This is my analysis of existing magazine contents pages for my media portfolio. Different magazines have been researched and their factors and elements looked into in a small amount of depth.
This document analyzes how the media product uses, develops, and challenges conventions of real magazines. It summarizes the key design elements of the magazine's front cover, contents page, feature article layout, and website layout. Overall, the magazine follows many typical magazine conventions like using a masthead, cover image, and columns, but also challenges some conventions with design choices like staggered text and right-aligned page numbers. The goal was to create a magazine that would appeal to local readers while putting an unconventional spin on some elements.
Contents Codes and Conventions Research - AS Media StudiesAlexiPaphiti
This document analyzes the codes and conventions used in the contents pages of three rap/R&B magazines: Fader, Vibe, and XXL. Some common conventions across magazines include using the magazine masthead to maintain brand consistency, featuring enticing article descriptions and multiple images to highlight stories, and using bold/large page numbers anchored near images to easily guide readers to featured content. Individual magazines also have distinct styles, like Fader using minimalist typography, Vibe centering around large cover artist images, and XXL employing pull quotes and lighting techniques to attract readers. Overall, the contents pages aim to tease readers into specific stories using visual cues and consistent branding elements.
The magazine cover features a close-up image of Kanye West in the center. Around the image are coverlines promoting exclusive stories and interviews with other artists to attract fans of different genres. The masthead spans the top in a bold blue font. The main coverline uses a quote from Kanye West and contrasts pink and blue fonts. Overall, the cover uses bright colors and fonts against a dark background along with famous artists to attract its target male audience interested in rap and music.
The document summarizes the various realistic magazine features included in a student-created magazine. These features include a masthead at the top of the cover page with the magazine's name and slogan, as well as a barcode, price, and date on the cover. The contents page includes a contents heading, page numbers, synopses, and a website link. Interior pages use conventions like centered headings, columns, drop caps, and page numbers. Photographs and design elements reinforce the chosen subgenre of Mod music. Some conventions are challenged, such as using an unconventional green target design and solo portraits instead of group shots.
The document analyzes conventions used in regional magazine front covers. It finds that they commonly use serif fonts, long shot landscape images relating to the local area, and reference local events through brief text descriptions. While the amount of text varies, addressing nearby content and activities in both the header and footer is a consistent technique. The target audiences appear somewhat mature, suggested by the peaceful imagery and formal styles.
The document discusses magazines and their print and online presences. It provides details on:
- How Vogue and Love magazines design their websites to complement their print editions.
- The differences between fashion magazines, noting how Paper focuses on celebrity endorsements.
- Common conventions for magazine design, such as mastheads, cover lines, and barcodes.
- Statistics on readership for magazines like Elle, Vogue, Cosmopolitan and Glamour.
- Plans for a hypothetical magazine production, including a contingency plan, ideas for articles, fonts, and color styles.
The document discusses the design choices made for a magazine cover, including the use of a studded title font, Arial Narrow font against a black background, placement of barcode and pricing information, incorporation of brick patterns and color scheme throughout the cover and inside pages, sizing of the main photograph, and how the photograph and colors appeal to the target audience and fit the theme of indie acoustic music. The designer expresses liking the overall layout and feeling the magazine could be successful alongside similar publications but on a smaller scale initially.
This document discusses the conventions used in the design of a magazine cover and how it compares to an actual magazine cover. Specifically:
- The cover uses conventional magazine features like a masthead, barcode, cover image, strapline, and consistent colors.
- The cover was inspired by Kerrang! magazine and discusses rock and metal music.
- Aside from slightly varying the placement of elements, the cover closely resembles a real Kerrang! cover in style, fonts, images, and color scheme to mimic its style.
- The contents page layout, colors, and positioning of elements also closely mimic the reference material while making subtle differences to not be an exact replica.
This document analyzes how the media product uses, develops, and challenges conventions of real magazines. It summarizes the key design elements of the magazine's front cover, contents page, feature article layout, and website layout. Overall, the magazine follows many typical magazine conventions like using a masthead, cover image, and columns, but also challenges some conventions with design choices like staggered text and right-aligned page numbers. The goal was to create a magazine that would appeal to local readers while putting an unconventional spin on some elements.
Contents Codes and Conventions Research - AS Media StudiesAlexiPaphiti
This document analyzes the codes and conventions used in the contents pages of three rap/R&B magazines: Fader, Vibe, and XXL. Some common conventions across magazines include using the magazine masthead to maintain brand consistency, featuring enticing article descriptions and multiple images to highlight stories, and using bold/large page numbers anchored near images to easily guide readers to featured content. Individual magazines also have distinct styles, like Fader using minimalist typography, Vibe centering around large cover artist images, and XXL employing pull quotes and lighting techniques to attract readers. Overall, the contents pages aim to tease readers into specific stories using visual cues and consistent branding elements.
The magazine cover features a close-up image of Kanye West in the center. Around the image are coverlines promoting exclusive stories and interviews with other artists to attract fans of different genres. The masthead spans the top in a bold blue font. The main coverline uses a quote from Kanye West and contrasts pink and blue fonts. Overall, the cover uses bright colors and fonts against a dark background along with famous artists to attract its target male audience interested in rap and music.
The document summarizes the various realistic magazine features included in a student-created magazine. These features include a masthead at the top of the cover page with the magazine's name and slogan, as well as a barcode, price, and date on the cover. The contents page includes a contents heading, page numbers, synopses, and a website link. Interior pages use conventions like centered headings, columns, drop caps, and page numbers. Photographs and design elements reinforce the chosen subgenre of Mod music. Some conventions are challenged, such as using an unconventional green target design and solo portraits instead of group shots.
The document analyzes conventions used in regional magazine front covers. It finds that they commonly use serif fonts, long shot landscape images relating to the local area, and reference local events through brief text descriptions. While the amount of text varies, addressing nearby content and activities in both the header and footer is a consistent technique. The target audiences appear somewhat mature, suggested by the peaceful imagery and formal styles.
The document discusses magazines and their print and online presences. It provides details on:
- How Vogue and Love magazines design their websites to complement their print editions.
