Friths music video concepts
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There are three types of music videos: 1) Narrative videos tell a story related to the song's lyrics, following five story structures: equilibrium, disequilibrium, recognition, reparation, and new equilibrium. 2) Conceptual videos create a mood or atmosphere similar to the song without a narrative story, like Two Door Cinema Club's "Are We Ready" video about old advertisements. 3) Performance videos simply show the artist or band performing the song, like Two Door Cinema Club's "Sun" video where they perform on a beach as people appear and disappear around them.
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Media concept
The document discusses three types of music videos:
1) Performance videos feature the artist performing the song live on stage or dancing in another location relevant to the song. They can include only performance clips or a hybrid of performance and narrative.
2) Concept videos are based on a unique, unrealistic, or futuristic idea to visualize the song. Kanye West's video featured unusual abstract images in the background.
3) Narrative videos tell a story through a sequence of clips that may or may not literally depict the song's lyrics. J.Cole's "Power Trip" video narrates a journey inspired by love.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Narrative Structures
1) There are different types of narrative structures for music videos including single strand narratives, multi-strand narratives, linear vs non-linear structures, and closed vs open endings.
2) The document analyzes the narrative structures used in the music videos for Clean Bandit's "Symphony" and David Guetta's "Titanium".
3) "Symphony" uses a single strand, realist, linear narrative with a closed ending. "Titanium" uses a single strand narrative with both realist and anti-realist elements, has a non-linear structure, and an open ending.
4) The document discusses how different narrative theories like Todorov, Levi-
Applying Andrew Goodwin’s theory
This document analyzes Shinedown's music video for "Bully" using Andrew Goodwin's six key features of music videos. It finds that the video amplifies the lyrics through editing and visuals depicting bullying. Scenes illustrate specific lyrics of being hung and pushed to the dirt. The music and visuals are edited to amplify each other. Close-up shots of the lead singer engage the audience but also convey fear and hurt relating to the anti-bullying theme. The video lacks voyeurism and intertextual references, which is common for rock music videos.
Third analysis!!!
The video analyzes the music video for the Foo Fighters song "The Pretender". It discusses the mise-en-scene including the props, clothing, lighting, and setting of the warehouse. It also covers the camerawork using different shots and angles. The sound is diegetic from the band playing. Editing uses cuts between shots and pacing to match the music. The video depicts a confrontation between the band and riot police authorities.
Conventions of a Music Video
This document discusses conventions and elements of music videos in different genres. It notes that indie/rock videos tend to be black and white and feature extreme close-ups and shots of the artist. Hip hop videos typically feature fancy locations, alcohol/drugs, and attractive women. Pop videos focus on performances, bright colors, and close-ups of the artist's face. The document also outlines common elements of music videos like narrative, performance, cameos, and symbolism. It discusses the use of camera shots, movement, lighting, costumes, and other techniques to convey meaning and mood.
Analysis of stereo hearts by gym class heroes
The document analyzes the music video for the song "Stereo Hearts" by Gym Class Heroes. It discusses several elements of the video, including the urban genre setting reflecting rap and pop styles. Images in the video relate to lyrics, showing one artist pointing up when the word "up" is sung. The video presents the artist and band, showing one artist solely and the other with the band, distinguishing the singers. Special effects with shadows are used throughout the video without a main narrative.
Music video director presentation
Shane Drake is a music video director from Redding, California who has directed over 50 music videos working with major artists from Paramore to Flo Rida. He got his start in the industry as an editor and cinematographer and now runs his own production company called Red Van Pictures based in Los Angeles. Drake is known for his creative visual styles and strong use of lighting, camera work, and narrative elements to reflect the mood and message of the songs he directs videos for. Some of his most acclaimed works include videos for Panic! At The Disco's "I Write Sins Not Tragedies" and Paramore's "Decode".
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Media concept
The document discusses three types of music videos:
1) Performance videos feature the artist performing the song live on stage or dancing in another location relevant to the song. They can include only performance clips or a hybrid of performance and narrative.
2) Concept videos are based on a unique, unrealistic, or futuristic idea to visualize the song. Kanye West's video featured unusual abstract images in the background.
3) Narrative videos tell a story through a sequence of clips that may or may not literally depict the song's lyrics. J.Cole's "Power Trip" video narrates a journey inspired by love.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Narrative Structures
1) There are different types of narrative structures for music videos including single strand narratives, multi-strand narratives, linear vs non-linear structures, and closed vs open endings.
2) The document analyzes the narrative structures used in the music videos for Clean Bandit's "Symphony" and David Guetta's "Titanium".
3) "Symphony" uses a single strand, realist, linear narrative with a closed ending. "Titanium" uses a single strand narrative with both realist and anti-realist elements, has a non-linear structure, and an open ending.
4) The document discusses how different narrative theories like Todorov, Levi-
Applying Andrew Goodwin’s theory
This document analyzes Shinedown's music video for "Bully" using Andrew Goodwin's six key features of music videos. It finds that the video amplifies the lyrics through editing and visuals depicting bullying. Scenes illustrate specific lyrics of being hung and pushed to the dirt. The music and visuals are edited to amplify each other. Close-up shots of the lead singer engage the audience but also convey fear and hurt relating to the anti-bullying theme. The video lacks voyeurism and intertextual references, which is common for rock music videos.
Third analysis!!!
