The document provides a scene-by-scene analysis of a video. Key figures show ideas of lifting the viewer into the journey, the protagonist grabbing the camera to share happiness, dancing silly to represent being human, and throwing food to share contentedness. Later scenes show the individual standing out in darkness yet among people, their movement juxtaposed with rising buildings, and reflection suggesting individualism is fluid like society or an illusion. The analysis suggests recognizing individual life amid the collective.

1. Video: Scene by Scene Analysis
Figure 1 - Ideas of the video being lifting, 'for your enjoyment' Figure 2 - Idea of all of the people (lyrics)
Figure 3 - Slow intro to individual juxtaposes crowds Figure 4 - Grabs camera, attention of viewer, ready to go on a
journey together
Figure 5 - Performs to camera, quickly becomes happier Figure 6 - Glasses symbolise individual personality
Figure 7 - Dances unchoreographed and silly, represents the
art of being human
Figure 8 - Once again, binary opposition of individuals vs
society

2. Figure 9 - Spins with camera, happiness, content with being
himself
Figure 10 - Lifts viewer into a dreamlike state, happiness at
heart of footage
Figure 11 - Throws food to the camera - again, the
contentedness of being human and trying to share this
happiness with the viewer
Figure 12 - Flower stands out like the character - beauty of
individualism
Figure 13 - Freedom of choice, don't have to stay in one
position
Figure 14 - Time lapse - transition in narrative
Figure 15 - Standing out in the darkness - lights, happiness,
individuality
Figure 16 - Journey of the individual (focus) and where they
stand among everyone else who is less important, but
recognising that they are amongst people

3. Figure 17 - Narrative has moved, protagonist is going
elsewhere
Figure 18 - Juxtaposes individual movement with high rising
buildings of society
Figure 19 - Long shot of city, opposition at play Figure 20 - Reflection of the building in water, metaphor,
fluid nature of society. Reflection - not real. Is the collective
not real, or is individualism an illusion?
Figure 21 - Highrising shot of Manchester landmark
establishes setting, rises over the individual protagonist
Figure 22 - Aesthetic shot of puddle, heart shapes, love of life
again
Figure 23 - Tram departing, can assume the maincharacter is
on board and has rejoined the masses of everyone else. Could
be a tragedy, but the heart bokeh effect suggests otherwise. A
love of life and recognising individual life amidst the collective.
Figure 24 - Thrust back into reality as heart bokeh focuses to
raindrops. Even so, gives the suggestion that there is a
beauty to everything in life if we bother to open our eyes
and recognise it.