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Music and Lyrics
Lily Allen – LDN
Tenacious D - Tribute
Lily Allen - LDN
LDN is a perfect example of when the lyrics dictate
the music video. Lily is walking through the streets
of London as she tells a story.
“A fella looking dapper, but he's sittin' with a slapper
Then I see its a pimp and his crack whore” When she says these lyrics there is a two-shot of a
man in a suit and a women in a dress, there is a wipe transition across the screen that reveals
them in tracksuits and the man is pulling her hair. The colour of the shot goes darker. This
combination of mise-en-scene and editing helps strengthen the message Lily Allen is trying put
out.
“There were people from the city having lunch in the park” When
these lyrics are said there is a long shot of two men sitting in the
park eating lunch. Extremely simplistic.
“There was a little old lady, who was walkin' down the road, She was struggling with bags from Tesco…Then a kid
came along to offer a hand but before she had time to accept it hits her over the head, doesn't care if she's dead
cause he's got all her jewelery and wallet” When she says the first part the colour is bright and the kids looks
innocent, but when she says the next part the wipe transition comes on and the colour gets darker and kid
suddenly looks like a thug.
The effect that these shots have is the meaning behind the song, that at first glance we may see a
version of the world but at second glance we see the actual version. The simplistic style of having
shots that match exactly what the lyrics say helps strengthen an artists message.
“When you look with your eyes everything seems nice, But if you look
twice you can see its all lies” This is the chorus of the song. Although
the links don’t directly dictate the shot word by word its still the same
concept of at first glance there is a nice version of the truth but at
second glance we see the nasty truthful version. This is Lily Allens
opinion of the city of London
Tenacious D - Tribute
This is another good example of when the lyrics
directly match up with the music video. Tribute is a
short narrative about two rock stars re-telling a
story about when they had a ‘rock-off’ with a
demon.
The actual music doesn’t start playing until one minute into the music video. It is
all narrative until then. This is common in narrative music videos where the
actual music video is longer than the official audio.
“Long time ago me and my brother Kyle here,
We was hitchhikin' down a long and lonesome road.” When the actual lyrics begin a shot of the two friends standing on a
long straight road comes on the screen. This sync between shot and lyrics helps kick start the song.
“All of a sudden, there shined a shiny demon.
In the middle of the road.” When the next line is said a demon suddenly
appears in the middle of the road. This draws the audience in as demons and
the devil have large associations with rock and metal.
“And he said:
"Play the best song in the world, or I'll eat your soul.“” The singer says this a strange voice to mimic
the demons voice, as he sings with the weird voice you see the demon on screen speaking, which
helps dramatize the song and attract the rock genre target audience.
“He asked us: "(snort) Be you angels?“ And we said, "Nay. We are but men.“ Rock! Ahhh, ahhh, ahhh-
ah-ah, Ohhh, whoah, ah-whoah-oh!” This part of the song is just before they defeat the demon, when
they sing ‘ahhh’ they have a bright purple-white light shining behind them as if to show them as
superior beings. This use of editing helps intensify the drop and the chorus.
MY PRODUCTION
This piece of research has helped me understand how
a music video can help show the imagination of the
artist as it shows what they are trying to say in their
music by directly showing it in the video.
Also, it helps engage with the audience because if the
audience enjoy the music and lyrics they are
guaranteed to enjoy a film version.

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Music and lyrics

  • 1. Music and Lyrics Lily Allen – LDN Tenacious D - Tribute
  • 2. Lily Allen - LDN LDN is a perfect example of when the lyrics dictate the music video. Lily is walking through the streets of London as she tells a story.
  • 3. “A fella looking dapper, but he's sittin' with a slapper Then I see its a pimp and his crack whore” When she says these lyrics there is a two-shot of a man in a suit and a women in a dress, there is a wipe transition across the screen that reveals them in tracksuits and the man is pulling her hair. The colour of the shot goes darker. This combination of mise-en-scene and editing helps strengthen the message Lily Allen is trying put out. “There were people from the city having lunch in the park” When these lyrics are said there is a long shot of two men sitting in the park eating lunch. Extremely simplistic. “There was a little old lady, who was walkin' down the road, She was struggling with bags from Tesco…Then a kid came along to offer a hand but before she had time to accept it hits her over the head, doesn't care if she's dead cause he's got all her jewelery and wallet” When she says the first part the colour is bright and the kids looks innocent, but when she says the next part the wipe transition comes on and the colour gets darker and kid suddenly looks like a thug. The effect that these shots have is the meaning behind the song, that at first glance we may see a version of the world but at second glance we see the actual version. The simplistic style of having shots that match exactly what the lyrics say helps strengthen an artists message. “When you look with your eyes everything seems nice, But if you look twice you can see its all lies” This is the chorus of the song. Although the links don’t directly dictate the shot word by word its still the same concept of at first glance there is a nice version of the truth but at second glance we see the nasty truthful version. This is Lily Allens opinion of the city of London
  • 4. Tenacious D - Tribute This is another good example of when the lyrics directly match up with the music video. Tribute is a short narrative about two rock stars re-telling a story about when they had a ‘rock-off’ with a demon.
  • 5. The actual music doesn’t start playing until one minute into the music video. It is all narrative until then. This is common in narrative music videos where the actual music video is longer than the official audio. “Long time ago me and my brother Kyle here, We was hitchhikin' down a long and lonesome road.” When the actual lyrics begin a shot of the two friends standing on a long straight road comes on the screen. This sync between shot and lyrics helps kick start the song. “All of a sudden, there shined a shiny demon. In the middle of the road.” When the next line is said a demon suddenly appears in the middle of the road. This draws the audience in as demons and the devil have large associations with rock and metal. “And he said: "Play the best song in the world, or I'll eat your soul.“” The singer says this a strange voice to mimic the demons voice, as he sings with the weird voice you see the demon on screen speaking, which helps dramatize the song and attract the rock genre target audience. “He asked us: "(snort) Be you angels?“ And we said, "Nay. We are but men.“ Rock! Ahhh, ahhh, ahhh- ah-ah, Ohhh, whoah, ah-whoah-oh!” This part of the song is just before they defeat the demon, when they sing ‘ahhh’ they have a bright purple-white light shining behind them as if to show them as superior beings. This use of editing helps intensify the drop and the chorus.
  • 6. MY PRODUCTION This piece of research has helped me understand how a music video can help show the imagination of the artist as it shows what they are trying to say in their music by directly showing it in the video. Also, it helps engage with the audience because if the audience enjoy the music and lyrics they are guaranteed to enjoy a film version.