Locations
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Studios provide controlled lighting and make it easier to gather crew and cast in one location, but lack the sense of realism of outdoor shoots. Shooting on location is cheaper than building sets, allows different effects, but risks disturbances from weather and lack of sound control. Various camera settings like ISO, shutter speed, and aperture can be adjusted to create effects when shooting moving images or at night. Event photography captures raw emotions but locations are unpredictable and guests may interfere with shots.
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The document discusses lighting issues encountered while filming at an outdoor location. As the sun was setting, it was difficult to get the correct lighting, camera settings, and angles before it became too dark. This required setting up the camera earlier and experimenting to get the establishing shot before the light disappeared quickly. Filming had to be done in the dark to maintain continuity with most of the footage. Natural lighting helped create an eerie tone fitting the narrative but background noise from a nearby road and passing people required retaking shots. Various lighting, camera focus, angles, and shots were tested to portray different meanings and hints to the audience. Refilming in darker conditions and scheduling issues with actors also presented challenges.
Camera person’s journal
The document discusses the role and experiences of the camera person for a student film. It was filmed over four weekends using a webcam attached to a laptop. The biggest challenge was inconsistent lighting, as room lighting had to be adjusted and sometimes a phone flashlight was used. This caused visibility and color issues. Weather also impacted lighting, with cloudy days working best. Through the experience, the camera person learned the importance of consistent lighting and considering factors like weather while filming.
Planning
The document discusses planning for a student film shoot, including choosing a house location to avoid costs, assessing safety risks on set, arranging equipment from college, and coordinating a small cast and crew of friends to help with filming and post-production. Meetings were held to prepare the team and arrange a composer, and contingencies are outlined for technical problems like battery or memory card issues as well as organizational challenges like missing props or changes in wardrobe.
Single camera take music video
This document provides information about the music video for the song "Titanium" by David Guetta, including:
1) The target audience is fans of David Guetta aged 13-50 due to the catchy lyrics and pop/house genre.
2) Camera techniques start slow with wide shots and slow pans, then use closer shots and faster cuts as the tempo increases to match the upbeat music.
3) Locations include Canada which provides a sense of acceptance contrasting with the boy's feelings of being alone and different.
Music promo – write up of shoot day
The document summarizes a music video shoot day. Key points:
- The DJ studio scene went well and achieved the planned shots, but took more time, rushing other location shots.
- Lighting and weather became issues as the day went on, potentially affecting continuity.
- Locations could have been planned further in advance to be more organized on the day.
- Overall the production team worked well together to complete filming as scheduled.
Planning
Tom Haase is planning a photography shoot for a film cover featuring a killer lumberjack. He will shoot at two locations - a college studio and nearby Knavesmire Woods. At the studio, he will take close-ups of the model and props. The outdoor location provides a dense forest backdrop but may be dangerous at night. He has booked studio time for March 14th and plans to shoot outdoors on March 16-17th, depending on weather. Potential health and safety risks include tripping or dropping equipment, and mitigation strategies are outlined.
Production logs edon
The group shot opening scenes for their film trailer on day 1. The author was responsible for lighting, using various objects and light sources to create different lighting effects for different scenes. On day 2, the group shot the remaining scenes for the trailer. The author again focused on lighting, using candles for a nighttime scene. On day 3, the group re-shot some scenes to improve acting, lighting, or shots. The author worked on lighting again for the re-shots, changing locations and light sources to improve lighting and the overall quality of the scenes.
Prod management production template stage 3 2015
This document outlines the production process for a short black and white film. It discusses shooting the film at the filmmaker's house to avoid location fees. It details the shot list, storyboards, and scheduling of shooting over one weekend. Post-production plans include editing in Adobe Premiere, addressing lighting and audio issues, and adding a soundtrack composed in GarageBand using church bells to set an atmospheric tone for the thriller genre. Reshoots were required to fix technical issues like incorrect frame rates and missing shots.
