The document discusses three non-diegetic soundtracks to include in a movie trailer for a slasher film. A party soundtrack was chosen to emphasize reckless teenage behavior inspired by the film "Project X." A nursery rhyme, "Teddy Bear Picnic," was selected to represent contrapuntal sound and reference the forest setting, played in a creepy version. A heartbeat soundtrack was proposed for a montage section to mirror the characters' and audience's heart rates, adding thrill and anticipation for the characters' lives.
This document contains sketches and notes planning the camera setup, actors, props, and locations for shooting a teaser trailer. It outlines 5 different locations - Caddington streets, Eve's bedroom, a school classroom, an alleyway, and Caddington park. For each location, it notes that a camera on a tripod will be used and lists the main actor and any props. Crew roles of camera operator and director are also identified for one location.
A title sequence presents the key credits of a film or television program at the beginning. It typically includes the production companies, distribution companies, main cast, crew, and title of the film. Conventions include presenting the studio or production company first, followed by the director and main cast credits, with the director's name appearing last. Title sequences set the atmosphere and introduce narrative elements or characters through techniques like sound, imagery, and narrative enigmas that hint at later plot developments.
Key and conventions of opening title sequenceownisr
Opening title sequences introduce a film or television program by presenting key production credits and cast members using visuals and audio. Credits are shown at the beginning and typically include the production company, director, producer, executive producer, and top billed actors. Music may or may not accompany the credits, which can be superimposed over static or moving images related to the content of the film or show.
Key and conventions of opening title sequenceownisr
Opening title sequences introduce a film or television program by presenting key production credits and cast members using visuals and audio. Credits are shown at the beginning and typically include the production company, director, producer, executive producer, and top billed actors. The film or program title is also included. Music may or may not accompany the opening credits which can be superimposed over static or moving images.
The document summarizes the production of a trailer imitating the trailer for the film "This is 40". It describes the original film as a comedy spin-off of "Knocked Up" following a middle-aged married couple. The student's trailer interpretation consisted of following screen shots from the original trailer in sequence with added sound. Producing the imitation trailer provided insights into the time needed and importance of non-linear editing and shot sequencing for their own upcoming trailer.
Grant Paragreen is a 47-year-old audio professional from Croydon, NSW seeking experience in postproduction and audio. He has worked on the animation Day N Night, the short film Get Out assisting with audio duties, and the short film The Water Curtain assisting with dialogue editing, ADR, foley, and sound effects. He also has experience recording musicians in both studio and live settings. His objective is to improve his audio skills on a daily basis and take on any opportunities in the industries of animation, film, television, and music.
The document discusses three non-diegetic soundtracks to include in a movie trailer for a slasher film. A party soundtrack was chosen to emphasize reckless teenage behavior inspired by the film "Project X." A nursery rhyme, "Teddy Bear Picnic," was selected to represent contrapuntal sound and reference the forest setting, played in a creepy version. A heartbeat soundtrack was proposed for a montage section to mirror the characters' and audience's heart rates, adding thrill and anticipation for the characters' lives.
This document contains sketches and notes planning the camera setup, actors, props, and locations for shooting a teaser trailer. It outlines 5 different locations - Caddington streets, Eve's bedroom, a school classroom, an alleyway, and Caddington park. For each location, it notes that a camera on a tripod will be used and lists the main actor and any props. Crew roles of camera operator and director are also identified for one location.
A title sequence presents the key credits of a film or television program at the beginning. It typically includes the production companies, distribution companies, main cast, crew, and title of the film. Conventions include presenting the studio or production company first, followed by the director and main cast credits, with the director's name appearing last. Title sequences set the atmosphere and introduce narrative elements or characters through techniques like sound, imagery, and narrative enigmas that hint at later plot developments.
Key and conventions of opening title sequenceownisr
Opening title sequences introduce a film or television program by presenting key production credits and cast members using visuals and audio. Credits are shown at the beginning and typically include the production company, director, producer, executive producer, and top billed actors. Music may or may not accompany the credits, which can be superimposed over static or moving images related to the content of the film or show.
