Motion graphics uses
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Pixels are the smallest individual elements that make up digital images. More pixels means higher resolution and quality. Resolution refers to the clarity and quality of an image, which depends on the number of pixels - more pixels means better resolution. Screen resolution specifies the number of pixels that can be displayed horizontally and vertically on a screen, expressed as a ratio such as 1680x1050 pixels. Frame rate is the number of frames displayed per second, typically 25-30 frames/second for movies and video. Different video formats use various codecs, frame rates, sizes and other specifications to encode and store video files.
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Glossary
Pixels are the smallest controllable elements that make up an image. A pixel is represented by a single dot on a screen and together they create digital images. The number of pixels determines the resolution or level of detail in an image. More pixels allow for higher resolution images. Color depth, measured in bits per pixel, determines the number of colors or shades that can be displayed by each pixel. Digital cameras use light-sensitive sensors made of millions of photosites that function like pixels to convert light into digital images.
Glossary
The document discusses several key concepts related to digital images and video:
- Pixels are the smallest controllable elements that make up an image on a screen. More pixels result in higher resolution and quality.
- Resolution refers to the sharpness of an image, measured by the number of pixels per inch. Higher resolutions like 1600x1200 and above are needed for good printing quality.
- Aspect ratio describes the proportional width-to-height relationship of images or screens, commonly expressed like 16:9 or 4:3.
- Frame rate is the number of unique images or frames displayed per second in video, typically 25-30 fps which is enough for smooth motion.
- Video format defines how a video is
Ha1 task one
This document discusses various motion graphics concepts including pixel, resolution, screen ratios, frame rate, video formats, and compression. It defines a pixel as the smallest controllable element that makes up an image. Resolution refers to image quality and sharpness, measured in pixels per inch. Aspect ratio describes the proportional relationship between an image's width and height. Frame rate indicates the number of frames displayed per second in video. Video formats specify elements like codec, frame size, and scanning method. Compression uses codecs to encode and decode video files, with lossy codecs reducing file size but losing some data quality.
Technical comments research_sheet[1]
The document discusses various technical aspects of video format including:
- Video format refers to different file types for storing and transmitting video with varying codecs, display standards, and physical connectors.
- Aspect ratio is the size and shape of an image, expressed as a ratio such as 16:9. Higher resolutions mean more pixels and higher quality but require more bandwidth.
- Frame rate measures the number of frames per second, with higher rates creating smoother motion but larger file sizes.
- A codec compresses video files to reduce size but can loss quality, so choosing the right codec is important.
Formats andcodecs
This document discusses video codecs and file formats. It explains that codecs are needed to compress video files for distribution and playback, as uncompressed video takes up significant storage space. However, there are many different codec options, creating compatibility issues. Common codecs include H.264, MPEG-4, and QuickTime. The document outlines key concepts like interlaced vs progressive formats, and container formats like AVI and QuickTime that combine video and audio into single files using codecs.
Technical fundmentals in film or video production
Understand various technologies involved around Broadcast Media & Film making
Familiarity with Compression and Video File formats
Analyze the workflow for a video production
Motion graphics uses
Pixels make up digital images, with more pixels providing higher quality. Resolution depends on pixel count, with more pixels providing clearer images. Screen ratios express a display's pixel dimensions as two numbers like 1680x1050, indicating the horizontal and vertical pixel counts. Frame rate is the number of frames displayed per second, typically 25-30 frames for video. Different video formats have unique specifications for codec, frame rate, size, aspect ratio and more, with common types being DV, HDV and AVCHD. Video compression encodes and decodes files without data loss. Video compositing combines two video sources into one by overlaying one on green/blue screen footage.
Mm Unit 4
Video is a collection of bit-mapped images played back quickly to create the illusion of movement. It is made up of individual frames captured at a standard rate of 25 frames per second. Video can be captured using devices like digital video cameras, webcams, or specialized video capture cards and stored using formats like AVI or compressed using lossy formats like MPEG which reduce file size. Video editing involves arranging and trimming clips, applying transitions between scenes, and setting the final sequence.
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Glossary
Pixels are the smallest controllable elements that make up an image. A pixel is represented by a single dot on a screen and together they create digital images. The number of pixels determines the resolution or level of detail in an image. More pixels allow for higher resolution images. Color depth, measured in bits per pixel, determines the number of colors or shades that can be displayed by each pixel. Digital cameras use light-sensitive sensors made of millions of photosites that function like pixels to convert light into digital images.
Glossary
The document discusses several key concepts related to digital images and video:
- Pixels are the smallest controllable elements that make up an image on a screen. More pixels result in higher resolution and quality.
- Resolution refers to the sharpness of an image, measured by the number of pixels per inch. Higher resolutions like 1600x1200 and above are needed for good printing quality.
- Aspect ratio describes the proportional width-to-height relationship of images or screens, commonly expressed like 16:9 or 4:3.
