the student, which aimed to subvert stereotypes about superheroes. It cast a South Asian actor in the lead role of the superhero instead of the typical white male. The opening used a flashback to show the origin of the superhero's powers as a child, with a transition to the present. However, some aspects of the opening were confusing, such as unclear connections between scenes. The student discusses challenges in developing the soundtrack and titles to follow film conventions.
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Horror sub genres
This document discusses the conventions of various horror sub-genres, including slasher, possession, psychological, and gothic. For slashers, it outlines conventions like the male antagonist appearing tall and wearing a mask and dark clothing. Common weapons include axes and chainsaws. Settings involve isolated forests and lakes. The narrative follows teens facing a killer. The "final girl" survives using intelligence while the "sacrificial lamb" dies for being promiscuous. Possession films feature levitation and use of religious texts during exorcisms. Psychological horrors twist the protagonist's character. Gothic genres take place in run-down mansions and castles and feature pale characters like vampires and zombies. The document concludes by discussing
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The document discusses potential location ideas for a slasher film. It suggests setting the film in a forest, as the isolated setting allows the killer to attack victims without being heard and forests create hiding spaces for the killer and add to the fear. It also notes that forests at night are extremely dark. Additionally, the document proposes including a lake to add fear of the unknown lurking in nature and allow reflections that could trick victims into thinking something is there.
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Poster analysis 1
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Magazine overview.
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Poster Analysis 1
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A case study into an existing pop magazine, to improve my research and understanding of pop magazines.
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The document describes mock-ups created for the front cover, contents page, and a double-page spread for a magazine targeted at 11-15 year old girls. The front cover features a bright pink masthead and eye-catching image of the magazine's artist to draw in its young target audience. The contents page is organized for easy navigation and includes a letter from the editor written in a chatty, personal tone. The double-page spread mock-up shows an interview format with the artist, using colored columns, a full-page image, and quote puff to engage readers. The document also notes that the mock-ups will guide but not dictate the final production layouts.
TIM E SUAS ESTÉTICAS BURTON
This document presents a research project analyzing the aesthetics and film style of director Tim Burton. It will examine Burton's works through the lens of Edgar Allan Poe's writings. The project will analyze four of Burton's films - Edward Scissorhands, Big Fish, Corpse Bride, and Alice in Wonderland - to understand Burton's gothic aesthetic and cathartic visual style. Links to trailers for each film are also provided.
Trailer overview
The document analyzes common elements found in trailers for slasher films. It discusses the frequent use of diegetic sounds like screams and weapons to create fear and tension. Non-diegetic soundtracks also aim to mirror the mood, starting calm but becoming increasingly ominous. Stab sounds specifically are added during scenes revealing the killer to add shock. The trailers typically feature reckless teenage characters in isolated natural settings to set up punishment and limited escape. Camerawork accelerates as tension rises to tease high-action scenes without revealing too much of the plot.
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C:\Users\Kerfi\Documents\Media Question 1
The opening sequence is a 1-2 minute montage depicting the kidnapping of a child in a way that distorts time and creates tension. It follows conventions of psychological thrillers through graphic torture scenes, a dark and isolated setting, and close-ups that emphasize the child's emotions without showing the antagonist. Elements like flickering text, rough cuts, and an unsettling soundtrack aim to confuse the audience and suggest the film's physiological genre.
Olivia media qu one
The document discusses conventions used in psychological thriller film opening sequences. It analyzes how the author's opening sequence for the film "Silence" both follows and challenges conventions. Key conventions used included building tension through sound, introducing the main character in a way that hides their psychopathic nature, and implying the genre through the use of iconography and foreshadowing events later in the film.