- The differences between fashion magazines, noting how Paper focuses on celebrity endorsements.
- Common conventions for magazine design, such as mastheads, cover lines, and barcodes.
- Statistics on readership for magazines like Elle, Vogue, Cosmopolitan and Glamour.
- Plans for a hypothetical magazine production, including a contingency plan, ideas for articles, fonts, and color styles.
The document discusses the design choices made for a magazine cover, including the use of a studded title font, Arial Narrow font against a black background, placement of barcode and pricing information, incorporation of brick patterns and color scheme throughout the cover and inside pages, sizing of the main photograph, and how the photograph and colors appeal to the target audience and fit the theme of indie acoustic music. The designer expresses liking the overall layout and feeling the magazine could be successful alongside similar publications but on a smaller scale initially.
This document discusses the conventions used in the design of a magazine cover and how it compares to an actual magazine cover. Specifically:
- The cover uses conventional magazine features like a masthead, barcode, cover image, strapline, and consistent colors.
- The cover was inspired by Kerrang! magazine and discusses rock and metal music.
- Aside from slightly varying the placement of elements, the cover closely resembles a real Kerrang! cover in style, fonts, images, and color scheme to mimic its style.
- The contents page layout, colors, and positioning of elements also closely mimic the reference material while making subtle differences to not be an exact replica.
The document outlines the 5 step process for creating the front cover, contents page, and a double page spread for a magazine called "Moshpit".
For the front cover, the steps included adding the basic layout, header/footer captions, issue details, main image and additional coverlines. For the contents page, the steps built out the mastheads, article layout, and inclusion of image captions. And for the double page spread, the process involved adding the magazine masthead, subheading, article text, main image, and secondary image with caption.
This document discusses the codes and conventions used on the contents pages of various music magazines. It notes that they typically use high contrast color schemes, include multiple pictures and lots of information to give the impression of a busy publication. Common elements include positioning the masthead in the top left, including the issue date, and using red, white, and black color schemes. Pictures are usually medium close-ups or close-ups of bands or musicians. The goal is to attract and engage readers through an appealing visual design.
This document discusses the design choices made for various elements of a magazine cover and interior pages, including taking inspiration from real magazines like NME. Key points discussed include:
- The cover design takes inspiration from older magazine covers but adds modern elements. A single dominant image, simple layout, and monochrome color scheme aim to seem serious.
- The masthead "CRASH" was chosen to be short, memorable, and evoke the genre's rebellious spirit.
- Interior pages also take cues from NME in terms of layouts, use of images and text, and inclusion of elements like contents lists and subscription offers.
- Design choices aim to balance authenticity with appealing to modern
This document summarizes key elements of a magazine front cover, contents page, and double page article spread. The front cover features the magazine logo, cover lines advertising main stories, a large image of featured artist Dizzee Rascal, and other identifying information. The contents page lists article titles, images relating to introductions, and a band index. The double page spread analyzed includes the article title, author credits, a featured image of Dizzee Rascal, standfirst introducing the piece, the text of the article, page numbers, and visual details representing the subject's lifestyle.
This document analyzes how the media product uses and develops conventions of real magazines. It discusses the conventions used and some challenges to conventions across various pages of the magazine including the front cover, contents page, editor's letter, advertisements, website, and billboard. Overall, it mostly conforms to typical magazine conventions but also challenges some conventions, such as using two paragraphs in the editor's letter rather than one, and positioning elements differently on some pages for improved readability or aesthetics. Maintaining consistency in branding elements like the masthead also helps develop the brand image.
The student created a magazine cover that followed many typical codes and conventions such as layout, inclusion of price and issue details, and use of primary colors. However, some conventions were challenged, like not using a unique title font and featuring a non-famous person. The finished product differed slightly from the original plan due to limitations of the Photoshop software used to create it.
This document evaluates how the media product uses, develops, and challenges conventions of real music magazines. It analyzes how the created magazine follows some conventions of Q and Rolling Stone magazines in terms of its monthly release schedule, price point, and content delivery. However, it also challenges some conventions, such as filling most of the front cover with images and placing the main image to the side rather than in the center. The contents pages adopt a modular layout like Q and Rolling Stone but develop it by attaching modules to different page sides. Overall, the magazine aims to appeal to a sophisticated audience like Q and Rolling Stone by following many of their conventions while also developing the conventions to strengthen its unique house style.
The document discusses how the media product challenges conventions of real rock magazines. It uses a bold, iconic font for the title that draws interest and matches rock magazine conventions. Photos of atypical models create curiosity and challenge expectations. Sinister red font jumps off the page and differs from most magazines, reinforcing the "cold weather, hot music" theme. Later pages include easy to read fonts and photos that challenge perceptions of rock bands while appealing to audiences and sticking to genre conventions. The contents page has a formal, high quality look that differs from conventions to impress readers.
The document compares the key conventions used in the front covers and contents pages of the author's music magazine and Vibe magazine. Both magazines use similar conventions such as bold mastheads at the top, images of artists with props representing their style, pull quotes to summarize articles, and listings of articles in the contents. However, the author's magazine includes more information on the cover and arranges some elements differently for variety. The document analyzes the purpose behind various design elements used in both magazines.
This document provides an evaluation of Lily Saunders' magazine by comparing its forms and conventions to a real magazine, Kerrang.
The summary discusses several key aspects of a magazine including the masthead, contents page, and double page spread. For each section, Lily explains how her magazine both develops and challenges conventions of Kerrang and real magazines. She developed the masthead style from Kerrang but made it non-straight. On the contents page, she used a London Underground button to reference punk audiences. For the double page spread, she spread the quote across both pages and used a violent red background. Overall, Lily's magazine both develops magazine conventions while also challenging norms through its designs and styles.
This document analyzes and compares the contents pages of two music magazines - Kerrang and Q magazine. For Kerrang, the text is halfway down the page and there is a picture in the weak fallow area to draw the eye down. It uses a yellow, white, black and red color scheme fitting its rock genre. The layout seems unorganized despite being in newspaper columns. For Q magazine, the primary optical area is the title at the top and the eyes are drawn down by the page numbers on the left. It features a single large image of Marc Bolan. Both magazines use column layouts and categorize articles numerically, but Kerrang seems less organized, fitting its younger target audience.