The video analyzes the music video for the Foo Fighters song "The Pretender". It discusses the mise-en-scene including the props, clothing, lighting, and setting of the warehouse. It also covers the camerawork using different shots and angles. The sound is diegetic from the band playing. Editing uses cuts between shots and pacing to match the music. The video depicts a confrontation between the band and riot police authorities.
Conventions of a Music Video
This document discusses conventions and elements of music videos in different genres. It notes that indie/rock videos tend to be black and white and feature extreme close-ups and shots of the artist. Hip hop videos typically feature fancy locations, alcohol/drugs, and attractive women. Pop videos focus on performances, bright colors, and close-ups of the artist's face. The document also outlines common elements of music videos like narrative, performance, cameos, and symbolism. It discusses the use of camera shots, movement, lighting, costumes, and other techniques to convey meaning and mood.
Analysis of stereo hearts by gym class heroes
The document analyzes the music video for the song "Stereo Hearts" by Gym Class Heroes. It discusses several elements of the video, including the urban genre setting reflecting rap and pop styles. Images in the video relate to lyrics, showing one artist pointing up when the word "up" is sung. The video presents the artist and band, showing one artist solely and the other with the band, distinguishing the singers. Special effects with shadows are used throughout the video without a main narrative.
Music video director presentation
Shane Drake is a music video director from Redding, California who has directed over 50 music videos working with major artists from Paramore to Flo Rida. He got his start in the industry as an editor and cinematographer and now runs his own production company called Red Van Pictures based in Los Angeles. Drake is known for his creative visual styles and strong use of lighting, camera work, and narrative elements to reflect the mood and message of the songs he directs videos for. Some of his most acclaimed works include videos for Panic! At The Disco's "I Write Sins Not Tragedies" and Paramore's "Decode".
Types & Styles of music videos
This document discusses different types and styles of music videos. The main types are narrative-based, which tell a story related to the song's lyrics; performance-based, which primarily feature the artist performing; and concept-based, which are based on a specific theme or concept. Some common styles are animation, interpretive, impressionist, intertextual, surrealist, and allusion. Examples are provided for each type and style.
Types and conventions of music video
Performance based videos focus on shots of the artist singing and dancing. Narrative based videos tell a story through the music, sometimes including the artist and sometimes not. Concept based videos contain unusual elements and effects to engage audiences in unique ways, like Kendrick Lamar's "Humble" video with heads on fire.
The Hives - Hate to say I told you so analysis.
The document analyzes and describes the shots in the music video for the song "Hate to Say I Told You So" by the band The Hives. It notes that the first shot uses motion blur to make the guitarist look like he is playing very fast. Subsequent shots zoom out and focus on different band members as they perform. Throughout the video, the camera varies between close-ups of the instruments and full shots of the band playing together while dressed in matching black and white suits. Some special effects are added towards the end, including freezing some band members in time.
Codes and Conventions of Music Videos
There are two main types of techniques used in music videos - technical and symbolic. Technical techniques involve filming and editing choices, while symbolic techniques analyze meanings conveyed through colors, symbols, and imagery. Codes and conventions are used to create familiarity and connect with audiences. Different genres typically use certain conventions, like pop videos featuring bright colors and dance routines. Music video directors employ various camera shots, movements, and angles to suit the genre, artist, and song. Props and costumes are also carefully chosen to be appropriate for the style and meaning of the video and performance. Narrative videos tell a story fitting the song's lyrics, while performance videos mainly feature the artist singing on stage.
The 1975 sex video analysis
This document analyzes the conventions used in an indie music video for the song "Sex" by summarizing the key points:
The video follows several conventions of indie music videos by showing the band setting up and using a handheld camera. It is a pure performance-based video that focuses on showing the band playing their instruments without a narrative.
The video also adheres to Goodwin's theory of highlighting the star image by using close-up shots of the lead singer. Archer's theory of using camera techniques like close-ups of band members is followed as well.
Finally, the video matches conventions in its genre through the band's dark clothing, background posters, and serious facial expressions that immerse them
Motifs in music videos
Modern music videos contain several common motifs or techniques:
1) They often show fragmented or close-up shots of the human body rather than presenting it in its entirety to direct attention to specific parts that capture emotion.
2) Frequently use fictional or fantastical settings created through CGI and visual effects rather than just depicting the real world.
3) Generally have lengths between 3 to 5 minutes to accommodate the song while still telling a narrative or story.
Media don broco
Andrew Goodwin identified several characteristics common in music videos. These include a relationship between the lyrics and visuals where the images represent the lyrics, a relationship between the music and visuals that can illustrate, amplify, or contrast the song's meaning, and demonstration of genre characteristics. Music videos also frequently reference looking through screens and mirrors, and include intertextual references to other media like films and television shows.
Common motifs of a music video
This document outlines common motifs used in music videos and provides examples. It discusses motifs such as ritual celebration, horror, intertexuality, impossible sequences, body fragmentation, mysterious themes, and other features. For example, it notes that Madonna's "Like a Prayer" shows a black choir celebrating in church, and Rihanna's "Disturbia" uses demonic gestures and blank eyes to depict being in a possessed state. It also analyzes examples like Usher seeing himself singing in a mirror, and Michael Jackson's "Earth Song" depicting a barren world at its end.
