Mise En Scene in Our Short Film
•Download as PPTX, PDF•
0 likes•346 views
The document discusses the mise-en-scène elements for a short film, including settings of moors, a house, and graveyard. A key prop is a car, as most of the film takes place inside it. Lighting will be low-key to create a mysterious tone at night. Representations of the characters Eve, Richard, and David are described - Eve sadly emotional, Richard initially happy then sorrowful, and David angrily emotional over his daughter's death on the moors years ago.
Report
Share
Report
Share
Recommended
Mise en scene in our short film
Mise en scene in our short film and how we feel it will help us in our short film and how it is seen in our short film etc.
Question 1 of Film Evaluation
Question 1 - In what ways does our media product use, develop or challenge forms and conventions of real media products?
Film 2
The document describes several filming sessions for a student film project over the course of November 2012. It discusses the locations, shots, and scenes filmed, as well as issues that arose. On the first date, the group filmed a news scene from different angles to find the perfect background setting. Noise from the wind and people talking made the scene less effective. They later re-shot scenes to make them more realistic to the thriller/action genres. Good medium shots were captured but some photos were accidentally deleted. Subsequent filming included shots of a character in a dark room and graveyard to convey scary atmospheres, though some shots did not look realistic.
Unproofed grease analysis
The poster summarizes the Grease film as a lighthearted romantic musical comedy through images of the main characters dancing and interacting closely. The bright colors and sunny sky imagery suggest an upbeat and fun film. The layout emphasizes the two main characters of equal importance through centered images of them dancing and smiling headshots at the top. The poster conveys that the narrative will show the characters' romance blossoming across various locations and dance scenes as they navigate being from different social groups in their high school.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and an ambiguous mood that grows darker by the end.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and a growing ambiguous mood leading to a dark ending.
Mise En Scene in Our Short Film
The document discusses the mise-en-scène elements that will be used in a short film. It will take place at night in the moorland setting of Shipley Glen and in a house and graveyard. A key prop is a car where dialogue scenes will occur. Low key lighting will be used to create a mysterious tone with sharp contrasts. The characters of Eve, Richard, and David are introduced and how their personalities will be represented through costume, makeup, and behaviors.
How we made our cd pane
For the CD design, the team found a template to guide the overall design. They erased background elements in Photoshop and added a black backing color to represent depression and conflict throughout the CD. The main text "Mad World" was chosen as a symbolic reference to the song's meaning of life being crazy and mad. An image of a protagonist covering his face was added to portray emotional conflict and grief. The black and white color scheme represents good and bad, with white symbolizing hope and black symbolizing darkness.
Recommended
Mise en scene in our short film
Mise en scene in our short film and how we feel it will help us in our short film and how it is seen in our short film etc.
Question 1 of Film Evaluation
Question 1 - In what ways does our media product use, develop or challenge forms and conventions of real media products?
Film 2
The document describes several filming sessions for a student film project over the course of November 2012. It discusses the locations, shots, and scenes filmed, as well as issues that arose. On the first date, the group filmed a news scene from different angles to find the perfect background setting. Noise from the wind and people talking made the scene less effective. They later re-shot scenes to make them more realistic to the thriller/action genres. Good medium shots were captured but some photos were accidentally deleted. Subsequent filming included shots of a character in a dark room and graveyard to convey scary atmospheres, though some shots did not look realistic.
Unproofed grease analysis
The poster summarizes the Grease film as a lighthearted romantic musical comedy through images of the main characters dancing and interacting closely. The bright colors and sunny sky imagery suggest an upbeat and fun film. The layout emphasizes the two main characters of equal importance through centered images of them dancing and smiling headshots at the top. The poster conveys that the narrative will show the characters' romance blossoming across various locations and dance scenes as they navigate being from different social groups in their high school.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and an ambiguous mood that grows darker by the end.
Shutter island
The document provides an analysis of editing, camera shots, sound, themes, symbolic codes, ideology, lighting, narrative, characters, representation, setting, and mood/tone in the film. It discusses how the film uses flashbacks to reveal the past, high and low camera angles to show control, subjective sound to portray mental problems, the theme of isolation, symbolic clothing to represent characters, the portrayal of an uncontrolled world held back by social restraints, dark and contrasting lighting, serious protagonists and uplifting side characters, changing representation of the main character, an isolated setting shown through contrasting colors, and a growing ambiguous mood leading to a dark ending.
Mise En Scene in Our Short Film
The document discusses the mise-en-scène elements that will be used in a short film. It will take place at night in the moorland setting of Shipley Glen and in a house and graveyard. A key prop is a car where dialogue scenes will occur. Low key lighting will be used to create a mysterious tone with sharp contrasts. The characters of Eve, Richard, and David are introduced and how their personalities will be represented through costume, makeup, and behaviors.
How we made our cd pane
For the CD design, the team found a template to guide the overall design. They erased background elements in Photoshop and added a black backing color to represent depression and conflict throughout the CD. The main text "Mad World" was chosen as a symbolic reference to the song's meaning of life being crazy and mad. An image of a protagonist covering his face was added to portray emotional conflict and grief. The black and white color scheme represents good and bad, with white symbolizing hope and black symbolizing darkness.
How we made our cd pane
For the CD design, the team found a template to guide the overall design. They erased background elements in Photoshop and added a black backing color to represent depression and conflict throughout the CD. The main text "Mad World" was chosen as a symbolic reference to the song's meaning of life being crazy and mad. An image of a protagonist covering his face was added to portray emotional conflict and grief. The black and white color scheme represents good and bad, with white symbolizing hope and black symbolizing darkness and depression.
Poster analysis
This document discusses three horror movie posters and how they could inspire a poster for a film about a riot among infected teens. It notes that two posters effectively use a limited color palette and simple images to focus viewer attention. The third poster reflects a bathroom scene and conventions of voyeurism, dressing the protagonist in white to represent purity as she transforms from good to evil. City backgrounds and orange tones could be used to depict the riot fires.
Presentation easy a
This document analyzes shots from a teen drama film, examining how they establish setting, characters, and themes through techniques like camerawork, editing, mise-en-scene, and sound. Shots show the school setting, introduce the main character as a social outcast, and depict stereotypical high school cliques. Colors like red are used consistently to represent the film's themes of love and danger. Establishing shots orient the audience and signal transitions between scenes or periods of conflict through the use of songs. Credits reveal the film studio and stars to attract audiences.