Tania rahman 13 a3 media presentation
The document summarizes feedback received on a student film project in the drama genre. It discusses feedback obtained from audience questionnaires administered before filming, feedback from an expert received during filming that prompted changes to the story and filming, and critical reviews from the target audience after filming. The document analyzes how the feedback was used to refine the film's genre, narrative elements, character development, and technical aspects to improve the audience experience.
ideas for Non diegetic sound
The document discusses ideas for non-diegetic sounds to include in a movie trailer. It suggests using a lively soundtrack for an initial montage that is then interrupted by another sound. It also proposes using a heartbeat sound to mimic the protagonist and audience's reactions during action scenes, as well as screams and a nursery rhyme towards the end to build suspense, fear, and retain the audience's attention.
Question 1 - In what ways does your product use, develop or challenge forms a...
The student felt their group used and slightly developed conventions of the thriller genre in their media product rather than challenging conventions. They used a dark background with white text for the title sequence, as is common in thrillers. They also used dreary colors, harsh lighting, and camera techniques like tilt shots that are typical of the genre. While they could have attempted to challenge conventions, the student felt using standard conventions worked better for their story.
Group presentation
1) The document discusses the planning and production of an indie romantic comedy film by Jess Bird, Charlie Farnham & Meg Oakley.
2) They watched similar films like Forgetting Sarah Marshall, Knocked Up and Love Actually to understand characters and storylines as well as film trailers to understand content.
3) They filmed scenes at various locations around Chew Valley like a bowling club transformed into a restaurant and outside a cafe to create a sense of realism while avoiding background noise.
Evaluation question 1
This document discusses how the media product both develops and challenges conventions of real horror films. It develops conventions through its use of a forest setting, high angle shots, close-ups, suspenseful sound design and music, and mystery surrounding the killer's identity. However, it also challenges conventions with its typewriter-style credits, one-word title unrelated to the plot, and minimal depictions of the killer. The goal was to create suspense while surprising the audience within the typical narrative structure of horror films.
Evaluation Question 1
The document discusses how the media product challenges and develops conventions from real horror movie trailers. It analyzes trailers for Annabelle, The Conjuring, and Insidious to inform creative choices. While some elements are included, such as close-ups of antagonists and taglines, other conventions are challenged, like using woodland rather than home settings. Sound, editing, and abrupt endings also emulate real trailer styles.
Media Evaluation
The document discusses how the media product uses and challenges conventions of real teen crime drama media. It used conventions like an emotional voiceover, Lionsgate logo, casting actors by race stereotypically associated with gangs. However, it challenged conventions like casting a white antagonist instead of black, using British grime music instead of American rap, and colors on the poster that suggest horror rather than teen drama. It conformed to some conventions like number of characters on the poster.
Question 1
The document discusses conventions used in horror film posters, magazines, and trailers. It explains that the posters and magazine were designed to adhere to typical horror genre conventions like dark colors, grainy images, and scary eye-catching visuals in order to target their intended 18+ audience. The film trailer was meant to both stick to conventions like fast editing, handheld camerawork, and forest settings, as well as challenge conventions by using elements like a journal/spellbook, reversing a happy song for the climax, and combining scary imagery with upbeat music. The purpose was to create a hybrid genre that was unusual while still unsettling the audience.
Question 1
The document summarizes a student film project that uses conventions from the horror genre. It describes how the film uses a wooded area near the filmmaker's house as the sole filming location, portraying different parts of the woods to represent different surroundings. It also discusses how the filmmakers dressed the characters based on stereotypes to illustrate their personalities, and used makeup consistently with the costumes. The film is classified as a psychological horror due to changes in lighting, atmosphere, and clip colors that create an eerie feeling. A variety of shots were used, including long shots to establish locations and build tension without dialogue. Music and sound effects were employed to drive the tension and storytelling through body language instead of words.
Olivia media questionn 1
The document discusses conventions used in opening sequences for psychological thriller films. It provides examples from the student's own opening sequence for the film "Silence" as well as other films. It covers conventions for sound design, settings, character introductions, costumes, titles, special effects, genre implication, camerawork/editing, and how the opening sets up the story. While it uses many standard conventions, it also challenges some to create intrigue, mystery, and imply the psychopathic tendencies of the main character.
