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Narrative Theory
         Todorov
      Vladimir Propp
    Claude Levi-Strauss
TODOROV
• There are 5 stages to this narrative theory:
• Equilibrium
• Disequilibrium
• Recognition
• Reparation
• New Equilibrium
Equilibrium

• A period in time where everything is
  running smoothly and steadily.
• The characters are at peace.
Disequilibrium
• Where the circumstances change and the
  period in time because unsettled, and
  weary.
• A problem starts to arise, and becomes
  bigger (eg, a confrontation between
  characters)
Recognition

• The circumstances change again for the
  better, as the protagonists ( the main
  characters) start to find and make peace
  after ‘the storm.’
Reparation


• The reparation is where the circumstances
  start to resolve themselves.
New Equilibrium

• This is where all the problems are finally
  restored and the character’s live are back
  to normal, generally concluding in a ‘happy
  ending.’
VLADIMIR PROPP

• Formed in the twentieth century.
• Vladimir studies Russian fairytales.
• Found eight main kinds of characters.
8 Types of Characters
• The villain     • The princess
• The hero        • The donor
• The fake hero   • The princess’ dad
• The helper      • The dispatcher
Character’s Roles....

•    EACH CHARACTER HAS A SPHERE OF
               ACTION
• Any character can do anything to another
    character, regardless of status
CLAUDE LEVI-STRAUSS
•   Based around binary opposition.
•   Example, good and evil.
•   Two characters (protagonists) can be fighting - one for
    good, one for bad.
•   This can be turned into a metaphor for representations
    of certain values and messages for the audience.
•   The right side is to represent dominant values, and the
    bad side is to represent dominant values of how it’s
    bad to go against dominant values.
TYPES OF NARRATION
•   OMNISCIENT NARRATION

•   Where there is not only spot-lighted on one single
    character.

•   The audience find out things which they would
    rather not, “involuntarily.”

•   Therefore the audience would know more than the
    character.

•   This creates tension and suspense.

•   In English, this would be regarded as ‘dramatic irony’.

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Narrative Theory

  • 1. Narrative Theory Todorov Vladimir Propp Claude Levi-Strauss
  • 2. TODOROV • There are 5 stages to this narrative theory: • Equilibrium • Disequilibrium • Recognition • Reparation • New Equilibrium
  • 3. Equilibrium • A period in time where everything is running smoothly and steadily. • The characters are at peace.
  • 4. Disequilibrium • Where the circumstances change and the period in time because unsettled, and weary. • A problem starts to arise, and becomes bigger (eg, a confrontation between characters)
  • 5. Recognition • The circumstances change again for the better, as the protagonists ( the main characters) start to find and make peace after ‘the storm.’
  • 6. Reparation • The reparation is where the circumstances start to resolve themselves.
  • 7. New Equilibrium • This is where all the problems are finally restored and the character’s live are back to normal, generally concluding in a ‘happy ending.’
  • 8. VLADIMIR PROPP • Formed in the twentieth century. • Vladimir studies Russian fairytales. • Found eight main kinds of characters.
  • 9. 8 Types of Characters • The villain • The princess • The hero • The donor • The fake hero • The princess’ dad • The helper • The dispatcher
  • 10. Character’s Roles.... • EACH CHARACTER HAS A SPHERE OF ACTION • Any character can do anything to another character, regardless of status
  • 11. CLAUDE LEVI-STRAUSS • Based around binary opposition. • Example, good and evil. • Two characters (protagonists) can be fighting - one for good, one for bad. • This can be turned into a metaphor for representations of certain values and messages for the audience. • The right side is to represent dominant values, and the bad side is to represent dominant values of how it’s bad to go against dominant values.
  • 12. TYPES OF NARRATION • OMNISCIENT NARRATION • Where there is not only spot-lighted on one single character. • The audience find out things which they would rather not, “involuntarily.” • Therefore the audience would know more than the character. • This creates tension and suspense. • In English, this would be regarded as ‘dramatic irony’.

Editor's Notes