Both NME and Kerrang magazine double page spreads place the masthead in the top right corner according to Guttenberg's design principle. They use large, bold sans serif fonts to attract attention. Both feature the artist's name and article summary. The magazines use large center images filling half the page for balance. The images are high quality shots of the artist relating to their genre. NME spreads text across both pages while Kerrang groups text together. Both use columns and subheadings to structure the text. The magazines have consistent house styles matching their brands, with NME using pink and Kerrang using red, black, and white.
My magazine represents males aged 16-24 who enjoy urban and hip hop music. It uses conventions of the genre like intimidating images of artists looking into the camera on the cover. The magazine contrasts positive and negative representations - the cover photo is aggressive while contents photos are upbeat. Article photos also contrast, showing the artist serious about work and laughing with friends. Imagery and subjects represent stereotypes of the hip hop genre like mixed-race artists in urban settings.
The client, The Northern Echo, has commissioned the creation of a new magazine targeted at people aged 16-25. The magazine must be self-financed through advertising or sales. Research was conducted on the target audience which is 60% male, aged 16-24, from socioeconomic groups C1, C2, and D. The content will focus on topics like music and entertainment. Mockups were created and feedback was gathered. Financial projections show the magazine can turn a profit from advertising income and sales, with a net profit of over £20,000.
The document discusses various codes and conventions used on magazine cover pages, including:
- The masthead is placed at the top in a unique bold font, sometimes overlapping the main image.
- The main image is central and features artists/bands to attract readers. Cover lines surround the image and provide content insights.
- A positioning statement near the top sells the magazine's value for the target audience.
- Cover lines of varying sizes provide more content details, with the largest main cover line linked to the main image.
- The skyline at the top may contain a cover line or positioning statement.
- The house style reflects the target audience through font, color, organization, and language
The document discusses various codes and conventions used on magazine cover pages, including:
- The masthead is placed at the top in a unique bold font, sometimes overlapping the main image.
- The main image is central and features artists/bands to attract readers. Cover lines surround the image and provide content insights.
- A positioning statement near the top sells the magazine's value for the target audience.
- Cover lines of varying sizes provide more content details, with the largest main cover line linked to the main image.
- The skyline at the top may contain a cover line or positioning statement.
- The house style reflects the target audience through font, color, organization, and language
This contents page uses images, colors, and layout to attract readers. There are around 14 images of various artists spanning two pages. The images are primarily concert or performance shots and vary in size and shape. Article summaries are in small white boxes and include the page number, title, and brief description. Headings are in red to match the magazine logo and stand out. The layout balances images and text across four columns without being cluttered. The main focus is a large cartoon image advertised for the issue.
This document discusses the author's magazine cover design and how it uses and challenges conventions of magazine design. The author chose an orange color scheme for branding and used layered images and text on the cover, which challenges conventions by squeezing text together. Inside, a festival guide uses an unconventional scrapbook-style spread. While maintaining some conventions like listing contents, the overall design uses unconventional collages and layouts to create a packed, mosaic style.
The document discusses how the author's magazine challenges conventions of real magazines in its design. Specifically, it summarizes how the author positioned the masthead, cover lines, model's name, and contents page based on research of magazines like NME, Q, and Vibe but making some changes. For example, the masthead was placed on the left rather than behind the model as most magazines do. The contents page was largely based on Q magazine's style but with some modifications.
Olivia Lyons will produce a local newspaper for her A2 Advanced Portfolio that demonstrates her understanding of genre and narrative theory. She will create a Berliner-style newspaper targeted at males and females locally. It will include crime, charity, history, and sports stories to portray "binary opposites" and appeal to readers. The newspaper will have a formal tone with short headlines and a mix of text and realistic photos to illustrate stories. Olivia will apply design principles like the rule of thirds and use consistent layout and style across the two pages. She will also edit photos in Photoshop and include iconic references to draw readers.
The document analyzes the contents page of the magazine "vibe". It notes that the contents page is designed to attract a younger audience as the magazine focuses on hip hop and urban culture. The masthead is in white font against a dark background to stand out. The main image features a woman posing seductively, using sexuality to attract both male and female readers. Each article title uses a different font to add visual interest while maintaining a professional look. Overall, the contents page aims to simplistically showcase the magazine's content and grab reader attention through images and design.
This magazine cover uses various design elements to attract its target audience of PC gamers. These include a prominent red headline that stands out against the black background, along with other headlines in large bold fonts. Short phrases use exciting language to tease the contents within. The central image features two characters from the featured game in a pose that creates intrigue. Together, these visual and textual elements effectively entice readers to learn more about the magazine's gaming-related content.
The document outlines the 5 step process for creating the front cover, contents page, and a double page spread for a magazine called "Moshpit".
For the front cover, the steps included adding the basic layout, header/footer captions, issue details, main image and additional coverlines. For the contents page, the steps built out the mastheads, article layout, and inclusion of image captions. And for the double page spread, the process involved adding the magazine masthead, subheading, article text, main image, and secondary image with caption.
This document discusses the codes and conventions used on the contents pages of various music magazines. It notes that they typically use high contrast color schemes, include multiple pictures and lots of information to give the impression of a busy publication. Common elements include positioning the masthead in the top left, including the issue date, and using red, white, and black color schemes. Pictures are usually medium close-ups or close-ups of bands or musicians. The goal is to attract and engage readers through an appealing visual design.
This document discusses the design choices made for various elements of a magazine cover and interior pages, including taking inspiration from real magazines like NME. Key points discussed include:
- The cover design takes inspiration from older magazine covers but adds modern elements. A single dominant image, simple layout, and monochrome color scheme aim to seem serious.
- The masthead "CRASH" was chosen to be short, memorable, and evoke the genre's rebellious spirit.
- Interior pages also take cues from NME in terms of layouts, use of images and text, and inclusion of elements like contents lists and subscription offers.