Key and conventions of opening title sequenceownisr
Opening title sequences introduce a film or television program by presenting key production credits and cast members using visuals and audio. Credits are shown at the beginning and typically include the production company, director, producer, executive producer, and top billed actors. The film or program title is also included. Music may or may not accompany the opening credits which can be superimposed over static or moving images.
The document summarizes the production of a trailer imitating the trailer for the film "This is 40". It describes the original film as a comedy spin-off of "Knocked Up" following a middle-aged married couple. The student's trailer interpretation consisted of following screen shots from the original trailer in sequence with added sound. Producing the imitation trailer provided insights into the time needed and importance of non-linear editing and shot sequencing for their own upcoming trailer.
Grant Paragreen is a 47-year-old audio professional from Croydon, NSW seeking experience in postproduction and audio. He has worked on the animation Day N Night, the short film Get Out assisting with audio duties, and the short film The Water Curtain assisting with dialogue editing, ADR, foley, and sound effects. He also has experience recording musicians in both studio and live settings. His objective is to improve his audio skills on a daily basis and take on any opportunities in the industries of animation, film, television, and music.
Our film opening represents a group of teenagers to portray innocence before violence occurs. We used teenagers to challenge horror film tropes and create something different. The film starts the group in a safe location that will gradually become unsafe, leaving a victim alone and harmed. Horror appeals broadly but especially to teenagers and young adults as a way to metaphorically face real-life fears. We used Final Cut Pro software to edit footage, lighting, titles and pacing. GarageBand allowed us to add voiceovers, music and sound effects to enhance the quality. Learning from prior tasks helped us include different shot types and illustrate necessary elements in our opening.
The document discusses how the opening title sequence (OTS) sets up various films. For most films, the OTS introduces main characters, establishes the tone and setting, and creates narrative mysteries to engage the audience. Specifically, it establishes the small town setting and lighthearted tone for Forrest Gump through synchronous sound. For Skyfall, the OTS introduces the protagonist and defines the genre and setting while building tension. The Girl with the Dragon Tattoo uses dark music and visuals in its OTS to create a tense atmosphere and narrative mysteries.
The document discusses how the opening title sequence (OTS) sets up various films. For most films, the OTS introduces main characters, establishes the setting and tone, and creates narrative mysteries to engage the audience. Specifically, it establishes the small town setting and lighthearted tone for Forrest Gump through synchronous sound. It also builds tension through dark lights and music for The Girl with the Dragon Tattoo.
The document summarizes the filmmakers' process in developing the opening of their action film. They aimed to subvert stereotypes by casting an Asian actor as the superhero rather than a white actor. They included a flashback to establish the superhero's backstory and origin of powers. However, the transitions between the flashback and present were confusing. They also included many unanswered questions and enigmas that could not be resolved within the short two-minute opening. The filmmakers worked on sound design, music, and titles that followed conventions of action films like Hulk.
The document summarizes the film opening created by the student, which aimed to subvert stereotypes about superheroes. It cast a South Asian actor in the lead role of the superhero instead of the typical white male. The opening used a flashback to show the origin of the superhero's powers as a child, with a transition to the present. However, some aspects of the opening were confusing, such as unclear connections between scenes. The student discusses challenges in developing the soundtrack and titles to follow film conventions.
Third eye productions presents The Pyre. As the opening titles have a short time of 2 minutes, only essential information such as the director, production manager, cast, and movie title will be included to save time for the film. The cast includes Chloe, Mat, Mark, Ben, and Lewis. The production team consists of Doug Macaskill as director, Thomas Curtis as production manager, mark Rattigan as assistant director and lighting, Doug Macaskill for sound effects, and Thomas Curtis for set and prop. The camera roles are assigned to Doug for Cam 1, Thomas for Cam 2, and mark for Cam 3.
