The document discusses location scouting ideas for a music video. The creators want to find a location that reflects the song's themes of sorrow and depression but also folk music origins in nature. They propose shooting in an isolated field to portray these ideas and relate to folk genre conventions. They also describe plans to incorporate flashback scenes showing a character sitting with his terminally ill brother through the use of camera angles and white sheets.
The trailer uses several techniques to attract audiences to the sci-fi film Inception. It begins with production company logos to establish credibility. Shots of action and unusual scenes meant to depict the sci-fi elements are accompanied by dramatic music to generate intrigue. Text mentions the acclaimed director to draw in fans of similar films. The trailer cuts between confusing and exciting images and saves revealing the title until the end to ensure viewers remember it. Overall, the trailer aims to attract audiences with a compelling mix of mystery, action, and intrigue around the sci-fi concepts.
G325 a describing narrative in music videos-gdsteacher
The document discusses various terms and concepts for analyzing narrative structure in music videos, including protagonist, antagonist, climax, equilibrium-disequilibrium-new equilibrium, enigma code, and linear vs. non-linear narratives. It provides examples of how specific music videos utilize different narrative structures, such as Coldplay's "The Scientist" using a reversed narrative, Radiohead's "No Surprises" depicting alienation through imagery, and Jamiroquai's "Virtual Insanity" rejecting a final resolution through increasingly dark imagery. REM's "Losing My Religion" interweaves multiple narrative strands while Grizzly Bear's "Two Weeks" uses disconnected images within an impressionistic frame.
The document provides details on the scenes, camera work, effects, and sounds used in the trailer for the film "Gemini". Several changes and improvements were made during the editing process, including adding new scenes, removing scenes, extending scenes for more tension, and rearranging the scene order. Test screenings of early cuts helped identify ways to improve the trailer by clarifying the story and building more suspense for the audience.
This three frame summary provides context and establishes the tone for the 1991 Martin Scorsese film "Cape Fear":
Frame 1 introduces the film's gloomy tone through a subverted Universal logo under water and a shadowy figure reflected on the surface, juxtaposing calm and violence.
Frame 2 shows a young girl who seems innocent but hints at her fate as an archetypal victim, contrasting her positive dialogue with the ominous setting of "Cape Fear."
Frame 3 establishes the main character, a prisoner obsessed with power who is meticulously let out of prison, emotionless but with a subtle smile, implying he will be a force to reckon with despite a cheerful exterior.
The document outlines Imogen McKeever's concept for a music video for the song "Paia" by Wild Ones. The concept involves a character, Laura, exploring places that hold nostalgic memories of a lost loved one. The video will be shot in black and white to convey a sense of loss. Laura visits forest and canal locations associated with memories. At the end, it is revealed to be Laura dreaming and longing for the person she lost. Conventions like relationships between lyrics and visuals will be used to tell the story through a narrative rather than just performance.
The document discusses Imogen McKeever's plans for a music video presentation. The song she has chosen, "Paia" by Wild Ones, focuses on nostalgia and a recurring dream. Her target audience is those who enjoy indie music festivals. The concept of the black-and-white video is to convey the loss of someone important through her character Laura exploring meaningful places from the past. Shots will change with the song's tempo. Influences include using cutaway shots to set the scene and establish locations. Costumes will have an indie look. Conventions to be used are the relationship between lyrics and visuals, differences between lyrics and visuals, and prominence of close-ups.
The document provides an analysis of how the media product "The Visitor" uses and develops conventions of typical thriller films. It compares elements of "The Visitor" like titling, camera movements, framing shots, camera angles, mise-en-scene, editing, and sound to conventions in films like "Misery", "Psycho", and "The Next Three Days". Overall, the analysis finds that while "The Visitor" incorporates many typical thriller conventions, it also challenges some conventions through its unique storytelling choices.
The document provides annotations for four film title sequences analyzing genre, semiotics, and personal reflections. The sequences summarized are for Casino Royale, Final Destination 3, The Little Mermaid, and 500 Days of Summer. Key elements analyzed across the sequences include music choice, imagery, symbolism, and how they set expectations for each film's genre and story.
The trailer uses several techniques to attract audiences to the sci-fi film Inception. It begins with production company logos to establish credibility. Shots of action and unusual scenes meant to depict the sci-fi elements are accompanied by dramatic music to generate intrigue. Text mentions the acclaimed director to draw in fans of similar films. The trailer cuts between confusing and exciting images and saves revealing the title until the end to ensure viewers remember it. Overall, the trailer aims to attract audiences with a compelling mix of mystery, action, and intrigue around the sci-fi concepts.
G325 a describing narrative in music videos-gdsteacher
The document discusses various terms and concepts for analyzing narrative structure in music videos, including protagonist, antagonist, climax, equilibrium-disequilibrium-new equilibrium, enigma code, and linear vs. non-linear narratives. It provides examples of how specific music videos utilize different narrative structures, such as Coldplay's "The Scientist" using a reversed narrative, Radiohead's "No Surprises" depicting alienation through imagery, and Jamiroquai's "Virtual Insanity" rejecting a final resolution through increasingly dark imagery. REM's "Losing My Religion" interweaves multiple narrative strands while Grizzly Bear's "Two Weeks" uses disconnected images within an impressionistic frame.
The document provides details on the scenes, camera work, effects, and sounds used in the trailer for the film "Gemini". Several changes and improvements were made during the editing process, including adding new scenes, removing scenes, extending scenes for more tension, and rearranging the scene order. Test screenings of early cuts helped identify ways to improve the trailer by clarifying the story and building more suspense for the audience.
This three frame summary provides context and establishes the tone for the 1991 Martin Scorsese film "Cape Fear":
Frame 1 introduces the film's gloomy tone through a subverted Universal logo under water and a shadowy figure reflected on the surface, juxtaposing calm and violence.
Frame 2 shows a young girl who seems innocent but hints at her fate as an archetypal victim, contrasting her positive dialogue with the ominous setting of "Cape Fear."
Frame 3 establishes the main character, a prisoner obsessed with power who is meticulously let out of prison, emotionless but with a subtle smile, implying he will be a force to reckon with despite a cheerful exterior.
The document outlines Imogen McKeever's concept for a music video for the song "Paia" by Wild Ones. The concept involves a character, Laura, exploring places that hold nostalgic memories of a lost loved one. The video will be shot in black and white to convey a sense of loss. Laura visits forest and canal locations associated with memories. At the end, it is revealed to be Laura dreaming and longing for the person she lost. Conventions like relationships between lyrics and visuals will be used to tell the story through a narrative rather than just performance.