- Frame rate is the number of unique images or frames displayed per second in video, typically 25-30 fps which is enough for smooth motion.
- Video format defines how a video is
Ha1 task one
This document discusses various motion graphics concepts including pixel, resolution, screen ratios, frame rate, video formats, and compression. It defines a pixel as the smallest controllable element that makes up an image. Resolution refers to image quality and sharpness, measured in pixels per inch. Aspect ratio describes the proportional relationship between an image's width and height. Frame rate indicates the number of frames displayed per second in video. Video formats specify elements like codec, frame size, and scanning method. Compression uses codecs to encode and decode video files, with lossy codecs reducing file size but losing some data quality.
Technical comments research_sheet[1]
The document discusses various technical aspects of video format including:
- Video format refers to different file types for storing and transmitting video with varying codecs, display standards, and physical connectors.
- Aspect ratio is the size and shape of an image, expressed as a ratio such as 16:9. Higher resolutions mean more pixels and higher quality but require more bandwidth.
- Frame rate measures the number of frames per second, with higher rates creating smoother motion but larger file sizes.
- A codec compresses video files to reduce size but can loss quality, so choosing the right codec is important.
Formats andcodecs
This document discusses video codecs and file formats. It explains that codecs are needed to compress video files for distribution and playback, as uncompressed video takes up significant storage space. However, there are many different codec options, creating compatibility issues. Common codecs include H.264, MPEG-4, and QuickTime. The document outlines key concepts like interlaced vs progressive formats, and container formats like AVI and QuickTime that combine video and audio into single files using codecs.
Technical fundmentals in film or video production
Understand various technologies involved around Broadcast Media & Film making
Familiarity with Compression and Video File formats
Analyze the workflow for a video production
Motion graphics uses
Pixels make up digital images, with more pixels providing higher quality. Resolution depends on pixel count, with more pixels providing clearer images. Screen ratios express a display's pixel dimensions as two numbers like 1680x1050, indicating the horizontal and vertical pixel counts. Frame rate is the number of frames displayed per second, typically 25-30 frames for video. Different video formats have unique specifications for codec, frame rate, size, aspect ratio and more, with common types being DV, HDV and AVCHD. Video compression encodes and decodes files without data loss. Video compositing combines two video sources into one by overlaying one on green/blue screen footage.
Mm Unit 4
Video is a collection of bit-mapped images played back quickly to create the illusion of movement. It is made up of individual frames captured at a standard rate of 25 frames per second. Video can be captured using devices like digital video cameras, webcams, or specialized video capture cards and stored using formats like AVI or compressed using lossy formats like MPEG which reduce file size. Video editing involves arranging and trimming clips, applying transitions between scenes, and setting the final sequence.
Frame rate powerpoint
Frame rate refers to the frequency at which consecutive images, called frames, are produced by an imaging device. It is commonly measured in frames per second (fps). Early silent films had frame rates between 14-24 fps, which gave the appearance of jerky motion. When recording or playing video, frame rate indicates the number of frames captured or displayed per second, with common rates being 25 fps in Europe and 30 fps in Japan and the US. Animation is often created at lower rates like 12 fps.
Frame rate 200213
Frame rate refers to the number of unique consecutive images or frames displayed per second. The human eye can perceive motion at around 10-12 FPS. Early silent films used 14-24 FPS which was jerky. Video cameras in Europe use 25 FPS while the US and Japan use 29.97 or 30 FPS. Animators often use lower frame rates like 12 FPS to reduce the number of frames needed.
06 vdo
This document provides an overview of key concepts in multimedia systems including digital video formats, properties of video such as frame rate and aspect ratio, video compression techniques, and video production equipment and processes. It covers analog vs digital video, interlacing vs progressive scanning, common video file formats like AVI, MOV, and MPG, and how to transfer video from a camcorder to a computer.
CHAPTER – 6 Video
This document provides an overview of key concepts related to video, including:
- Video is a collection of frames displayed in rapid succession to give the impression of movement. The standard frame rate is 25 frames per second.
- Larger video file sizes are affected by resolution, bit depth, frame rate, and length of the video. Codecs compress video to reduce file sizes using encoders and decoders.
- Common container formats like MP4, MOV, and AVI hold compressed video and audio streams together. Aspect ratios indicate the width-to-height pixel ratio of video. Popular video editing software includes Adobe Premiere Pro, CyberLink PowerDirector, and Final Cut Pro X.
Motion graphics glossary
Motion Graphics Glossary defines key terms related to digital images and video formats, including:
- Pixels are the smallest controllable elements that make up an image on a screen. More pixels allow for higher colour depth and more colours.
- Colour depth determines the number of colours or shades that can be displayed, from 2 colours for 1 bit to over 16 million colours for 24 bits.
- Resolution refers to the sharpness and clarity of an image, measured in pixels per inch (PPI). Higher resolutions like 1600x1200 or above allow for larger, higher quality prints.