Codes & Conventions Of Music Videos
Music videos accompany songs and represent an important part of the music industry. They allow artists to impress audiences with their looks, moves, and performances in addition to their musical talent. This helps attract wider audiences and boost artists' careers. Music videos use various techniques like editing, camerawork, and visuals to represent the artist and genre of music. Over time, music videos have grown in importance and influence the success of songs and artists. They are now considered a new art form by some.
Music video analysis 3
The video is set on a rural road surrounded by trees, fitting the folk rock genre. Props like guitars, drums, and a cello are used to show the band playing their instruments. Costumes are casual to not distract from the video, and Charlie Simpson wears an apron while at a flower stall. Camerawork includes a low-angle opening shot, long shots of the location, tracking of a car driving, and close-ups of the artist and instruments. The video cuts between scenes of the artist selling flowers and the band playing their music, with no added sounds besides the song played throughout.
Music video types
The document describes three types of music videos:
1. Performance videos focus on the artist singing and playing their song, conveying the live concert experience.
2. Narrative videos tell a story through a sequence of events, commonly a love story.
3. Conceptual videos rely on metaphor and poetic form to create a mood rather than tell a linear story, allowing for multiple interpretations.
Music video conventions ppt 2014
This document discusses the conventions and genres of performance music videos. It defines genre as a system of repetition and variation that is recognized by audiences. Common music genres discussed include pop, rock, R&B, hip hop, and indie. The document also examines important elements of mise-en-scene in music videos like setting, lighting, clothing, and props that help portray the genre. Specific conventions for hip hop, indie/rock, and pop genres are provided through example music videos.
Genre convemtion
The document discusses the purpose and common conventions of music videos. Music videos primarily aim to promote artists and their music. They typically run 3-4 minutes and combine live performances with narrative and visual elements. Common conventions include performances by the artist, narratives that relate to the song's lyrics, and symbolic or thematic imagery. Music videos also aim to create a sense of spectacle by having artists directly address the viewer.
Technical Codes in Music Videos
The document discusses various technical codes used in music videos, including camerawork, editing, and the use of color. It notes that camera angles, shots, and movement can impact meaning. Fast cutting is common to ensure multiple viewings. Editing may also incorporate digital effects. Color is sometimes used deliberately, such as the transition from black and white to color propelling the narrative. Iconography of the artist, genre, or director helps with audience recognition. Music videos are important for constructing and maintaining an artist's image over time through reinforcing or changing their persona. Managing an artist's image transition may require exposure through a new video and other means.
Shot count analysis_Version 2
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, playing with conventions of the rock genre in a unique way for an indie band.
Music videos basics
The document discusses different categories of music videos including performance, conceptual, and narrative styles. Performance videos focus on the artist performing, conceptual videos are based on an idea rather than performance, and narrative videos tell a story. Popular genres like pop often use narrative styles while rock may use conceptual or performance. Examples are provided for each category to illustrate their distinguishing characteristics.
Conventions Of Music Videos
Music videos employ various camera techniques, editing styles, and mise-en-scene elements to represent the mood and themes of songs. Common shots include long shots, close-ups, and mid shots to emphasize artists, locations, and emotions. Jump cuts are frequently used to transition between scenes. Mise-en-scene arranges performers and props to reflect elements of the song through settings, costumes, and lighting. Different genres also have distinguishing conventions - for example, indie videos often use black and white with dark locations while hip hop features expensive displays of wealth and pop emphasizes bright colors and upbeat emotions.
Shot count analysis
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band members in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, reflecting the lyrics and conventions of the rock genre in a unique way for an indie band.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Synergy between digipaks and music videos
The document discusses synergy between the digipak and music video for Arctic Monkeys' album "Whatever People Say I Am, That's What I'm Not". Specifically, it notes that the main character featured on the digipak album art also appears in the music video for "When the Sun Goes Down", creating a link between the visual marketing and music content. It also analyzes the costumes in the digipak and music video, noting similarities and contrasts in the informal and formal clothing worn.
Eminem – stan
The document analyzes the lyrics of Eminem's song "Stan" through several key points:
1) It begins with a haunting sample that sets the tone for the depressing story of an obsessive fan named Stan and his abusive relationship.
2) The lyrics tell the story of Stan writing letters to Eminem, demonstrating his obsession, anger, and alienation from family as his fandom grows.
3) Scenes in the music video depict Stan's bedroom covered in Eminem posters, tattoos of Eminem's name, and self-harm that parallels the lyrics.
4) It climaxes with Eminem realizing in horror that Stan was the fan
The way i do powerpoint
The document outlines plans for a music video summarizing key details in 3 sentences:
The music video will tell the story of a girl who chooses to take her life into her own hands and do things her way instead of how her religion expects, drawing inspiration from songs by Alison Wonderland, Lady Gaga, and REM. Costumes will show the girl's rebellion through dark clothing contrasting with innocence conveyed through white, with settings switching between a church and desolate areas. Shots and editing will follow the beat of the undiscovered artist's song and cut between locations to compare and contrast the girl's journey.
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Types & Styles of music videos
This document discusses different types and styles of music videos. The main types are narrative-based, which tell a story related to the song's lyrics; performance-based, which primarily feature the artist performing; and concept-based, which are based on a specific theme or concept. Some common styles are animation, interpretive, impressionist, intertextual, surrealist, and allusion. Examples are provided for each type and style.
Types and conventions of music video
Performance based videos focus on shots of the artist singing and dancing. Narrative based videos tell a story through the music, sometimes including the artist and sometimes not. Concept based videos contain unusual elements and effects to engage audiences in unique ways, like Kendrick Lamar's "Humble" video with heads on fire.