This document is a resume for Billy Butler, a producer, director, and writer with over 25 years of experience in the entertainment industry. He has held lead producer roles at Starz-Film Roman, Walt Disney Company, and Fox Family Channel. As an independent filmmaker, he has written, produced, and directed several feature films distributed on Hulu. He has extensive experience creating trailers, shorts, commercials and other marketing content across various genres.
The production company is responsible for filming and producing the film. This includes casting actors, ensuring legal requirements are met, planning the film production, and providing props and setting up filming locations. The production company may also find a distributor to market and distribute the film.
The document discusses a student production company called "Toast" which stands for "Totally Outrageous and Sexy Thrillers." Their logo features a piece of toast with the word "Toast" changing colors and fading into "Productions."
A film distributor promotes and releases the film to the public for viewing and purchasing. They handle advertising through various media. The students chose Lionsgate as their distributor because it is an established
The document discusses the song "One Hundred Miles From Home" by the band Tales of George. It provides background on the song and band, including that the song was uploaded to YouTube and MySpace in 2010. The band formed in 2009 in Bognor Regis, UK as a three-piece and later became a four-piece with the addition of their drummer. The rest of the document discusses plans for a music video to accompany the song, including having a simple narrative of a band member traveling while his girlfriend awaits his return, and incorporating shots of the band playing around a campfire to match the song's genre.
Opening credits list important production members and are displayed over a blank screen or scene at the beginning of a film. They may include music and aim to set the characters, setting, genre, mood or atmosphere. Production companies, the director, producer, executive producer, top billing actors and the film title are typically included.
The document discusses the conventions used in a student-created film trailer for a psychological horror film called "Alter of Bones". It summarizes that the trailer uses standard horror conventions like creepy music, fast pacing, and dark imagery. It also discusses how the trailer's magazine cover and poster follow conventions for those media types by including elements like the title, imagery, and credits. Overall, the document argues that the student's media project effectively incorporates appropriate conventions for a film trailer, magazine, and poster.
The film opening uses conventions of teen movies like music, titles and comedic acting to target a teenage audience. It establishes itself as a teen comedy by setting scenes in a school, a common location for the genre. Sound effects are used to emphasize introductions and add humor, replicating techniques from films like "Easy A", which also features a protagonist voice-over to provide background on their life. The opening challenges conventions by directly referencing "Easy A" as inspiration for including the voice-over.
Looking back at our preliminary task, what do I feel we have learnt from then...zack moore
The document compares two film projects, Invasion and Sanctus, and analyzes improvements between them. It notes that editing, transitions, soundtracks and effects were much stronger in Sanctus. Camera work was the strongest aspect of Invasion while the soundtrack was its weakness. Mistakes were also made in Invasion with shadows and background noise. Overall, massive improvements were made in Sanctus in editing, camera shots using better equipment, focus on characters' clothing and props, and use of soundtrack.
This document discusses how a media product uses and develops conventions from real media. It describes mimicking shots from the TV show "Make it or Break it" using a black background to emphasize gymnastic elements. It also discusses using a bird's eye view shot, slow motion scenes, and an opening title with black background and fading white letters similar to the film "Black Swan" to build tension and introduce the thriller in an eerie way. The product draws from conventions in other gymnastics films and TV shows while adapting them to fit the theme of its own character-driven thriller.
The document discusses the roles of key jobs in film production that are credited in opening credits. It provides descriptions of common roles such as director, screenplay writer, producer, executive producer, main cast, director of photography, film editor, music composer, and more. It also profiles two prominent UK film production companies - Aardman Animations and Heyday Films - and notes some of their successful past film credits. Finally, it provides brief definitions and examples of production and distribution roles in the film industry.
The document discusses how the media product (a horror trailer and poster) uses and develops conventions of real horror media. Specifically:
- The trailer uses conventions like sound/music to build tension and a camcorder effect to seem realistic. It is set in woods like Friday the 13th.
- The poster is inspired by The Woman in Black and includes elements like a dull tone, reviews, and film ratings like real posters.
