The document provides an overview of the origins of modern art in the 19th century, including key artists and artworks from this period. It introduces James McNeill Whistler's Nocturne in Black and Gold painting. It also mentions art critic John Ruskin and provides images of works by William Blake, Jean-Auguste-Dominique Ingres, Eugène Delacroix, Théodore Géricault, Francisco de Goya, Théodore Rousseau, Jean-François Millet, and Joseph Mallord William Turner that were influential in the development of modern art. Additionally, it discusses early photography pioneers such as Louis-Jacques-Mandé Daguerre and Julia Margaret Cameron

1. The Origins of Modern
Art
Ch.1
right side

2. James McNeill Whistler
Nocturne in Black and
Gold: The Falling Rocket
c. 1875
Oil on panel
23 × 18”
Detroit Institute of Arts,
Detroit
[Fig. 01-01]

3. Art Critic
John Ruskin
1819-1900

4. William Blake, Nebuchadnezzar, 1795.
Color print finished in ink and watercolor on paper, 21 × 28”
Tate, London. [Fig. 01-03]

5. Jean-Auguste-Dominique Ingres, Grande Odalisque, 1814.
Oil on canvas, 36 × 64”
Louvre, Paris. [Fig. 01-05]

6. Eugène Delacroix, The Lion Hunt, 1861.
Oil on canvas, 30-1⁄8 × 38-3⁄4”
The Art Institute of Chicago. [Fig. 01-08]

7. Théodore Géricault, Cheval Devoré par un Lion (Horse Devoured by a Lion),
1820–21. Lithograph; black lithographic ink on prepared “stone” paper,
10-13⁄16 × 14-9⁄16”
British Museum, London. [Fig. 01-04]

8. Francisco de Goya y Lucientes, “This Is Worse,” Plate 37 from The
Disasters of War, 1810–11. Etching, 1863 edition, image 5 × 6-1⁄8”
The Metropolitan Museum of Art, New York. [Fig. 01-07]

9. Théodore Rousseau, Edge of the Forest of Fontainebleau, Sunset,
1850.
Oil on canvas, 55-7⁄8 × 77-7⁄8”
Louvre, Paris. [Fig. 01-12]

10. Jean-François Millet, The Angelus, 1857–59.
Oil on canvas, 21-1⁄2 × 25-7⁄8”
Musée d’Orsay, Paris. [Fig. 01-13]

11. Joseph Mallord William Turner, The Burning of the Houses of Parliament,
1834–35.
Oil on canvas, 36-1⁄2 × 48-1⁄2” The Cleveland Museum of Art. Bequest of
John L. Severance. 1942.647. [Fig. 01-11]

13. Early Photography

14. Louis-Jacques-Mandé Daguerre, An early daguerreotype, taken in the
artist’s studio, 1837. Société Française de Photographie, Paris.
[Fig. 02-01]

15. Louis-Jacques-Mandé Daguerre, Boulevard du Temple, Paris, c. 1838.
Daguerreotype. Bayerisches Nationalmuseum, Munich. [Fig. 02-06]

17. Julia Margaret Cameron
Unknown Girl, Ceylon
1875–79
Albumen print. J. Paul
Getty Museum,
Los Angeles
[Fig. 02-10]

18. Mathew Brady
Dead Soldier
Civil War
c.1863
Gelatin-silver print
Library of Congress,
Washington, D.C.
[Fig. 02-11]

19. Realism

20. Honoré Daumier, Rue Transnonain, April 15, 1834, published in
L’Association Mensuelle, July 1834.
Lithograph, 11-1⁄2 × 17-1⁄2”
Graphische Sammlung Albertina, Vienna. [Fig. 02-13]

21. Gustave Courbet, A Burial at Ornans,
1849–50.
Oil on canvas, 10’ 3-1⁄2” × 21’ 9”
Musée d’Orsay, Paris.
[Fig. 02-14]

22. Rosa Bonheur, Plowing in the Nivernais
1849
Oil on canvas
70-7⁄8 × 102-3⁄8”
Musée d’Orsay, Paris. [Fig. 02-16]