The document discusses Imogen McKeever's plans for a music video presentation. The song she has chosen, "Paia" by Wild Ones, focuses on nostalgia and a recurring dream. Her target audience is those who enjoy indie music festivals. The concept of the black-and-white video is to convey the loss of someone important through her character Laura exploring meaningful places from the past. Shots will change with the song's tempo. Influences include using cutaway shots to set the scene and establish locations. Costumes will have an indie look. Conventions to be used are the relationship between lyrics and visuals, differences between lyrics and visuals, and prominence of close-ups.
The document provides an analysis of how the media product "The Visitor" uses and develops conventions of typical thriller films. It compares elements of "The Visitor" like titling, camera movements, framing shots, camera angles, mise-en-scene, editing, and sound to conventions in films like "Misery", "Psycho", and "The Next Three Days". Overall, the analysis finds that while "The Visitor" incorporates many typical thriller conventions, it also challenges some conventions through its unique storytelling choices.
The document provides annotations for four film title sequences analyzing genre, semiotics, and personal reflections. The sequences summarized are for Casino Royale, Final Destination 3, The Little Mermaid, and 500 Days of Summer. Key elements analyzed across the sequences include music choice, imagery, symbolism, and how they set expectations for each film's genre and story.
The document discusses plans to re-shoot a title sequence. It lists the equipment, clothing, and contact details needed for the re-shoot. It also includes a shot list for the new sequence, describing 14 shots ranging from long shots to close ups that will tell a story of two characters investigating an abandoned barn with a Ouija board.
The document discusses films that inspired the creator's opening sequence idea, including The Ring, The Haunting in Connecticut, Rosemary's Baby, Gothika, Paranormal Activity, The Grudge, and Cabin Fever. Specific shots, scenes, lighting techniques, and themes were highlighted as inspirations. Research was also conducted on outward paranormal manifestations to incorporate into the opening sequence. Alternate ending ideas were discussed before deciding on an unseen entity approaching and locking the main character in her bedroom.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document outlines a shot list and details for a student film project titled "Rumour" which will be a thriller genre film shot in a park location. It includes details on the plot idea, cast, required props, planned filming dates and times, location scouting photos, and storyboards. The production is drawing inspiration from the film "The Blair Witch Project" in its documentary style of filming.
Angelo's costume of a black suit symbolizes his authority and power over his victim, as well as foreshadowing death which is common in film noir. The key bathroom scene was filmed to invoke vulnerability, and Angelo's ritual washing of hands seems to symbolically cleanse him of his sins before paying respects to his victim. Props like Angelo's bible, which is used to develop the plot and structure, also suggest he is being influenced by a satanic cult. Low-key chiaroscuro lighting was used to create shadows throughout, implying something dark and hidden, in line with the film noir genre.
The document discusses inspiration for thriller opening credits sequences from the films Se7en and Dexter. Specific scenes and camera techniques are analyzed that create tension, disorientation, and suspense. These include close-up shots, quick transitions between scenes, ambiguous imagery open to interpretation, and extreme close-ups. Research was also done on camera angles used in Se7en that portray panic and suspense. These techniques will be applied to develop opening credits for a thriller film that immediately engage viewers and set the tone.
The document discusses plans for the second draft of an opening sequence for a thriller film. It summarizes revisions made to the script, character, location, and other elements based on feedback from the first draft. Titles will be added between scenes in the opening sequence to build suspense. The font and colors used for the titles will be unexpected to intrigue audiences.
The document provides an analysis of the narrative structure and style of a horror film. It is divided into two halves, with the first establishing the protagonist's character and mental state to trick the audience into thinking the horrors are hallucinations. The second half involves exploring caves and encountering horrific monsters through jump scares. While the film follows Todorov's narrative theory of equilibrium being disrupted and then restored, the ending does not fully restore equilibrium since all characters are killed by the monsters.
This single camera documentary analyzes the techniques of single camera production. It discusses that a single camera is used per scene, with each shot and angle recorded individually. Single camera production is typically used for low budget projects like music videos and trailers. Scenes are filmed entirely before moving on, which allows more directorial control but is more time consuming. An alternative is to use two cameras to capture medium and closeup shots simultaneously, reducing the number of setups needed. Pros of single camera include low budget, flexibility of shots, and ease of gathering footage. Cons include the time needed to reposition the camera and the lack of alternative angles if the camera is damaged. Examples provided are from films like Doctor Who that use over-
The document discusses conventions of soap opera genres and how the author's media product challenges some of those conventions. Specifically, it discusses how UK soaps tend to be more realistic than US or Spanish ones by using less makeup on characters and having a diverse range of characters. It then analyzes shots from the Hollyoaks trailer and how the author mimicked some of those shots and techniques but also challenged conventions by focusing more on character emotions than locations. Shots and narratives from other TV shows like Skins are also discussed. The document aims to showcase how the author's media product both follows soap opera conventions but also puts its own spin on certain techniques.
This document evaluates how a student media project challenges conventions of typical thriller/horror films. It compares the project's use of conventions like titling, camerawork, framing, lighting, editing, sound, and narrative structure to well-known films like Se7en. While some conventions like jump cuts and costume colors were used conventionally, the project uniquely used a lullaby for its non-diegetic sound and revealed the villain earlier than expected, challenging thriller norms. The analysis finds the project effectively uses juxtaposition between the innocent lullaby and darker plot involving child victims.
AS Media: Teaser/Trailer Analysis of Horror-ThrillersSabaMedia
This summary provides the essential information from the 3 horror-thriller film trailers analyzed in the document:
The Woman in Black raises questions about Daniel Radcliffe's intentions visiting an isolated house and the significance of the children, dolls, and family photos seen. Hostel questions what persuaded tourists to a suspicious hostel and who is behind the torture occurring. 7500 raises questions about the significance of the plane setting, the casual passengers, and the supernatural force endangering lives.
Our film challenges some conventions of typical thriller films in three key ways:
1. It uses white titling instead of red and features a bible-inspired font rather than typical thriller fonts.
2. It establishes shots from inside the church location looking low to high, rather than outside looking high to low.
3. It features a female villain/murderer rather than the typical male villain of thrillers.
This document provides details about the single-camera production techniques used in the found footage horror film Quarantine. It discusses how the film was shot using a single handheld camera to emulate a "found footage" style and increase realism. Examples of camera shots used include point-of-view shots, close-ups, tracking shots, and pans to follow the action. The document also covers other aspects that contribute to the film's realism such as diegetic sound, locations, lighting, and props.