- Some elements challenge conventions, like the trailer being less fast-paced and lacking clear protagonists/antagonists. The characters' clothes are also cleaner than typical horror.
- Distribution platforms like YouTube are used to reach audiences, following conventions of real horror
The media product challenges conventions by having a female trainer in the sports/drama genre, which is uncommon. Props and outfits in training scenes are conventional for boxing movies to create realism. Medium shots and close-ups are used to show emotions and body language. Music sets the tone in flashback scenes, voiceover provides context, and dialogue is used in a conflict scene at the end. Fades transition between past and present, while cuts and jump cuts move between different scenes to keep the pacing brisk without becoming dull.
1) The documentary uses a variety of filming techniques like non-linear storytelling, shot-reverse-shot editing, and different shot sizes to develop the genre of a sports drama film about boxing.
2) Sound is used both diegetically and non-diegetically to provide context and emotion. This includes voiceover, music, and adjusted sound levels during editing.
3) Mise-en-scene with costumes, locations, and props link the characters to the sport setting and genre of the film. Typography with bold white subtitles and titles are used for dramatic effect and readability.
1. The document discusses how the media product challenges conventions of real films. It created an original film company called POV Inc. and included typical elements like costumes, props, editing, camerawork and score but challenged conventions like using slow motion and daylight filming for suspense.
2. Both the poster and radio trailer challenged conventions. The poster was atypical by being dark/black and white without persuasive language. The radio trailer attracted without visuals through a deep voice, music and sound effects.
3. In summary, the media product included common film elements but challenged expectations through unconventional creative choices to subvert norms in thriller and drama genres. It created original marketing like a radio trailer to engage audiences.
The document discusses the influences and creative decisions that went into planning an opening scene for a film project. It draws inspiration from crime thriller films and TV shows like True Detective, Chinatown, and Memento. Specifically, it models the main character, costume, props, and personality after the TV show True Detective. It also establishes fictional production companies to handle the film's distribution and marketing, taking cues from major studios like 20th Century Fox. The document outlines choices made regarding the film's titles, music, and lighting to establish a neo-noir genre tone and keep audiences engaged.
The document discusses conventions used in film title sequences and openings, using the film Psycho as an example. It describes conventions at both the macro and micro level. At the macro level, Psycho does not show characters in its title sequence but only addresses them in the credits. At the micro level, Psycho uses black and white film stock, dramatic music, and motion titles to set an ominous tone. The document also discusses how the student group applied conventions from Psycho in their own horror title sequence, such as using red text on a black background and dramatic sound and music to signal the genre to viewers.
Our film opening represents a group of teenagers to portray innocence before violence occurs. We used teenagers to challenge horror film tropes and create something different. The film starts the group in a safe location that will gradually become unsafe, leaving a victim alone and harmed. Horror appeals broadly but especially to teenagers and young adults as a way to metaphorically face real-life fears. We used Final Cut Pro software to edit footage, lighting, titles and pacing. GarageBand allowed us to add voiceovers, music and sound effects to enhance the quality. Learning from prior tasks helped us include different shot types and illustrate necessary elements in our opening.
The document discusses how the opening title sequence (OTS) sets up various films. For most films, the OTS introduces main characters, establishes the tone and setting, and creates narrative mysteries to engage the audience. Specifically, it establishes the small town setting and lighthearted tone for Forrest Gump through synchronous sound. For Skyfall, the OTS introduces the protagonist and defines the genre and setting while building tension. The Girl with the Dragon Tattoo uses dark music and visuals in its OTS to create a tense atmosphere and narrative mysteries.
The document discusses how the opening title sequence (OTS) sets up various films. For most films, the OTS introduces main characters, establishes the setting and tone, and creates narrative mysteries to engage the audience. Specifically, it establishes the small town setting and lighthearted tone for Forrest Gump through synchronous sound. It also builds tension through dark lights and music for The Girl with the Dragon Tattoo.
