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ESTABLISHING SHOT
• WE USED AN ESTABLISHING SHOT TO
LAYOUT THE LOCATION OF OUR STORY: (THE
SHOTS WHERE DARKNESS IS USED AS AN
EFFECT IS USED TO SHOW THE VILLAIN IS
PRESENT) THE SHOT HAS LOW BRIGHTNESS
TO CREATE AN EERIE AND DARK
ATMOSPHERE.
LONG SHOT
• FOR THIS SCENE WE USED A LONG SHOT TO SHOW THAT
THE MURDERER HAS CHOSEN HIS ARENA FOR HIS
EVILNESS. WE MADE SURE THE FOCAL POINT WASN’T
DIRECTLY ON THE CHARACTER TO GET A GOOD OVERVIEW
OF THE LOCATION AS WELL. AGAIN WE’VE USED A BLACK
AND WHITE EFFECT TO PROVIDE A MYSTERIOUS, UNEASY
FEEL TO THE SHOT.
EXTREME CLOSE-UP
• THE EXTREME CLOSE-UP WE THOUGHT WOULD BE
EFFECTIVE TO SHOW THE KILLER’S PRESENCE
WITHIN THE SCHOOL GROUNDS. WE DECIDED TO
NUT USE ANY EFFECT TO SHOW HOW REAL AND
PRESENT THE KILLER IS.
CLOSE-UP
• THE CLOSE-UP AGAIN WAS USED TO SHOW THE DARK INTENT
THAT THE KILLER HAS WITHIN THE SCHOOL. LIKE BEFORE, THE
BLACK AND WHITE EFFECT IS USED TO SHOW HOW
HEARTLESS/COLOURLESS THE KILLER IS AND THE DARKNESS
HE BRINGS TO THE AREA HE’S IN.
SHOT/REVERSE SHOT
• THE SHOT/REVERSE SHOT
PRESENT IN THE NEXT TWO
SHOTS ARE AFFECTIVE TO
SHOW THE KILLER’S VICTIM
AND THAT THE KILLER IS IN-
FACT PRESENT.
LOW SHOT
• THIS LOW ANGLE SHOT IS USED TO SHOW THE
KILLER’S DOMINANCE BUT ALSO THE VICTIM’S
DEMISE. THE LOW BRIGHTNESS AGAIN SHOWS THE
FADING LIFE OF THE VICTIM.
TILT/CANTED ANGLE SHOT
• AND FINALLY THE TILTED SHOT IS LIKE
A FIRST-PERSON ANGLE, AS WE ARE
MADE AWARE THAT THE VICTIM HAS
DIED, WITH THE DOMINANT KILLER’S
BODY LOOMING ABOVE. IT SHOWS HIS
FINAL ACT, AND ALSO THAT HE HAS
WON. (KILLED THE VICTIM)

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Camera shots & practice

  • 1.
  • 2. ESTABLISHING SHOT • WE USED AN ESTABLISHING SHOT TO LAYOUT THE LOCATION OF OUR STORY: (THE SHOTS WHERE DARKNESS IS USED AS AN EFFECT IS USED TO SHOW THE VILLAIN IS PRESENT) THE SHOT HAS LOW BRIGHTNESS TO CREATE AN EERIE AND DARK ATMOSPHERE.
  • 3. LONG SHOT • FOR THIS SCENE WE USED A LONG SHOT TO SHOW THAT THE MURDERER HAS CHOSEN HIS ARENA FOR HIS EVILNESS. WE MADE SURE THE FOCAL POINT WASN’T DIRECTLY ON THE CHARACTER TO GET A GOOD OVERVIEW OF THE LOCATION AS WELL. AGAIN WE’VE USED A BLACK AND WHITE EFFECT TO PROVIDE A MYSTERIOUS, UNEASY FEEL TO THE SHOT.
  • 4. EXTREME CLOSE-UP • THE EXTREME CLOSE-UP WE THOUGHT WOULD BE EFFECTIVE TO SHOW THE KILLER’S PRESENCE WITHIN THE SCHOOL GROUNDS. WE DECIDED TO NUT USE ANY EFFECT TO SHOW HOW REAL AND PRESENT THE KILLER IS.
  • 5. CLOSE-UP • THE CLOSE-UP AGAIN WAS USED TO SHOW THE DARK INTENT THAT THE KILLER HAS WITHIN THE SCHOOL. LIKE BEFORE, THE BLACK AND WHITE EFFECT IS USED TO SHOW HOW HEARTLESS/COLOURLESS THE KILLER IS AND THE DARKNESS HE BRINGS TO THE AREA HE’S IN.
  • 6. SHOT/REVERSE SHOT • THE SHOT/REVERSE SHOT PRESENT IN THE NEXT TWO SHOTS ARE AFFECTIVE TO SHOW THE KILLER’S VICTIM AND THAT THE KILLER IS IN- FACT PRESENT.
  • 7. LOW SHOT • THIS LOW ANGLE SHOT IS USED TO SHOW THE KILLER’S DOMINANCE BUT ALSO THE VICTIM’S DEMISE. THE LOW BRIGHTNESS AGAIN SHOWS THE FADING LIFE OF THE VICTIM.
  • 8. TILT/CANTED ANGLE SHOT • AND FINALLY THE TILTED SHOT IS LIKE A FIRST-PERSON ANGLE, AS WE ARE MADE AWARE THAT THE VICTIM HAS DIED, WITH THE DOMINANT KILLER’S BODY LOOMING ABOVE. IT SHOWS HIS FINAL ACT, AND ALSO THAT HE HAS WON. (KILLED THE VICTIM)