The document provides instructions for an assignment to analyze the narrative structure of the last scene from the film "Momento". It includes questions about whether the scene represents the whole narrative, a section, or an enigma. It also asks about the narrative functions, structure, characters, and representation of ideology in the scene.
I would like to think this is pretty damn complete! I know there are a few slides that are blank to be filled buuuut that's only if I have time. Still! There is plenty there even though I know my Tutors will want more from me because they can be pains in the a***! Just in case they're watching... Whatever!
The video begins with an establishing shot revealing the location and main character Tyler sitting alone on a bench. A text message is then shown informing Tyler that his girlfriend has broken up with him. The video uses flashbacks in black and white to show happy memories the couple shared. As Tyler sits alone in the café where they used to meet, he cries while looking at their photo booth pictures. The video cuts between the past and present to depict Tyler coping with the breakup, culminating in him burning the photos and walking away.
The document compares the original storyboard for a music video to the final post-production version. Several shots were improvised or altered during filming to better fit the equipment used or tone of the scene. Additional footage was shot and many shots were rearranged in editing to improve the narrative flow and match the music. By the end, the storyboard differed significantly from the final post-production version due to creative changes made during the production and editing process.
The document discusses various technologies and skills the author learned during creating a movie project. The author learned about using different camera angles beyond just left and right, such as high and low angles, to convey meaning. They also learned to use iMovie editing software after initial problems with Adobe software, including how to add transitions, cut sections, and import music. Viewing other students' films on YouTube provided inspiration and lessons on what works best. Research on IMDB also helped with understanding popular film genres and audiences.
The document discusses how the creator of a music video effectively combined their main product with ancillary texts like a digipak and magazine cover to promote synergy. Key points:
1) The creator focused on keeping the same band across the music video, digipak, and magazine cover to relate all three aspects and provide a connection for the audience.
2) Examples like The Black Eyed Peas and U2 are discussed where they used similar stylistic elements like clothing, fonts, and locations/moods across ancillary texts and music videos.
3) The creator used a similar location, color/contrast effects, and facial expressions across their music video, digipak, and magazine cover
From distributing questionnaires and gathering feedback through focus groups and social media, the creator of a music video learned about their target audience's preferences. They found that folk and indie music were most popular, as well as the acoustic subgenre. This feedback helped shape the creation of an acoustic-style music video combining folk and indie elements. Additional feedback suggested including a performance aspect, which improved audience engagement. Further feedback on promotional materials led to enhancements. Overall, audience feedback proved invaluable for creating a music video that would appeal to target viewers.
The document contains data from a questionnaire given to audiences about their music tastes and habits. The results show that the majority of respondents listen to folk and indie music every day, and their favorite subgenre is acoustic folk. Most use social media sites like Blogger and attend concerts. This data provides useful insights into the target audience for an indie/folk music video being created.
The document discusses plans to re-shoot a title sequence. It lists the equipment, clothing, and contact details needed for the re-shoot. It also includes a shot list for the new sequence, describing 14 shots ranging from long shots to close ups that will tell a story of two characters investigating an abandoned barn with a Ouija board.
The document discusses films that inspired the creator's opening sequence idea, including The Ring, The Haunting in Connecticut, Rosemary's Baby, Gothika, Paranormal Activity, The Grudge, and Cabin Fever. Specific shots, scenes, lighting techniques, and themes were highlighted as inspirations. Research was also conducted on outward paranormal manifestations to incorporate into the opening sequence. Alternate ending ideas were discussed before deciding on an unseen entity approaching and locking the main character in her bedroom.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document outlines a shot list and details for a student film project titled "Rumour" which will be a thriller genre film shot in a park location. It includes details on the plot idea, cast, required props, planned filming dates and times, location scouting photos, and storyboards. The production is drawing inspiration from the film "The Blair Witch Project" in its documentary style of filming.
Angelo's costume of a black suit symbolizes his authority and power over his victim, as well as foreshadowing death which is common in film noir. The key bathroom scene was filmed to invoke vulnerability, and Angelo's ritual washing of hands seems to symbolically cleanse him of his sins before paying respects to his victim. Props like Angelo's bible, which is used to develop the plot and structure, also suggest he is being influenced by a satanic cult. Low-key chiaroscuro lighting was used to create shadows throughout, implying something dark and hidden, in line with the film noir genre.
The document discusses inspiration for thriller opening credits sequences from the films Se7en and Dexter. Specific scenes and camera techniques are analyzed that create tension, disorientation, and suspense. These include close-up shots, quick transitions between scenes, ambiguous imagery open to interpretation, and extreme close-ups. Research was also done on camera angles used in Se7en that portray panic and suspense. These techniques will be applied to develop opening credits for a thriller film that immediately engage viewers and set the tone.
The document discusses plans for the second draft of an opening sequence for a thriller film. It summarizes revisions made to the script, character, location, and other elements based on feedback from the first draft. Titles will be added between scenes in the opening sequence to build suspense. The font and colors used for the titles will be unexpected to intrigue audiences.
The document provides an analysis of the narrative structure and style of a horror film. It is divided into two halves, with the first establishing the protagonist's character and mental state to trick the audience into thinking the horrors are hallucinations. The second half involves exploring caves and encountering horrific monsters through jump scares. While the film follows Todorov's narrative theory of equilibrium being disrupted and then restored, the ending does not fully restore equilibrium since all characters are killed by the monsters.
This single camera documentary analyzes the techniques of single camera production. It discusses that a single camera is used per scene, with each shot and angle recorded individually. Single camera production is typically used for low budget projects like music videos and trailers. Scenes are filmed entirely before moving on, which allows more directorial control but is more time consuming. An alternative is to use two cameras to capture medium and closeup shots simultaneously, reducing the number of setups needed. Pros of single camera include low budget, flexibility of shots, and ease of gathering footage. Cons include the time needed to reposition the camera and the lack of alternative angles if the camera is damaged. Examples provided are from films like Doctor Who that use over-
The document discusses conventions of soap opera genres and how the author's media product challenges some of those conventions. Specifically, it discusses how UK soaps tend to be more realistic than US or Spanish ones by using less makeup on characters and having a diverse range of characters. It then analyzes shots from the Hollyoaks trailer and how the author mimicked some of those shots and techniques but also challenged conventions by focusing more on character emotions than locations. Shots and narratives from other TV shows like Skins are also discussed. The document aims to showcase how the author's media product both follows soap opera conventions but also puts its own spin on certain techniques.