- Aspect ratios describe the dimensional relationship between an image's width and height, like 16:9 for H
Video compression
The document discusses video compression techniques. It describes video compression as removing repetitive images, sounds, and scenes to reduce file size. There are two types: lossy compression which removes unnecessary data, and lossless compression which compresses without data loss. Common techniques involve predicting frames, exploiting temporal and spatial redundancies, and standards like MPEG. Applications include cable TV, video conferencing, storage media. Advantages are reduced file sizes and faster transfer, while disadvantages are recompilation needs and potential transmission errors.
Video compression
Video compression techniques exploit various types of redundancy in video signals to reduce the data required to represent them. Key techniques include intra-frame compression which uses spatial redundancy within frames via DCT, inter-frame compression which uses temporal redundancy between consecutive frames by encoding differences, and motion compensation which accounts for motion between frames. Popular video compression standards like MPEG use a combination of these techniques including I, P and B frames along with motion estimation to achieve much higher compression ratios than image compression alone.
Screen ratios, frame rate, video forats, compression
The document discusses various aspects of aspect ratios including how they describe the proportional relationship between an image's width and height. Common aspect ratios for still cameras are 4:3, 3:2, and 16:9 while 16:9 is most common for consumer cameras. When converting between formats with unequal ratios, the image is enlarged to fill the target display and parts that don't fit are cropped out.
Glossary
Pixels are the smallest controllable elements that make up images on digital displays. Each pixel can only display one color and more pixels allow for more colors and higher resolution images. Resolution refers to the number of pixels per inch in an image, with higher resolutions allowing for larger printed photos without quality loss. Aspect ratio describes the width-to-height ratio of screens or images. Frame rate is the number of unique, consecutive images or frames displayed per second in video and film. Common video formats specify elements like the codec, frame rate, size and aspect ratio.
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The document describes a movie title sequence created in After Effects that includes the following:
1) Floating white letters sinking in a dark blue lake with an underwater shot.
2) The names of those involved in making the movie appearing on screen in the same font as the letters.
3) The movie title appearing in big lettering across the screen at the end.
Techniques used include 3D animation of the sinking letters, color effects to make the water look dark, and transitions as the names fade onto the screen. There is also a slight blur applied to the letters and background to simulate an underwater view.
Technical report
Frame rate refers to the number of consecutive images or frames displayed per second in a movie or video. Films are typically shot at 24-30 frames per second, while some newer movies use 48 frames per second for higher quality. The appropriate frame rate depends on the genre and whether it will be viewed in theaters. Video format refers to the type of file the video is saved as on a computer so it can be edited. Common screen ratios for movies and TV include 16:9 and 4:3. Resolution refers to the number of pixels in an image, with higher resolutions allowing for larger displays and more detail. Compression reduces the file size of audio and video by decreasing volume differences to allow for broadcasting and storage.
Video Data
Video refers to electronically capturing, recording, processing, storing, transmitting, and displaying a sequence of still images recorded many times a second to produce scenes in motion. It consists of still image frames and audio. Video data is a representation of images that move or change over time through a series of measurements of pixels in each frame, reaching up to 30 frames per second. Key components that go into making a video include sampling rate, frame rate, and the various devices that can display video.
Motion graphics and compositing ITV ident analysis
The document summarizes an ITV ident for Dodgems that shows an empty dodgems arena coming to life with cars bumping into each other. Animation, movement, colors, and rotation were used to make the cars move around the rink in pairs, suggesting closeness and family. The ident is in HD format with a 16:9 screen ratio to promote ITV's family-friendly brand.
ITV ident video analysis
The ITV Dodgem ident shows a deserted dodgems arena that comes to life with cars bumping into each other like a normal ride. Families are suggested through pairs of cars moving closely together. Animation, visual effects, color, graphics and movement are used to show the cars moving in various directions. Fading is used when the ITV logo appears and disappears. The ident is available in HD format with a 16:9 screen ratio.
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This document provides information about techniques used in movie DVD menus, including animation, visual effects, color rendering, and graphics. It discusses how computer generated imagery (CGI) was used to create flying and stunt scenes for Spiderman in the DVD menu. It also lists technical specifications for the video format, screen ratio, resolution, frame rate, and compression used. Key terms related to motion graphics and video compositing are defined.
Glossary
Pixel is the smallest controllable element that makes up an image on a digital display. Each pixel can only display one color and together they blend to show different shades. Resolution refers to the sharpness of an image, measured by the number of pixels per inch (PPI). Higher resolutions like 4,000x2,700 pixels allow for clearer large prints without quality loss compared to low resolutions like 256x256 pixels. Aspect ratios describe the dimensional relationship between width and height of screens, images, or videos. Common aspect ratios include 4:3, 16:9, and 1.85:1.