The document summarizes the filmmakers' process in developing the opening of their action film. They aimed to subvert stereotypes by casting an Asian actor as the superhero rather than a white actor. They included a flashback to establish the superhero's backstory and origin of powers. However, the transitions between the flashback and present were confusing. They also included many unanswered questions and enigmas that could not be resolved within the short two-minute opening. The filmmakers worked on sound design, music, and titles that followed conventions of action films like Hulk.
The document summarizes the film opening created by the student, which aimed to subvert stereotypes about superheroes. It cast a South Asian actor in the lead role of the superhero instead of the typical white male. The opening used a flashback to show the origin of the superhero's powers as a child, with a transition to the present. However, some aspects of the opening were confusing, such as unclear connections between scenes. The student discusses challenges in developing the soundtrack and titles to follow film conventions.
Third eye productions presents The Pyre. As the opening titles have a short time of 2 minutes, only essential information such as the director, production manager, cast, and movie title will be included to save time for the film. The cast includes Chloe, Mat, Mark, Ben, and Lewis. The production team consists of Doug Macaskill as director, Thomas Curtis as production manager, mark Rattigan as assistant director and lighting, Doug Macaskill for sound effects, and Thomas Curtis for set and prop. The camera roles are assigned to Doug for Cam 1, Thomas for Cam 2, and mark for Cam 3.
This document is a resume for Billy Butler, a producer, director, and writer with over 25 years of experience in the entertainment industry. He has held lead producer roles at Starz-Film Roman, Walt Disney Company, and Fox Family Channel. As an independent filmmaker, he has written, produced, and directed several feature films distributed on Hulu. He has extensive experience creating trailers, shorts, commercials and other marketing content across various genres.
The production company is responsible for filming and producing the film. This includes casting actors, ensuring legal requirements are met, planning the film production, and providing props and setting up filming locations. The production company may also find a distributor to market and distribute the film.
The document discusses a student production company called "Toast" which stands for "Totally Outrageous and Sexy Thrillers." Their logo features a piece of toast with the word "Toast" changing colors and fading into "Productions."
A film distributor promotes and releases the film to the public for viewing and purchasing. They handle advertising through various media. The students chose Lionsgate as their distributor because it is an established
The document discusses the song "One Hundred Miles From Home" by the band Tales of George. It provides background on the song and band, including that the song was uploaded to YouTube and MySpace in 2010. The band formed in 2009 in Bognor Regis, UK as a three-piece and later became a four-piece with the addition of their drummer. The rest of the document discusses plans for a music video to accompany the song, including having a simple narrative of a band member traveling while his girlfriend awaits his return, and incorporating shots of the band playing around a campfire to match the song's genre.
Opening credits list important production members and are displayed over a blank screen or scene at the beginning of a film. They may include music and aim to set the characters, setting, genre, mood or atmosphere. Production companies, the director, producer, executive producer, top billing actors and the film title are typically included.
The document discusses the conventions used in a student-created film trailer for a psychological horror film called "Alter of Bones". It summarizes that the trailer uses standard horror conventions like creepy music, fast pacing, and dark imagery. It also discusses how the trailer's magazine cover and poster follow conventions for those media types by including elements like the title, imagery, and credits. Overall, the document argues that the student's media project effectively incorporates appropriate conventions for a film trailer, magazine, and poster.
The film opening uses conventions of teen movies like music, titles and comedic acting to target a teenage audience. It establishes itself as a teen comedy by setting scenes in a school, a common location for the genre. Sound effects are used to emphasize introductions and add humor, replicating techniques from films like "Easy A", which also features a protagonist voice-over to provide background on their life. The opening challenges conventions by directly referencing "Easy A" as inspiration for including the voice-over.
Looking back at our preliminary task, what do I feel we have learnt from then...zack moore
The document compares two film projects, Invasion and Sanctus, and analyzes improvements between them. It notes that editing, transitions, soundtracks and effects were much stronger in Sanctus. Camera work was the strongest aspect of Invasion while the soundtrack was its weakness. Mistakes were also made in Invasion with shadows and background noise. Overall, massive improvements were made in Sanctus in editing, camera shots using better equipment, focus on characters' clothing and props, and use of soundtrack.