This document evaluates how a student media project challenges conventions of typical thriller/horror films. It compares the project's use of conventions like titling, camerawork, framing, lighting, editing, sound, and narrative structure to well-known films like Se7en. While some conventions like jump cuts and costume colors were used conventionally, the project uniquely used a lullaby for its non-diegetic sound and revealed the villain earlier than expected, challenging thriller norms. The analysis finds the project effectively uses juxtaposition between the innocent lullaby and darker plot involving child victims.
AS Media: Teaser/Trailer Analysis of Horror-ThrillersSabaMedia
This summary provides the essential information from the 3 horror-thriller film trailers analyzed in the document:
The Woman in Black raises questions about Daniel Radcliffe's intentions visiting an isolated house and the significance of the children, dolls, and family photos seen. Hostel questions what persuaded tourists to a suspicious hostel and who is behind the torture occurring. 7500 raises questions about the significance of the plane setting, the casual passengers, and the supernatural force endangering lives.
Our film challenges some conventions of typical thriller films in three key ways:
1. It uses white titling instead of red and features a bible-inspired font rather than typical thriller fonts.
2. It establishes shots from inside the church location looking low to high, rather than outside looking high to low.
3. It features a female villain/murderer rather than the typical male villain of thrillers.
This document provides details about the single-camera production techniques used in the found footage horror film Quarantine. It discusses how the film was shot using a single handheld camera to emulate a "found footage" style and increase realism. Examples of camera shots used include point-of-view shots, close-ups, tracking shots, and pans to follow the action. The document also covers other aspects that contribute to the film's realism such as diegetic sound, locations, lighting, and props.
The document provides instructions for an assignment to analyze the narrative structure of the last scene from the film "Momento". It includes questions about whether the scene represents the whole narrative, a section, or an enigma. It also asks about the narrative functions, structure, characters, and representation of ideology in the scene.
I would like to think this is pretty damn complete! I know there are a few slides that are blank to be filled buuuut that's only if I have time. Still! There is plenty there even though I know my Tutors will want more from me because they can be pains in the a***! Just in case they're watching... Whatever!
The video begins with an establishing shot revealing the location and main character Tyler sitting alone on a bench. A text message is then shown informing Tyler that his girlfriend has broken up with him. The video uses flashbacks in black and white to show happy memories the couple shared. As Tyler sits alone in the café where they used to meet, he cries while looking at their photo booth pictures. The video cuts between the past and present to depict Tyler coping with the breakup, culminating in him burning the photos and walking away.
The document compares the original storyboard for a music video to the final post-production version. Several shots were improvised or altered during filming to better fit the equipment used or tone of the scene. Additional footage was shot and many shots were rearranged in editing to improve the narrative flow and match the music. By the end, the storyboard differed significantly from the final post-production version due to creative changes made during the production and editing process.
The document discusses various technologies and skills the author learned during creating a movie project. The author learned about using different camera angles beyond just left and right, such as high and low angles, to convey meaning. They also learned to use iMovie editing software after initial problems with Adobe software, including how to add transitions, cut sections, and import music. Viewing other students' films on YouTube provided inspiration and lessons on what works best. Research on IMDB also helped with understanding popular film genres and audiences.
The document discusses how the creator of a music video effectively combined their main product with ancillary texts like a digipak and magazine cover to promote synergy. Key points:
1) The creator focused on keeping the same band across the music video, digipak, and magazine cover to relate all three aspects and provide a connection for the audience.
2) Examples like The Black Eyed Peas and U2 are discussed where they used similar stylistic elements like clothing, fonts, and locations/moods across ancillary texts and music videos.
3) The creator used a similar location, color/contrast effects, and facial expressions across their music video, digipak, and magazine cover
From distributing questionnaires and gathering feedback through focus groups and social media, the creator of a music video learned about their target audience's preferences. They found that folk and indie music were most popular, as well as the acoustic subgenre. This feedback helped shape the creation of an acoustic-style music video combining folk and indie elements. Additional feedback suggested including a performance aspect, which improved audience engagement. Further feedback on promotional materials led to enhancements. Overall, audience feedback proved invaluable for creating a music video that would appeal to target viewers.
The document contains data from a questionnaire given to audiences about their music tastes and habits. The results show that the majority of respondents listen to folk and indie music every day, and their favorite subgenre is acoustic folk. Most use social media sites like Blogger and attend concerts. This data provides useful insights into the target audience for an indie/folk music video being created.
One of the ideas considered was to film the singer walking alone through a secluded field to convey feelings of isolation and relate back to folk music conventions. This location was chosen carefully to provide easy access for filming and ensure the travel distance wasn't a problem. A second idea involved using a camera mounted on a pole to enter through an upstairs window and portray a flashback scene of an ill brother in a white room being visited by his crying sibling. Relating these ideas back to techniques used in other music videos helped show thoughtful consideration of camera conventions.
This document provides an analysis of techniques used in the horror film "Scream". It discusses how the film establishes tension through lighting effects, amplified sounds, and eerie music. It also examines how the film subverts horror conventions by misleading the audience about the killer's identity and motives. Throughout, it references other horror films while also distinguishing Scream as a new type of psychological horror that engages the audience. Key techniques include masking the killer's face, using irony and dark humor, and keeping the audience constantly guessing about the killer.
1) Rich Internet Applications (RIA) allow for more dynamic and interactive experiences compared to traditional web applications through technologies like AJAX, Flex, and Silverlight. They enable instant feedback, system-initiated interactions, and modular components that can communicate without full page refreshes.
2) Some key benefits of RIA include providing instant feedback to users as they interact, allowing the system to proactively update information for the user, and developing applications as modular components that can independently and dynamically communicate with each other.
3) However, fully realizing the benefits of RIA requires overcoming perceptions that they are only for animations and reconsidering traditional web design approaches which assumed linear interactions. Designers must learn
The document contains data from a questionnaire given to audiences about their music tastes and habits. The results show that the majority of respondents listen to folk and indie music every day, and their favorite subgenre is acoustic folk. Most use social media sites like Blogger and attend concerts. This data provides useful insights into the target audience for an indie/folk music video being created.
1) The document analyzes data from a questionnaire given to a folk/indie music audience to better understand their demographics and preferences.
2) The results show the audience is majority male, aged 20-30, who listen to music everyday and enjoy folk and indie genres, especially acoustic folk.