Johnny's work
1) Pixels are the smallest controllable elements that make up an image. More pixels provide a more accurate representation and higher image quality.
2) Image resolution refers to the detail and quality of an image, with higher resolutions displaying more detail. Resolution is often measured in pixels, such as megapixels, or pixels per inch (PPI) for print.
3) Aspect ratio describes the proportional relationship between the width and height of an image or display, and is expressed as two numbers separated by a colon, such as 16:9. Common aspect ratios include 4:3, 16:9, and 21:9.
Video Workshop by Frederick Rodrigues
This document provides information on video fundamentals including SD and HD video standards, codecs, containers, and tips for working with live and installed video. It discusses differences between interlaced and progressive video, considerations for optimizing video for live processing, and affordable solutions for outputting HD video from a computer. Common questions are addressed such as running multiple projectors from a laptop and troubleshooting playback issues. Isadora is recommended as video software that can output to multiple screens simultaneously and integrate with other hardware.
HA1 - Motion Graphics Now
Pixels are the smallest controllable elements that compose an image. When put together, pixels of varying colors blend to form the overall picture. The number of colors a pixel can display depends on its bit depth. Higher bit depths allow for more colors and higher quality images. Video and image resolution refers to the number of pixels and depends on factors like aspect ratio, frame rate, and video format. Compression reduces file sizes by discarding some image data using codecs, which can lower quality. Compositing combines separate visual elements to create a single image through layering and green screening.
Video Transcoding Terms Explained
Unsure of the aspect ratio for your iPhone? Can’t tell a bit rate from a frame rate? At a loss when it comes to lossy and lossless codecs? Don’t worry, we’re here to help.
Pixels
The document discusses key concepts in digital imaging including pixels, resolution, colour depth, aspect ratios, frame rates, video formats, video compression, and video compositing. It explains that images are made up of pixels which can only display one colour each but together form images. Higher resolution means more pixels per inch and clearer images. More colour depth allows more colours to be displayed. Aspect ratios and frame rates impact the shape and smoothness of motion in images. Video compression reduces file sizes by discarding some image data. Compositing merges separate visual elements into one scene.
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Frame rate powerpoint
Frame rate refers to the frequency at which consecutive images, called frames, are produced by an imaging device. It is commonly measured in frames per second (fps). Early silent films had frame rates between 14-24 fps, which gave the appearance of jerky motion. When recording or playing video, frame rate indicates the number of frames captured or displayed per second, with common rates being 25 fps in Europe and 30 fps in Japan and the US. Animation is often created at lower rates like 12 fps.
Frame rate 200213
Frame rate refers to the number of unique consecutive images or frames displayed per second. The human eye can perceive motion at around 10-12 FPS. Early silent films used 14-24 FPS which was jerky. Video cameras in Europe use 25 FPS while the US and Japan use 29.97 or 30 FPS. Animators often use lower frame rates like 12 FPS to reduce the number of frames needed.
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This document provides an overview of key concepts in multimedia systems including digital video formats, properties of video such as frame rate and aspect ratio, video compression techniques, and video production equipment and processes. It covers analog vs digital video, interlacing vs progressive scanning, common video file formats like AVI, MOV, and MPG, and how to transfer video from a camcorder to a computer.
CHAPTER – 6 Video
This document provides an overview of key concepts related to video, including:
- Video is a collection of frames displayed in rapid succession to give the impression of movement. The standard frame rate is 25 frames per second.
- Larger video file sizes are affected by resolution, bit depth, frame rate, and length of the video. Codecs compress video to reduce file sizes using encoders and decoders.
- Common container formats like MP4, MOV, and AVI hold compressed video and audio streams together. Aspect ratios indicate the width-to-height pixel ratio of video. Popular video editing software includes Adobe Premiere Pro, CyberLink PowerDirector, and Final Cut Pro X.
Motion graphics glossary
Motion Graphics Glossary defines key terms related to digital images and video formats, including:
- Pixels are the smallest controllable elements that make up an image on a screen. More pixels allow for higher colour depth and more colours.
- Colour depth determines the number of colours or shades that can be displayed, from 2 colours for 1 bit to over 16 million colours for 24 bits.
- Resolution refers to the sharpness and clarity of an image, measured in pixels per inch (PPI). Higher resolutions like 1600x1200 or above allow for larger, higher quality prints.
- Aspect ratios describe the dimensional relationship between an image's width and height, like 16:9 for H
Video compression
The document discusses video compression techniques. It describes video compression as removing repetitive images, sounds, and scenes to reduce file size. There are two types: lossy compression which removes unnecessary data, and lossless compression which compresses without data loss. Common techniques involve predicting frames, exploiting temporal and spatial redundancies, and standards like MPEG. Applications include cable TV, video conferencing, storage media. Advantages are reduced file sizes and faster transfer, while disadvantages are recompilation needs and potential transmission errors.