Mise-en-scene
Mise-en-scene refers to everything within the frame of a film including setting, props, costumes, lighting, and actor positioning and expressions. It is used to manipulate the audience and convey meaning through denotation and connotation. Settings are carefully chosen or constructed to set expectations and influence mood. Lighting, in particular high-key and low-key techniques, color, and costumes are all employed to further immerse the audience and elicit specific emotional responses. Character relationships and personality are also revealed through mise-en-scene elements like body language and facial expressions.
Mise en-scène 2 space jam
This document discusses various elements of mise-en-scène in the 1996 film Space Jam. It describes the settings in the film, including basketball courts and animated environments. It notes that props like basketballs and cartoon characters establish elements of the plot. The costumes and uniforms worn by the characters, like Michael Jordan's basketball jersey, provide context clues about the sporting event taking place. Facial expressions and body language of characters help convey their emotions and reactions to events. The positioning and spacing of characters within frames can influence how the audience perceives relationships and focus. Animations and computer-generated imagery were heavily used to bring the cartoon characters to life.
Evaluation q1 presentation
This document discusses how the media product challenges or develops conventions of real media forms.
It analyzes shots from the music video and how they use color, lighting and symbolism to represent changes in mood and relationships over time, developing Todorov's theory of equilibrium.
Some shots feature unrealistic effects like color desaturation or montages, challenging realism but sticking to conventions of abstract music videos. The use of the band's singer creates an authentic narrative link to the performance, aligning with Goodwin's theory on using a "star image".
Strategy for gta
The document outlines a strategy for marketing and releasing a new Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and a website to generate interest, followed by four trailers released every 3 months. Advertising will include billboards, press articles, graffiti, and a TV commercial campaign. Celebrity cameos and hands-on previews for writers are intended to increase hype. The game will be released on December 21, 2011 to take advantage of the holiday season and the doomsday date's proximity.
Jonathan Glazer - Auter
Jonathan Glazer is a renowned music video and film director known for his innovative use of techniques like color, lighting, and speed to convey emotion. He first found fame directing music videos for songs like Radiohead's "Street Spirit," and has since directed films and commercials. Glazer often drains color from videos to create an unhappy atmosphere and uses lighting to focus on characters' facial expressions and convey their feelings. He also manipulates color and speed through techniques like slow motion to immerse viewers in the mood of songs and highlight hidden messages. The biggest theme across Glazer's work is using technical elements to heighten the emotional tension already present in the music and lyrics.
Grease poster analysis
The poster summarizes Grease as a fun, lighthearted romantic musical comedy set in the 1950s featuring a blossoming romance between the two main characters. It depicts the characters dancing and socializing in different groups denoted by their matching outfits. Though their romance may not run smoothly, the bright, upbeat colors and smiling faces portrayed on the poster suggest there will ultimately be a happy ending.
Media film poster deconstruction
The document summarizes and analyzes the genre, target audience, and key elements of three film posters for movies with a romance genre:
1) A Walk to Remember has a soft color scheme and images that reflect the intense emotions of the main characters' love story. The title and actors' names are prominently featured.
2) Forgetting Sarah Marshall has a minimalist design with a rough, handwritten style that conveys the film's comedic tone. Clues in the imagery hint that it is set in Hawaii.
3) Brief Encounter uses sketches instead of screenshots in an old-fashioned design. The prominent director and actors are the clear selling points over simple imagery that doesn't strongly connect
Jonathan Glazer
Jonathan Glazer is a renowned music video and film director who first found fame for directing Radiohead's "Street Spirit". He uses techniques like manipulating color, lighting, and speed to convey emotion and emphasize themes in his works. Glazer often drains color from videos to create an unhappy atmosphere and uses lighting to focus on characters' facial expressions. He also exaggerates certain colors like white in Blur's "The Universal" to allude to other creative works. Glazer typically slows the pace of his videos using a garbage matte technique to keep viewers focused on the song. His work aims to heighten the emotional tension already present in the lyrics through his directorial style.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
Heat poster analysis
The poster contrasts the blue background with darkened, shaded characters that are difficult to see, creating a sense of mystery. The dark colors of the characters imply they are immoral and doomed. The blue background draws attention to the main characters and signals this is a thriller, as blue is a common color in that genre. The poster features Robert De Niro and Al Pacino, renowned for crime films, to attract fans of that genre. It depicts a machine gun to indicate the film contains both crime and action. Val Kilmer is centered between the two actors to suggest conflict within the plot.
The Radio Drama & Podcasting
The document discusses the history and evolution of radio dramas and podcasting. Radio dramas began in the 1920s and flourished through the 1940s but declined with the rise of television. Orson Welles' 1938 radio drama "War of the Worlds" caused widespread panic by sounding like a news broadcast. While most radio dramas ended by 1962, National Public Radio continued producing some. Podcasting has revived the radio drama format by making audio productions easily accessible online. Popular podcasts like Serial have brought new audiences to the genre.
Horror films
This poster summary analyzes a horror film poster:
1) The ripped effect on the faces creates intrigue while hinting at the film's theme.
2) The tagline "I dare you to watch until our movie is done" directly addresses the audience and implies danger from the characters.
3) The poster challenges conventions by using a happy couple image contradicted by the ripped effect.
Question 2; How effective is the combination of our main product and ancillar...
The student created a documentary, poster, and radio trailer that work together to promote and reinforce the topic of dreams. Specifically:
1) The same fonts, voiceovers, music, and clips are used across the products to link them together.
2) The poster uses still images from the documentary and emphasizes the themes of dreams, combining the visual elements.
3) The radio trailer uses clips and a similar script to the documentary to grab listeners' attention and remind them to watch the airing on TV.
4) Together the products target and audience of 20-30 year olds, promote the scheduling, and complement each other's reinforcement of the topic of dreams.
Catch me if u can
The animated opening sequence of "Catch Me If You Can" introduces the main characters of Frank Abagnale, a master of deception who assumes different identities, and Carl Hanratty, the FBI agent trying to catch him. The sequence shows Abagnale constantly changing disguises and locations to evade capture through quick dissolving shots matched to suspenseful music. The titles provide context about the film's genre, director, producers, and stars like Leonardo DiCaprio playing the central role of Frank Abagnale.
Evaluation question 2
The document discusses ancillary tasks and products created for a psychological thriller film titled "Paranoia". These include a magazine cover and two alternative movie posters. A consistent color scheme of black, red and white was used across all products to create a cohesive brand identity. Faces on the posters are barely visible to imply a descent into darkness, and a red stripe represents blood. The same protagonists from the film are featured to feel familiar to audiences. The magazine cover was designed for Time Out London to target the film's intended London audience. Textual details like fonts, colors and themes of mystery and unease are carried over across all three products.
