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Market Research
The purpose of this research is to help me to design a magazine which will be appropriate for a
particular audience, and to grasp an understanding of what appeals to whom. This is a primary
method of data collection using qualitative and quantitative data. To select the features of my
magazine,Ihave createda ten-questionsurveyvia‘SurveyMonkey’inordertofindoutwhat I should
include inmyownproduct.This has been answered by eighteen people; I have collated my results
below.Similar customer profiling is evident throughout many major magazine companies. We can
deduce by looking at ‘Kerrang!’ magazine that young people prefer cheap magazines with a lot of
content and free things. In the
same way,it isimpliedthat the
readersof ‘mixmag’ are people
who like the nightlife abroad,
alcohol and partying.
The first question is one
conventional to all
questionnaires. We have to
know how old the people we
are questioning are. This way,
when using the information I
have gathered to create my
ownmagazine,Iwill know who
my targetdemographicisinmy
own.
Thirteenoutof eighteen of those that filled in my questionnaire were between the ages of 15 and
20. This means that the information gathered from my survey will, if applied, make my magazine
appeal to an audience of this age group. Never the less, there is a slight impact from an older
audience. Taking into account the views of three very different age groups will increase the
likelihood that my magazine will attract a larger readership.
On average, 60% of the people
who answered my survey were
female.40% were male. This may
influence my decisions as I may
be more likely to make my
magazine appeal to female
readers rather than men if I use
the information I have gathered.
Nevertheless, there is a large
male input into this so, if some
answers still significantly stand
out, it will serve to prove that a
lot of the content can be
consideredunisex. This would be
preferable asit means that there is a
larger readership for my magazine.
The next question was multiple-
choice. The question of what genre
of music do most people prefer is
extremelyimportanttoconsideras it
influencesnearlythe entire contents
of my magazine. In this graph, it is
evident that the most favoured type
of music is Rock, chosen by 70% of
the people I asked. Notably, Indie
music is favoured by 60% of the
sample,andElectronicmusicby 45%.
These are the three most popular
genres of music that my sample has
chosen,which means that the public
will probably be more interested in buying a magazine if it features content around these types.
Therefore, I will try to aim my magazine towards fans of the most popular genres. On the other
hand, it is important to try and make my magazine unique. Because a large proportion of people
prefer music that is Indie/Electronic, I can use this to try and design a magazine brand that aims to
be more unique andcutting-edge.Thismaymeanthatitappealstoa niche audience;howeveritwill
be different to other magazines and therefore more likely to sell.
Accordingto the analysisof my results,
mostpeople find out about new music
viasocial mediawebsitesandYouTube.
A very small percentage (17%) use
musicmagazinestoupdate themselves
with upcoming musical artists. One
reason for this may be because very
few people buy music magazines.
Alternatively, existing magazines may
not actively encourage readers to look
into new music as they tend to focus
on what is ‘in’ and popular. As a
potential unique selling point, my
magazine could feature new musical artists on the front cover in the model credits. The danger of
thiswouldbe that I cannotuse star marketing to attract people to buy my magazine. Nevertheless,
other incentives to purchase the magazine can be used, such as giving free things, exclusive
information or interesting images. This graph tells me that most people use social media and
YouTube to find information about music. This is useful to me as it provides a destination for my
ownmagazine’sfeaturettesoradvertisements. A lotof people have stated that they find out about
newmusicviatheirfriends,familyorwhenitisplayedinshops.Thismeansthatit maybe beneficial
to advertise mymagazine onplaceslike YouTubebuttoalsoactivelyencourage people tospreadthe
word about it to other people.
45% of my sample claim to listen to more than two
hoursof musica day. Fromthis result which is near
half of the people I asked, we can assume that a
large proportionof the people who have answered
my questionnaire have agoodknowledge aboutthe
music industry as well as a strong interest in music
in general. These are the people who would be
most likely to buy a music magazine. A good
knowledge of musical backgroundandgenre means
that the information I have been given can be
considered more useful as these people are those
who may potentially buy a good magazine.
Therefore, taking their advice on what they want to see in a magazine is more useful as a lot of
people who are like them and will want similar things out of a music magazine.
The three most popularwaysin
whichpeople keep up with the
music industry are via
Facebook, YouTube and by
buying CDs and Vinyl. There is
an interesting clash here;
people who listen to music on
YouTube tend to prefer
listeningtomusicforfree,yet a
similar percentage like to buy
physical copies. Where my
magazine is concerned, this
means I should try to include
both musical platforms within
the content. For instance, I
could include sale prices for
purchasingCDs or competitions
to win them. This would act as
an incentive to buy the
magazine. Similarly, it can
discuss popular YouTube
movements, promoting
upcoming stars or passing
opinions and reviews. In this
era, YouTube is an extremely popular streaming service which is easy to use. Some magazine
companies,suchasVIBE and Rhythm,even have their own YouTube channels to discuss changes in
the musicindustryor to showinterestingvideos.Thiskindof ideaappeals to people in this new age
of Web 2.0.