Video compression
Video compression techniques exploit various types of redundancy in video signals to reduce the data required to represent them. Key techniques include intra-frame compression which uses spatial redundancy within frames via DCT, inter-frame compression which uses temporal redundancy between consecutive frames by encoding differences, and motion compensation which accounts for motion between frames. Popular video compression standards like MPEG use a combination of these techniques including I, P and B frames along with motion estimation to achieve much higher compression ratios than image compression alone.
Screen ratios, frame rate, video forats, compression
The document discusses various aspects of aspect ratios including how they describe the proportional relationship between an image's width and height. Common aspect ratios for still cameras are 4:3, 3:2, and 16:9 while 16:9 is most common for consumer cameras. When converting between formats with unequal ratios, the image is enlarged to fill the target display and parts that don't fit are cropped out.
Glossary
Pixels are the smallest controllable elements that make up images on digital displays. Each pixel can only display one color and more pixels allow for more colors and higher resolution images. Resolution refers to the number of pixels per inch in an image, with higher resolutions allowing for larger printed photos without quality loss. Aspect ratio describes the width-to-height ratio of screens or images. Frame rate is the number of unique, consecutive images or frames displayed per second in video and film. Common video formats specify elements like the codec, frame rate, size and aspect ratio.
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The document discusses various topics related to digital media, including:
1) Different types of fonts (serif, sans serif, decorative) and their uses.
2) Bitmap and vector images and common file formats.
3) Factors that affect image quality like resolution, bit depth, and file compression.
4) Basic concepts in digital video like frame rates, rendering, and common file formats.
The essex
The document describes a movie title sequence created in After Effects that includes the following:
1) Floating white letters sinking in a dark blue lake with an underwater shot.
2) The names of those involved in making the movie appearing on screen in the same font as the letters.
3) The movie title appearing in big lettering across the screen at the end.
Techniques used include 3D animation of the sinking letters, color effects to make the water look dark, and transitions as the names fade onto the screen. There is also a slight blur applied to the letters and background to simulate an underwater view.
Technical report
Frame rate refers to the number of consecutive images or frames displayed per second in a movie or video. Films are typically shot at 24-30 frames per second, while some newer movies use 48 frames per second for higher quality. The appropriate frame rate depends on the genre and whether it will be viewed in theaters. Video format refers to the type of file the video is saved as on a computer so it can be edited. Common screen ratios for movies and TV include 16:9 and 4:3. Resolution refers to the number of pixels in an image, with higher resolutions allowing for larger displays and more detail. Compression reduces the file size of audio and video by decreasing volume differences to allow for broadcasting and storage.
Video Data
Video refers to electronically capturing, recording, processing, storing, transmitting, and displaying a sequence of still images recorded many times a second to produce scenes in motion. It consists of still image frames and audio. Video data is a representation of images that move or change over time through a series of measurements of pixels in each frame, reaching up to 30 frames per second. Key components that go into making a video include sampling rate, frame rate, and the various devices that can display video.
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ITV ident video analysis
The ITV Dodgem ident shows a deserted dodgems arena that comes to life with cars bumping into each other like a normal ride. Families are suggested through pairs of cars moving closely together. Animation, visual effects, color, graphics and movement are used to show the cars moving in various directions. Fading is used when the ITV logo appears and disappears. The ident is available in HD format with a 16:9 screen ratio.
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This document provides information about techniques used in movie DVD menus, including animation, visual effects, color rendering, and graphics. It discusses how computer generated imagery (CGI) was used to create flying and stunt scenes for Spiderman in the DVD menu. It also lists technical specifications for the video format, screen ratio, resolution, frame rate, and compression used. Key terms related to motion graphics and video compositing are defined.
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Similar to Motion graphics uses
Glossary
Pixel is the smallest controllable element that makes up an image on a digital display. Each pixel can only display one color and together they blend to show different shades. Resolution refers to the sharpness of an image, measured by the number of pixels per inch (PPI). Higher resolutions like 4,000x2,700 pixels allow for clearer large prints without quality loss compared to low resolutions like 256x256 pixels. Aspect ratios describe the dimensional relationship between width and height of screens, images, or videos. Common aspect ratios include 4:3, 16:9, and 1.85:1.
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1) Pixels are the smallest controllable elements that make up an image. More pixels provide a more accurate representation and higher image quality.
2) Image resolution refers to the detail and quality of an image, with higher resolutions displaying more detail. Resolution is often measured in pixels, such as megapixels, or pixels per inch (PPI) for print.
3) Aspect ratio describes the proportional relationship between the width and height of an image or display, and is expressed as two numbers separated by a colon, such as 16:9. Common aspect ratios include 4:3, 16:9, and 21:9.
