The document evaluates several potential filming locations for a short film about a man struggling with the aftermath of a plane crash. The locations considered are Knez Mihajlova street, Terazije fountain, a courtyard, a passageway, and a terrace. Each location is analyzed in terms of pros and cons for capturing the bleak and isolated tone of the film. The courtyard is highlighted as having few bystander interruptions and symbolism to match the script, while the terrace could represent the sky and the man's unstable mental state through its isolated and irregular structures. Noise interference, limited filming windows, and lack of privacy are noted cons across the locations.