Masthead Font Styles
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The document evaluates four different font styles for a magazine masthead: KG Defying Gravity, Oranienbaum, Dita Sweet, and Sho-Card-Caps. It notes what each font denotes and whether it would suit the look desired. Dita Sweet is ultimately selected for its simplicity and effectiveness at standing out on the black background without effects, mirroring the style of Billboard magazine.
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Letter to the council
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The target audience for an indie/alternative music magazine is mainly men aged 17-33 who want to discover underground artists rather than famous ones. The magazine aims to be affordable for its large working-class readership while also appealing to middle-class fans of indie music. It will provide interviews, reviews, and information about music to satisfy readers' needs for knowledge and admiration of the subject according to Katz's and Maslow's theories. The intended readers are stereotypically people passionate about punk/alternative culture and music.
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Phoebe Regnault is creating a magazine for a school assignment and has prepared a prop list and explanations. The list includes a camera, tripod, computer, Photoshop software, model's clothes, inspirational magazines, lighting, and makeup. The camera and tripod will be used to take photos for the magazine cover and interior. The computer and Photoshop software will be used to edit and design the magazine. Clothes and magazines will provide inspiration. Lighting and makeup will help make the model look their best for the photos. Phoebe plans to source the camera, tripod and computer from school and purchase clothes, lighting and rent makeup from various retailers.
Photoshoot Plan
The document is a photo-shoot plan for a magazine called UNKNWN that focuses on indie and lesser known artists. The photographer will take mid-angle shots of a male model holding a guitar in a plaid shirt and ripped jeans to portray the magazine's edgy rock style. Lighting will be low-key and effects may be added later to enhance the pictures. The goal is to find new, exciting bands for readers and promote unknown artists.
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The document discusses different font styles considered for a magazine masthead. It evaluates four fonts: Vonique 92, Raider Crusader, True Lies, and Futurist fixed-width. Vonique 92 is deemed not bold enough and hard to read. Raider Crusader is too sharp and not plain enough. True Lies is appealing but not bold enough. Futurist fixed-width is effective but also not bold enough. The final choice is "The bold font" as its name and thickness reveals the popularity of the hip hop/rap genre and will appeal more to the intended audience.
Fonts
The document discusses different fonts for use in intertitles in a film trailer. It considers the Gaskin font, noting that it resembles sophisticated handwriting but may not accurately portray a teenager's handwriting. Another font is described as feminine but possibly too young or crowded for the 14-20 year old target audience. A bold font would suit a film title but the creator does not like its capital E. The favorite font imitates teenage handwriting simply without complications for editing or an immature appearance.
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Poster Mind Map
This document is a mind map and research for an A2 level media studies advanced portfolio on creating a poster for a soap opera trailer. It includes potential themes, taglines, and image ideas for the poster. It discusses how themes like mystery would attract audiences. Tagline ideas like "Where is she?" and "Who is the Kidnapper?" aim to intrigue viewers. Image concepts show a frightened girl or her facing away with a ribbon. The document also covers using social media and magazine synergy to promote the soap opera across platforms. It concludes by outlining next steps to take photos for the poster concepts and use Adobe Photoshop CS5 to create the final design.
Music permission
This document contains a list of song IDs and emails sent to music publishers Sony Music and the Beggars Group requesting permission to use songs in a soap opera trailer. Permission was requested from Sony Music for 4 songs and from the Beggars Group for 2 songs. The document tracks the correspondence with representatives from both music groups regarding permissions.
Evaluation Question 4
The student used various media technologies at different stages of their soap opera project. During planning, they researched existing soaps like Hollyoaks on YouTube to analyze trailers and get ideas. They used Google to search for reference images and information. WordPress was used to create a blog to log work. Microsoft Word, Excel, and PowerPoint were used to create documents, analyze surveys, and make presentations. Photoshop and Premiere Pro were used on iMacs to edit photos and construct the trailer. Cameras were used to film scenes and Nikon to take photos for the poster and magazine cover.
Script Langley Vale
This document contains the script for a television production titled "Langley Vale". It introduces the main characters and establishes the setting of a small town called Langley Vale where a teenage girl named Paige has gone missing. Over the course of 22 scenes, the script follows various characters like Paige's aunt Jo and her friend Tracey who are worried about her disappearance. It also shows other townspeople like Mike and Kane whose suspicious behaviors will be investigated. The script utilizes music and camera techniques to build intrigue around Paige's kidnapping and enhance the small town drama and mystery of who may be involved. It concludes by announcing the show will air soon on BBC2.