3) This information helps validate the creator's music video concept featuring acoustic folk music, which should appeal to and potentially gain popularity within the target audience.
The document discusses ways in which the filmmaker attracted and addressed their target audience of 16-24 year olds. They set the film in a dark, eerie school setting at night to draw the audience in. The main character Bruce is also a teen to make the story more realistic and relatable. Diegetic and non-diegetic sounds were used to build tension and keep viewers engaged. The opening sequence directly addresses the audience to catch their attention and make them want to see what happens next.
Case study on mtv and its audience newest 33minidjluke
MTV is a leading music cable channel launched in 1981 that primarily plays popular music videos but also airs other programming. It has influenced the creation of other genre-specific music channels and expanded its own offerings over time. Though it originally focused on rock music appealing to teenagers and young adults, MTV now plays various genres and caters to broader age groups. The channel has been hugely successful in promoting new artists and popularizing genres, becoming a worldwide brand that drives music consumption and trends.
MTV is a leading music channel that was launched in 1981 and primarily plays popular music videos. Over time, MTV expanded its programming to include reality and scripted television shows in addition to music videos. MTV has influenced other music channels to focus on specific genres. The MTV logo and branding have become iconic representations of music television. MTV's programming of the newest popular music drew large audiences of teenagers and young adults, helping revitalize the music industry. The channel now reaches over 300 million households worldwide.
MTV is a leading music channel that was launched in 1981 and primarily plays popular music videos. Over time, MTV expanded its programming to include various television shows targeting teens and young adults. While MTV still plays music videos, it now offers a wide range of genres across multiple channels. MTV's audience has grown significantly over the decades and now includes viewers worldwide ranging from ages 15 to 24 who tune in to discover the latest music trends.
DMsuite is proprietary data masking software that can profile, mask, audit, provision and manage data to replace sensitive information with fictitious data. It allows testing and data sharing while protecting sensitive information. The document discusses how DMsuite works, its features, benefits, ROI and support options.
Axis Technology Consulting is a premier IT consulting firm that bridges business needs and technology investments. Founded in 2000, it is headquartered in Boston with additional offices in New York, Charlotte, and Dallas. Axis provides consulting services across various industries including financial services, insurance, and asset management. Its service offerings include customer engagement, information security, IT strategy, and application development and transformation.
eGRC is a rapidly evolving business capability that uses processes and tools to combine:
- Compliance programs that measure control effectiveness,
- Risk management programs that categorize and prioritize risks, and
- Governance programs that identify, monitor and manage remediation of those risks.
Developing End State Vision
Advice and Planning Strategy
Driving a Business Architecture
Provisioning a Portfolio of Projects
eGRC Operation Control
Minimizing Financial Risk
Aggregating Financial Risk
Managing Mainframe Entitlements
Implementing Data Governance
Understanding Data Lineage
Defining Global Customer Strategy
“The organizing logic for business processes and IT infrastructure reflecting the integration and standardization requirements of the firm’s operating model.” [1]
“A conceptual blueprint that defines the structure and operation of an organization. The intent of an enterprise architecture is to determine how an organization can most effectively achieve its current and future objectives.”[2]
Baromètre synthétique des filières d'énergies renouvelables réalisé par le consortium EurObserver. Disponible sur → [http://www.eurobserv-er.org/14th-annual-overview-barometer/]
This document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring for inspiration on conventions like lighting, sound, costumes, locations, and camera work. Key elements incorporated into the sequence include ominous music, diegetic sounds, a sinister antagonist in black clothing, and locations like an old house and abandoned areas. The sequence challenges some conventions by including more action shots over written text and integrating different points of view between the antagonist and protagonist. Overall, the author drew from horror film conventions but also developed new elements for an engaging title sequence that sets up the narrative.
The document summarizes the research and creative process behind developing a title sequence for a horror film called "Third Time Around." The author watched title sequences from films like Sinister, Insidious, and The Conjuring to get ideas for locations, costumes, props, lighting, camera work and sound. Key elements incorporated from these examples include low-key lighting, ominous music, and diegetic sounds. The narrative focuses on the theme of demonic child possession. While conforming to horror conventions, the author also challenges some, like including more action shots over written text and changing between two points of view during the sequence.
The music video for the song "Virtual Insanity" by Jamiroquai depicts the singer dancing in a room where the floor appears to move, representing a descent into insanity from advanced technology. There are references to works like Edgar Allan Poe's "The Raven" and the film "The Shining" that also involve madness. While breaking conventions of typical music videos, it uses visual illusions through camera angles and editing to enhance the concept of the song's lyrics. The video aims to provoke intellectual thought among audiences about humanity's relationship with technology.
This document discusses the ways in which the author's opening media sequence uses conventions of the thriller genre to classify the work and engage audiences. Specifically, it uses common thriller elements like red herrings, obscure camera angles, psychological "mind games", and a sense of unease. It also challenges conventions by being shot during the day rather than at night. The sequence represents a middle-class setting and vulnerable child to contrast the disruption. Due to its genre and audience appeal, the work would be distributed in mainstream cinemas. The thriller genre and use of a vulnerable child keep audiences attracted. In creating the work, the author learned new technical skills and the importance of visual storytelling.
The Unattainable Perfection - Media Evaluation - Michael Burrowsmichaelantonyburrows
1. The document discusses the filmmaker's research into the surrealist film genre, including analyzing notable surrealist films and their conventions.
2. Key codes and conventions of surrealist cinema were identified, such as frequent juxtapositions, anti-narrative structure, and portrayal of the subconscious.
3. Techniques from analyzed surrealist films like dissolves and straight cuts were applied in the filmmaker's own surrealist short film to explore themes of desire and the subconscious.
The document provides details for a music video concept to accompany Twenty One Pilots' song "Goner". The concept involves two friends living across from each other who are growing isolated due to one friend's "inner demons". The friend is scared of what they are becoming, while the other tries to help. Their rooms will show their personalities. The video will show their failed attempts to communicate and the confrontation when the alter ego physically appears, leading to a fight scene. The message is about having friends to help overcome life's challenges.
The document discusses how the media product uses and develops conventions of real horror media, while also challenging some conventions. Specifically:
- Flashbacks and lighting are used similarly to "The Lovely Bones" film to distinguish different time periods.
- Shot types like close-ups and music choices develop conventions to better fit the story and provoke emotional reactions.
- Social media is leveraged for promotion in line with how other horror films advertise, but the content challenges expectations to attract a younger audience.