The Hives - Hate to say I told you so analysis.
The document analyzes and describes the shots in the music video for the song "Hate to Say I Told You So" by the band The Hives. It notes that the first shot uses motion blur to make the guitarist look like he is playing very fast. Subsequent shots zoom out and focus on different band members as they perform. Throughout the video, the camera varies between close-ups of the instruments and full shots of the band playing together while dressed in matching black and white suits. Some special effects are added towards the end, including freezing some band members in time.
Codes and Conventions of Music Videos
There are two main types of techniques used in music videos - technical and symbolic. Technical techniques involve filming and editing choices, while symbolic techniques analyze meanings conveyed through colors, symbols, and imagery. Codes and conventions are used to create familiarity and connect with audiences. Different genres typically use certain conventions, like pop videos featuring bright colors and dance routines. Music video directors employ various camera shots, movements, and angles to suit the genre, artist, and song. Props and costumes are also carefully chosen to be appropriate for the style and meaning of the video and performance. Narrative videos tell a story fitting the song's lyrics, while performance videos mainly feature the artist singing on stage.
The 1975 sex video analysis
This document analyzes the conventions used in an indie music video for the song "Sex" by summarizing the key points:
The video follows several conventions of indie music videos by showing the band setting up and using a handheld camera. It is a pure performance-based video that focuses on showing the band playing their instruments without a narrative.
The video also adheres to Goodwin's theory of highlighting the star image by using close-up shots of the lead singer. Archer's theory of using camera techniques like close-ups of band members is followed as well.
Finally, the video matches conventions in its genre through the band's dark clothing, background posters, and serious facial expressions that immerse them
Motifs in music videos
Modern music videos contain several common motifs or techniques:
1) They often show fragmented or close-up shots of the human body rather than presenting it in its entirety to direct attention to specific parts that capture emotion.
2) Frequently use fictional or fantastical settings created through CGI and visual effects rather than just depicting the real world.
3) Generally have lengths between 3 to 5 minutes to accommodate the song while still telling a narrative or story.
Media don broco
Andrew Goodwin identified several characteristics common in music videos. These include a relationship between the lyrics and visuals where the images represent the lyrics, a relationship between the music and visuals that can illustrate, amplify, or contrast the song's meaning, and demonstration of genre characteristics. Music videos also frequently reference looking through screens and mirrors, and include intertextual references to other media like films and television shows.
Common motifs of a music video
This document outlines common motifs used in music videos and provides examples. It discusses motifs such as ritual celebration, horror, intertexuality, impossible sequences, body fragmentation, mysterious themes, and other features. For example, it notes that Madonna's "Like a Prayer" shows a black choir celebrating in church, and Rihanna's "Disturbia" uses demonic gestures and blank eyes to depict being in a possessed state. It also analyzes examples like Usher seeing himself singing in a mirror, and Michael Jackson's "Earth Song" depicting a barren world at its end.
Codes & Conventions Of Music Videos
Music videos accompany songs and represent an important part of the music industry. They allow artists to impress audiences with their looks, moves, and performances in addition to their musical talent. This helps attract wider audiences and boost artists' careers. Music videos use various techniques like editing, camerawork, and visuals to represent the artist and genre of music. Over time, music videos have grown in importance and influence the success of songs and artists. They are now considered a new art form by some.
Music video analysis 3
The video is set on a rural road surrounded by trees, fitting the folk rock genre. Props like guitars, drums, and a cello are used to show the band playing their instruments. Costumes are casual to not distract from the video, and Charlie Simpson wears an apron while at a flower stall. Camerawork includes a low-angle opening shot, long shots of the location, tracking of a car driving, and close-ups of the artist and instruments. The video cuts between scenes of the artist selling flowers and the band playing their music, with no added sounds besides the song played throughout.
Music video types
The document describes three types of music videos:
1. Performance videos focus on the artist singing and playing their song, conveying the live concert experience.
2. Narrative videos tell a story through a sequence of events, commonly a love story.
3. Conceptual videos rely on metaphor and poetic form to create a mood rather than tell a linear story, allowing for multiple interpretations.
Music video conventions ppt 2014
This document discusses the conventions and genres of performance music videos. It defines genre as a system of repetition and variation that is recognized by audiences. Common music genres discussed include pop, rock, R&B, hip hop, and indie. The document also examines important elements of mise-en-scene in music videos like setting, lighting, clothing, and props that help portray the genre. Specific conventions for hip hop, indie/rock, and pop genres are provided through example music videos.
Genre convemtion
The document discusses the purpose and common conventions of music videos. Music videos primarily aim to promote artists and their music. They typically run 3-4 minutes and combine live performances with narrative and visual elements. Common conventions include performances by the artist, narratives that relate to the song's lyrics, and symbolic or thematic imagery. Music videos also aim to create a sense of spectacle by having artists directly address the viewer.
Technical Codes in Music Videos
The document discusses various technical codes used in music videos, including camerawork, editing, and the use of color. It notes that camera angles, shots, and movement can impact meaning. Fast cutting is common to ensure multiple viewings. Editing may also incorporate digital effects. Color is sometimes used deliberately, such as the transition from black and white to color propelling the narrative. Iconography of the artist, genre, or director helps with audience recognition. Music videos are important for constructing and maintaining an artist's image over time through reinforcing or changing their persona. Managing an artist's image transition may require exposure through a new video and other means.