- Design choices aim to balance authenticity with appealing to modern
This document summarizes key elements of a magazine front cover, contents page, and double page article spread. The front cover features the magazine logo, cover lines advertising main stories, a large image of featured artist Dizzee Rascal, and other identifying information. The contents page lists article titles, images relating to introductions, and a band index. The double page spread analyzed includes the article title, author credits, a featured image of Dizzee Rascal, standfirst introducing the piece, the text of the article, page numbers, and visual details representing the subject's lifestyle.
This document analyzes how the media product uses and develops conventions of real magazines. It discusses the conventions used and some challenges to conventions across various pages of the magazine including the front cover, contents page, editor's letter, advertisements, website, and billboard. Overall, it mostly conforms to typical magazine conventions but also challenges some conventions, such as using two paragraphs in the editor's letter rather than one, and positioning elements differently on some pages for improved readability or aesthetics. Maintaining consistency in branding elements like the masthead also helps develop the brand image.
The student created a magazine cover that followed many typical codes and conventions such as layout, inclusion of price and issue details, and use of primary colors. However, some conventions were challenged, like not using a unique title font and featuring a non-famous person. The finished product differed slightly from the original plan due to limitations of the Photoshop software used to create it.
This document evaluates how the media product uses, develops, and challenges conventions of real music magazines. It analyzes how the created magazine follows some conventions of Q and Rolling Stone magazines in terms of its monthly release schedule, price point, and content delivery. However, it also challenges some conventions, such as filling most of the front cover with images and placing the main image to the side rather than in the center. The contents pages adopt a modular layout like Q and Rolling Stone but develop it by attaching modules to different page sides. Overall, the magazine aims to appeal to a sophisticated audience like Q and Rolling Stone by following many of their conventions while also developing the conventions to strengthen its unique house style.
The document discusses how the media product challenges conventions of real rock magazines. It uses a bold, iconic font for the title that draws interest and matches rock magazine conventions. Photos of atypical models create curiosity and challenge expectations. Sinister red font jumps off the page and differs from most magazines, reinforcing the "cold weather, hot music" theme. Later pages include easy to read fonts and photos that challenge perceptions of rock bands while appealing to audiences and sticking to genre conventions. The contents page has a formal, high quality look that differs from conventions to impress readers.
The document compares the key conventions used in the front covers and contents pages of the author's music magazine and Vibe magazine. Both magazines use similar conventions such as bold mastheads at the top, images of artists with props representing their style, pull quotes to summarize articles, and listings of articles in the contents. However, the author's magazine includes more information on the cover and arranges some elements differently for variety. The document analyzes the purpose behind various design elements used in both magazines.
This document provides an evaluation of Lily Saunders' magazine by comparing its forms and conventions to a real magazine, Kerrang.
The summary discusses several key aspects of a magazine including the masthead, contents page, and double page spread. For each section, Lily explains how her magazine both develops and challenges conventions of Kerrang and real magazines. She developed the masthead style from Kerrang but made it non-straight. On the contents page, she used a London Underground button to reference punk audiences. For the double page spread, she spread the quote across both pages and used a violent red background. Overall, Lily's magazine both develops magazine conventions while also challenging norms through its designs and styles.
This document analyzes and compares the contents pages of two music magazines - Kerrang and Q magazine. For Kerrang, the text is halfway down the page and there is a picture in the weak fallow area to draw the eye down. It uses a yellow, white, black and red color scheme fitting its rock genre. The layout seems unorganized despite being in newspaper columns. For Q magazine, the primary optical area is the title at the top and the eyes are drawn down by the page numbers on the left. It features a single large image of Marc Bolan. Both magazines use column layouts and categorize articles numerically, but Kerrang seems less organized, fitting its younger target audience.
Both NME and Kerrang magazine double page spreads place the masthead in the top right corner according to Guttenberg's design principle. They use large, bold sans serif fonts to attract attention. Both feature the artist's name and article summary. The magazines use large center images filling half the page for balance. The images are high quality shots of the artist relating to their genre. NME spreads text across both pages while Kerrang groups text together. Both use columns and subheadings to structure the text. The magazines have consistent house styles matching their brands, with NME using pink and Kerrang using red, black, and white.
My magazine represents males aged 16-24 who enjoy urban and hip hop music. It uses conventions of the genre like intimidating images of artists looking into the camera on the cover. The magazine contrasts positive and negative representations - the cover photo is aggressive while contents photos are upbeat. Article photos also contrast, showing the artist serious about work and laughing with friends. Imagery and subjects represent stereotypes of the hip hop genre like mixed-race artists in urban settings.
The client, The Northern Echo, has commissioned the creation of a new magazine targeted at people aged 16-25. The magazine must be self-financed through advertising or sales. Research was conducted on the target audience which is 60% male, aged 16-24, from socioeconomic groups C1, C2, and D. The content will focus on topics like music and entertainment. Mockups were created and feedback was gathered. Financial projections show the magazine can turn a profit from advertising income and sales, with a net profit of over £20,000.
The document discusses various codes and conventions used on magazine cover pages, including:
- The masthead is placed at the top in a unique bold font, sometimes overlapping the main image.
- The main image is central and features artists/bands to attract readers. Cover lines surround the image and provide content insights.
- A positioning statement near the top sells the magazine's value for the target audience.
- Cover lines of varying sizes provide more content details, with the largest main cover line linked to the main image.
- The skyline at the top may contain a cover line or positioning statement.
- The house style reflects the target audience through font, color, organization, and language
The document discusses various codes and conventions used on magazine cover pages, including:
- The masthead is placed at the top in a unique bold font, sometimes overlapping the main image.
- The main image is central and features artists/bands to attract readers. Cover lines surround the image and provide content insights.
- A positioning statement near the top sells the magazine's value for the target audience.
- Cover lines of varying sizes provide more content details, with the largest main cover line linked to the main image.
- The skyline at the top may contain a cover line or positioning statement.
- The house style reflects the target audience through font, color, organization, and language
This contents page uses images, colors, and layout to attract readers. There are around 14 images of various artists spanning two pages. The images are primarily concert or performance shots and vary in size and shape. Article summaries are in small white boxes and include the page number, title, and brief description. Headings are in red to match the magazine logo and stand out. The layout balances images and text across four columns without being cluttered. The main focus is a large cartoon image advertised for the issue.