Filming Progression
We spent our first filming session in the studio experimenting with different lighting arrangements and camera shots to establish a style for our music video. Four adjustable studio lights were positioned behind the drummer to create a silhouette effect with dark tones. We explored different camera positions around the drummer to get varied shots without moving the lights. A spotlight was also tested to create silhouette effects for singing parts and to add more style, though it did not fit the music genre well. Overall we were able to film different shots and angles to use without significantly changing the lighting setup.
Fmp planning
The document provides details on the locations, equipment, costumes, props, and personnel that will be used for the filming of Luke Ross's short horror film. Seven different locations are listed for various scenes involving victims. Equipment that has been purchased or needs to be purchased is outlined. Costumes and props needed to create the horror scenes and immerse the audience are also listed. Finally, the people who will be operating equipment, filling acting roles, and their roles are described.
Nathan bowen
The document outlines the responsibilities and skills required of a cameraperson. As a cameraperson, key responsibilities include setting up camera equipment prior to filming, organizing cables, having knowledge of different camera shots and angles to benefit the scene, and potentially planning shots in advance. Camerapersons must also be able to solve technical problems on set, take direction from the director, work efficiently, and keep equipment updated and repaired. Required skills are a good knowledge of cameras and equipment, interest in filming techniques, good hand-eye coordination, patience, attention to detail, and knowledge of lighting, sound engineering, and editing.
Location recce
Luke Janes visited a field at a school on November 14th to scout it as a potential filming location. The field would work for a scene where characters have a conversation. However, the lighting may be too bright at midday, and wind could cause background noise issues. Filming on a calm, overcast day would help address these concerns. There is also a risk of actors or equipment slipping on wet grass or in holes, so filming needs to occur when the ground is dry. With the right weather conditions, the field could serve as a suitable location.
Evaluation question 3
The document reflects on what was learned from an initial preliminary task to the final product of a thriller film. It discusses mistakes made early on with camera angles and editing, but also how research into filming techniques and tools like Adobe Premiere helped improve the final product. Planning with storyboards and schedules was useful to an extent, but filming required adaptations from the plans. Managing time and crew became more challenging when filming extended across multiple days and locations.
The Filming Process LOG.
The document logs the filming process for a short horror film. It details the original filming schedule of October 28th with plans to shoot in darker conditions ideal for the horror genre. Filming of the first scenes began on the 28th but issues with natural lighting caused rescheduling to the 30th. Preparations were made for the final surprise party scene including creating a Facebook event to coordinate extras for October 31st. Props and location setup were also documented for the party scene. In conclusion, the filming process went mostly to plan with only one rescheduling needed to ensure proper lighting continuity.
Planning
Tom Haase is planning a photography shoot for a film cover featuring a lumberjack character. He will shoot at two locations - a college studio and nearby Knavesmire Woods. At the studio, he will take close-ups and full body shots of the model against a white backdrop. The woods provide a dense, wooded backdrop but may be dangerous at night. He has booked time at the studio on March 14th and plans to shoot outdoors on March 16th-17th, depending on weather. Both locations are within a 15 minute walk of his home. He will use props including an axe, shirt, hat and boots to costume the model as a lumberjack.
Planning FMP
Tom Haase is planning a photography shoot for a film cover featuring a lumberjack character. He will shoot at two locations - a college studio and nearby Knavesmire Woods. At the studio, he will take close-up shots of the model and props. The woods location provides a dense backdrop but may be dangerous at night. He has booked time at the studio on March 14th and plans to shoot outdoors on March 16th-17th, depending on weather. Both locations are within a 15 minute walk of his home. The college provides equipment, otherwise the shoot would cost around £180 to fund. He has scheduled a meeting with his model and agreed upon times. Tom plans to use lighting, camera settings, and
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Pitch
This document outlines a pitch for a documentary about interfaith marriage. The documentary would use an entertaining format to explore the experiences of interfaith couples navigating issues of faith, culture, religion, and community. The primary target audience would be adults in interfaith marriages, with secondary audiences of teenagers and parents. Research needs to examine other documentaries, equipment, obstacles faced by interfaith couples, and alternatives they consider. A rough cut is planned for mid-April with time for audience feedback and revisions before final deadlines.