A large part of the likelihoodof amagazine beingbought by the consumer relies on the price of the
magazine. The price links to the quality and quantity of the content, as well as the standard of
publishing.The difference iseasilycomparable if we lookat ‘Kerrang!’and ‘mixmag’. ‘Kerrang!’ is of
far lessqualityandis a lot thinner, pricing at £2.20 a week. ‘mixmag’ is a thick and stylish magazine
producedmonthlyata rate of £4.95 per edition.However,thisdoesn’tnecessarilymeanthatpeople
are more likely to buy a cheap magazine. With quite a mixed response, it would appear that, at
around 28% each, the majority of the public would prefer to buy a magazine that is £2 or less.
Nevertheless, these
percentagesare not that high.
If my magazine was cheaply
produced, the content would
be minimal and there would
be less chance that it would
give ‘freebies’. With due
consideration to the question
“what would encourage you
to purchase a music
magazine?” a consumer may
prefer a more expensive
magazine if itiscomes with an
incentive with a stronger
gravitas than the price.
Therefore, it is likely that my
magazine could sell equally as well with a price of £2+ than if it was cheap, so long as I can locate a
strong balance between price and content.
In a survey of 18 people, a massive 78% said they would be more encouraged to buy a music
magazine if itincludedextrafree content, such as posters, CDs, pens, or other small miscellaneous
items. Other features of the magazine which are appreciated by readers are good quality
photography and exclusive content. This is one of the most important factors of my magazine to
consider as it directly influences the
number of sales. Most of the desired
featureswill prove tobe quite expensive to
publish. However, the more that are used,
the more likelythe magazine will sell. A lot
of people have no real interest in buying
magazines that are solely print-based. By
looking at the individual responses
gathered, we can tell who has an
experienced understanding of the music
industry, includingmagazines.The recurring
preference among this portion of my
responses is to include new bands and
interviews. Therefore, I should endeavour
to include these in my magazine.
76.5% of my survey respondents
have said that they do not read
music magazines. This is an
understandable figure as most of
the informationthatyoupay for in a
magazine is free and simple to find
on the internet. Print-based media
can be expensive and have few
exclusive benefits. Therefore, for
the magazine to actually sell, it
needs to contain content that
cannot be simply found on social
networks and websites. Exclusive
content will attract people to the
brand. Similarly,the website having
a website to its name and an online
infrastructure will create a more
interactive readership. This may be
preferred by modern readers.
Likewise, the use of a strong online
force wouldworkas a unique selling
point(USP) formy magazine. The most popular of those that people do buy are Kerrang! and NME.
These are two verydifferentmagazineswhere House Style and genre is concerned, suggesting that
there is no real connection between the genre of a magazine and the strength of its sales.
In a question with a very similar purpose, I asked eighteen people how often they buy music
magazines.Eventhoughthe majorityof peopleansweredonce more againstbuyingmagazinesatall,
the other most popular options were 'weekly' and 'monthly', both of which resulted in the same
percentage. This figure will affect how
oftenmymagazine ispublished. Some are
thin with weaker but more up-to-date
content and are released weekly. Others
are thicker and show more care in their
layout and general aesthetic, but can
quickly become dated. Subscriptions are
popular with magazines that are released
on these time scales. The
indie/electronic/rockmusicindustry is not
the fastest developing, so I don't think a
monthlyrelease wouldholdanynegatives.
This would also mean that the quality can
be much greater, which is one of the features that people wanted to see in a magazine.
Overall,the general consensusappearstobe pushingtowardsthe ideathatmy magazine company
shouldbe a well-developedindie,rockand/orelectrobrand.There are some natural clashesof
ideologies,suchasthe desire forfree thingsata cheapprice,butotherwise Iwouldsaythatthe
surveyhascreateda solidframeworkforthe foundationsof mymagazine.Collatingall of myresults,
my magazine brandshouldconsiderasmanyof the preferencesof the publicaspossible,illustrated
below.
 Aimedata readershipof people aged15-20
 A general mix of the stereotypical genderfocusornone
 Shouldbe an indie/rock/electronicmusicmagazine
 Convergentmediadefinitelyneedstobe used - my magazine needsitsownsocial media,
website andYouTube channel
 Carry offers/vouchersforpurchasingphysical copiesof music
 Aimto be purchasable ataround £2-3
 Feature exclusive content,interviews,new bands,goodphotography,andfree goods.