This document discusses the author's magazine cover design and how it uses and challenges conventions of magazine design. The author chose an orange color scheme for branding and used layered images and text on the cover, which challenges conventions by squeezing text together. Inside, a festival guide uses an unconventional scrapbook-style spread. While maintaining some conventions like listing contents, the overall design uses unconventional collages and layouts to create a packed, mosaic style.
The document discusses how the author's magazine challenges conventions of real magazines in its design. Specifically, it summarizes how the author positioned the masthead, cover lines, model's name, and contents page based on research of magazines like NME, Q, and Vibe but making some changes. For example, the masthead was placed on the left rather than behind the model as most magazines do. The contents page was largely based on Q magazine's style but with some modifications.
Olivia Lyons will produce a local newspaper for her A2 Advanced Portfolio that demonstrates her understanding of genre and narrative theory. She will create a Berliner-style newspaper targeted at males and females locally. It will include crime, charity, history, and sports stories to portray "binary opposites" and appeal to readers. The newspaper will have a formal tone with short headlines and a mix of text and realistic photos to illustrate stories. Olivia will apply design principles like the rule of thirds and use consistent layout and style across the two pages. She will also edit photos in Photoshop and include iconic references to draw readers.
The document analyzes the contents page of the magazine "vibe". It notes that the contents page is designed to attract a younger audience as the magazine focuses on hip hop and urban culture. The masthead is in white font against a dark background to stand out. The main image features a woman posing seductively, using sexuality to attract both male and female readers. Each article title uses a different font to add visual interest while maintaining a professional look. Overall, the contents page aims to simplistically showcase the magazine's content and grab reader attention through images and design.
This magazine cover uses various design elements to attract its target audience of PC gamers. These include a prominent red headline that stands out against the black background, along with other headlines in large bold fonts. Short phrases use exciting language to tease the contents within. The central image features two characters from the featured game in a pose that creates intrigue. Together, these visual and textual elements effectively entice readers to learn more about the magazine's gaming-related content.
This document provides a summary of key design elements used in magazine layouts. It highlights features like:
1) Using bold colors, fonts, and positioning to draw attention to article titles, headlines, and key information.
2) Including photos and images relevant to the article topic to engage readers.
3) Organizing content into clear columns and sections to make the information easy to navigate.
4) Integrating branding elements like the magazine logo and masthead to maintain identity and guide readers.
This double page spread from a music magazine features an interview with the Black Eyed Peas. The large central image spans both pages but is cut in half by the centerfold, which is an ineffective design choice as it prevents viewers from seeing the full image. While eye-catching due to its size, the split image may frustrate or disappoint readers expecting to see the photo in its entirety. The spread could be improved by repositioning the image wholly on one page to avoid this issue.
This magazine content page uses bold designs and images to attract rock music fans. A large picture of the band Bring Me the Horizon grabs attention at the top. Article titles like "News" and "Feedback" promise to keep readers informed and engaged with the rock community. While the page has a rugged style, the main image of guitarist Slash smiling conveys that rock musicians have tough exteriors but normal personalities underneath. The varied fonts, colors and article previews aim to clearly showcase content and entice readers to learn more each week.
The document analyzes a double page magazine spread about an artist. It notes that the spread uses an unconventional layout with mostly images and large typography. A monochrome color scheme with red accents is used aesthetically. The left page features a large greyscale picture of Lady Gaga in provocative clothing. The visuals and layout are meant to attract readers and represent the artist's passion for music and country.
This magazine cover uses Florence from Florence and the Machine as the central image. She is a popular musician, making her an engaging cover subject. Around her are landmarks from different cities, implying her music is spreading worldwide. The cover also promotes free music downloads from Florence to attract fans. Overall, the cover utilizes a popular artist and free music to generate interest in the magazine's music industry content.
The masthead is large and bold, as is typical. Only a few colors are used to keep the design clean. Cover lines advertise reviews and articles about bands and songs to appeal to the music-focused readership. Placement of elements like the barcode, price and date follow standard magazine layout conventions.
1) A masthead displays the magazine title to familiarize readers.
2) The main image typically features people or objects related to the main article.
3) A selling line below the masthead introduces the magazine's content.
The front cover of Q magazine features singer Adele looking directly at the camera with her thumb against her lips in a slightly provocative pose. The large, bold "Q" masthead is prominently displayed against a striking red background at the top of the cover. Below Adele's image are the cover lines promoting other artists featured in the issue, such as Liam Gallagher. The issue number and tagline "Discover great music" also appear on the front cover. The layout, simple color scheme and fonts used project an image of Q as a sophisticated, music-focused publication targeting younger, affluent readers.
This document summarizes the key stylistic elements of two music magazine contents pages:
VIBE magazine uses a black, white, and grey color scheme with consistent layout and masthead design. The main image features a model whose legs form the letter "V" relating to the magazine title. Sans serif font is used for the masthead in bold white letters.
Q magazine maintains a clean and simplistic house style using white, black, and red colors. It employs a formal design balance with designated sections. Larger images indicate main features while smaller, casual images showcase other content. A bold sans serif title contrasts a serif body font to connect with readers informally.
The document discusses various magazine websites and print publications. It describes the Vogue website as minimalistic to make it easy to use while maintaining a chic aesthetic. The Love magazine website shows consistency with the print version through links to articles and images. Music magazine websites also aim to tie the digital and print versions together through similar fonts and color schemes. Fashion magazine writing styles tend to be formal with minimal text and expert terminology to educate readers. Formats like mastheads, cover lines, and barcodes create conventions across print magazines.
The document analyzes and compares the contents pages of two magazines, Vibe and Q. It discusses the design elements used in each magazine, including their color schemes, imagery, text placement, and overall layout. Vibe splits the word "contents" into three parts and features a large color-coordinated image of Beyoncé. Q keeps the word "contents" together and places it above a centered masthead image. Both magazines effectively present information in the top or bottom third of the page around a central image, but differ in whether the image is placed at the top or bottom.