Evaluation
The document provides details about a horror film title sequence called "Hypnosis" that was created for a media assignment. It describes the content and meaning behind elements in the title sequence, which introduces mysterious man in the woods holding a knife and shows the destruction of photos representing how each character dies. The document also discusses how the title sequence draws from conventions of the horror genre through its use of mystery, tension, blood, and fire while also trying to challenge conventions through its use of daylight filming.
Evaluation question 1
Our film challenges and develops conventions of slasher horror films. It takes place in a forest, a typical horror location, but our title "Redwood" doesn't reference the plot like most horror titles. We don't show the killer's identity until late in the film, maintaining the mystery. While we use techniques like high angles, POV shots, and music to build suspense, our opening credits use a typewriter effect atypical of the genre. Costumes appear normal to create a false sense of security before the disruption of a character's disappearance.
Q.1 Evaluation - Kanwal
The document discusses the creation of a horror film trailer, magazine cover, and poster.
It describes taking inspiration from research into other horror media. Scenes and shots were inspired by films like "The Helpers" and "Eden Lake" to build suspense. Sound effects and intertitles aimed to mimic conventions and create an eerie feel.
Layout, color schemes, and close-up shots from magazine covers and posters were adapted for the trailer's marketing materials. Details were altered to better suit the narrative and genre of horror. The goal was to conform to research findings while developing elements to hint at the story without revealing too much.
Group presentation
The document discusses the inspiration, research, locations, and technical aspects of a student film project. The group decided to make an indie romantic comedy as that genre appeals to their age range. They watched similar films like Forgetting Sarah Marshall and Knocked Up to understand characters and storylines. Various outdoor locations around the Chew Valley area were used, including a transformed bowling club and cafe. Mis-en-scene and naturalistic elements are important given the film's genre. Different camera shots, angles, and movement were used to convey meaning and unite characters. Editing helped create a coherent narrative and allowed non-naturalistic ideas to develop.
Evaluation q1
This document discusses how a media product uses, develops, or challenges conventions of real horror films. It analyzes the film opening's use of titles, credits, characters, music, lighting, editing, locations, costumes, props, and more. While some conventions were followed, such as fast editing and low-key lighting, other aspects developed or challenged conventions, like having a female antagonist instead of the usual male villain, and setting the film in a pub cellar rather than a typical haunted house. The goal was to create a unique film that stands out while still drawing inspiration from popular horror film techniques and styles.
Evaluation Question 1
In what way does your media product use, develop or challenge forms and conventions of real media products?
Evaluation question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Group presentation
The document discusses the production of an indie romantic comedy film made by students. They researched the genre and watched similar films like Forgetting Sarah Marshall and Love Actually to understand characters and storylines. They filmed scenes at various local locations like a bowling club transformed into a restaurant and outside a cafe for a date scene. They used lighting, music, and different camera shots and angles like panning and split screens intentionally to enhance emotions and create meaning and coherence in telling their story.
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Chapter 6
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Non-Diegetic Sound In Trailer.
- 2. Party Scene: To emphasise our teens reckless behaviour, we decided this non-diegetic soundtrack would suit their party animal behavior. We got the inspiration from the film ‘’Project X’ which too is featured around the reckless teenage life as they throw one of the best parties ever.
- 3. Nursery Rhyme: To include contrapuntal sound we wanted to include a nursery rhyme. This would vary our choice of soundtracks and highlight our understanding of contrapuntal sound. We thought the nursery rhyme ‘teddy bear picnic’ would suit our trailer well as it includes lyrics about a forest, which is where our slasher is set. Furthermore, we chose to use this version as it sounds creepy and sinister compared to a child's voice, we felt it fitted our slasher the best;
- 4. Heartbeat: We would also like to include a heartbeat soundtrack in the montage section of our trailer. This will mirror both the character’s heart and also the audience’s. It adds to the thrill and anticipation as we fear for the characters lives. It is also a common convention of slasher trailers to feature a heartbeat soundtrack.