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This document provides information on video fundamentals including SD and HD video standards, codecs, containers, and tips for working with live and installed video. It discusses differences between interlaced and progressive video, considerations for optimizing video for live processing, and affordable solutions for outputting HD video from a computer. Common questions are addressed such as running multiple projectors from a laptop and troubleshooting playback issues. Isadora is recommended as video software that can output to multiple screens simultaneously and integrate with other hardware.
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Pixels are the smallest controllable elements that compose an image. When put together, pixels of varying colors blend to form the overall picture. The number of colors a pixel can display depends on its bit depth. Higher bit depths allow for more colors and higher quality images. Video and image resolution refers to the number of pixels and depends on factors like aspect ratio, frame rate, and video format. Compression reduces file sizes by discarding some image data using codecs, which can lower quality. Compositing combines separate visual elements to create a single image through layering and green screening.
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The document discusses key concepts in digital imaging including pixels, resolution, colour depth, aspect ratios, frame rates, video formats, video compression, and video compositing. It explains that images are made up of pixels which can only display one colour each but together form images. Higher resolution means more pixels per inch and clearer images. More colour depth allows more colours to be displayed. Aspect ratios and frame rates impact the shape and smoothness of motion in images. Video compression reduces file sizes by discarding some image data. Compositing merges separate visual elements into one scene.
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Resolution refers to the sharpness and clarity of an image, measured by the number of pixels per inch (PPI) in a bitmap image. Higher resolutions allow for more image detail and larger print sizes. Common resolutions include 256x256 for low-quality cameras, up to 4064x2704 for 4 megapixel cameras and over 12 million pixels for high-end cameras. The optimum resolution depends on whether the image will be displayed on screen or in print, with 72 PPI standard for screen and 300 PPI for print.
Motion Graphics and Compositing Video Analysis Worksheet
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Salford City College Eccles Centre offers a Creative Media Production course that teaches the use of text, animation, visual effects, color rendering, graphics, and movement in motion graphics and video compositing. The techniques demonstrated in the sample work include animation, blur, sharpening, distortion, rotation, and adjusting opacity. The technical details of the sample include a 4:3 screen ratio, standard definition resolution and frame rate, and video compression.
Motion graphics and_compositing_video_analysis_worksheet 4
Salford City College Eccles Centre offers a Creative Media Production course that teaches the use of text, animation, visual effects, color rendering, graphics, and movement in motion graphics and video compositing. The techniques demonstrated in the sample work include animation, blur, sharpening, distortion, rotation, and adjusting opacity. The technical details of the sample include a 4:3 screen ratio, standard definition resolution and frame rate, and video compression.
Motion graphics and_compositing_video_analysis_worksheet 4
Salford City College Eccles Centre offers a Creative Media Production course that teaches the use of text, animation, visual effects, color rendering, graphics, and movement in motion graphics and video compositing. The techniques used in the example include animation and advanced techniques like blur, sharpen, distortion, rotation, and opacity. The video format is 481:3 with a standard definition resolution and frame rate, and compression.
Technology terms
Digital cinema uses digital technology to capture, distribute, and project motion pictures, offering higher resolution images than standard definition television. Specifically, 2K resolution is 2048 by 1080 pixels, while 4K resolution has four times as many pixels as 2K. A Digital Cinema Package (DCP) contains the picture, sound, and metadata files distributed to theaters for projection. Common aspect ratios include 2.35:1 for widescreen, 1.85:1 for lower budget projects, and 1.77 for television and DVD content. 3D and 4D films enhance the illusion of depth perception, with 4D adding physical effects in the theater during the film.
2
The document discusses color space issues when converting between video formats. Specifically, significant color detail is lost when converting from DV25 (4:1:1 color sampling) to DVD (4:2:0 color sampling) due to the reduction in color resolution. To avoid loss, sources destined for DVD should use 4:2:2 or 4:2:0 color spaces. The document also discusses video compression methods like intraframe compression and interframe compression using I, P and B frames.
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Motion Graphics and Compositing Video Analysis Worksheet
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Secondary research
This document summarizes research from multiple sources about techniques for making effective movie trailers. It discusses tips learned from analyzing the trailer for the movie "Taken", such as including exciting action and leaving audiences wanting more. It also reviews advice from an expert in movie trailers on including original content and cliffhangers. Editing tips from a book on filmmaking are mentioned, such as knowing when to cut. The research concludes different techniques that will help in producing an engaging trailer, like an attention-grabbing opening and non-linear storytelling.
Evaluation
The document provides a self-evaluation by Daniel Harrison of his final major project creating a movie trailer. Some key points:
- Filming was the most challenging aspect as Harrison found himself disorganized and not a strong director when working alone. With a production crew it would have gone more smoothly.
- The fight scene turned out well despite concerns about pulling it off. Editing made it look more polished by speeding it up slightly.
- Overall the editing skills have improved the most, allowing Harrison to independently create polished effects like the CCTV shot.
- Changes were made from the original proposal, including switching actors' roles and changing the ending scene.