- The magazine cover, poster, and trailer presentation challenge color scheme, layout, and cinematography conventions to give the project a unique style.
The document discusses conventions used in horror films and how they were applied to the author's media product. It describes analyzing films like Sinister, Insidious, and The Conjuring to understand common elements like haunted house settings, shadows, handheld camerawork, and possessed children. The author aimed to develop these conventions in their film titled "Third Time Around" through elements like the logo appearing mysteriously, varied camera shots and angles to build tension, a creepy nursery rhyme in the soundtrack, costumes representing innocence and evil, and family photographs that hint at the storyline without fully revealing it. The goal was to produce a film familiar to audiences in established horror genres.
This document discusses the filmmaker's use of horror film conventions and techniques in their media project. It describes analyzing popular horror films like Sinister, Insidious, and The Conjuring to understand common forms and conventions. These include using haunted house settings, handheld camera work, dark editing, POV shots, and themes of paranormal activity and possession. The filmmaker aims to develop these conventions in their title sequence by using ominous music, low camera angles, shadows, and possessed children. They also discuss design elements like the title font and logo that help set the tone and narrative of the film.
The document provides a brief synopsis and background of the horror film "It" (2017). It discusses how the film is based on Stephen King's novel of the same name, which was previously adapted into a 1990 TV miniseries. The 2017 film version remakes and updates the story for a new generation in a darker and creepier tone. It focuses on a group of outcast kids in Derry, Maine who are targeted by a mysterious killer clown. One particularly disturbing scene discussed is when a character named Ben is chased by the clown in the library while a creepy nursery rhyme plays. The film is said to be part of a two-part adaptation of the novel.
This document discusses location scouting photos taken for an upcoming horror film set in a school and graveyard. Several potential filming locations are described that could help build suspense and fear, including the graveyard entrance, a scary old tree, and a chapel. One photo shows the graveyard gates that could be used to frame a shot of the killer stalking a girl. Another useful photo shows a gravestone under trees that will help set a spooky atmosphere as night falls. Scouting these locations in advance provided ideas for creepy shots and helped the filmmakers plan how to best use the background elements.
The document is a storyboard for a horror movie trailer. It outlines various scenes that will be included in the trailer to build tension and suspense. The trailer will open with an establishing scene of the main character Casey moving into a new isolated house. Throughout the trailer, scenes will show Casey having nightmares and strange things happening in the house, leaving her feeling unsafe and disturbed. Jump scares and ominous music will be used to unsettle the audience. The storyboard also notes the camera shots, angles, and editing techniques used to maximize fear and intrigue for viewers of the trailer.
Project Research & Technology (Question 1 & 6)Telfer-T
This slide-share looks at the research I took towards making my thriller opening film, looking particularly at the technical aspects I chose to use and media features such as mise-en-scene and cinematography.
The document discusses conventions that are commonly used in horror movie trailers to scare audiences. Some key conventions mentioned include using suburban household settings to prey on audiences' fears of their own homes being invaded, including "jumpy moments" of scares to make the trailers more memorable and effective, and employing horrific imagery to further frighten viewers without showing too much that would prevent them from seeing the full movie. Mise-en-scene, lighting, costumes, fonts and other stylistic elements are also discussed as important conventions that help set the tone and tell the narrative in an engaging way for audiences of horror film trailers.
This document discusses location scouting photos taken for an upcoming horror film set in a school and graveyard. Several potential filming locations are described that could help build suspense and atmosphere, including the graveyard entrance, a scary old tree, and a chapel. One photo shows a grave under trees that would work well for a scene of the young female lead visiting her mother's grave as night falls. Scouting the locations in advance gave the filmmakers ideas for creepy shots and helped them plan how to best convey fear and tension on camera.
The document discusses the design of packaging and promotional materials for a rock band's new album. The digipack design uses bright colors and surreal illustrations to represent themes of confusion and insanity from the album and music video. Inside panels continue these themes with cartoon aliens representing the "monsters" haunting the singer. A magazine ad uses a simple black background and isolated image of the singer to directly relate to the dark and chaotic themes in the music video. Both designs are meant to link the album experience with the surreal and disturbing plot of the music video without being too literal.
The document proposes two plot ideas for a horror film trailer: 1) A person undergoes an eye operation but later believes the operated-on eyes allow them to see dead people, leading to revenge. 2) A theater company takes over a church, and strange murders occur that may be part of a play. It then discusses sound effects, locations, lighting, and other technical aspects needed to film a teaser trailer based on the eye operation idea.
The document discusses how the media product uses conventions of real psychological thriller films through camera angles, sound/music, characters and plot to attract a teenage audience; it evaluates how the progression from the preliminary task to the full product improved the camera work, framing, film content, and mise-en-scène by eliminating distractions and using props and locations more effectively to create atmosphere.
Here are the key ways Hannah Maxwell used media technologies in the construction and research, planning and evaluation stages of her media project:
- Used a blog to conduct research and planning. The blog allowed her to incorporate multimedia elements like videos, images and hyperlinks to accompany written explanations.
- Analyzed film trailers on her blog through screenshots and embedded videos to break down editing techniques, sound design choices, and how they influenced her own trailer.
- Posted drafts of her teaser trailer, poster and magazine on her blog to gather audience feedback. She was able to receive comments and suggestions for improvement.
- Uploaded cuts of her teaser trailer to YouTube to collect a wider range of feedback from peers and teachers.
Hannah Maxwell analyzes how her media product Hunted uses, develops, and challenges conventions of real media. She was influenced by the trailers for Inception and Shutter Island in her editing and sound design. The plot was influenced by The Lovely Bones. The film poster drew from The Lovely Bones and Halloween. The film magazine was modeled after Total Film. The film focuses on vulnerable teenage girls to highlight their innocence. Maxwell aimed her teaser trailer at 15-25 year olds, particularly females, through familiar settings and atmospheric music.
This document discusses the target audience for the film "Entity" which is 15-25 year olds. A young adult male named Danny was cast as the protagonist Bruce to appeal to this demographic. Bruce is portrayed as a fit, well-dressed 18-year-old for audiences to see as a role model. Both male and female audiences can relate to Bruce to feel connected to the film. The school setting was used with subjective camera movements to make the film feel realistic to an audience who would have experiences in school. Social media was used to present the low-budget British film to a wider niche audience.