Pitch
The document outlines a proposal for an Expressive Arts newsletter to promote and share information about performances, auditions, and related events with students, parents, teachers, and the local community. It proposes a playful yet formal layout with a double-page A3 spread published every two weeks, along with weekly social media updates on Instagram, Snapchat, and Facebook. The content would advertise upcoming shows, reviews, student talents, auditions, and photos from rehearsals. Roles are assigned for photography, filming, editing, and writing to produce visual news for both the print and online versions.
Presentation 3
This document discusses locations chosen for filming a documentary about London and a documentary about rape. For the London documentary, iconic landmarks like Buckingham Palace and the London Eye were selected to clearly identify the city being featured. Lawyers' homes and the filmmaker's own home were chosen for convenience and to make the rape documentary seem more personal and professional, rather than using formal office spaces or strangers' homes. Accessibility and representing the subject matter were prioritized in selecting these filming locations.
Presentation 2
Royalty free music allows purchasers to pay for a music license only once and use the music indefinitely. The document discusses royalty free music, noting it is music licensing that provides unlimited use for a one-time fee. Additionally, the document mentions a filmmaker's plans to use royalty free music made from natural instruments in their documentary, with background audio provided by their uncle who is a professional videographer.
My target audience
This document outlines the target audiences for a documentary, including local members of parliament to raise issues in parliament, general people interested in factual documentaries to inform them of uncovered issues, non-EU residents applying for UK asylum for similar reasons who could receive legal advice from the documentary, young adults aged 16-25 who may find real-life events interesting, and university students who could use the documentary for coursework.
Contextual%20analysis
This document provides a contextual analysis of two BBC documentaries on immigration in the UK. It summarizes the key techniques used in each documentary, such as lighting, camera shots, inclusion of both perspectives, and use of statistics. It then explains how the analysis relates to the document author's own documentary on immigration, which will employ similar techniques like natural lighting, interviews of people from the street, and background music to set the scene.
Reflection on trip to london
The document summarizes the author's visit to the British Museum in London where they learned about African culture and the history of slavery. The author explored how slaves were treated and gained freedom from Britain. They took many informative pictures including a large poster showing the hardships Africans faced to gain freedom and walls with details on the transatlantic slave trade. The photos also depicted men being taken from their families to be sold abroad. Overall, the trip to the museum provided valuable history about the Royal Africans that the author was previously unaware of and potential ideas for a school project.
Qand a bullent point
The initial concept for the final project was a montage of a man taking apples from a lady artist, with the idea that they would fall in love over apples. However, this evolved into a more typical romantic comedy story. Research into romantic comedy poster designs helped with laying out the magazine poster. Planning was important and helped keep the project organized, on track, and ensured all scenes were completed. The intended audience was teenagers and adults who enjoy romantic comedies. While the initial ideas were largely realized, the film could have been improved with a better camera operator and longer runtime. The magazine met expectations but felt like it was missing something.
Qand a bullent point
The initial concept for the final project was a montage of a man taking apples from a lady artist, but they were meant to fall in love over apples. However, this turned into a typical love story so the concept was changed. Research on rom-com poster designs and locations helped develop the project and plan shooting and costumes. The intended audience was teenagers and adults who enjoy rom-com genres due to some kissing scenes. Royalty-free music was used and InDesign skills for the poster were improved. While the initial idea was completed, the camera work could have been better but acting was confident; the project met most expectations though the magazine felt incomplete.
Dark room and 35mm film
Dark room is a room made completely dark to allow processing of light sensitive photographic materials. It requires a light-tight door, often with a lock, to prevent light from entering. There are four main types of doors for dark rooms - revolving, single, double, and maze. Revolving doors are the most efficient but also most expensive, while maze doors provide no protection from accidental light exposure. The purpose of the dark room is to process film and photographic paper in complete darkness.