The document analyzes the codes and conventions used in the contents pages of several music magazines, including VIBE, Q, and NME. It discusses design elements like prominent images of models/artists, placement of information, use of colors, and advertisements. The key conventions highlighted for each magazine include VIBE's sensual color scheme and unusual layout, Q's focus on Adele to appeal to fans, and NME's separated masthead and subscription advertisement. The document considers how these conventions could be applied to create an effective contents page for a new music magazine.
The document analyzes conventions used in R&B music magazines 'VIBE' and the student's own magazine 'EDGE'. It finds that both magazines use similar conventions for the masthead, front cover photos, contents pages, and feature articles. These include prominent mastheads in house style colors, front cover photos that portray artist status, columns and images on contents pages, and feature articles set in columns with artist names in bold. The conventions aim to clearly present information while representing the magazines' modern, stylish brands to target audiences of 15-25 year olds.
The document discusses magazine design conventions used in R&B magazines 'VIBE' and the student's own magazine 'EDGE'. It analyzes conventions on the front covers such as mastheads, images of artists, and placement of cover lines. Fonts, colors, and modern symbols are compared. Conventions within magazines like contents pages are also examined, including placement of images and information about articles. Overall key conventions that appeal to target audiences and represent the genre are evaluated between the two magazines.
The document analyzes conventions used in R&B music magazines 'VIBE' and the student's own magazine 'EDGE'. It compares how both magazines represent artists and content on their covers and interior pages. Key conventions discussed include prominent mastheads in house style colors, cover images that portray artist status, column layouts, and use of colors and fonts. The analysis finds both magazines employ similar conventions like cover lines, taglines, and arrows to guide readers, while exploring how each magazine tailors conventions to its own style. The conventions aim to clearly present content and appeal to target demographics of 15-25 year olds.
The document analyzes the layout, design, and target audience of two magazine content pages. For the first magazine: The color scheme uses red, grey, black and white suggesting an older audience. The layout splits the page into three sections with the largest image in the center to draw attention. The target audience is ages 25+. For the second magazine: The color scheme is yellow and black for consistency. The layout also splits into three sections with the largest image in the center and inset images. The target audience is ages 14-25 based on the informal language. Both magazines follow typical magazine design conventions.
This document provides an analysis and evaluation of a mock music magazine front cover and contents page created by the author. It examines how the mock magazine uses and develops conventions found in real music magazines. The front cover includes elements like a large masthead, sell lines promoting interior content, barcode and price, and subscription offers that conform to industry standards. The contents page similarly displays interior articles in an organized manner, includes the date and social media links, and reuses the masthead. The double-page feature article format draws from examples in Q Magazine with its layout of text, images, headlines and page numbers.
The document describes the process of designing and laying out a regional magazine in InDesign. Key steps included adding pages for double page spreads to feature large images, arranging articles in columns on the spreads, and ensuring high resolution images. Fonts and text sizes were standardized across issues for branding consistency. Images and text were positioned to not overlap and make the magazine appealing and easy to read.
Sam Knappett's media magazine evaluationsamknappett
This document summarizes how the media product of a music magazine challenges and develops conventions of real music magazines.
The front cover challenges conventions by placing cover lines at the bottom instead of the side and using a large black and white feature photo with 7 people instead of the typical 1-5 people. The contents page challenges conventions by including more information and less photos than typical contents pages.
The double page spread challenges conventions by using a single background photo instead of multiple photos or white space, and not separating the text with pull quotes or a gap between pages. It also does not change the style from the front cover.
The magazine represents its target urban, rap/hip-hop audience through the clothing, poses,
The content page follows magazine conventions with a symmetrical layout. The main article is prominently featured with a large image. Sections are clearly labeled to help readers navigate. A subscription offer and masthead branding reinforce the magazine's identity.
The document discusses conventions of magazine covers and contents pages and how the media product challenges or develops these conventions. It describes conventions for elements like mastheads, cover images, headlines, quotes, and photos. It notes how the cover develops conventions by having a typical cover image and masthead but challenges little. The contents page takes inspiration from other magazines but doesn't include some usual aspects. Billboard magazine is said to challenge conventions by having its masthead and images resemble a fashion magazine.
The document analyzes the contents pages of four music magazines: Q, Kerrang, NME, and Vibe. Some key points made:
- The magazines use images, colors, fonts and layouts that establish consistency with their branding and appeal to their target audiences.
- Contact information, subscription details, and labeled sections help readers navigate to content.
- Numbering content pages makes it easier for readers to find specific articles.
- Imagery, fonts, and design elements tie the contents pages visually back to each magazine's distinctive style.
This document analyzes several pages from a music magazine, including the front cover, contents page, and a double page spread. The front cover uses sans serif fonts and bold text to draw attention to key elements like the masthead and artist name. The contents page features colorful fonts and many images corresponding to articles. The double page spread has a large featured image on the left with explanatory text and the main article in two columns on the right, using dark colors and white text for contrast. Overall, the magazine follows conventions of the genre but also uses visual elements uniquely.
The document discusses how the student's magazine product follows several conventions of real magazine covers, contents pages, and articles. Specifically, it mentions using conventions such as overlapping the main image with the title on the cover, including larger titles and subtitles, featuring a main cover line and additional cover lines, including the magazine logo, barcode, and masthead. It also compares these design elements to another magazine called Vibe. The student aimed to develop a consistent color scheme while also including multiple images and page numbers on the contents page. Overall, the document analyzes how the student's magazine adheres to typical magazine conventions in its layout and design.
The document analyzes how the media product, a music magazine, both follows and challenges conventions of real music magazines. It provides examples of layout elements and design features from the magazine's mock front cover, contents page, and double-page article spread that emulate conventions like central images, varying typography sizes, and floating quotes. It also notes some unconventional elements like fewer supporting images. Overall, the magazine aims to look realistic while including some unique qualities.
This contents page from V magazine uses a stylized layout with a bold "contents" heading to clearly present information in a consistent style. Only the heart by Kanye West's name is in color, drawing attention to that section. Though focused on music, V magazine also covers fashion shown through Kanye's clothing. Overall the page uses a greyscale tone with only that heart in color, and the layout and styling consider what will appeal to their audience.