Part3
The document discusses three products - a song, music video, and album - promoting the song "Amazing" by Kim King. Across all three products, the rose is used as a symbol of love to establish the themes of love and devotion. A color palette of red, pink, and white is also used to connote love. The typography and font are consistently simple and classy. The bedroom setting is featured in all products to connote themes of love, romance, and sex highlighted in the song, while still protecting the artist's image as a classy woman.
Issues in Relation to Short Films
The document discusses several issues that independent short films may face, including genre, distribution, storyline, and copyright. It notes that genre helps distributors market films and was an important consideration for their psychological drama short film. It also explains their decision to distribute on YouTube, as their target audience frequents the platform, and that they will not pursue film distributors since their project is non-funded and for educational purposes. The document emphasizes the importance of a creative, unique storyline to engage viewers and discusses copyright clearances that may require permission or payment to use songs in films.
Introduction to short films
Short films tell concise stories from a single character's perspective, focusing on difficult topics not covered in mainstream films. They allow filmmakers more creative freedom and higher risks. Good short films have exciting plots, strong scripts, appropriate actors, and high production values. The London Short Film Festival is a premiere UK showcase for independent short films, now in its 13th year, that attracts a large audience of short film fans as shorts often aren't released in cinemas.
Evaluation question 1
Lucy Clarke discusses how her media product uses and develops conventions of real music magazines. She researched various music magazines to inform her own product. On the front cover, she used techniques like the rule of thirds and included social media references, as real magazines do. For the contents page, she included a sidebar and page numbers, both common elements. Her double page spread featured an original photo shoot with a model and guitar to signify the music genre, and employed techniques like drop caps and pull quotes used in other magazines.
More Related Content
What's hot
How we made our cd pane
For the CD design, the team found a template to guide the overall design. They erased background elements in Photoshop and added a black backing color to represent depression and conflict throughout the CD. The main text "Mad World" was chosen as a symbolic reference to the song's meaning of life being crazy and mad. An image of a protagonist covering his face was added to portray emotional conflict and grief. The black and white color scheme represents good and bad, with white symbolizing hope and black symbolizing darkness and depression.
Poster analysis
This document discusses three horror movie posters and how they could inspire a poster for a film about a riot among infected teens. It notes that two posters effectively use a limited color palette and simple images to focus viewer attention. The third poster reflects a bathroom scene and conventions of voyeurism, dressing the protagonist in white to represent purity as she transforms from good to evil. City backgrounds and orange tones could be used to depict the riot fires.
Presentation easy a
This document analyzes shots from a teen drama film, examining how they establish setting, characters, and themes through techniques like camerawork, editing, mise-en-scene, and sound. Shots show the school setting, introduce the main character as a social outcast, and depict stereotypical high school cliques. Colors like red are used consistently to represent the film's themes of love and danger. Establishing shots orient the audience and signal transitions between scenes or periods of conflict through the use of songs. Credits reveal the film studio and stars to attract audiences.
Mise-en-scene
Mise-en-scene refers to everything within the frame of a film including setting, props, costumes, lighting, and actor positioning and expressions. It is used to manipulate the audience and convey meaning through denotation and connotation. Settings are carefully chosen or constructed to set expectations and influence mood. Lighting, in particular high-key and low-key techniques, color, and costumes are all employed to further immerse the audience and elicit specific emotional responses. Character relationships and personality are also revealed through mise-en-scene elements like body language and facial expressions.
Mise en-scène 2 space jam
This document discusses various elements of mise-en-scène in the 1996 film Space Jam. It describes the settings in the film, including basketball courts and animated environments. It notes that props like basketballs and cartoon characters establish elements of the plot. The costumes and uniforms worn by the characters, like Michael Jordan's basketball jersey, provide context clues about the sporting event taking place. Facial expressions and body language of characters help convey their emotions and reactions to events. The positioning and spacing of characters within frames can influence how the audience perceives relationships and focus. Animations and computer-generated imagery were heavily used to bring the cartoon characters to life.
Evaluation q1 presentation
This document discusses how the media product challenges or develops conventions of real media forms.
It analyzes shots from the music video and how they use color, lighting and symbolism to represent changes in mood and relationships over time, developing Todorov's theory of equilibrium.
Some shots feature unrealistic effects like color desaturation or montages, challenging realism but sticking to conventions of abstract music videos. The use of the band's singer creates an authentic narrative link to the performance, aligning with Goodwin's theory on using a "star image".
Strategy for gta
The document outlines a strategy for marketing and releasing a new Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and a website to generate interest, followed by four trailers released every 3 months. Advertising will include billboards, press articles, graffiti, and a TV commercial campaign. Celebrity cameos and hands-on previews for writers are intended to increase hype. The game will be released on December 21, 2011 to take advantage of the holiday season and the doomsday date's proximity.
Jonathan Glazer - Auter
Jonathan Glazer is a renowned music video and film director known for his innovative use of techniques like color, lighting, and speed to convey emotion. He first found fame directing music videos for songs like Radiohead's "Street Spirit," and has since directed films and commercials. Glazer often drains color from videos to create an unhappy atmosphere and uses lighting to focus on characters' facial expressions and convey their feelings. He also manipulates color and speed through techniques like slow motion to immerse viewers in the mood of songs and highlight hidden messages. The biggest theme across Glazer's work is using technical elements to heighten the emotional tension already present in the music and lyrics.
Grease poster analysis
The poster summarizes Grease as a fun, lighthearted romantic musical comedy set in the 1950s featuring a blossoming romance between the two main characters. It depicts the characters dancing and socializing in different groups denoted by their matching outfits. Though their romance may not run smoothly, the bright, upbeat colors and smiling faces portrayed on the poster suggest there will ultimately be a happy ending.
Media film poster deconstruction
The document summarizes and analyzes the genre, target audience, and key elements of three film posters for movies with a romance genre:
1) A Walk to Remember has a soft color scheme and images that reflect the intense emotions of the main characters' love story. The title and actors' names are prominently featured.
2) Forgetting Sarah Marshall has a minimalist design with a rough, handwritten style that conveys the film's comedic tone. Clues in the imagery hint that it is set in Hawaii.
