The document provides an overview of notable Spanish artists and their contributions to art, focusing on the Museu del Prado and its extensive collection. It outlines various painters including El Greco, Velázquez, Goya, and others, highlighting their styles and significant works. Additionally, it touches on the historical context of art in Spain from the medieval period to the 19th century.

1. Museo del Prado
The Spanish National Art Gallery
First created 3 Oct 2018. Version 1.0 - 13 Oct 2018. Daperro. London.
Naked ‘Maja’. c1800-03. Goya.

2. Medieval 12C Spanish
Painted in Spain, Segovia, during the early
stages of the Reconquista (814-1139). During
this period much of Spain and Portugal were
under the Moors, which was Islamic.
Segovia was in the front line. Neither Spain
nor Portugal existed as a country.
Spain in Reconquista (814-1139).
Spanish

3. Medieval 13C Spanish
Similar type of altarpieces like this were found all over Europe from Norway, England to the Iberian
Peninsula. During this time master craftsmen were becoming professional artists.

4. Medieval 14C Spanish
In the 14C Spain was still divided into Christian
kingdoms of Portugal, Aragon, Castile and
Navarre. The Muslim was confined to the
southern half of the peninsula, the Emirate of
Granada, which survived to 1492.

5. El Greco (c1540-1614)
El Greco’s name was Domenikos
Theotokopoulos. Although often regarded as
a Spanish painter, he was ethically a Greek.
At the age of 26, he travelled to Venice and
later practised in Rome. He enriched his style
with elements of Mannerism and Venetian
Renaissance.

6. El Greco (c1540-1614)

7. El Greco (c1540-1614)
El Greco early works show his wide ranges:
Titian, Michelangelo, Bassano, Raphael,
Durer etc. In Spain El Greco spent most of his
professional life in Toledo, then the ‘capital’ of
Spain. In his later works, he often painted
people having elongated limbs, small heads
and stylized facial features.

8. Francisco Zurbaran (1598-1664)
Still Life with Vessels’. c1650. 45x84 cm. F Zurbaran.
Francesco Zurbaran was a contemporary of Diego
Velazquez. His style was somewhat limited, often bleak,
austere, unquestioning piety of Spanish devotional art,
inline with the religious climate of the Counter-
Reformation.

9. Diego Velazquez (1599-1660)
Velazquez is probably the best known of all the Spanish painter
in history. He became one of the highest decorated court
painter ever lived. Because of his association with the Spanish
monarchy the Prado has the finest collection of Velazquez.

10. Diego Velazquez (1599-1660)

11. Diego Velazquez (1599-1660)

12. Diego Velazquez (1599-1660)

13. Diego Velazquez
(1599-1660)
A surprised depiction of Mars. Velazquez
chose a veteran as Mars, but well past
his prime. He was rather deflated,
peering out under the shadow cast by a
helmet.

14. Diego Velazquez (1599-1660)
Instead of painting the monarchy. Velazquez painted himself in the company of the royal family.

15. Diego Velazquez (1599-1660)

16. Diego Velazquez (1599-1660)
Velazquez also painted personality at the court. He
always painted them with dignity.

17. Diego Velazquez (1599-1660)

18. Juan Carreno de Miranda (1614-85)

19. Juan Carreno de Miranda (1614-85)
Miranda’s family moved to Madrid in 1623
and trained under Pedro de las Cuevas and
Bartolome Roman. He came to the notice of
Velazquez. In 1658 Carreno was hired as an
assistant on a royal commission to paint
frescoes in the Alcazar of Madrid. He was
hired as the court painter to the queen in
1671.

20. Bartolome Esteban Murillo (1618-82)
In contrast with Zurbaran, Murillo’s approach in
the 1640s was softer, sweeter and more fused.
Murillo visited Madrid, probably in 1648 being
apparently helped by Velazquez. His change of
style from his earliest works, in his use of colour,
the hard naturalism, like the beggar-boy
paintings. His early religious subjects were cool,
detached, with only a little idealization.
A Boy with a Dog’. 1650s. Hermitage. St Petersburg

21. Bartolome Esteban Murillo (1618-82)

22. Bartolome Esteban Murillo (1618-82)
Murillo idealized devotional forms, with
Baroque flutter to the draperies, a certain
artificiality, always with warmth, charm and
quiet religious feeling.