Shot count analysis_Version 2
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, playing with conventions of the rock genre in a unique way for an indie band.
Music videos basics
The document discusses different categories of music videos including performance, conceptual, and narrative styles. Performance videos focus on the artist performing, conceptual videos are based on an idea rather than performance, and narrative videos tell a story. Popular genres like pop often use narrative styles while rock may use conceptual or performance. Examples are provided for each category to illustrate their distinguishing characteristics.
Conventions Of Music Videos
Music videos employ various camera techniques, editing styles, and mise-en-scene elements to represent the mood and themes of songs. Common shots include long shots, close-ups, and mid shots to emphasize artists, locations, and emotions. Jump cuts are frequently used to transition between scenes. Mise-en-scene arranges performers and props to reflect elements of the song through settings, costumes, and lighting. Different genres also have distinguishing conventions - for example, indie videos often use black and white with dark locations while hip hop features expensive displays of wealth and pop emphasizes bright colors and upbeat emotions.
Shot count analysis
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band members in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, reflecting the lyrics and conventions of the rock genre in a unique way for an indie band.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
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Synergy between digipaks and music videos
The document discusses synergy between the digipak and music video for Arctic Monkeys' album "Whatever People Say I Am, That's What I'm Not". Specifically, it notes that the main character featured on the digipak album art also appears in the music video for "When the Sun Goes Down", creating a link between the visual marketing and music content. It also analyzes the costumes in the digipak and music video, noting similarities and contrasts in the informal and formal clothing worn.
Eminem – stan
The document analyzes the lyrics of Eminem's song "Stan" through several key points:
1) It begins with a haunting sample that sets the tone for the depressing story of an obsessive fan named Stan and his abusive relationship.
2) The lyrics tell the story of Stan writing letters to Eminem, demonstrating his obsession, anger, and alienation from family as his fandom grows.
3) Scenes in the music video depict Stan's bedroom covered in Eminem posters, tattoos of Eminem's name, and self-harm that parallels the lyrics.
4) It climaxes with Eminem realizing in horror that Stan was the fan
The way i do powerpoint
The document outlines plans for a music video summarizing key details in 3 sentences:
The music video will tell the story of a girl who chooses to take her life into her own hands and do things her way instead of how her religion expects, drawing inspiration from songs by Alison Wonderland, Lady Gaga, and REM. Costumes will show the girl's rebellion through dark clothing contrasting with innocence conveyed through white, with settings switching between a church and desolate areas. Shots and editing will follow the beat of the undiscovered artist's song and cut between locations to compare and contrast the girl's journey.
Goodwin’s features of music videos
The document provides an analysis of the music video for Eminem's song "Stan" featuring Dido:
1) The music video tells the narrative story of an obsessive fan named Stan whose letters to Eminem show his deteriorating mental state and obsession, culminating in Stan killing his pregnant girlfriend.
2) The visuals in the video closely relate to and illustrate the lyrics, such as showing rain falling outside when the lyrics mention rain clouds.
3) Elements like the deep bass and darkness create an atmosphere of negativity that reflects the tone of the song. Close-ups show Stan becoming increasingly angry and distressed as he feels rejected by his idol Eminem.
Codes and conventions of digipaks
The document describes conventions for digipak album artwork and layout. It provides examples of three different digipaks with variations in color schemes, artwork styles, and placements of elements like the album name, track list, and barcode. Key information like the band name and album title are consistently displayed, but artistic designs and color choices differ depending on the genre and style of the music.
Digipak analysis
The digipak for Lana Del Rey's album "Born to Die" has a clear and cohesive design. The album cover features a portrait of Lana Del Rey with a somber expression, representing her melancholy character. Throughout the digipak, a blue and white color scheme and bold fonts are used consistently to create a unified style. The layout of the back provides the track list and album information in an easy to read format. Imagery such as red lips, roses, and flowers symbolize themes of danger, rebellion, and innocence that tie the overall design together.
General music video analysis
This music video analysis summarizes David Guetta's "Titanium" featuring Sia. It can be categorized as a narrative music video based on Frith's theory, as it tells the story of a boy with supernatural powers running away. The relationship between music and visuals intensifies during the drop in the song when the boy uses his powers. There are also reaction shots of people amazed by the boy's abilities. The settings and costumes are used to portray the boy as an ordinary child, while also showing the escalating danger and authorities trying to stop him, culminating in a dramatic final showdown between the boy and soldiers in the woods.
Camera shots
This document discusses camera techniques used in three music videos to create certain effects:
1) In Sia's "Big Girls Cry", a long take brings focus to the main subject, and spinning the camera gives a sense of confusion. Stationary shots of a hanging also seem realistic.
2) In Naughty Boy's "La La La", tracking and panning cameras follow characters to strengthen a sense of long distance travel, as do long shots that make characters seem tiny.
3) In Prodigy's "Firestarter", short takes and fast camera movement fit the fast tempo, while tilting and changing tracking direction enhance chaos.
The document also notes how understanding these techniques can inform one
Andrew goodwin
This document outlines Andrew Goodwin's 6 key features of music videos: 1) Genre characteristics, 2) Relationship between lyrics and visuals, 3) Relationship between music and visuals, 4) Close ups of artists, 5) References to looking/voyeurism, and 6) Intertextuality. Examples are provided for each feature, such as a metal band video exemplifying genre characteristics through clothing, instruments and setting. The document aims to identify common conventions in music videos that can help in their production.