 Publishmonthlywiththe abilitytojoinasubscription

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Music Magazine: Market Research

  • 1. Market Research The purpose of this research is to help me to design a magazine which will be appropriate for a particular audience, and to grasp an understanding of what appeals to whom. This is a primary method of data collection using qualitative and quantitative data. To select the features of my magazine,Ihave createda ten-questionsurveyvia‘SurveyMonkey’inordertofindoutwhat I should include inmyownproduct.This has been answered by eighteen people; I have collated my results below.Similar customer profiling is evident throughout many major magazine companies. We can deduce by looking at ‘Kerrang!’ magazine that young people prefer cheap magazines with a lot of content and free things. In the same way,it isimpliedthat the readersof ‘mixmag’ are people who like the nightlife abroad, alcohol and partying. The first question is one conventional to all questionnaires. We have to know how old the people we are questioning are. This way, when using the information I have gathered to create my ownmagazine,Iwill know who my targetdemographicisinmy own. Thirteenoutof eighteen of those that filled in my questionnaire were between the ages of 15 and 20. This means that the information gathered from my survey will, if applied, make my magazine appeal to an audience of this age group. Never the less, there is a slight impact from an older audience. Taking into account the views of three very different age groups will increase the likelihood that my magazine will attract a larger readership. On average, 60% of the people who answered my survey were female.40% were male. This may influence my decisions as I may be more likely to make my magazine appeal to female readers rather than men if I use the information I have gathered. Nevertheless, there is a large male input into this so, if some answers still significantly stand out, it will serve to prove that a lot of the content can be consideredunisex. This would be
  • 2. preferable asit means that there is a larger readership for my magazine. The next question was multiple- choice. The question of what genre of music do most people prefer is extremelyimportanttoconsideras it influencesnearlythe entire contents of my magazine. In this graph, it is evident that the most favoured type of music is Rock, chosen by 70% of the people I asked. Notably, Indie music is favoured by 60% of the sample,andElectronicmusicby 45%. These are the three most popular genres of music that my sample has chosen,which means that the public will probably be more interested in buying a magazine if it features content around these types. Therefore, I will try to aim my magazine towards fans of the most popular genres. On the other hand, it is important to try and make my magazine unique. Because a large proportion of people prefer music that is Indie/Electronic, I can use this to try and design a magazine brand that aims to be more unique andcutting-edge.Thismaymeanthatitappealstoa niche audience;howeveritwill be different to other magazines and therefore more likely to sell. Accordingto the analysisof my results, mostpeople find out about new music viasocial mediawebsitesandYouTube. A very small percentage (17%) use musicmagazinestoupdate themselves with upcoming musical artists. One reason for this may be because very few people buy music magazines. Alternatively, existing magazines may not actively encourage readers to look into new music as they tend to focus on what is ‘in’ and popular. As a potential unique selling point, my magazine could feature new musical artists on the front cover in the model credits. The danger of thiswouldbe that I cannotuse star marketing to attract people to buy my magazine. Nevertheless, other incentives to purchase the magazine can be used, such as giving free things, exclusive information or interesting images. This graph tells me that most people use social media and YouTube to find information about music. This is useful to me as it provides a destination for my ownmagazine’sfeaturettesoradvertisements. A lotof people have stated that they find out about newmusicviatheirfriends,familyorwhenitisplayedinshops.Thismeansthatit maybe beneficial to advertise mymagazine onplaceslike YouTubebuttoalsoactivelyencourage people tospreadthe word about it to other people.