- Time management was maintained through weekly
Final major project production diary template 2014 2015
The document is a production diary for a student's final major project creating a movie trailer. Over several weekly updates spanning months, the student details progress on tasks like research, pre-production, production, and post-production. Tasks completed include creating a schedule, analyzing movie genres, conducting surveys, storyboarding, filming, and editing. Challenges encountered were actors not showing up for filming and reshoots needed. The student's plans for upcoming weeks generally involve catching up on delayed tasks and finishing production and post-production work like additional filming, editing, and an evaluation.
Audience feedback
The document summarizes audience feedback from a survey about a movie trailer. Key findings:
- The majority (80%) of the audience was between 18-24, matching the intended target age group. Smaller percentages were younger, older, or between 45-55.
- The audience was split fairly evenly between male (62%) and female (37%), providing perspectives from both genders.
- Most viewers felt the genre was a thriller (37%), with some also seeing elements of action and drama, consistent with the filmmaker's goal.
- Positively, audiences liked the fitting music, acting, and editing of the trailer. Constructive feedback addressed sound quality and length being too short.
Evaluation
The document provides a self-evaluation of a student's final major project creating a movie trailer.
The student struggled most with filming due to being unorganized and not a strong director when working alone. Editing went better as independent work. Key scenes like the opening board room scene, fight scene, and closing shot worked well after multiple takes. Some actors did not show up or wore inappropriate costumes, requiring reshoots or cutting scenes. Overall the student is proud of the trailer but learned lessons about preparation, budgets, hiring professional actors, and improving lighting and sound quality.
Analysing copy text, writing editing
This document discusses a rugby article about the London Broncos rugby club. It analyzes the article's language content and style. The article uses techniques like alliteration in its headline "Will the South rise again?" and employs a rhetorical question. It discusses the club settling in one location to better engage with the local community and recruit local southern players, aiming to develop homegrown talent rather than selling players for profit. The summary analyzes key aspects of the article such as its headline, language techniques, and topics covered regarding the London Broncos club.
Pr11 production commentary
The first thing audiences see on the magazine cover is the bold masthead to attract attention and indicate the issue date. The blank farrow area allows the main image to stand out without distraction. The lead article reviews the film "Unfriended" to inform readers of the main topic. Additional articles listed on the side and back indicate other content. The target audience is ages 18-30 who enjoy films, though the 15 rated film discussed could still attract younger readers. Both genders from middle social classes C1 and C2 are likely to be interested.
Review
Unfriended is a found footage horror film told through the perspective of a computer screen. The movie received mixed reviews, with some praising its realistic teen characters and others criticizing the childish humor. While the beginning was "cringe worthy", the film develops a more human feeling as it progresses. The unknown actors are surprisingly good at portraying normal teens rather than stereotypical horror characters. The found footage style and single continuous shot make the viewer feel like they are truly watching a Skype call. Overall, the film has some strong points like its acting and style, but also weaknesses, though it is worth a first watch for the unique perspective.
Review on dan's work
The document provides a review of the found footage horror movie "Unfriended." It summarizes that the movie started with cringe-worthy teen humor but improved as it went on. Though the acting was from unknown performers, they seemed natural rather than acting. The found footage style was effective at making the viewer feel like they were part of the movie. Overall, the reviewer gives the movie a 7.5 out of 10, praising the style but finding weaknesses in other areas like plot and casting.
Review on dan's work olivea
Unfriended is a found footage horror film about a group of teens communicating over video chat who are tormented by an unknown person. The film starts with cringe-worthy teen humor and arguments between characters, but over time develops more realistic teen characters with personal problems. While the plot and casting were only average, the film's found footage style through a computer screen immerses the viewer and makes the story feel real. Overall the reviewer felt the acting, style, and immersive quality of the film outweighed its weaknesses, rating it a 7.5 out of 10.
Imige change
I made minor edits to an image by increasing the brightness slightly using the brightness and contrast adjustment tools in an image editor. I also cropped a small amount off the top of the image using the crop tool to remove excess space. For another photo, I resized it to fit an A4 page size, changed the saturation using brightness and saturation tools, and added semi-transparent smoke and rust texture layers to give it a subtle creepy effect.
Imige copyright
Copyright is a legal protection that entitles the creator of an original work to decide how it can be used. This legislation was established in 1988 to prevent others from claiming ownership or profiting from someone else's work, including images, videos, drawings or text. The Copyright Hub website helps users find the rights holders of copyrighted content so they can request permission to use that content in their own projects. It provides contact information for rights holders and professionals willing to grant permission. Users can also search the site's database for a specific image or piece of content and potentially get connected to the copyright owner to request legal use of the item. Other organisations that can help access images legally include sites linked from Copyright Hub like BAPLA,
Report review justen
The London Broncos have been steadily rebuilding after being relegated through developing youth players and bringing in experienced Super League and NRL players. While they had a rocky start to the season, losing their star halfback and head coach, they have found stability under new coach Andrew Henderson and have an unbeaten home record. The club's new sporting director Brian Noble aims to help cement a winning culture and develop local youth through partnerships with schools. The future looks brighter for the Broncos as they have settled down in one location and focus on developing homegrown southern talent to challenge for Super League spots.
