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This document provides an introduction to modern art and highlights several influential artworks from different movements including Neo-Classicism, Romanticism, Early Photography, Realism, and Impressionism. Key works mentioned include Jacques-Louis David's Oath of the Horatii, Eugene Delacroix's Liberty Leading the People, John Constable's The Hay Wain, Louis Daguerre's Boulevard du Temple, Paris, and Claude Monet's Boulevard des Capucines, Paris. The document traces the evolution of modern art styles from the late 18th to early 20th centuries.
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The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
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• 1807 Steamboat
• 1814 Steam Locomotive
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• 1837 Telegraph
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• 1927 Television
• 1935 Electric Guitar
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Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
Chapter 2 the search for truth
The document provides an overview of the development of photography and realist painting from the early to late 19th century in Europe and America. It discusses key figures and works that advanced realism and naturalism in art, moving from romanticized depictions to more objective styles influenced by photography. These include Daguerre, Niepce, Courbet, Manet, Monet, Degas, and Eakins among others. It also covers the emergence of impressionism from realism and its rejection of academic styles in favor of capturing fleeting visual impressions of light and motion.
NCC ART104 1
This document provides an overview of the major artistic movements and developments in 19th century French art, including Realism, Impressionism, Post-Impressionism, and their transition to modern art. It features works and brief biographies of many prominent artists from this period such as Courbet, Manet, Degas, Monet, Van Gogh, and Cézanne. Their works challenged academic traditions and pioneered new techniques to depict modern life using bright colors, loose brushwork, and everyday subjects.
From 16th to 20th century
The document provides an overview of major art movements from the 16th to early 20th century in Europe, including Baroque, Rococo, Neoclassicism, Romanticism, Realism, and Impressionism. It summarizes some of the key characteristics of each movement and lists influential artists such as Caravaggio, Bernini, Rembrandt, and Manet. Major political and scientific events of each era are also briefly mentioned.
Claude monet
Claude Monet was a famous French impressionist painter born in 1840 in Paris. Some of his most notable works include paintings from his series on Rouen Cathedral, the Houses of Parliament in London, and water lilies. Monet helped found impressionism and held the first impressionist exhibition in 1874, where his painting Impression, Sunrise gave the movement its name. He spent many years painting his water lily garden in Giverny, France until his death in 1926.
Historicism and Romanticism Enrique
This document discusses Romanticism in 19th century art. It focused on the key characteristics of Romantic painting including movement, vivid colors, and emphasis on emotion over reason. Important Romantic painters from different countries are mentioned, including Géricault, Delacroix, and Friendrich from France and Germany, Turner from Britain, and Bécquer, Villaamil, and Fortuny from Spain. Delacroix's painting "The Lion Hunt" from 1861 is analyzed in detail.
Lecture 1: The Rise of Modernism, 1800-1917
Geoff Krawczyk's Art Survey course, Art since 1945.
The Rise of Modernism: 1800-1917
The first slide lecture discusses the roots of Modernism in the Romanticism and political turmoil of the 19th century; the formation of the avant-garde in Europe; Paris as a cultural hub; the optimism for industry and the beginning of WWI.
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape paintings like The Oxbow, photography emerging as an art form through photographers like Watkins and Nadar, Realism depicting ordinary life in paintings such as The Horse Fair, and Impressionism beginning as artists like Monet and Degas sought to paint visual impressions rather than realistic scenes.
Art from 1850 to 1900
The document provides a chronological overview of major events, discoveries, and developments that occurred between 1850-1930. It discusses important inventions like the telegraph, telephone, motor car, and airplane. Major events included the American Civil War, emancipation of Russian serfs, founding of the Red Cross, and opening of the Suez Canal. In art, the document outlines the progression from Realism to Impressionism to Post-Impressionism and then to Cubism. Key artists from each movement are mentioned along with characteristics of their works and techniques.
Modern art
This document provides an overview of modern art movements from Neoclassicism in the 18th century through Surrealism in the early 20th century. It discusses the key characteristics and examples of works for each major movement including Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Art Nouveau, Expressionism, Fauvism, Cubism, Futurism, Vorticism, Dada, Suprematism, Constructivism, De Stijl, and Surrealism. The movements had varying styles and subject matters but many revolted against prior conventions and explored new ways of representing visual art.
10. romanticism
The document provides an overview of the Romantic period from 1780-1850, focusing on developments in music, literature, and painting, as well as the social influences of revolutions in France and America. Key painters from the period are discussed, including Eugène Delacroix, Théodore Géricault, J.M.W. Turner, John Constable, and Caspar David Friedrich, noting their artistic styles and examples of major works. The Romantic period saw a shift from neoclassicism to a greater emphasis on nature, emotion, and individual expression.
Chapter 1 the origins of modern art
1. James Whistler and John Ruskin held opposing views on art, with Whistler believing in "art for art's sake" without social concerns. This led to Whistler suing Ruskin for libel over criticism of one of Whistler's paintings.
2. In the late 18th century, the focus in art shifted from emulating tradition to an artist's unique vision and imagination, influenced by neoclassicism and romanticism. This established the idea of the artist as a "visionary genius."