3) Brief Encounter uses sketches instead of screenshots in an old-fashioned design. The prominent director and actors are the clear selling points over simple imagery that doesn't strongly connect
Jonathan Glazer
Jonathan Glazer is a renowned music video and film director who first found fame for directing Radiohead's "Street Spirit". He uses techniques like manipulating color, lighting, and speed to convey emotion and emphasize themes in his works. Glazer often drains color from videos to create an unhappy atmosphere and uses lighting to focus on characters' facial expressions. He also exaggerates certain colors like white in Blur's "The Universal" to allude to other creative works. Glazer typically slows the pace of his videos using a garbage matte technique to keep viewers focused on the song. His work aims to heighten the emotional tension already present in the lyrics through his directorial style.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
Heat poster analysis
The poster contrasts the blue background with darkened, shaded characters that are difficult to see, creating a sense of mystery. The dark colors of the characters imply they are immoral and doomed. The blue background draws attention to the main characters and signals this is a thriller, as blue is a common color in that genre. The poster features Robert De Niro and Al Pacino, renowned for crime films, to attract fans of that genre. It depicts a machine gun to indicate the film contains both crime and action. Val Kilmer is centered between the two actors to suggest conflict within the plot.
The Radio Drama & Podcasting
The document discusses the history and evolution of radio dramas and podcasting. Radio dramas began in the 1920s and flourished through the 1940s but declined with the rise of television. Orson Welles' 1938 radio drama "War of the Worlds" caused widespread panic by sounding like a news broadcast. While most radio dramas ended by 1962, National Public Radio continued producing some. Podcasting has revived the radio drama format by making audio productions easily accessible online. Popular podcasts like Serial have brought new audiences to the genre.
Horror films
This poster summary analyzes a horror film poster:
1) The ripped effect on the faces creates intrigue while hinting at the film's theme.
2) The tagline "I dare you to watch until our movie is done" directly addresses the audience and implies danger from the characters.
3) The poster challenges conventions by using a happy couple image contradicted by the ripped effect.
Question 2; How effective is the combination of our main product and ancillar...
The student created a documentary, poster, and radio trailer that work together to promote and reinforce the topic of dreams. Specifically:
1) The same fonts, voiceovers, music, and clips are used across the products to link them together.
2) The poster uses still images from the documentary and emphasizes the themes of dreams, combining the visual elements.
3) The radio trailer uses clips and a similar script to the documentary to grab listeners' attention and remind them to watch the airing on TV.
4) Together the products target and audience of 20-30 year olds, promote the scheduling, and complement each other's reinforcement of the topic of dreams.
Catch me if u can
The animated opening sequence of "Catch Me If You Can" introduces the main characters of Frank Abagnale, a master of deception who assumes different identities, and Carl Hanratty, the FBI agent trying to catch him. The sequence shows Abagnale constantly changing disguises and locations to evade capture through quick dissolving shots matched to suspenseful music. The titles provide context about the film's genre, director, producers, and stars like Leonardo DiCaprio playing the central role of Frank Abagnale.
Evaluation question 2
The document discusses ancillary tasks and products created for a psychological thriller film titled "Paranoia". These include a magazine cover and two alternative movie posters. A consistent color scheme of black, red and white was used across all products to create a cohesive brand identity. Faces on the posters are barely visible to imply a descent into darkness, and a red stripe represents blood. The same protagonists from the film are featured to feel familiar to audiences. The magazine cover was designed for Time Out London to target the film's intended London audience. Textual details like fonts, colors and themes of mystery and unease are carried over across all three products.
Part3
The document discusses three products - a song, music video, and album - promoting the song "Amazing" by Kim King. Across all three products, the rose is used as a symbol of love to establish the themes of love and devotion. A color palette of red, pink, and white is also used to connote love. The typography and font are consistently simple and classy. The bedroom setting is featured in all products to connote themes of love, romance, and sex highlighted in the song, while still protecting the artist's image as a classy woman.
What's hot (19)
Question 2; How effective is the combination of our main product and ancillar...
Question 2; How effective is the combination of our main product and ancillar...
Viewers also liked
Issues in Relation to Short Films
The document discusses several issues that independent short films may face, including genre, distribution, storyline, and copyright. It notes that genre helps distributors market films and was an important consideration for their psychological drama short film. It also explains their decision to distribute on YouTube, as their target audience frequents the platform, and that they will not pursue film distributors since their project is non-funded and for educational purposes. The document emphasizes the importance of a creative, unique storyline to engage viewers and discusses copyright clearances that may require permission or payment to use songs in films.
Introduction to short films
Short films tell concise stories from a single character's perspective, focusing on difficult topics not covered in mainstream films. They allow filmmakers more creative freedom and higher risks. Good short films have exciting plots, strong scripts, appropriate actors, and high production values. The London Short Film Festival is a premiere UK showcase for independent short films, now in its 13th year, that attracts a large audience of short film fans as shorts often aren't released in cinemas.
Evaluation question 1
Lucy Clarke discusses how her media product uses and develops conventions of real music magazines. She researched various music magazines to inform her own product. On the front cover, she used techniques like the rule of thirds and included social media references, as real magazines do. For the contents page, she included a sidebar and page numbers, both common elements. Her double page spread featured an original photo shoot with a model and guitar to signify the music genre, and employed techniques like drop caps and pull quotes used in other magazines.
Film Techniques
Film techniques refers to how meaning is created in film through various shots and camera movements. Different shots like extreme long shots, long shots, mid shots, and close-ups are used to demonstrate aspects of a film's setting, characters, and themes. Camera movements including dolly, pan, zoom, and handheld shots further shape meaning. When producing a film, managing time and choosing appropriate locations and actors are important to convey the right message and stay on schedule and on budget.
Short Film Questionnaire
This short film questionnaire asks respondents for their gender and age, whether they watch short films, and what attracts them to or interests them in short films, including possible genres and places of viewing. It is conducted by Lucy, Eman, Katie and Hamza for an unknown purpose and thanks participants for their time.
Audience theory and research
The document summarizes the results of a questionnaire given to 50 people about their viewing habits and preferences for short films. It found that the target audience for a new short film should be people aged 19-25, as this age group was most likely to watch short films, preferring dramas and accessing them online. Specifically, the questionnaire revealed that this age range preferred psychological drama genres with intriguing storylines available through internet streaming. The filmmakers decided on a mixed gender target audience for this genre.
Filming plan 15th jan
The filming plan outlines details for a scene being filmed on Monday, January 15th. The scene takes place in Katie's kitchen and involves the two main characters, Richard and David, having a conversation over tea. Through their discussion, Richard discovers more about Eve and her death, leaving him questioning who he just spoke to as she may have been a ghost. The filming is scheduled to take place from 10am to 4:30pm at Katie's house, where her kitchen will represent David's house. Lunch will be provided for the cast and crew.
Evaluation question 2
This document summarizes how the media product represents particular social groups. It discusses representation on the front cover, contents page, and double page spread. For the front cover, it uses a mixed race model and bright colors to represent youth and a multicultural music industry. The contents page features a model of a different nationality and images of earphones to represent diversity and youth engaging with technology. The double page spread depicts a female model with a guitar to represent females, youth, and acoustic music appealing to slightly older audiences. Overall, the media product aims to represent youth while also including diversity and wider audiences through the images and content featured.