  • 3. 45% of my sample claim to listen to more than two hoursof musica day. Fromthis result which is near half of the people I asked, we can assume that a large proportionof the people who have answered my questionnaire have agoodknowledge aboutthe music industry as well as a strong interest in music in general. These are the people who would be most likely to buy a music magazine. A good knowledge of musical backgroundandgenre means that the information I have been given can be considered more useful as these people are those who may potentially buy a good magazine. Therefore, taking their advice on what they want to see in a magazine is more useful as a lot of people who are like them and will want similar things out of a music magazine. The three most popularwaysin whichpeople keep up with the music industry are via Facebook, YouTube and by buying CDs and Vinyl. There is an interesting clash here; people who listen to music on YouTube tend to prefer listeningtomusicforfree,yet a similar percentage like to buy physical copies. Where my magazine is concerned, this means I should try to include both musical platforms within the content. For instance, I could include sale prices for purchasingCDs or competitions to win them. This would act as an incentive to buy the magazine. Similarly, it can discuss popular YouTube movements, promoting upcoming stars or passing opinions and reviews. In this era, YouTube is an extremely popular streaming service which is easy to use. Some magazine companies,suchasVIBE and Rhythm,even have their own YouTube channels to discuss changes in the musicindustryor to showinterestingvideos.Thiskindof ideaappeals to people in this new age of Web 2.0. A large part of the likelihoodof amagazine beingbought by the consumer relies on the price of the magazine. The price links to the quality and quantity of the content, as well as the standard of
  • 4. publishing.The difference iseasilycomparable if we lookat ‘Kerrang!’and ‘mixmag’. ‘Kerrang!’ is of far lessqualityandis a lot thinner, pricing at £2.20 a week. ‘mixmag’ is a thick and stylish magazine producedmonthlyata rate of £4.95 per edition.However,thisdoesn’tnecessarilymeanthatpeople are more likely to buy a cheap magazine. With quite a mixed response, it would appear that, at around 28% each, the majority of the public would prefer to buy a magazine that is £2 or less. Nevertheless, these percentagesare not that high. If my magazine was cheaply produced, the content would be minimal and there would be less chance that it would give ‘freebies’. With due consideration to the question “what would encourage you to purchase a music magazine?” a consumer may prefer a more expensive magazine if itiscomes with an incentive with a stronger gravitas than the price. Therefore, it is likely that my magazine could sell equally as well with a price of £2+ than if it was cheap, so long as I can locate a strong balance between price and content. In a survey of 18 people, a massive 78% said they would be more encouraged to buy a music magazine if itincludedextrafree content, such as posters, CDs, pens, or other small miscellaneous items. Other features of the magazine which are appreciated by readers are good quality photography and exclusive content. This is one of the most important factors of my magazine to consider as it directly influences the number of sales. Most of the desired featureswill prove tobe quite expensive to publish. However, the more that are used, the more likelythe magazine will sell. A lot of people have no real interest in buying magazines that are solely print-based. By looking at the individual responses gathered, we can tell who has an experienced understanding of the music industry, includingmagazines.The recurring preference among this portion of my responses is to include new bands and interviews. Therefore, I should endeavour to include these in my magazine.
  • 5. 76.5% of my survey respondents have said that they do not read music magazines. This is an understandable figure as most of the informationthatyoupay for in a magazine is free and simple to find on the internet. Print-based media can be expensive and have few exclusive benefits. Therefore, for the magazine to actually sell, it needs to contain content that cannot be simply found on social networks and websites. Exclusive content will attract people to the brand. Similarly,the website having a website to its name and an online infrastructure will create a more interactive readership. This may be preferred by modern readers. Likewise, the use of a strong online force wouldworkas a unique selling point(USP) formy magazine. The most popular of those that people do buy are Kerrang! and NME. These are two verydifferentmagazineswhere House Style and genre is concerned, suggesting that there is no real connection between the genre of a magazine and the strength of its sales. In a question with a very similar purpose, I asked eighteen people how often they buy music magazines.Eventhoughthe majorityof peopleansweredonce more againstbuyingmagazinesatall, the other most popular options were 'weekly' and 'monthly', both of which resulted in the same percentage. This figure will affect how oftenmymagazine ispublished. Some are thin with weaker but more up-to-date content and are released weekly. Others are thicker and show more care in their layout and general aesthetic, but can quickly become dated. Subscriptions are popular with magazines that are released on these time scales. The indie/electronic/rockmusicindustry is not the fastest developing, so I don't think a monthlyrelease wouldholdanynegatives. This would also mean that the quality can be much greater, which is one of the features that people wanted to see in a magazine. Overall,the general consensusappearstobe pushingtowardsthe ideathatmy magazine company shouldbe a well-developedindie,rockand/orelectrobrand.There are some natural clashesof ideologies,suchasthe desire forfree thingsata cheapprice,butotherwise Iwouldsaythatthe
  • 6. surveyhascreateda solidframeworkforthe foundationsof mymagazine.Collatingall of myresults, my magazine brandshouldconsiderasmanyof the preferencesof the publicaspossible,illustrated below.  Aimedata readershipof people aged15-20  A general mix of the stereotypical genderfocusornone  Shouldbe an indie/rock/electronicmusicmagazine  Convergentmediadefinitelyneedstobe used - my magazine needsitsownsocial media, website andYouTube channel  Carry offers/vouchersforpurchasingphysical copiesof music  Aimto be purchasable ataround £2-3  Feature exclusive content,interviews,new bands,goodphotography,andfree goods.  Publishmonthlywiththe abilitytojoinasubscription