Frith (1998) types of music videos
Frith identified three main types of music videos: performance videos feature the artist singing to the camera as if in a live performance; narrative videos tell a story that relates to the song's lyrics, like a short film; conceptual videos take a more artistic approach through graphics, effects, or unique visual concepts without a narrative. This research will help the document's author identify different video styles to reference for their own music video production.
The male gaze
This document discusses the concept of the "male gaze" as coined by Laura Mulvey in 1975. The male gaze refers to the perspective through which audiences have to view characters in films, which is usually that of a heterosexual male given that films typically have male directors and camera operators. Key aspects of the male gaze include the camera lingering on female curves and women being presented through how men react to them, effectively making women objects. While the male gaze theory has faced some criticisms, examples like Miley Cyrus' music video for "Wrecking Ball" clearly exemplify the use of the sexualized female body to attract the male gaze.
Lighting in music videos
The document analyzes the use of lighting in the music videos for "Bad Romance" by Lady Gaga, "This Is What You Came For" by Rihanna, and "Swimming Pools" by Kendrick Lamar. It discusses how the lighting is used to represent the themes and moods of the songs, often changing dramatically between light and dark or different colors to emphasize parts of the music. Specific examples are given of how lighting highlights characters or intensifies drops and choruses in the songs. The document concludes that lighting choice is important for achieving certain artistic effects and relating to the genre and subject matter of the pieces.
Music and lyrics
This document discusses how the music videos for two songs directly match their lyrics through visuals. For Lily Allen's "LDN", shots in the video directly depict what she describes at different points in the lyrics, using transitions and editing to contrast innocent and darker meanings. For Tenacious D's "Tribute", shots also directly illustrate the narrative lyrics, helping dramatize the story of a rock-off with a demon through visual cues like lighting. By precisely matching lyrics and visuals, both videos strengthen the artists' messages and engage audiences through a film version of the song.
Digipak analysis
The front cover features a medium shot of the band The Script with a sepia filter, locating their style within the indie genre. The back cover continues this sepia color scheme and features a close-up image of hands pressed together relating to the album title of "Science and Faith". The inside cover and CD also follow this visual style through their presentation of hands and use of the amber/sepia color palette, reinforcing the album's themes.
Synergy between digipak and music video
The document compares the costumes, characters, lighting, and locations portrayed in Rihanna's album "LOUD" and her music video for "Only Girl in the World". While there are some slight differences, notably in the lighting, the overall color schemes, costumes, and locations are kept very similar. This consistency in visual elements between the album and music video helps tie them together and create a recognizable style, promoting brand awareness and synergy.
Analysis of magazine advert
The document analyzes the representation and themes conveyed in a magazine advertisement for singer Florence Welch's album "Lungs". The close-up shot of Florence takes up most of the ad and draws attention to her visual style. Her direct gaze into the camera and confident facial expression suggest themes of rebellion and independence may be reflected in the album. Dark colors and natural imagery throughout the ad are used to represent the album's natural themes. The ad effectively promotes the artist and album through its visual design and information provided.
Synergy between magazine advert, music video and
The document discusses synergy between a magazine advertisement, album cover, and music video for The Killers. It notes that the advert and album use nearly identical artwork of a desert landscape under a moon. The music video for "Human" also features this desert setting. The last shot of the video most closely resembles the advert and album artwork. Throughout the products, the use of similar visual elements like the desert setting helps create cohesion and a recognizable style for the artist.
Conventions of a magazine advert
This document analyzes the conventions of magazine advertisements for music albums. It examines three sample advertisements - one for an indie album, one also for an indie album that takes some unconventional approaches, and one for an urban album. The conventions it identifies include displaying the album/song title, release date, album cover image, artist name, information about the album, where to purchase, and record label logo. It finds the indie ads follow some conventions like using the album art but also break others to seem different, while the urban ad focuses more on artist promotion. Studying the differences has helped the document's author understand how to design an ad that reflects their genre.
Location shots
This document provides location shots for a church that will be used in a music video. The church location will feature the normal side of the characters' personalities. Photos were taken of the church for its use as a location in the upcoming music video.
Questionnaire
The document contains the questions and responses from a questionnaire given to a potential target audience for a music video. The questions gauge preferences on music video genres, watching platforms, favorite music genres, elements people look for, and opinions on narrative elements without music. The most common responses indicated a preference for narrative music videos, still watching videos on TV, indie pop genre, and narrative elements with the song playing. This will help inform the creator's upcoming music video production for a Coldplay song in the indie pop genre with a narrative style.
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Similar to Friths music video concepts
Task 1
The conventions of a music video include showing the artist or band through close ups, mid shots, and long shots. The mise-en-scene and outfits vary by music genre from crisp looks in R&B videos to all black clothing in metalcore videos. Music videos use techniques like jump cuts, dissolves, and parallel narratives. The purpose is to promote the artist's song and CD sales while sometimes helping audiences understand the song's meaning. There are three main types: concept-based videos around an idea, performance-based videos focused on the artist playing, and narrative-based videos that tell a story.