3. Major artists like Jacques-Louis David, Francisco Goya, Eugène Delacroix, John Constable, J.M.W. Turner, Jean-Fran
Historia de la fotografia
This document provides a brief history of photography from its origins in 1822 to the mid-20th century. It highlights some of the most important early photographers and developments, including Joseph Nicéphore Niépce creating the first permanent photograph in 1822, Louis Daguerre developing the daguerreotype process in the 1830s, William Henry Fox Talbot inventing the calotype process in the 1840s, Mathew Brady documenting the American Civil War in the 1860s, Eadweard Muybridge pioneering motion picture photography in the 1870s-1880s, and photographers like Julia Margaret Cameron, Man Ray, and Robert Capa becoming prominent in the late 19th and early 20th centuries. The document
Realism in 19th century photography
Review of development of photography in context of Realism in the 19th Century; for Ms. Fuentes AP Art History Class
Team D: Historical Periods Presentation
The document provides an overview of the Romantic and Impressionist periods in visual arts, music, drama, and dance from the late 18th to 19th centuries. Key characteristics included a focus on emotion and nature in visual arts, the use of thin brush strokes and emphasis on light in Impressionism. Significant artists across genres incorporated more feeling and passion. Societies were increasingly involved in and influenced by the arts during periods of revolution and modernization.
Impressionism
The document discusses the influence of Japanese art, known as Japonisme, on Western art in the late 19th century. It began when trade opened with Japan in 1854, exposing Western artists to woodblock prints, which were popularized in Paris exhibitions and shops in the 1860s. Artists admired the prints' flatness, asymmetry, and emphasis on nature over symmetry. Many Impressionist and Post-Impressionist artists, such as Manet, Degas, Van Gogh, and Gauguin, were influenced by these styles and incorporated elements of them into their own works.
2ND HALF OF CLASS 7 AND ALSO CLASS 8
The document provides an overview of various art movements from Neoclassicism to Dadaism. It summarizes key figures, works, styles, and philosophies associated with each movement. Neoclassicism revived classical Greek and Roman forms. Jacques-Louis David was a major Neoclassical painter who also played a role in the French Revolution. Impressionism focused on capturing instantaneous impressions of light and scenes painted outdoors. Cubism fragmented objects into geometric forms. Dadaism rejected logic and rationality in art and embraced spontaneity.
Week 7 Review Done Spr
The document discusses the history of art movements in Europe from Neoclassicism to Romanticism. It focuses on Jacques-Louis David's role in the French Revolution and the development of Neoclassicism. It also describes the development of Realism and Impressionism in France in the 19th century, highlighting the works and styles of artists like Manet and Whistler. Whistler sued the art critic John Ruskin for libel after Ruskin criticized one of Whistler's paintings.
Chapter 13 materialism
1. The document discusses the rise of realism and impressionism in art between the 1850s-1880s as responses to industrialization and urbanization in Europe.
2. Artists like Courbet, Manet, Millet, and Daumier captured social realism, while Monet, Renoir, Pissarro, Cassatt, and others developed impressionist techniques to depict light and movement.
3. Architecture in this period evolved from cast iron structures to skyscrapers as cities grew vertically.
18 b pics student
Here are the key points covered in the document:
- The document discusses the transition from Neoclassicism to Romanticism in late 18th-early 19th century art, focusing on developments in architecture, painting, sculpture, and photography.
- It describes characteristics of Neoclassical and Romantic styles, as well as debates between artistic camps favoring line vs. color.
- The emergence of photography in the mid-19th century is covered, exploring its impact on perceptions of reality.
- The works and styles of major artists from this period are analyzed, including Ingres, Delacroix, Goya, Turner, Cole, Church, and early photographers like Daguerre and Cameron.
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Works of art
- 1. WORKS OF ART Introduction to Modern Art
- 3. Jacques-Louis David, Oath of the Horatii 1785 Neo-Classicism, Enlightenment/French Revolution
- 4. William Blake, Elohim Creating Adam, 1795 (Engraving)
- 5. Romanticism
- 6. Eugène Delacroix, Liberty Leading the People July 28, 1830 Romanticism
- 7. Caspar David Friedrich, Wanderer Above the Sea Fog, 1818
- 8. J.M.W Turner, The Burning of the Houses of Parliament, 1834 Romanticism, Sublime
- 9. John Constable, The Hay Wain, 1819-1821 Romanticism, Picturesque
- 11. Louis Daguerre, The Artist’s Studio, 1837 Early Photography, Daugerrotype
- 12. Louis Daguerre, Boulevard du Temple, Paris c. 1838 Early Photography, Daguerrotype
- 13. Oscar G. Rejlander, The Two Ways of Life, 1857 Early Photography, Combination Print
- 14. Mathew Brady, On the Antietam Battlefield, 1862 Early Photography, Gelatin Silver Print
- 15. Gustave Courbet, The Stonebreakers 1849
- 16. Gustave Courbet, A Burial at Ornans, 1849-1850
- 17. Honoré Daumier, Rue Transnonain, c. 1834 Lithograph
- 18. Rosa Bonheur, Plowing in the Nivernais: The Dressing of the Vines, 1849
- 19. John Singer Sargent, Madame X (Madame Pierre Gautreau) 1884
- 20. Thomas Eakins, The Gross Clinic (Portrait of Professor Samuel Gross), 1875
- 21. Impressionism
- 22. Claude Monet, Boulevard des Capucines, Paris (Les Grands Boulevards) 1873-1874
- 23. Gustave Caillebotte, Paris Street, Rainy Day 1877
- 24. CUBISM
- 25. Franz Marc, The Large Blue Horses, 1911 Cubism, Der Blaue Reiter