Storyboards
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help enhance one's emotional well-being and mental clarity.
Problems faced on the first day of filming
The film crew faced several problems on the first day of shooting. Both cameras were recording video but not sound, requiring some scenes to be refilmed. In one shot, the second camera could be seen in the reflection of a glass door panel. The actors also forgot some of their lines, but were provided scripts to refer to discreetly. Timing was an issue as well, as the crew had limited time to film and complete one full scene. Some technical adjustments were needed to correct the cameras making the characters appear peach-colored in the footage. Lighting was also a challenge to ensure only character shadows would be visible after color grading darkened the scene.
Final character profiles
The document provides character profiles for Richard, Eve, and David in a play or film. Richard is an older man who enjoys driving his campervan and offers Eve a ride home after finding her lost on the moors. Eve is a pale young girl dressed in white who is lost on the moors and misses her father. David is Eve's father who misses his daughter and lives alone since his wife died giving birth to Eve. He becomes angry when Richard shows up saying he gave Eve a ride home.
Short Film Script
Richard picks up a girl named Eve on a lonely moorland road late at night. She is dressed only in a thin dress in the cold. He gives her his coat and offers her a ride to her father's house. During the drive, Eve eats some apple crumble Richard's wife packed. When they arrive, Eve runs inside without returning Richard's coat. When Richard knocks on the door to retrieve it, a man named David angrily answers, claiming he does not know anyone named Eve.
Evaluation uestion 4+5
The document discusses how the media product, a music magazine, appeals to its target audience of 11-19 year olds, primarily female. On the front cover, feminine colors like pink and purple are used along with references to social media. Models are styled to resemble popular celebrities that teenage girls admire. The contents page also uses the feminine color scheme and features a model posing like a celebrity. A double page spread further appeals to the target audience by featuring a unique yet stylish outfit and continuing the pink color theme while also representing the audience's desire to be sophisticated.
Music choice
1) Buddy Holly was an influential American musician and singer-songwriter in the 1950s who helped pioneer the rock and roll genre.
2) He learned guitar and singing from his siblings and was influenced by gospel, country, and rhythm and blues. He began performing locally in 1952 and formed a band called "Buddy and Bob" the following year.
3) In 1955, after opening for Elvis Presley three times and shifting his style to rock and roll, Holly signed a contract with Decca Records with help from a Nashville scout.
Semiology
This document discusses types of signs used in film posters and their meanings. It provides examples of iconic, symbolic, and indexical signs. Film posters use signs like costumes, lighting, colors, and body language to convey messages and hint at the genre and plot. Effective posters deconstructed in the document use faint facial images and placement in the sky to indicate a spirit or death, and establish settings and postures and scales to imply searching and difficulty in finding someone. Color balancing and bold titles also help audiences quickly understand the genre and title.
Analysing the Auditions
The document summarizes auditions held for the roles of Eve and Richard in an upcoming film. For the role of Eve, Esther Drake (Actor 4) was selected as she showed great passion for the role, studying the character before her audition, and portrayed the required sadness and worry. Her distinctive look also fit the description for Eve. For the role of Richard, Richard Scott (Actor 11) was chosen as he demonstrated anger, sadness and passion for the role through his audition. He also fit the physical description needed and had a relatable look.
Character profiles (UPDATE)
Richard is an elderly man who enjoys driving his campervan and listening to old music. He offers a ride to Eve, a pale young girl dressed in white who is lost on the moors trying to find her way home after missing her father. Richard and Eve have an upsetting yet deep dialogue in the campervan. Eve's father, David, is a depressed and angry man grieving the loss of his wife during Eve's birth. When Richard drops Eve off at David's home and mentions being with her, David's anger rises before eventually calming down.
Short film script
Richard picks up a girl named Eve on a moorland road late at night. Eve is wearing only a thin dress and appears cold. Richard gives Eve his coat and offers her a ride to her father's house. During the drive, Eve eats some apple crumble Richard packed. She directs Richard to a house, thanks him, and runs inside. Richard realizes Eve still has his coat and returns to the house. A man named David answers, confused by Richard's story about Eve. Richard insists he just gave Eve a ride. David reveals that his daughter Eve died years ago. Richard is shocked, having clearly interacted with the girl recently.
Evaluation of dave wallace’s tutorial
The document discusses using different camera techniques from Dave Wallace's tutorial to film scenes for a student film. It proposes using a jib shot to introduce the main setting of the characters' home, slider shots to film the characters' morning routine, and steadycam shots to film Ellie walking down the stairs in her prom dress and dancing with Sam at the end to represent her happiness. The shots from the tutorial would help achieve the look and feel needed to tell the story.
Viewers also liked (20)
Similar to Mise En Scene in Our Short Film
Misen en scene in our short film
1) The short film will be set at night on the moors and in a house and graveyard. A key prop is a car that much of the film takes place in.
2) Low key lighting will be used to make the film look mysterious with sharp contrasts between light and dark areas.
3) The three main characters are Eve, who is portrayed as emotional and wearing white, Richard who starts happy but becomes sorrowful, and David who is angry and emotional wearing dark colors.
Mise en-scene
1) The document establishes the mise-en-scene elements (costume, lighting, actors, makeup, props, setting) for an indie music video through the CLAMPS framework.
2) Costume will be everyday, dark colored clothes to relate to the sad theme of the song. Lighting will be low-key to focus on the fire with some natural light for certain scenes. Actors will portray frustration and sadness through subtle body language. Makeup and props will be natural and subtle to relate to audiences. Key props include a burning birthday card and gasoline can matching song lyrics. Outdoor and indoor settings will be ordinary locations.
3) The mise-en-scene aims to tell a story
Location and artist mise en-scene
The document discusses the mise-en-scene, locations, and artists for a music video. For the male artist, a rough, 1990s indie rock style will be portrayed through relaxed clothing but older era fashion in low key lighting showing half his face. The female artist will be shown applying makeup and adjusting her appearance frequently in full lighting, with bright red lips as the sole color in her outfit to portray a lustful, appearance-focused character. Shooting will primarily take place in a black box drama studio to suggest the male artist is trapped, and in locations in London at night to match the serious tone through urban lights.