This document discusses how a media product uses and develops conventions from real media. It describes mimicking shots from the TV show "Make it or Break it" using a black background to emphasize gymnastic elements. It also discusses using a bird's eye view shot, slow motion scenes, and an opening title with black background and fading white letters similar to the film "Black Swan" to build tension and introduce the thriller in an eerie way. The product draws from conventions in other gymnastics films and TV shows while adapting them to fit the theme of its own character-driven thriller.
The document discusses the roles of key jobs in film production that are credited in opening credits. It provides descriptions of common roles such as director, screenplay writer, producer, executive producer, main cast, director of photography, film editor, music composer, and more. It also profiles two prominent UK film production companies - Aardman Animations and Heyday Films - and notes some of their successful past film credits. Finally, it provides brief definitions and examples of production and distribution roles in the film industry.
The document discusses how the media product (a horror trailer and poster) uses and develops conventions of real horror media. Specifically:
- The trailer uses conventions like sound/music to build tension and a camcorder effect to seem realistic. It is set in woods like Friday the 13th.
- The poster is inspired by The Woman in Black and includes elements like a dull tone, reviews, and film ratings like real posters.
- Some elements challenge conventions, like the trailer being less fast-paced and lacking clear protagonists/antagonists. The characters' clothes are also cleaner than typical horror.
- Distribution platforms like YouTube are used to reach audiences, following conventions of real horror
The media product challenges conventions by having a female trainer in the sports/drama genre, which is uncommon. Props and outfits in training scenes are conventional for boxing movies to create realism. Medium shots and close-ups are used to show emotions and body language. Music sets the tone in flashback scenes, voiceover provides context, and dialogue is used in a conflict scene at the end. Fades transition between past and present, while cuts and jump cuts move between different scenes to keep the pacing brisk without becoming dull.
1) The documentary uses a variety of filming techniques like non-linear storytelling, shot-reverse-shot editing, and different shot sizes to develop the genre of a sports drama film about boxing.
2) Sound is used both diegetically and non-diegetically to provide context and emotion. This includes voiceover, music, and adjusted sound levels during editing.
3) Mise-en-scene with costumes, locations, and props link the characters to the sport setting and genre of the film. Typography with bold white subtitles and titles are used for dramatic effect and readability.
1. The document discusses how the media product challenges conventions of real films. It created an original film company called POV Inc. and included typical elements like costumes, props, editing, camerawork and score but challenged conventions like using slow motion and daylight filming for suspense.
2. Both the poster and radio trailer challenged conventions. The poster was atypical by being dark/black and white without persuasive language. The radio trailer attracted without visuals through a deep voice, music and sound effects.
3. In summary, the media product included common film elements but challenged expectations through unconventional creative choices to subvert norms in thriller and drama genres. It created original marketing like a radio trailer to engage audiences.
The document discusses the influences and creative decisions that went into planning an opening scene for a film project. It draws inspiration from crime thriller films and TV shows like True Detective, Chinatown, and Memento. Specifically, it models the main character, costume, props, and personality after the TV show True Detective. It also establishes fictional production companies to handle the film's distribution and marketing, taking cues from major studios like 20th Century Fox. The document outlines choices made regarding the film's titles, music, and lighting to establish a neo-noir genre tone and keep audiences engaged.
The document discusses conventions used in film title sequences and openings, using the film Psycho as an example. It describes conventions at both the macro and micro level. At the macro level, Psycho does not show characters in its title sequence but only addresses them in the credits. At the micro level, Psycho uses black and white film stock, dramatic music, and motion titles to set an ominous tone. The document also discusses how the student group applied conventions from Psycho in their own horror title sequence, such as using red text on a black background and dramatic sound and music to signal the genre to viewers.