Task 1
The conventions of a music video include showing the artist or band through close ups, mid shots, and long shots. The mise-en-scene and outfits vary by music genre from crisp looks in R&B videos to all black in metalcore. Jump cuts, dissolves, and parallel narratives are editing techniques. The purpose is to promote the song and band through understanding the meaning or showing performance. Music videos are concept based around an idea, performance based showing the artist, or narrative based telling a story.
Codes and Conventions of Music Videos
Music videos use codes and conventions in their cinematography, editing, sound, mise-en-scene, and genre-specific techniques to promote artists and connect with audiences. Cinematography employs shots like close-ups and angles that suit different genres and songs. Editing cuts rhythmically to the beat. Mise-en-scene reflects lyrics through locations, costumes, and instruments. Genres have recognizable styles - R&B features wealth, rock uses dark colors for live performances, while pop uses bright colors and some voyeurism targeted at teens.
Task 1
The conventions of a music video include featuring the artist or band. Shots are usually close ups, mid shots, and long shots to show emotion, scenery, and actions like playing instruments or dancing. The mise-en-scene varies by genre - rock videos often show live performances while R&B features dancing and crisp outfits. Music videos use editing techniques like jump cuts and dissolves. The purpose is to promote the artist's song and help audiences understand the song's meaning. There are three main types of music videos: concept-based use obscure ideas, performance-based feature the artist performing, and narrative-based tell a story.
Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
Textual analysis 3
This document provides a textual analysis of the music video for "What You Know" by Two Door Cinema Club. It summarizes the following key points:
1) The video is performance-based, featuring the band centrally framed on a single white stage set alongside various dancers.
2) There are fewer shots than typical for the genre, but tracking camera movements maintain audience interest within the single location.
3) Costumes remain consistent throughout aside from occasional changes to the dancers' outfits.
4) Some lyrics are visually depicted, perhaps about the singer dedicating time to music over relationships.
5) Editing matches the rhythm and changes in the music.
6) Close-
Textual analysis 3
This document provides a textual analysis of the music video for "What You Know" by Two Door Cinema Club. It summarizes the following key points:
1) The video is primarily based on performance, with the band centered on a white stage surrounded by dancing performers.
2) There are fewer shots than typical for a music video, but tracking camera movements maintain interest.
3) Costumes remain consistent except for one change by the dancers.
4) The lyrics relate somewhat to the visuals, possibly about the singer dedicating time to music over relationships.
5) Editing matches the rhythm of the song. Close-ups of the singer add emotional connection.
Shannon media
This music video by My Chemical Romance uses Andrew Goodwin's theory of music video analysis. It reflects some characteristics of rock music videos through its inclusion of band performance elements that contribute to the narrative. However, the video is mostly narrative-based, set in 1940s America during the war against Japan. It contrasts scenes of the band performing at a dance with scenes from a violent battlefield. The music and editing pace reflect the mood and tone of the song. It focuses on the lead singer and bassist to tell the story of the bond between two brothers.
Music video styles
The document discusses three main styles of music videos: performance, narrative, and conceptual. Performance videos typically feature footage of an artist singing and performing live on stage. Narrative videos tell stories that relate to the song's lyrics, often following a basic love story structure. Conceptual videos rely on specific concepts or themes rather than linear narratives, aiming to evoke moods or feelings open to various interpretations. Examples are provided for each style.
Music Video Research
The document discusses several purposes and conventions of music videos. It explains that music videos are typically used to promote songs visually, entertain audiences, and increase marketing and sales opportunities for artists. Common conventions of music videos include illustrating, amplifying, or contradicting the lyrics of the song. Additional conventions are having a relationship between the music and visuals, developing unique styles for different music genres, focusing on close-ups of the main artist, and allowing artists to establish recognizable imagery. Music videos also frequently reference voyeurism, particularly in their portrayal of women, and include nods to other media through intertextuality.
Mv production assignment form 2019 thea
The document provides guidance for a music video assignment, including templates for pre-production tasks like generating song ideas, researching other music videos, and developing a final concept. It instructs students to customize the templates with their own work, such as selecting a song, developing multiple video ideas, and summarizing their chosen concept. The templates are meant to guide students through the pre-production phase to develop their music video project.
Shannon media
This music video for "The Ghost of You" by My Chemical Romance uses several techniques from Andrew Goodwin's music video theory. It draws on conventions of the rock genre but subverts expectations by being narrative-driven rather than focused on performance. The video is set in 1940s-era America during war time and contrasts scenes of dancing with scenes of battle. It establishes characters and relationships through costumes, lyrics, and music tempo that link to the narrative. Close-ups of the band members also help develop their iconic styles.
Music vid analysis
The music video for Nickelback's "Savin' Me" follows several conventions of rock music videos according to Andrew Goodwin's music video theory. It features shots of the band performing in a dark setting and tells a story that relates to the lyrics. The video also includes many close-ups of the lead singer as demanded by the record label. Nickelback uses consistent motifs across their videos, including plain clothing. Additionally, the video references the film "In Time" through its depiction of timers counting down above people's heads.
Music video analysis
The document provides an analysis of Andrew Goodwin's 7 features of music videos and then analyzes the music videos for three songs:
1) Kasabian - "eez-eh" is primarily a performance-based video that illustrates the music and amplifies its bold tone through bright colors. It includes few lyrics-image connections and close-ups.
2) Coldplay - "Adventure of a Lifetime" follows conventions of a boy-band video with a dance routine and performance. It amplifies lyrics through chimp lip-syncing and includes motifs to identify band members.