Mise en-scene
The music video uses low-key, natural lighting to emphasize the fire and create an intense atmosphere, allowing the audience to see actors' silhouettes but not specific details. Actors will move slowly with frustrated and sad body language to convey hidden meanings. Costumes and makeup will be natural and subtle, with dirt and soot used to indicate burning props. Significant props like birthday cards, gasoline cans, and matches will relate to the song's lyrics and portray the growth of an obsession with fire. Outdoor and house settings will be ordinary but deserted, as commonly seen in indie music videos.
Conventions of indie pop
The document discusses conventions of the indie pop genre that the filmmakers plan to use in their music video. Some key conventions discussed include using low-budget settings like studios and parks, including live performance clips, telling a narrative through a sequence of images related to the song, keeping costumes, makeup and props simplistic and linked to the scene, and utilizing close-up shots of the artist to express their emotions. The filmmakers' music video will incorporate many of these elements to tell the story and emotions of the artist Savannah.
Opening Sequence
The document discusses establishing an effective opening sequence for a film. It emphasizes introducing the key locations, protagonists, and genre/theme in the opening shots. For their short psychological thriller film, the opening sequence will show the protagonist Richard happily singing in his campervan at night. It will then cut to Eve sitting vulnerably on the moors in a white dress. Richard notices her and pulls over, introducing both protagonists and the isolated moorland location to set the tone for the genre.
Opening sequence
The document discusses establishing an effective opening sequence for a film. It emphasizes introducing the key locations, protagonists, and genre/theme in the opening shots. For their short psychological thriller film, the opening sequence will show the protagonist Richard happily singing in his campervan at night. It will then cut to Eve sitting vulnerably on the moors in a white dress. Richard notices her and pulls over, introducing both protagonists and the isolated moorland location to set the tone for the genre.
Opening sequence
The opening sequence is crucial for introducing the audience to the film. It should establish key locations, introduce main characters like the protagonist, and set the theme and genre. The document discusses how the opening sequence for this short film will do this. It will show the protagonist Richard singing happily in his campervan on the moors at night. It will then cut to Eve sitting on a rock looking cold, scared and vulnerable in a white dress. Richard will notice her and pull over. This will introduce both characters and the isolated moorland location, hinting at the psychological thriller genre.
Music video – props
This document outlines various props and elements that will be used in a music video. It describes using a glass of whiskey that will be dropped and break on the floor in the opening scene. A trench coat worn by the main character is intended to give them an air of mystery. Various musical instruments will be used by band members performing along with the song. A mirror will show the main character's reflection displaying their "darker, more twisted side." A BMW car may be included in the final scene where the character has a near miss. Costumes of the band members will be mixed, with some in smart clothing and the lead singer in rougher clothing, to convey that people of different social classes can never co-exist happily
The Hangover
The Hangover is an American comedy film directed by Todd Phillips about a bachelor party in Las Vegas that goes wrong. It stars Bradley Cooper, Ed Helms, Zach Galifianakis, and Justin Bartha. In the opening scenes, one character is seen getting ready for a wedding while the other three men wake up in a strange hotel room with no memory of the previous night. Visual cues like flowers, wedding dresses, and formal costumes in one scene contrasting with scruffy looks in the other establish that the film will follow the aftermath of a wild bachelor party that has caused problems for the upcoming wedding.
Question 1
The document discusses how the student's media product uses and develops conventions of real films while also challenging some conventions. It summarizes how the film title, costumes, editing, genres of psychological thriller, characters in conflict, lighting, and ambiguous ending both utilize and expand typical conventions. The film poster includes standard features but centers the protagonist's image, and the radio trailer employs a loud narrator and impactful sounds effects to draw the audience in through auditory senses alone.
Question 1
The document discusses how the student's media product develops and challenges conventions of real films. It summarizes key elements of the film, including using the title and tagline to intrigue audiences. It also discusses how the film challenges conventions through its editing techniques, characterization, and ambiguous ending. The film poster and radio trailer are described as adhering to typical genre conventions while also attempting to excite audiences.
Question One
The document discusses the use of mise-en-scene, camerawork, and intertextual references in a student-produced music video. For mise-en-scene, the locations of forest and beach were used to represent the characters' uncertain relationship. Costumes contrasted the characters while props differentiated their bedrooms. Over-the-shoulder shots emphasized the characters' journey. A mirror shot showed reflection and self-reflection. Close-ups made the characters relatable. Inspiration came from other music videos using nature imagery and relationship themes. However, the student's video did not include a music performance element, challenging a genre convention.
A2 Mise en scene - Blanc - Alfie
Our team has planned the mise-en-scene for our music video which will feature a main performer lip syncing to the song. Jaime was chosen as the main character due to his appearance fitting the role. Either team members or no side characters will be decided. The main character's costume will be a mix of smart/casual with dark, grey colors to match the sad mood of the song. Locations will include alleyways with graffiti and areas in London to achieve an urban feel relating to the character. Lighting will use dark and light contrasts to express emotion between performance and narrative scenes. A phone may be used as the only prop to involve technology.
Advanced portfolio ideas generation
We chose to create a music video for an Amy Winehouse song that depicts a breakup through a nonlinear narrative and unconventional stylistic choices for the pop genre. Specifically, we will film the video in black and white rather than color, use slow pacing and long shots to convey emotion, and include symbolic props like a blown-out candle to represent the relationship ending. By breaking conventions, we aim to entertain the audience while still telling a story and drawing them into the narrative.
Advanced portfolio ideas generation report
We chose to create a music video for an Amy Winehouse song that depicts a breakup through a nonlinear narrative and unconventional stylistic choices for the pop genre. Specifically, we will film the video entirely in black and white rather than color, and use slow pacing and long shots to convey emotion through the story and characters. Props like a blown-out candle will symbolize the relationship ending as the "light" going out of the woman's life. Our goal is to break pop conventions and draw the audience into the narrative through the visual storytelling.
Advanced portfolio ideas generation
We chose to create a music video for an Amy Winehouse song that depicts a breakup through a nonlinear narrative and unconventional stylistic choices for the pop genre. Specifically, we will film the video entirely in black and white rather than color, and use slow pacing and long shots to convey emotion through the story and characters. Props like a blown-out candle will symbolize the relationship ending as the "light" going out of the woman's life. Our goal is to break pop conventions and pull the audience into the meaningful story through these directorial and cinematography techniques.
Treatment - Rundown
The document proposes a music video treatment for a trap music song. It will open with shots of characters wearing masks walking alone at night towards an abandoned building. As the song progresses, the characters will meet up and display stereotypical trap video props like money, clothes and cars. The video will be filmed at a suburban farm location to provide a dark tone. It will feature 3-5 characters with different outfits and personalities. Costumes and lighting will change between two sections of the song to create contrasting moods.