23. Luis Egidio Melendez (1716-80)

24. Francisco Goya (1748-1828)
Prado has a very comprehensive collection on
paintings by Goya. He was the most
important Spanish painter in the 18C and 19C.
He painted the Spanish royal family, the
French occupying rulers and eventually the
British liberator, the Duke of Wellington. His
painting skill was certainty recognised during
his life time.
(An aging) Self Portrait.1815.. Prado. Madrid.

25. Francisco Goya (1748-1828)

26. Francisco Goya (1748-1828)
Goya produced a nude portrait of the same woman with identical pose.

27. Francisco Goya (1748-1828)
The Nude Maja is renowned for the straightforward and unashamed gaze of the model.

28. Francisco Goya (1748-1828)

29. Francisco Goya (1748-1828)

30. Francisco Goya (1748-1828)
Third of May 1808. 1814. Prado. Madrid.
These are the most horrific images painted by Goya. On
the Third of May 1808, Goya painted French savagery on
the Spanish rebellion of 1808. The executioners with their
faces hidden and the horror of the victims moments before
their death.
Saturn Devouring his Son is Goya’s most horrific and
unforgettable image. Saturn was haunted by a prophecy
that he would be overthrown by one of his sons.

31. Carlos de Haesa (1829-98)
He was a Spanish painter but born in
Belgium. He was noted for the Realism in his
landscape like the painting on Europa. He
became the first professor of landscape
painting.

32. Bernardo Lopez (1800-74)
Also known as Bernardo Lopez Piquer, he
was a portrait painter noted for his pastels.

33. Joaquin Sorolla (1618-82)

34. Foreign
Paintings
Weyden (1400-64)

35. Weyden (1400-64)
Weyden’s The Descent from the Cross is
one of the prided painting in the Prado’s
collection.
Rogier van der Weyden was an Early
Netherlandish painter. He painted mainly
religious triptychs, altarpieces and
sometimes portraits. He was highly
successful and internationally famous in
his lifetime, his paintings were exported to
Italy and Spain.

36. Bosch (c1450-1516)
He was a Netherlandish painter.
His work often contains
fantastic illustrations of
religious concepts and
narratives. His pessimistic and
fantastical style cast a wide
influence on northern art of the
16C.

37. Durer (1471-1528)
Durer, the first self-conscious artistic
genius in the northern European art
painter, draughtsman printmaker in both
relief and intaglio, theoretician and would
be reformer of art. Through his woodcuts
and engravings, most of them published by
himself, he became an international artist.

38. Joachin Patinier (1475/80-1524)

39. Raphael (1483-1520)
Raphael was one of the three High
Renaissance artist. The decade between
1500-1510 saw the emergence of Raphael as a
great master. In his youth he learned from
Leonardo and Michelangelo. In his early years
he was particularly good in painting the
Madonna and Child, portraying the affection
between mother and the child.

40. Titan (c1490-1575)

41. Lotto (1480-1557)
Lotto, one of the distinctive portrait painter
of the early 16C. His early works are
strongly influenced by Giovanni Bellini but
afterward his portrait reflected Botticelli,
Fra Bartolommeo, Raphael, Correggio,
Giorgione, Titan and even something of
Durer and Holbein. His portraits were
always with an intensely personal quality.
Little is known of the man.

42. Tintoretto (1518-1594)

43. Pieter Bruegel the Elder (1524/30-1660)

44. Caravaggio (1570-1610)
Caravaggio is of particular importance
in Spain, for he was responsible for the
origin of the realist and ‘tenebrist’
style of painting that later became so
widespread and popular in the works
of such artists as Ribera and Zurbaran.

45. Rubens (1577-1640)
Rubens painted this picture during his first visit
to Spain using it to show off his talents and to
attract the attention of the court.

46. Pensionante de Saraceni

47. La Tour (1593-1652)
Georges de La Tour was a French Caravaggisti.
He worked all his life in Lorraine. In his later
works he adopted a form of indirect lighting
from a candle or other concealed source of
light, which is close to Dutch Caravaggisti like
Honthurst.

48. Rembrandt (1606-1669)
Rembrandt painted
this this portrait of his
bride, Saskia. It was
painted on the same
year of his marriage.

49. All rights reserved. Rights belong to their respective owners.
Available free for non-commercial and personal use.
The
End
Music – Ernesto Cortazar. Mascarade

50. European Art Galleries
Vienna
Hague
Madrid
Copenhagen

51. With over a thousand of paintings in more than 10 countries.