3) Jamie T - "Zombie" includes a stage performance but does not fully follow indie conventions. It creates a lyrics
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
I did not find any explicit intertextual references to other films, TV programs or music videos in the "We Are Young" music video by Fun. The video focuses on depicting the song's lyrics through a narrative of a chaotic party scene. While it utilizes some common music video techniques like close-ups, slow motion and performance shots, it does not directly reference or allude to any other existing media texts.
Andrew Goodwin theory
The document discusses key components of music videos according to Andrew Goodwin. It lists 7 key ideas: 1) Music videos demonstrate genre characteristics through elements like performances. 2) There is a relationship between the lyrics and visuals. 3) A relationship also exists between the music and visuals. 4) Record labels influence close-ups of artists and developing motifs. 5) Videos often reference voyeurism and treating the female body. 6) Intertextual references to other works are common. 7) Videos are either primarily performance, narrative, or concept-based. It then analyzes the music videos for "Side to Side" by Ariana Grande and "Work From Home" by Fifth Harmony based on these components.
Music Video Analysis
Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop).
Goodwin’s theory states that each genre has certain characteristics that define it. The ‘Otis’ music video by Jay-Z and Kanye West follows several hip hop conventions including performances by the artists, the use of attractive scantily-clad women, low camera angles to give the artists power, and imagery showing wealth like expensive cars and watches to inspire aspiration. There are also strong relationships between the lyrics and visuals, with images amplifying and illustrating the words being rapped through gestures, lip syncing, and cuts that enhance the beat
Arctic monkeys i bet that yoou look good on the dancefloor
The music video is performance-based, with multiple shots of the indie rock band Arctic Monkeys playing their musical instruments on a stage. It has a low-budget, simplistic production with minimal lighting and camerawork, focusing only on capturing the band's performance of the song. There is no complex narrative; the video simply shows the band singing and playing their instruments to accompany the song.
Music video basics
This document discusses different types of music videos, including performance, conceptual, and narrative videos. It provides examples and analysis of specific music videos to illustrate each type. A performance video features the artist singing and/or playing their song, such as One Direction's "That's What Makes You Beautiful" which shows the band singing in different beachside locations while wearing the same costumes. Conceptual videos are built around an idea rather than featuring a narrative story, such as REM's "Everybody Hurts" which depicts various people in cars on a highway dealing with problems. Narrative videos tell a story with a beginning, middle, and end that may or may not relate to the song's lyrics, like Sia's "Titanium
Music video analysis (1)
This music video for Haim's song "Forever" demonstrates several genre characteristics of indie pop rock bands through a performance-based narrative that contrasts with their usual rock-based live shows. There are relationships between the lyrics, which reference past relationships, and the visuals, which include flashbacks to the sisters' childhood. The video focuses on close ups of the lead singer to establish her role and features eye contact with the audience. While it does not have a recurring visual motif, the band is known to use filters and vintage styling across their videos.
Similar to Friths music video concepts (20)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
Arctic monkeys i bet that yoou look good on the dancefloor
Arctic monkeys i bet that yoou look good on the dancefloor
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Friths music video concepts
- 1. Simon Frith’s music video concepts
- 2. There are three types of music video • Narrative • Conceptive • Performance
- 3. Narrative music videos • Narrative videos usually tell a story and generally involve the music artist or group in a scenario related to the lyrics of the song. A theorist Todorov says a narrative has 5 structures -> Equilibrium, -> Disequilibrium, -> Recognition, -> Reparation, -> New Equilibrium
- 4. Conceptual music videos • Conceptual videos create a mood or atmosphere similar to the song however they don’t tell a story as the narrative structure follows. An example of a conceptual music video is: Are we ready by Two Door Cinema Club. The music video shows us all three members of the band seeming to almost be selling a products as old advertisements. It shows one of the band members losing the ability to connect with the advertisement world and sees it’s built on lies as the product would be shown by the other band members but then would be truly shown to the other band member. The use of costume is simple with black shirts and suits of a different colour for each band member which ties in with he old advertisement theme and to differentiate the difference between band members. The camera work is focused on having lots of mid shots and close ups of the band members and the products and the camera is even shown from the perspective of the products e.g. shown from the inside the fridge then cuts to looking what’s inside the fridge. The use of this is to make the audience aware to the little details of what the band member is representing and trying to say with the use of props, all of the props name’s are actually the songs lyrics that could possibly relate to the prop. The video doesn’t necessarily have a storyline but it does show aspects of it all fitting together. It Doesn’t have any of the band members playing instruments etc. and has some brief lip-syncing.
- 5. Performance music video • : A Performance based music video shows the artist or band performing. Although the artist or band doesn't have to move and dance, if they are singing, or playing their instrument, than the music video is Performance based • An example of this type of music video is SUN by Two door cinema club The music video shows the band at an almost seeming deserted beach resort with it only showing the band members lip-syncing to the song. Then slowly the video shows other people appearing from opaque sheets that blended into the background of the location while band is performing amongst them walking and dancing around the band. The people appear on and off screen as they disappear beneath the opaque sheets whilst people like dancers stay on for a majority along with the band. The use of costume is casual which shows that there isn’t a specific event etc. eccentric costume- that’s it’s just a simple/relaxed concept. The use of editing shows that during the verses the camerawork ad action is slowed but as soon as it gets to the chorus where everyone appearing again then the editing picks up in pace.