A2 Mise en scene - XXXTentacion - Alfie
The document discusses plans for mise-en-scene elements for a music video including casting, costumes, locations, lighting, and props. Jaime will play the main character based on his appearance fitting the role. The main character's costume will be a mix of smart/casual with dark, grey colors to match the sad mood of the song. Scenes will be filmed in urban London locations like alleys to suit the character. Lighting will contrast dark and light to express emotion, with darker lighting for most of the narrative. A notebook prop will be used in the opening scene for the main character's inner thoughts.
Similar to Mise En Scene in Our Short Film (20)
More from clarkelucy2051
What have you learnt about audience feedback
The document discusses how the author learned about the importance of audience feedback during the production of their short film. They conducted research to identify their target audience of 19-25 year olds of mixed gender, as this group most commonly watches short films and psychological thrillers. The author gathered feedback through questionnaires, interviews, test screenings, and peer reviews to improve elements of the film like characters, narrative, poster, and magazine review. This feedback revealed needed changes to make the film more appealing and understandable to the target audience. Collecting both qualitative and quantitative data allowed the author to improve the film and ensure it effectively represented the intended genre and characters.
What have you learnt about audience feedback
The document discusses how the filmmaker collected audience feedback during the production of their short film. They conducted research to identify their target audience of 19-25 year olds of mixed gender, as this group most commonly watches short films. They created questionnaires and interviews to gather both quantitative and qualitative feedback from this audience. This feedback helped them identify strengths and weaknesses in the film, characters, and marketing materials. They made changes and improvements based on this feedback to better appeal to their target audience, such as modifying character traits and the film's color grading. Overall, the audience feedback process helped ensure the film effectively represented and appealed to its intended viewers.
Evaluation question 2
1) The document discusses the effectiveness of combining a film's main product (poster, short film) with ancillary tasks (magazine review).
2) Key elements like mise-en-scene, semiology, paradigm/syntagm, color scheme, shot types were considered to effectively represent the psychological thriller genre and story across products.
3) Feedback was that the poster and tasks portrayed the film's mood, characters, and narrative well while avoiding spoilers, through choices like Eve's vulnerable expression and white dress, Richard's worried look, and subtle narrative hints in still images.
Evaluation question 1
This document discusses how the filmmaker used, developed, and challenged conventions of short films in their media product. They began by researching conventions around narrative, genre, characters, and structure. Their 13 minute film followed some conventions like a slow pace and small cast to keep the audience engaged. They also challenged some conventions, like not fully resolving the narrative to fit the psychological thriller genre. Overall, the filmmaker aimed to create a professional product by following many short film conventions but also took some risks that challenged norms to serve their original story.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects of short films including narrative structure, duration, budget, characters, and promotional materials like posters and reviews. The short film uses many typical conventions of the genre, such as a simple plot understandable in 10-15 minutes, low budget constraints, few main characters, and a narrative with an initial equilibrium followed by conflict and resolution. Clarke also researched conventions for elements like character representation, locations, and visual symbols on the movie poster. Overall, the document shows how Clarke's film aligns with standard codes and conventions for a short psychological thriller.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects of short films including narrative structure, duration, budget, characters, and promotional materials like posters and reviews. The short film uses many typical conventions of the genre, such as a simple plot understandable in 10-15 minutes, low budget constraints, few main characters, and a narrative with an initial equilibrium followed by conflict and resolution. Clarke also researched conventions for elements like character representation, locations, and poster design to effectively engage audiences.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects:
1) The film uses conventions of short films like a clear narrative structure, small number of characters, and duration between 10-15 minutes.
2) Characters were developed based on research into character archetypes and stereotypes to make them easily understood.
3) Narrative theory was applied to structure the story with an initial equilibrium, disequilibrium/problem, and climax/resolution.
4) Film poster and magazine review conventions like imagery, layout, and stills from the film were employed to effectively promote the psychological thriller genre.
Film poster audience feedback analysis
The document summarizes the results of a survey conducted with their target audience of 19-25 year olds about a film poster for a short psychological thriller film. Some key findings include:
- 22 out of 25 people liked the layout of the poster.
- 20 out of 25 people thought the poster fit the genre of a psychological thriller.
- Common films people said the poster reminded them of included "Gone Girl" and "If I Stay".
- 14 people said they were drawn to the poster because of the image on it.
- The average rating for how professional the poster looked was 8.5 out of 10.
- 23 out of 25 people thought the main character
Film poster questionnairecopy
The document is a 9 question film poster questionnaire that asks respondents about their opinions on various aspects of a psychological drama film poster, including whether they like the layout and if the poster fits the genre, any other posters it may remind them of, what attracts them to the poster such as the title, image, or color theme, how professionally made it appears on a scale of 0 to 10, whether the female protagonist looks vulnerable and innocent, if it leaves the narrative in suspense, to describe the poster in three words, and if it makes them want to watch the film.
Screening Feedback
This document summarizes the responses from an audience survey after a screening of a short film. Some key findings include:
- The audience was mixed gender with 19 males and 21 females. Both genders reacted positively.
- The ages of the audience ranged from 19-25 as intended.
- Audience impressions of the film changed as it progressed and became more emotional. The characters developed over time.
- Most of the audience enjoyed the film and would pay £3-8 to watch it. They felt it fit the psychological thriller genre.
- The ending was surprising to most but predictable to some. They correctly identified the target audience as 18-25 year olds.
Screening Questionnaire
This document appears to be an audience feedback questionnaire for a film called "Lost in the Eve". The questionnaire asks for the respondent's gender and age. It then asks about their first and last impressions of the film, if they enjoyed it, and if it fit the genre of a psychological drama. Further questions ask how much they would pay to watch it, about character traits of the main characters, if the ending was predictable, the target age group for the audience, and the recommended age rating. The final question asks when the film was set.
Plan for screening
The filmmakers will screen their short film 'Lost in the Eve' for friends and family aged 19-25 to get feedback before final release. They will hold the screening in their school's media classroom, which has adequate viewing equipment. They have permission from their teacher to use the room from 3:30-4:30pm after school. They will provide snacks and drinks, and ask viewers to complete an anonymous questionnaire afterwards for honest feedback to improve the film. Safety procedures like a sign-in sheet and fire exit instructions will also be followed.
Making the film poster
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Codes and Conventions of a Film Poster
The document discusses the codes and conventions of film posters. It explains that film posters are meant to attract the target audience and establish the genre and narrative. Posters typically feature the main image showing the narrative or protagonist, the central title at the top, and information about directors, producers and actors at the bottom. Posters also commonly include mottos or quotes from the film and ratings. The document proposes ideas for a film poster including featuring the protagonist in a character shot to introduce her, using lighting and composition techniques, and designing the title with a gradient and the words "lost in the" inside each letter of the protagonist's name.