The document discusses how a horror film represents particular social groups in its target audience of 15-25 year olds. The protagonist, Bruce, is portrayed as a typical high school student to appeal to that demographic. Specifically, Bruce is a mix of popular and nerdy qualities to allow a wide range of teen viewers to relate to him. The film also uses common horror tropes like a school setting and supernatural elements ("A Nightmare on Elm Street") to attract its intended young audience.
This document describes changes made to a Digipak design for a song. A tearing effect was added to three sections to convey the inner message about sorrow and depression portrayed in the song's lyrics and music video. A barcode and branding images were also included on the back page to make the design look like a realistic commercial product. A shadow effect under one section indicates where the CD would be placed and helps direct the audience to the lyrics to make the song's message more personal to them.
The document discusses codes and conventions for indie/folk music genres that can be seen in music videos. It analyzes videos by Mumford and Sons, Show of Hands, and Seth Lakeman to identify conventions like performance shots of the band, close-ups of instruments, black and white filters, isolation, and exaggerated lighting/shadows. Key conventions were compiled to incorporate into the author's own music video and relate it to the indie and folk genres.
The document discusses techniques used in the horror film "A Nightmare on Elm Street" to frighten and tension the audience. It notes the use of eerie scenes, dark colors, increasing music, isolated locations, jump scares using shadows or smoke, and psychological elements where things that happen in dreams happen in real life. Specific scenes discussed include a slow motion killing using children singing, sudden changes in music to shock viewers, and building and releasing tension through the music.
The author needed to come up with an impactful name for their horror film that audiences could relate back to the genre. After intensive research using dictionaries, the internet, and a thesaurus, the author and their group settled on the name "Entity" after looking up the word "demon". The name "Entity" fit well to describe the dark cloaked figure in the film and intrigued audiences about the mysterious paranormal events without spoiling the film.
The document discusses the target audience for a student film project. The group plans to target teenagers and young adults aged 16-24 because the main character and storyline about a student investigating ghostly killings at their school will closely relate to that age group. The document references similar successful horror films like The Blair Witch Project and Paranormal Activity that also targeted this 16-24 age range and received many positive reviews from viewers in this group. Research on IMDB showed these other films received many high ratings from 17-24 year olds, informing the group's decision to aim their film at this audience.
Analysis of cd pack kaiser cheifs newest3minidjluke
The Kaiser Chiefs album cover and booklet are designed to have an antique, vintage style to match the indie music genre. The cover has a worn, leather texture and details like a border around the text help enhance this old-fashioned aesthetic. Within the booklet, various board game motifs and styles are used as a parody to make the content feel like an adventure and engage audiences visually. Lyrics for all songs on the album are included, along with credits and thank you sections, following a consistent board game theme throughout that aims to expand the band's target demographics.
The CD cover for Nizlopi's single "The JCB Song" depicts the band member Luke as a child drawn onto lined paper, representing his past and personal story told in the song. The inside shows Luke and John playing acoustic guitar and double bass, representing their folk/indie music. It lists the songs "The JCB Song" and "Clear" to promote both, and advertises their upcoming album. The back references images and lyrics from the "The JCB Song" music video, linking it all together around Luke's childhood imagination.
This document outlines the health and safety policy for Luke Barnes and Ben Sewell's music video project. It assigns overall responsibility for health and safety to Luke and Ben. It identifies potential hazards such as tripping over wires or falling from the loft conversion and outlines actions to manage these risks such as taping off hazardous areas and ensuring cables are tidy. First aid provisions and accident reporting procedures are also addressed. A risk assessment identifies additional hazards like dropping camera equipment and falling out a window, as well as measures to prevent these risks, ensuring the safety of all workers on set.
MTV is a leading music channel that was launched in 1981 and primarily promotes new music videos and the top 40 songs. Over time, MTV expanded its programming to include various television shows aimed at teenagers and young adults while also influencing other music-focused channels. MTV has played an important role in exposing audiences to new music trends over the decades from genres like alternative rock to electronic music to pop. As a result of its widespread popularity and global reach, MTV now serves music fans of all ages and tastes around the world.
The CD cover features an animated drawing of the band singer Luke as a child in his father's JCB, representing the song's theme of Luke's childhood relationship with his dad. The inside cover shows band members Luke and John playing folk/indie instruments like acoustic guitar and double bass, reflecting their musical style. It also restates the title song and lists another song "Clear." The back references the music video and lyrics of "The JCB Song" through an image of a transforming robot. Overall, the cover uses childhood imagery and references to portray the personal story and themes of the band's music.
Analysis of cd pack kaiser cheifs newest3minidjluke
The CD booklet for the Kaiser Chiefs album "Employment" is designed to have an antique, retro style that matches the vintage aesthetic of their music video for the song "I Predict a Riot". Pages feature imagery of old-timey posters, board games, and playing cards with photos and info about the band members. The use of board game imagery creates an interactive, engaging theme where the music and booklet content are presented as games and surprises for the audience. Overall, the booklet's design seamlessly ties the band's musical style and video concept together through visuals evoking a nostalgic, retro time period.
1. These locations are also
As part of the location scouting, ideal and perfect as they
the idea that Ben and I focused reflect where folk began. It
upon was trying to find somewhere
that reflects elegance and the began in the wild. It's a
meaning of the song but at the natural style of music that
same time reflected the mood of has been played in fields,
sorrow and portrayed a bleak and mountains and festivals for
depressive feel towards the song. years! Fields like these
These pictures are ideas that I had have been used in music
for when the main character is videos before but mainly in
sitting next to the terminally ill folk.
brother that would look out of the
window to access a flash back
scene that would portray how the
brother became ill. The use of a
white effect would portray
innocence and portray a
comforting feeling that the main
character would have towards his
ill brother. Ideally, the initial idea
was to try and obtain a drip to
create the ideology that the brother
is seriously ill. But finding one was
hard to obtain. For that reason we
couldn’t use it. But still
incorporated this white idea.
One of mine and Ben’s ideas
would be to have the singer
walking down some country roads
or in a secluded field, this way it
would connote ideas of isolation
that would reflect the mood, also
though it would help relate back to
folk genre conventions with fields.
. In this scene we would This choice of location was
have the male/female carefully thought out and we chose
actor walking across the to use a field very close to the
field playing the guitar. location of the house. This meant
You can see in this picture easy access to and from the field,
but there are hay bales at ensuring that filming was simpler
the very back of the field and travel distance wasn’t a
problem.
and we could have to actor
walking towards it and
sitting on it.