Timeline
The document outlines the plot and timeline of events for a soap opera trailer. It will first establish the submissive female character who is kidnapped. It will then familiarize viewers with the town of LangelyVale by showing establishing shots of key locations. A "who done it" theme will run throughout the trailer by showing flashbacks that hint at different suspects for the kidnapping, including a milkman who pauses at the girl's door. The climax will be when the kidnapped girl is found dead. A red ribbon is used as a visual motif throughout the trailer. As the trailer concludes, it will slow down to show the girl's funeral, with an unknown character holding the ribbon, before fading to black with the soap opera
Poster Mind Map
This document is a mind map and research for an A2 level media studies advanced portfolio on creating a poster for a soap opera. It includes potential themes, taglines, and image ideas for the poster. Theme ideas discussed include mystery, thriller, and cliffhanger. Suggested taglines are "Where is she?" and "He's out there somewhere, only time will tell." Image ideas proposed are a frightened little girl or a girl facing away with a red bow. The document also discusses using social media and synergy between the poster and a magazine to promote the soap opera.
Locations
The document discusses four potential filming locations for a school media project trailer - Rosebery Road, St. Stephen's Church, the Epsom Downs, and the Rubin House pub. For each location, it notes whether permission is needed to film, possible hazards, and example shot types. At Rosebery Road and the church, the main hazards are traffic and being asked to stop filming. The Epsom Downs is large and public but horse riders could be a danger. At the pub, horses may race nearby so care is needed, though no permission is required for exterior shots.
Locations
The document discusses three potential filming locations - Rosebery Road, St. Stephen's Church, and the Epsom Downs - and one closing location - The Rubin House Pub. For Rosebery Road and the areas around St. Stephen's Church and The Rubin House Pub, filming can be done without permission as they are public areas. However, traffic needs to be considered when filming on Rosebery Road and horses near The Rubin House Pub. While no permission is required at the Epsom Downs, there are daily horse riders that need to be aware of during filming.
Prop list
The document is a prop list for a media production called "Langley Vale" created by a group of 4 students - Imani, Sean, Jon, and Lucas. It includes props like a red ribbon gathered by Imani, empty milk bottles from Imani, a milk crate from a local milkman provided by Sean, and a lab coat from the school science department provided by Sean.
Poster Textual Analysis
This document analyzes the marketing poster for a soap opera television show. It discusses several elements of the poster's design and their purpose. Specifically, it examines the tagline, images, use of color, synergy with social media, logos, and dates displayed. Each of these visual and textual elements are meant to draw attention, create intrigue around new plotlines, and promote the show and network brand. The analysis evaluates which techniques are most effective at attracting viewers and generating buzz around the new episode.
Storyboard
1. The storyboard document outlines 22 shots for a TV show titled "Langley Vale" including character names, camera angles, transitions, and music cues.
2. Shots include establishing shots of the downs and street, close-ups of a character's hands holding a newspaper with a kidnapping headline and picking up a red ribbon, and medium shots of characters exchanging glances and interacting.
3. The final shots focus on people's hands at a pub with one character pulling out a red ribbon before cutting to the Langley Vale logo and BBC2 credit against the continuing instrumental music.
Mind Map- Pre production planning
The document outlines a pre-production plan for a soap opera about a kidnapping in the town of Langley Vale. A young girl named Paige goes missing over a weekend and a red ribbon she was wearing is later found. There are three main suspects - Paige's mother's ex-boyfriend Kane who is aggressive, the local milkman Norman who creeps people out, and Paige's uncle Michael who is unstable and acts differently. The show will air on BBC2 at 8:30pm on Mondays after EastEnders to avoid competition. It will include dialogue between Paige's mother and aunt arguing over the suspects and shots of Norman watching Paige to make him seem more suspicious. The
Textual Analysis of 2 soap opera trailers
This document provides an analysis of two soap opera trailers: Hollyoaks and EastEnders. For each trailer, the analysis examines the verbal codes of dialogue and soundtrack, non-verbal codes of setting, lighting, costumes and expressions, and technical codes of camera angles and shots. Strengths identified for exploitation include diegetic sounds in Hollyoaks that build intrigue, and upbeat soundtracks in EastEnders that emphasize drama. Repeated strengths would be quick cuts in Hollyoaks and happy music/end text in EastEnders that create interest and want to watch. Minimal locations, costumes/props and lack of voiceovers allow clear narratives for audiences to interpret.