The document discusses conventions of teaser trailers and how the student's media product followed or challenged some of those conventions. It provides examples of conventions for idents, characters, titles, editing, shots, posters, and magazines. The student analyzed teaser trailers and other media to incorporate typical conventions into their project where appropriate, such as using a slow start that picks up pace for the trailer, and including a billing block on the poster. Some conventions were challenged, like using a female protagonist rather than the typical male. The analysis shows how the student researched conventions to create a polished media product that would appeal to audiences.
AS Media Studies Creative Critical Reflectionnikoletawu
This document summarizes a creative critical reflection project by Nikoleta Wu and Ada Dzamic for their media studies class. They created an opening film sequence about a music teacher dreading a music lesson with a typical teenager. Through their research and planning, they aimed to represent stereotypes in a comedic way and examine the elements of an effective opening sequence. Their target audience was music lovers, teenagers, and teachers. They are proud of their work developing characters, incorporating music, and following film techniques in their opening sequence.
AS Media Studies Creative Critical Reflectionnikoletawu
The document discusses the opening sequence for a student film project titled "Music Lesson from Hell." It is aimed at music lovers, teenagers, and teachers. The opening sequence shows the morning before a challenging music lesson between a geek music teacher and unruly student, who eventually become friends. Students conducted research through questionnaires to understand audience preferences and tested the script with friends/relatives to engage the target demographic. While technology limitations affected camerawork quality, students are proud of their storyline, music selection, research, and editing skills. They aim to distribute on TV and YouTube and hope to continue improving opening sequence techniques.
This document analyzes how the film opening uses and develops conventions of motorsport films in its forms and techniques. It summarizes that the title "First to Fifth" references the races and gears. Font and timing of the title card follow conventions. Credits are ordered by importance and use slanted font for speed. Settings include race tracks and pits to match genres. Costuming includes a racing suit. Camera work uses close-ups and match cuts. Editing uses filters to show past events and a fast pace to build tension as in Fast and Furious. Locations were limited but conventions were still attempted.
The document analyzes film opening sequences across different genres to identify key conventions. It finds that openings typically introduce the main character within minutes, establish the narrative and genre through elements like credits/titles, soundtrack and scenes. They also set the mood and atmosphere using techniques such as music, editing, mise-en-scene and cinematography. The analysis of action-comedy films like "21 Jump Street" and "Hot Fuzz" shows they quickly introduce stereotypical main characters and use elements like music, colors and editing to create a lighthearted tone and signal the genre.
A title sequence is used at the beginning of films and television programs to display the main production credits, including the cast and crew. It typically includes visuals and music to represent the tone and themes of the work. Though the order of credits can vary between genres and productions, common roles featured include the production companies, main cast, directors, producers, writers and other key creative roles. The document provides examples from the films The Hunger Games and Perfect Pitch, as well as the TV show Game of Thrones, to illustrate typical elements and credit ordering in title sequences.
Research on film trailers, posters and web sitesbir
The document discusses film trailers and posters. It provides tips for effective trailers, including avoiding too much dialogue or titles, establishing the genre through music and visuals, and revealing the film title at the end to build anticipation. Effective posters depict the storyline in a single image, appeal to a broad audience, and establish the genre. Trailers are used to promote films and build hype through exciting visuals and sound.
This document discusses and compares different title sequences from films and television. It begins by defining a title sequence and what elements they typically include, such as credits for production crew, cast, and accompanying music. Examples are then provided from films like The Hunger Games and television shows like Game of Thrones to illustrate common ordering of credits and use of static vs moving images. Differences in title sequences across genres and between films and television are explored. Overall, while title sequences serve the same basic purpose, elements like credit ordering and use of static vs moving images can vary between productions.
1. The document summarizes a group's project to create a 3-minute crime drama trailer. It describes their research process of watching crime drama trailers and episodes to identify common elements.
2. The group decided on a comedy crime drama genre. They planned filming locations and created a production schedule. Skills used in editing included fading music and adding titles.
3. The strengths of the trailer included the comedy genre and research-informed scenes. Weaknesses included concentration during planning and maintaining comedy during filming. The received positive feedback meeting their target age range audience.