The document provides an analysis of the layout, images, and text used in different sections of a magazine called "the moment". It summarizes the key design elements in the cover page, contents page, and a double-page article spread. The cover page uses bright colors, low lighting, and a centered female image. The contents page has a neutral color scheme and images/text arranged in columns. The double-page spread follows conventions with one page of image and the other of text arranged in a column between two large images.
The speaker is tired of the same old stories with their romantic partner and wants to return to easier times. They have saved money and hidden it away for when times get harder. The speaker feels like the world is against them and they need to escape and find another open door if they leave this place. Everyone is waiting for something that doesn't seem like it will happen. The speaker wants to get away from the crowds of unhappy people waiting instead of taking control of their own lives.
The poem compares a girl to a bird with a broken leg that needs nursing back to health. There is romantic tension as the speaker wants to comfort and be close to the girl, but they are not currently together. Their relationship was damaged in the past but the speaker hopes it can be healed through simple caring gestures and intimacy. However, the speaker worries that pursuing romance too quickly could lead to regret, and is uncertain if the girl still loves him. The broken bird represents the damaged relationship that ultimately could not be mended.
The speaker uses similes to describe how they will always be there to support and care for their romantic partner. They want to provide comfort as a gentle listener, help their partner make good choices, and ensure they are never alone or in need. The speaker aims to dedicate themselves entirely to their partner by being a good memory, keeping them warm, and doing anything to make their life easier. They desire to escape from judgments by starting a new life alone with their partner where everything will change and their past holds no relevance.
The document provides a scene-by-scene analysis of a video. Key figures show ideas of lifting the viewer into the journey, the protagonist grabbing the camera to share happiness, dancing silly to represent being human, and throwing food to share contentedness. Later scenes show the individual standing out in darkness yet among people, their movement juxtaposed with rising buildings, and reflection suggesting individualism is fluid like society or an illusion. The analysis suggests recognizing individual life amid the collective.
The document describes an album advert, digipak, and music video created by the author for their media product. It summarizes how each component uses and develops conventions of real media products in the indie/electronic genre. The album advert uses minimalist design with an out-of-focus city skyline, while the digipak focuses on conceptual style over narrative. The music video sets its urban setting and costumes in Manchester to reflect the genre, and uses techniques like a focus shift and non-linear narrative to develop conventions. Overall, the media product challenges conventions in some technical aspects but aims to represent the conceptual focus and aesthetics valued in the indie genre.
Adobe Premiere allows the creator to add various effects and transitions to video and audio footage to professionally edit together a music video. Effects like reversing clips and speeding up or slowing down footage were used to match elements to the music. Transitions such as cross dissolves and fades were also employed to piece the layered sequence together over time. Through experimenting with Premiere's editing capabilities, the creator was able to achieve aesthetic goals like a time lapse transitioning from day to night and adjusting brightness and contrast to graphically match the intended mood.
This production diary details the process of creating a music video over several months. Key events include:
- Deciding to create an indie music video and choosing the song "All of the People"
- Planning shots and storyboarding ideas for the video
- Filming test footage and practice shots in various locations to capture the planned scenes
- Editing the footage together into a first cut of the music video
- Gathering feedback and making improvements by filming additional shots
- Creating a final cut of the music video and completing ancillary tasks like a digipack for evaluation
Long-exposure photography techniques capture movement through blurred trails. This document discusses using these techniques to create star trails by tracking celestial object movement with a slow shutter speed. While most photographers do this on busy roads, the author was only able to recreate light trails in a still photo with their basic camera. They discovered Adobe AfterEffects software can similarly edit video clips to distort shapes and blend speeds to generate light trails, which is what the author has tried to do for their music video by adding echo effects.
Bokeh is a Japanese photographic technique that blurs out-of-focus areas to improve aesthetic lighting quality. It can change the size and shape of the blurred areas. The document discusses creating a DIY paper bokeh filter by drawing shapes and attaching them to a camera lens with an elastic band. While this changed the shape of the blurred areas, it did not have a strong enough effect. Exchanging the camera lens for a higher quality 50mm lens with a larger aperture achieved the desired bokeh effect.
The document asks for an interpretation of a concept or narrative explored in a video, which favorite parts stood out, and whether the video is representative of the indie/electronic genre. It also asks what didn't go as well and could be improved.
This document discusses image and footage files. Images and videos are important digital assets that can be used across many platforms and devices. Proper file formats, naming conventions, and organization are key to ensuring images and footage can be easily accessed, searched, and reused.
The document discusses plans for shots in a music video. It proposes opening with a long shot of the protagonist reflecting in an urban setting, then walking away from the camera. Later shots would involve a performance by the protagonist singing happily to the camera to create a positive mood. The document considers using different weather conditions and bokeh lenses and effects to subtly convey deeper emotions beneath the surface happiness and to thrust the viewer from an uplifted state back to reality.
Eminem's music video for "Mockingbird" features old home video footage of him with his daughters and their mother. The video depicts Eminem alone, watching these old videos and lamenting not being able to be with his family as his career requires him to be away. Through personal lyrics directly addressing his daughters, the video shows Eminem's love for his family and desire to protect and support his daughters, despite being physically distant from them due to his work and their mother struggling with addiction issues. Intercutting old home videos with scenes of Eminem's success and coverage of his wife's legal troubles, the video uses nostalgia and sentimentality to provide context for the song's emotional lyrics and
1) The music video for "Love Me" by The 1975 uses cardboard cutouts and other imagery to parody celebrity culture and fandom.
2) It depicts the lead singer interacting in comedic ways with cutouts of celebrities while also objectifying women.
3) Through these techniques, the video comments on the superficiality of the music industry and modern representations of gender, but is intended as an in-joke for their fans rather than a serious critique.
Analysis of the artwork for Mika's album The Boy Who Knew Too Much as one third of the magazine adverts analysed for my advanced media portfolio A Level.
Analysis of the magazine advert featuring the release of LCD Soundsystem's new album 'This is Happening' as part of the product research of my media portfolio
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Azure Interview Questions and Answers PDF By ScholarHat
Magazine Contents Page Analysis
1. House Style (fonts,colours,layout)
The House Style of VIBE magazine employsthe
coloursred,white,andblackthroughoutthe
magazine.Thisincludesthe contentspage,front
cover,and double page spreads.Maintaininga
particularcolourpalette makesthe magazine look
betterwhilstalsoestablishingthe brand.