Primary Research
This document summarizes the results of a primary research survey conducted by Imani Ayimba-Golding. Some of the key findings include:
- A trailer is the most effective marketing strategy for attracting an audience to a new show.
- The most popular time slot for a show is 8:30pm to avoid competing with other popular programs.
- Audiences aged 25-34 and 45-54 are most attracted to soap operas.
- Around 50% of respondents said a trailer had persuaded them to watch a soap opera in the past.
Magazine Product Analysis
This document analyzes the covers of two soap opera magazines: What's on TV and Inside Soap. For What's on TV, the summary notes the magazine has a simplistic layout but effective use of fonts for the masthead and positioning of images and headlines. For Inside Soap, the summary highlights conventions it would repeat for its own magazine, including the prominent masthead at the top of the page, bold strap line, use of bright colors and bold background color, sensationalized language with exclamation marks, and puff promotions and secondary images/headlines.
Schedule
This document outlines the work a student completed over several weeks for their Foundation Portfolio in Media Studies. It details the tasks and progress made each week, including researching magazines, developing a magazine concept and target audience, creating a magazine flat plan and photo shoot plan, designing preliminary front and contents pages in Photoshop including images, text and branding elements, and drafting interview questions and layout for additional pages. The student continued refining and adding to their magazine design work through editing images, formatting text, and placing additional design elements.
Prop List
St. Andrew's Catholic School candidate Imani Ayimba-Golding is creating a foundation portfolio for their media unit. The document lists props needed for a photoshoot inspired by a rebellious yet girly R&B theme, including a sparkly top, ripped jeans, iPhone or camera, and superstar trainers. Imani plans to use Adobe Photoshop and InDesign to construct magazine pages, with Photoshop allowing for image editing and construction of high-quality graphics for the portfolio.
Production Plan
The document outlines the typical production process for a magazine. It involves setting a publication date, managing the schedule, making editorial and budgetary decisions, acquiring content such as articles, artwork, and graphics, sub-editing the content by checking facts, spelling, grammar, and layout, placing advertisements, proofreading, sending the file to the printer, and distributing the printed magazines to retailers for sale. The distributor for the magazine in this case is Frontline, a UK-based company that sells magazines through 55,000 retailers for around £5,000 to distribute on a small scale.
Primary Research
This document summarizes the results of a questionnaire given to students about music magazines. The key findings are:
- Most respondents were aged 14-18 and would be willing to pay £3-4 for a magazine.
- The majority would buy a magazine once a month and see pictures as the most important element.
- Results were split on whether "star appeal" helps sell magazines.
- Most expect to see pictures on the front and prefer magazines with both pictures and writing rather than just one or the other.
- Respondents expect weekly magazines to have 31-50 pages and prefer R&B music over hip hop or pop.
- Almost all said they would prefer a
Preliminary Task and Planning Research
The document provides details on the planning and research for a music magazine front cover and contents page project. It describes the step-by-step process taken to create the front cover, including adding graphics, images, and text. It also outlines the steps to create the contents page layout. Research is presented on established music magazines like Q and Billboard to identify conventions and the target audiences. Key points about the publishers and statistical information about circulation and readers are also summarized.
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Masthead Font Styles
- 1. Imani Ayimba-Golding Candidate Number- 1012 Centre number- 64135 Masthead Font Styles
- 2. Masthead Font Styles Font Name: KG Defying Gravity- by Kimberly Geswein The denotation of this font is that it is bold. This is a contender for my masthead font style as I like the contrast of the white font on the black background as it makes the title stand out.
- 3. Masthead Font Styles Font Name: Oranienbaum - by Jovanny Lemonad The denotation of this font is that it is sophisticated yet bold and unique. This could be the font for my masthead as I like the double line through the dollar signs and the bold font style.
- 4. Masthead Font Styles Font Name: Dita Sweet- by Jovanny Lemonad I like this font because its simple and effective. I also like the way the dollar signs look as they are different compared to many of the other options.
- 5. Masthead Font Styles Font Name: Sho-Card-Caps - by Nick's Fonts The denotation of this font is that is is used in projects to do with children, so is not suitable. This may not be suitable for the masthead as it looks quite childish and cartoon like which is not the look I'm going for.
- 6. Conclusion In conclusion I chose the Dita Sweet- by Jovanny Lemonad font style as I believed it was most suitable for my magazine. I liked the simplicity and thought it would work well with the theme of my magazine. At the moment I am not going to use any drop shadows or other effects on this font as I feel that like the Billboard magazine it is more effective the simpler it is. Masthead Font Styles