The document summarizes a group's project to create a 3-minute comedy crime drama trailer. It discusses the research the group did watching crime drama trailers and episodes to identify common elements. It then explains how the group decided to do a comedy genre for their trailer. The document outlines the planning and filming process, and discusses the editing skills used in Premiere Pro. It concludes by reviewing the strengths and weaknesses of the finished trailer, and feedback received, which was mostly positive.
This document discusses the genre and conventions of the filmmaker's short crime/thriller film. It identifies the film as belonging to the crime and neo-noir genres. It follows a classic "who done it" structure and includes elements like black and white shots and piano music to reference neo-noir. Unlike other detective films, it uses black and white in parts to signify flashbacks. It was influenced by films like Prisoners, Out of the Past, and The Usual Suspects. Barthes codes of enigma, action, symbolism, and references to film noir genre are applied. While following genre guidelines, the film has freedom to pursue its own storyline and can be considered a hybrid genre film
The document describes Marwa Awadh's process of editing a film called "Hide and Seek" using Final Cut Pro. Marwa learned to edit sound, match clips, crop out mistakes, and add effects to polish the film. She organized clips and sounds into folders to make them easier to access. Marwa also designed intriguing opening and ending credits using different fonts, colors, and layouts to engage the audience and tie the film together.
1. The document summarizes the production of a short crime film opening by a group of students, including details on the music, editing, setting, characters, and audience research.
2. They filmed in a dark parking garage at night to create tension and mystery, and received positive feedback on how the setting built suspense.
3. Audience research showed their target audience was young adult males, so they focused on a young male protagonist to appeal to this group.
The document discusses how the filmmakers addressed their target audience through various elements of their crime drama film. They used characters from lower class backgrounds to relate to deprived audiences. Characters also acted mysteriously to attract hardcore crime drama fans who enjoy mystery. Locations similar to the TV show Top Boy were used to attract its fans. A rap/grime soundtrack was chosen to match the gang warfare story and appeal to a youth audience. While standard shots were used, creative cinematography like POV shots in a chase scene were added to create tension expected in the crime drama genre.
Similar to Smoke of the past order of credits (20)
This SlideShare shows my analysis of a short film called 'Perfection' which shows the struggles of an Asian American woman as she tries to achieve success and gain her parents approval.
This SlideShare shows my analysis of a short film called 'Perfection' which shows the struggles of an Asian American woman as she tries to achieve success and gain her parents approval.
Vladimir Propp analyzed Russian folk tales in the 1920s and found they shared a common narrative structure. In his 1928 book Morphology of the Folk Tale, he identified 31 narrative functions that move the story forward, such as the villain appearing or the hero rushing to help a victim. These functions involve conflicts between main character types like heroes, villains, and donors. Though originally applied to folk tales, Propp's analysis of narrative structure has influenced storytelling across genres.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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2. For our film `Smoke of the Past` we have made
a shot list and an animatic to ensure that we are
prepared and organised when it comes to the
filming. Consequently we wanted to finalise
the order of the credits so we could decide
where to put the text in according to the
visuals. This process was made easier by the
fact that our group had all watched a selection
of classic and neo noirs and so knew roughly
how the credits should be displayed.
3. Upon doing some research Megan (group member) found
that there is a particular in which credits are usually
displayed:
Distribution Company
Film Production Company
The Cast Names
Costume/Set designer, Casting Director, Hair&make-
up artist, Music Composer
Editor
Executive Producer
Producer
Written and Directed by
Film Title
4. Hd P.M Presents
A LMR Production
Starring Matt Bates and Anna Perry
Costume, makeup and casting directors; Lottie
Henderson-Dawe and Megan Stapleton
Producers: Megan Stapleton, Ruth Perry and
Lottie-Henderson-Dawe
Written and directed; Ruth Perry, Lottie
Henderson-Dawe and Megan Stapleton
5. The credits will appear on the screen amongst
the chosen visuals of our film in the first 30
seconds of our opening and the final shot will
be the title of our film.