Cover letter
Harmeet Kaur is applying for an entertainment/fashion photographer position. She has 3 years of photography experience in fashion from working with a professional wedding photographer. She is passionate about photography production and believes her technical skills and experience make her a strong candidate for the position.
Task 1 nature
What is Quantitate & Qualitative
What is Market Research, Production Research Audience Research, Primary and secondary Research
Purge quantitative
The document provides quantitative, audience, and qualitative research on the film "Purge: Election Year."
Quantitative research shows the film received an overall rating of 6/10 and grossed $79.2 million at the box office. More male than female viewers watched the film. The target age range was 15+.
Audience research found the target viewers were males ages 15+ from any socioeconomic class or sexual orientation. Related horror films like "Ring 2" appealed to the target audience.
Qualitative reviews of the film were mixed, with some praising it as the most interesting in the Purge series but others criticizing the ending for becoming a rescue mission. Advertising campaigns like posters and
Call sheet blank 1
The call sheet provides production details for the short film "Bite" including the call time, producer and director contact information, shooting schedule, locations, scene synopses and cast/crew for each scene. On February 21st they will shoot an exterior scene of the character Quin looking at a graffiti house in Hackney Wick while being watched by Nathan, to take photos for a poster. Harmeet plays Quin, Shaqkil plays Nathan and Elle Mia is the cinematographer.
Script bite final
Quinn is an artsy woman who lives in a home filled with artistic books. She discovers a man named Nathan creeping around her home and biting into apples she leaves out. The next time Nathan enters her home without permission, Quinn hits him over the head with a broom. When Nathan wakes up confused, Quinn sits on his lap and promises to give him as many apples as he wants if he stops sneaking into her home and eating her apples without permission.
Location recce 1
This document provides location notes for filming. It details preparations for three locations - the house, living room, and park. For the house, the car out front will be moved and windows unlocked to make entry and exit easier. In the living room, curtains will be pulled back and hazards removed from the floor. For the park, bags will be stored away from set and the floor checked for trip hazards. Weather will also be monitored to avoid wet floors. Hackney Wick is being considered for an establishing shot, and the public may be asked to wait briefly during filming. Safety of the actors is a priority throughout.
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Locations
- 1. Exterior and Interior Harmeet Kaur
- 2. Studio Have to rent a space to shoot It doesn’t look original looks fake It has controlled lighting Create many effects and atmospheres with the lighting It is easier to get a crew and cast in one place It is harder to create the outdoor effect inside the studio Transport will be cheaper Sense of reality and realism his gone If needed to shoot anything, there has to be a set built. Easily create the effect wanted.
- 3. Location shots The weather can disturb the shooting Expensive to take a crew along Cheaper making it on a set Different effects can be created on a location You need a shooting permit to shoot in a specific area Do not have any control over sound on location You have to transport the cast to the location; pay for the transport Reality is created more when there is a specific location set If want to create a specific atmosphere it can be created by the location choosen
- 4. Shots of moving photography What you can do: You can change your ISO speed Use flash to make your image brighter Change shutter speed to create different effects Change aperture depending on the situation 45 Degree angle to get different shots Sharp effect; depending on how many frames per second the person is taking Use panning for moving images
- 5. Night shots o You can create different effects at night o Many ways to be creative o Use he right type of lens when shooting o Have to use flash all the time o Make sure the camera is set on the correct mode o May have problem capturing the atmosphere that was specifically needed or wanted. o You will have light trails o The light may be brighter in some areas and darker in others o You will need to consume a long exposure which includes taking a night shot and then maybe blur the image to create affect.
- 6. Event photography You catch the raw emotion of people at that specific time. You don need much equipment with you at that time. The location and weather I unpredictable. Capture the original atmosphere of the event. No need for a really big crew Varied shots of the vent, which are different to ach other You don know he conditions of he event hey are unpredictable People or guests can get in the way of taking a picture Don’t need to research the event most of the times You already know what type of event it is There is a set date and time of the shooting People may fake their emotion on the camera