Poster semiology
This document discusses types of signs and how they are used in film posters to convey meaning and messages to audiences. It defines signifier, signified, iconic, symbolic, and indexical signs. It then analyzes several film posters, discussing how elements like costumes, lighting, framing, colors and imagery are used semiotically to provide clues about the genre and plot. Specific techniques like faded faces, establishing shots, and placement of text and images are examined for their connotative effects in representing themes of death, loss, and the supernatural.
Creation of the film review magazine
The document discusses why InDesign was chosen over Photoshop for creating a film review magazine. InDesign allowed for easier multi-layer layout of the magazine with clearly defined layers and columns. It also automatically sets documents to CMYK color mode which is better for print. InDesign also gives more control over typography than Photoshop. While some images were edited in Photoshop, InDesign provided a simpler interface and more presets suited for a print layout with multiple pages.
Problems That Occur During Post Production
This document discusses potential issues that may arise during the post-production of a short film and ways to address them. It notes that problems with lighting, sound balance, and the film not flowing smoothly can occur. To fix lighting, the brightness and contrast can be edited using an "S" curve on the YUV color wheel. Sound issues like varying volumes can be resolved by balancing clip levels during editing. Color can be corrected to give the film a blue tinge to appear as evening, using the color wheel and brightness curve on the editing software Edius 7.
Aspects of post production
Post-production involves several steps to refine a film or video after principal photography. It includes colour correction to enhance visuals, sound balancing to mix audio levels naturally, and adding titles and effects. For their short film, the document discusses using Edius Pro 7 for colour correction and sound balancing during post-production to give the film a cinematic look and balanced audio mixing while keeping the editing process unified within one software. Effects for short films typically focus on diegetic sounds from within the scene versus non-diegetic elements added later.
Film review research
The document provides guidance on writing an effective film review. It explains that a review should inform readers about the film's details, describe the story and characters, analyze whether the film is good and why, and advise readers whether to see it. It also offers tips on structuring a review with an introduction, plot description, analysis, and conclusion. Font formatting and appropriate images are also discussed. The target audience for most film reviews is generally people aged 25 and older.
Vladimir propp
1) Vladimir Propp was a Russian scholar who believed there are 7 character types and 31 narrative functions that follow in stories.
2) The 7 character types are the hero, villain, magical helper, donor, dispatcher, princess, and false hero.
3) In the short film, Richard fulfills the roles of helper, dispatcher, and donor as he helps Eve complete her quest and gives her his van. Eve is the hero. Death serves as the villain. The film does not include a false hero.
More from clarkelucy2051 (20)
Recently uploaded
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف أحرف الخلاف للقراء العشرةأعد أحرف الخلاف بالتلوين وصلا سمير بسيوني غفر الله له
Temple of Asclepius in Thrace. Excavation results
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
Practical manual for National Examination Council, Nigeria.
Contains guides on answering questions on the specimens provided
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
NIPER JEE PYQ
NIPER JEE QUESTIONS
MOST FREQUENTLY ASK QUESTIONS
NIPER MEMORY BASED QUWSTIONS
Accounting for Restricted Grants When and How To Record Properly
In this webinar, member learned how to stay in compliance with generally accepted accounting principles (GAAP) for restricted grants.
skeleton System.pdf (skeleton system wow)
🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.ppt
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
How to Download & Install Module From the Odoo App Store in Odoo 17
Custom modules offer the flexibility to extend Odoo's capabilities, address unique requirements, and optimize workflows to align seamlessly with your organization's processes. By leveraging custom modules, businesses can unlock greater efficiency, productivity, and innovation, empowering them to stay competitive in today's dynamic market landscape. In this tutorial, we'll guide you step by step on how to easily download and install modules from the Odoo App Store.
BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 8 - CẢ NĂM - FRIENDS PLUS - NĂM HỌC 2023-2024 (B...
BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 8 - CẢ NĂM - FRIENDS PLUS - NĂM HỌC 2023-2024 (B...Nguyen Thanh Tu Collection
https://app.box.com/s/nrwz52lilmrw6m5kqeqn83q6vbdp8yzpHow to Fix [Errno 98] address already in use
This slide will represent the cause of the error “[Errno 98] address already in use” and the troubleshooting steps to resolve this error in Odoo.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
Recently uploaded (20)
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
BIOLOGY NATIONAL EXAMINATION COUNCIL (NECO) 2024 PRACTICAL MANUAL.pptx
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
Accounting for Restricted Grants When and How To Record Properly
Accounting for Restricted Grants When and How To Record Properly
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.ppt
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.ppt
How to Download & Install Module From the Odoo App Store in Odoo 17
How to Download & Install Module From the Odoo App Store in Odoo 17
REASIGNACION 2024 UGEL CHUPACA 2024 UGEL CHUPACA.pdf
REASIGNACION 2024 UGEL CHUPACA 2024 UGEL CHUPACA.pdf
BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 8 - CẢ NĂM - FRIENDS PLUS - NĂM HỌC 2023-2024 (B...
BÀI TẬP BỔ TRỢ TIẾNG ANH LỚP 8 - CẢ NĂM - FRIENDS PLUS - NĂM HỌC 2023-2024 (B...
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) Curriculum
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...
Mise En Scene in Our Short Film
- 1. MISEN EN SCENE IN OUR SHORT FILM A2 MEDIA STUDIES
- 2. SETTING & PROPS SETTING: - Moors - David’s house - Graveyard PROPS One prop that we will have in our short film is a car. This is important as the film is mainly set in the car.
- 3. LIGHTING & COLOUR The film will be set at night, so there will mainly be low key lighting. This will make the film look mysterious and also it will produce sharp contrasts of light and dark areas, this will then achieve a deep, distinct meaningful look in the short. A media theorist called Roland Barthes said that in films it is very important to have a meaningful narrative and also a shock factor as it will keep the audience entertained. Me and my production group have taken inspiration from him and are going to follow his conventions in order to achieve this structure in out short.
- 4. REPRESENTATION EVE – Throughout the short Eve will be portrayed as a emotional character, so her facial expression will look unhappy. RICHARD – At the beginning of the film Richard will be shown as a happy character. The audience will be able to tell this as he will be driving along the moors listing to music and singing to it loudly. But towards the middle and the end of the film he will be shown as a sorrowful character. David – David will be shown as an angry person who is very emotional, as he misses his daughter Eve , who died on the moors nearly four years ago.