In a similarmanner,the typographyusedforthe
subheadingsisrecurrentlythe same inorderto
maintainthe magazine’shouse style. Aswe cansee
inthisother contentspage of VIBE
magazine,there are similardesigns
used.Forinstance,bothhave content
downthe sides,large numbersfor
more significantcontent,anda
similarproportionof the page istaken
up bythe use of images.
Imagery
Imagesonthe contentspage take up aroundtwo
thirdsof the A4 page,and grab attentionquite well.
Theyare insquaresand central to the page,with
the textnamingthe contentdownboththe leftand
rightsides. There are twoimages whichlookvery
tidyand controlled,incontrasttothe multitude of
imagesandgraphic featuresusedbyKerrang! The
modelswearstylishclothingwhichisusedtodisplay
theirmusicgenre (R&Band rap) as well asto appeal
to the target audience of the magazine.Theyare
bothphoto shootimageswithmusicstarswhich
may be well knowntopeople whoknowthe
magazine.Therefore,the imagesare likelytosell
the contentof the magazine andpeople are more
likelytoreadthe mainsellingarticles.
DesignBalance
The majorityof the page istakenup by twolarge
imageswhichare framedbytextina small font.The
weightof the page isspreadevenlywhichmeansthat
the contentiseasy togather,read, andunderstand.
Approximatelytwothirdsof the page are takenup by
photos,retainingthe professional outward
appearance.
The GuttenbergDesignPrinciple
The primary optical area is where the main text starts.
This means that the reader will quickly be able to start
looking through the contents of the magazine. From
here, the axis of orientation carries the attention of
the reader across the page to the terminal area, where
the text ends on the other column of the page. Text is
split into two thin columns across either side of the
contents page and the main body is taken up with two
captioned pictures. As the text is larger, we can
assume that the pictures symbolise key articles in this
issue of VIBE. The strong fallow area of the magazine
contains a reiteration of VIBE's symbolic masthead 'V',
which is part of the magazine's house style. Although
there are gaps, the main content of the page is spread
evenly and effectively.
Target audience and need
The target audience of VIBEmagazine ismostly
olderpeople whopreferthe rapand R&B genresof
music.Thisisevidentthroughthe imagery.We can
see twomodelswho clearlydisplayelementsof this
musictype.The hats, sunglasses,andstylishclothing
showthis.The titlesused,whichinclude "Dressedto
kill"and"Style points"seemtoplace emphasison
fashionandstyle.These are attemptstoappeal to
people wholike thistype of content.Notably,itis
likelythatthe people whoare interestedinfashion
are the same people whoare interestedinthe
genresof musicthat VIBEmagazine contains.The
use of blackand white inthe magazine'shouse style
can be seenasstylishtoowhichwouldappeal tothe
magazine'stargetaudience.Ithasa professional
aestheticwhicholderreaderswouldprefer.
2. House Style (fonts,colours,layout)
Kerrang!magazine hasa house style whichutilises
an abundance of blackand white colourcontrast.
The graphic feature withthe page title 'contents'is
inthe topright cornerof the magazine inan
informal font,reflectingthe genre of the magazine
as heavyrock and metal.Variousdifferentfontsare
usedwhichtakesawayfromthe professional
appearance of the magazine,butappealsmore to
the magazine'syoungdemographic.Thisalso
reflectsthe carefree andrecklessnature of the
musical content. Assuch,this
wouldbe lesslikelytosell toolder
people.The layoutisnotsetinstone
and can be seento lookvery
differentweektoweek,evidenthere.
However,some issuesdofollow
similarstructures.
Imagery
The contentspage of Kerrang!magazine generally
containsan abundance of differentimages.Thisisto
appeal totheiryoungertargetaudience.
The imagesgenerallyshowsbandsandclose upsof
artists.The biggestimage onthe page is an image of
a band,where the dominantcolourisblack.The
page usesa large amount of blackon the white
backgroundto create a strikingeffectwhichconveys
the musicgenre.These picturesseemtomostlybe
goodquality,whichwill appealtothe reader.
However,the layoutisquite disorganisedandthe
imagesinthe bottomrightcorner are tiltedslightly
and imposedoverone another.The layeredeffect
emphasisesthe magazine'sinformal approach.
DesignBalance
There isminimal balance inthe designof this
contentspage,textandimagesare spreadaroundthe
page unevenly.However,itappearsasthoughthe
majorityof the page is takenup byimages.
Photographsare usedto leadarticlesinorderto
make themseemmore attractive.The dominantuse
of imageryattractsthe youngertargetaudience.
The GuttenbergDesignPrinciple
Kerrang! magazine has a very busy contents page on a
weekly basis. In order to not waste space, the
magazinedesigners have considered the Guttenberg
Design Principle. This is evident in the way that the
graphic feature which labels the contents pageis in the
strong fallow area of the page. This isn't where a
reader would naturally look for content, so using it in
this manner preserves the stronger space for the
actual magazinecontent. Content is spread widely
across the page, but is numbered in order following
the axis of orientation across the page. Furthermore,
the primary optical area contains a large image of a
band, which we can assume is a key articlein this issue
of Kerrang! The terminal area shows a collage of less
important images relating to another articlein the
magazine. Most content is central to the page.
Target audience and need
Thismagazine usesa numberof differenttypefaces
and graphicfeatures.Whilstlookingless
professionalandtidythanthe contentspagesof
magazineswithanoldertargetaudience likeVIBE's,
thisappealstothe youngand dominantlymale
demographicof Kerrang!There isa wide use of
colour,informal language andimagerythat meets
the target audience of the magazine.Forinstance,
underneaththe page title,itsays'Everythinginthe
mag. Righthere'.
Anotherthingthatyoungreaderswill findappealing
isthe imagerydisplayingpicturesof popularrock
and metal bands.AswithVIBEmagazine,these
photographsworkas an incentive forsomebodyto
readthe contentof the issue.