2. These three images are perfect
examples of a shot we would like to
encompass into our video. These
represent freedom and individuality,
which is what we want to express
through our video. But At the same
time we also aimed for a look that can
express sorrow and depression, This
can possibly be achieved through a
black and white overlay to express the
bleakness of the music video. Again
having a field that is isolated would
help to enforce this idea. I had the idea that a camera could go
along the side of my house and rise
up on a large stick and have it enter
through either of the top windows. It
would enter into a white out area with
the ill brother on a bed with his brother
next to him. This would then portray
that Myself and Ben have thought
about the use of an establishing shot
and it would also show that we have
thought about the ideology of entering
someone’s life and looking in on their
lives. This idea has been used in the This is the window the camera
music video “Stan” by Eminem wherewill enter from the outside. The
This photo reflects the areaenter the window to look upon only hard part of this scene I
you
which will be transformed into the So by relating back this think will be getting the camera
‘Stan’s’ life.
area where I will hang whiteto our video I have shown that I safely through the window with
idea
sheets to co-ordain of an area.
have thought of different camera no jolts or shakes while filming.
conventions used in music videos. If this whole scene works, it will
Within that area I will have a
small bed, padded put with be a perfect example and
sheets, quilts and pillows. I will reflect the lyrics perfectly. Also
place a small chair next to the this could be the shot from
bed for the 'brother ' to sit on and where the main character looks
hold the 'ill' brothers hand while out of the window for the
crying. This effect will then grab flashback scene. Form using
the passive audience and thus this idea the audience can
they are then intertwined within clearly establish which parts
the storyline, eager to explore are in the flashback and which
more in-depth with it. are not.
3. These three images are perfect
examples of a shot we would like to
encompass into our video. These
represent freedom and individuality,
which is what we want to express
through our video. But At the same
time we also aimed for a look that can
express sorrow and depression, This
can possibly be achieved through a
black and white overlay to express the
bleakness of the music video. Again
having a field that is isolated would
help to enforce this idea. I had the idea that a camera could go
along the side of my house and rise
up on a large stick and have it enter
through either of the top windows. It
would enter into a white out area with
the ill brother on a bed with his brother
next to him. This would then portray
that Myself and Ben have thought
about the use of an establishing shot
and it would also show that we have
thought about the ideology of entering
someone’s life and looking in on their
lives. This idea has been used in the This is the window the camera
music video “Stan” by Eminem wherewill enter from the outside. The
This photo reflects the areaenter the window to look upon only hard part of this scene I
you
which will be transformed into the So by relating back this think will be getting the camera
‘Stan’s’ life.
area where I will hang whiteto our video I have shown that I safely through the window with
idea
sheets to co-ordain of an area.
have thought of different camera no jolts or shakes while filming.
conventions used in music videos. If this whole scene works, it will
Within that area I will have a
small bed, padded put with be a perfect example and
sheets, quilts and pillows. I will reflect the lyrics perfectly. Also
place a small chair next to the this could be the shot from
bed for the 'brother ' to sit on and where the main character looks
hold the 'ill' brothers hand while out of the window for the
crying. This effect will then grab flashback scene. Form using
the passive audience and thus this idea the audience can
they are then intertwined within clearly establish which parts
the storyline, eager to explore are in the flashback and which
more in-depth with it. are not.
4. These three images are perfect
examples of a shot we would like to
encompass into our video. These
represent freedom and individuality,
which is what we want to express
through our video. But At the same
time we also aimed for a look that can
express sorrow and depression, This
can possibly be achieved through a
black and white overlay to express the
bleakness of the music video. Again
having a field that is isolated would
help to enforce this idea. I had the idea that a camera could go
along the side of my house and rise
up on a large stick and have it enter
through either of the top windows. It
would enter into a white out area with
the ill brother on a bed with his brother
next to him. This would then portray
that Myself and Ben have thought
about the use of an establishing shot
and it would also show that we have
thought about the ideology of entering
someone’s life and looking in on their
lives. This idea has been used in the This is the window the camera
music video “Stan” by Eminem wherewill enter from the outside. The
This photo reflects the areaenter the window to look upon only hard part of this scene I
you
which will be transformed into the So by relating back this think will be getting the camera
‘Stan’s’ life.
area where I will hang whiteto our video I have shown that I safely through the window with
idea
sheets to co-ordain of an area.
have thought of different camera no jolts or shakes while filming.
conventions used in music videos. If this whole scene works, it will
Within that area I will have a
small bed, padded put with be a perfect example and
sheets, quilts and pillows. I will reflect the lyrics perfectly. Also
place a small chair next to the this could be the shot from
bed for the 'brother ' to sit on and where the main character looks
hold the 'ill' brothers hand while out of the window for the
crying. This effect will then grab flashback scene. Form using
the passive audience and thus this idea the audience can
they are then intertwined within clearly establish which parts
the storyline, eager to explore are in the flashback and which
more in-depth with it. are not.
5. These three images are perfect
examples of a shot we would like to
encompass into our video. These
represent freedom and individuality,
which is what we want to express
through our video. But At the same
time we also aimed for a look that can
express sorrow and depression, This
can possibly be achieved through a
black and white overlay to express the
bleakness of the music video. Again
having a field that is isolated would
help to enforce this idea. I had the idea that a camera could go
along the side of my house and rise
up on a large stick and have it enter
through either of the top windows. It
would enter into a white out area with
the ill brother on a bed with his brother
next to him. This would then portray
that Myself and Ben have thought
about the use of an establishing shot
and it would also show that we have
thought about the ideology of entering
someone’s life and looking in on their
lives. This idea has been used in the This is the window the camera
music video “Stan” by Eminem wherewill enter from the outside. The
This photo reflects the areaenter the window to look upon only hard part of this scene I
you
which will be transformed into the So by relating back this think will be getting the camera
‘Stan’s’ life.
area where I will hang whiteto our video I have shown that I safely through the window with
idea
sheets to co-ordain of an area.
have thought of different camera no jolts or shakes while filming.
conventions used in music videos. If this whole scene works, it will
Within that area I will have a
small bed, padded put with be a perfect example and
sheets, quilts and pillows. I will reflect the lyrics perfectly. Also
place a small chair next to the this could be the shot from
bed for the 'brother ' to sit on and where the main character looks
hold the 'ill' brothers hand while out of the window for the
crying. This effect will then grab flashback scene. Form using
the passive audience and thus this idea the audience can
they are then intertwined within clearly establish which parts
the storyline, eager to explore are in the flashback and which
more in-depth with it. are not.