Review
Unfriended is a found footage horror film about a group of teens communicating over video chat who are tormented by an unknown person. The film starts with cringe-worthy teen humor and arguments between characters, but over time develops more realistic teen characters with personal problems. While the plot and casting were only average, the film's found footage style through a computer screen immerses the viewer and makes the story feel real. Overall the reviewer felt the acting, style, and immersive quality of the film outweighed its weaknesses, rating it a 7.5 out of 10.
Radio news review (1)
The document reviews three radio news stories produced by the author. For the first story, a "copy only" on a local cycling project, the author felt confident but faced limited source material. The second story was a live phone interview with a rugby coach, where the author's existing knowledge helped make the conversation flow well. The third story involved vox pops on lowering the voting age; the author felt less comfortable interviewing strangers and needs more research practice. Overall, feedback was positive but suggested slowing down and improving research methods.
Review
1) The document describes a radio news show assignment where the student had to create 3 news reports using different techniques.
2) For the first report, the student did a "copy only" report on an upcoming marathon in Manchester. They included details about the event and also tried to persuade people to participate.
3) The second report was an interview with a careers advisor about university prices. The student found the advisor easy to contact and asked questions relevant to students.
4) The third report took an opposing viewpoint to proposed legalization of fox hunting. The student included quotes from experts and questioned members of the public to get different perspectives.
Rangers
The head coach of the semi-professional Manchester Rangers football team was interviewed after two consecutive wins that moved the team up the league table. The coach believes the team is on track to achieve their goal of becoming the first professional club in Manchester. While they still have progress to make, the coach thinks competing in higher divisions is a realistic goal, though they may still rely on university student players as lower division clubs do.
Show script
This radio program discusses lowering the voting age, public views on fox hunting, Manchester's new £100 million cycling scheme, and provides entertainment and sports updates. Interviews are played with students on lowering the voting age, Daniel reporting on public opinion of fox hunting, and discussing Manchester's cycling pathways funding. The program concludes with entertainment and sports news summaries.
Pr3 how we respond to media productions
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The document then analyzes specific elements of Leon like setting, characters, iconography, and style. It discusses how the director Luc Besson brought an unconventional and auteur approach that has allowed the film
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This document provides a detailed analysis and summary of the 1999 film Fight Club based on the hypodermic needle model theory of media effects. It summarizes that according to this theory, the extreme violence portrayed in early versions of Fight Club could encourage real-world imitation. As a result, the film initially received an adult-only rating from censors. However, reception theory later challenged the notion that media directly causes behavior, recognizing that individual interpretations vary. While a small number of real-life fight clubs were reported after the film's release, most viewers did not imitate the violence and its impact was limited. The document analyzes Fight Club and media effects theories in over 3 sentences.
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Motion graphics uses
- 1. Pixel Pixels or picture elements are represented as small squares that are each a different colour and position when thousands of pixels are placed to gever they make a digital picture or image . The more pixels that are in an image the better the quality of the image is .
- 2. Resalution Resolution is the clearness and good quality of an image or video . The resolution depends on the amount of pixels that are used in the image or video the more pixels I it the better the resolution .The less pixels in the image or video it will be not as good resolution. Most good cameras resolution is around 640x480 pixels
- 3. Screen resolution Screen resolution is used in a ratio format which shows how many pixels can be held on the screen which you are on. The ratio means how many pixels the first number is the horizontal pixels the second number is the how many pixels are on the vertical. When the two numbers are times togever it shows how many pixels are on the screen The Viewsonic monitor which I am using has a pixels ratio of 1680:1050 which makes a total pixels of 1764000
- 4. Frame rate Frame rate or frame frequency is the amount of frames that are used in a second. The conman frame rate that is used is 25 or 30 frames per second . Though earlier movies used 14 to 24 frames per second . And also some new movies like the Hobbit have used 48 frames per second in their movie . A persons eye can see around 10 to 12 different images in one second .frame rates changes depending where you are in the world in European video cameras they film In 25 frames per second where as American they film in 300 frames per second
- 5. Video formants There are several different video format types which can be stored into multiple ways codec , frame rate , frame size, frame aspect ratio , pixel aspect ratio and scanning meathead. The most common types of video formats are DV, HDV and AVCHD. DV and HDV are tape based that can be stored onto a disk and be transfer by editing through a fire wire. AVCHD are file based files that can be transfer to the computer by using a USB .
- 6. Composition When composition a file it turns into a codec which is the progress when a file is encoded and then decoded when it is played back. codecs do not lose any data