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Slow West trailer analysis
Trailer length: 2:26
Sec 1: cut fromblack to a wide shot up to sec 2.5. Text “Winner Sundance Film
festival”, leaving a good impression on the viewer, at this moment the
audience will expect a movie worthy of its title.
Sec3-5: 1 wide shot and 1 mid shot introducing the 2 characters
Sec 5-11: mid, over the shoulders and close-up shot, they establish the
relationship between the 2 characters
Sec 12: fade fromclose up to white, signifies a new day or begging
Sec 13: fade fromwhite to a mid-shotthis this time the girl isn’there, the fade
shifts us to a later point in the story e.g. 1week later or 1month later
Sec 14-15: fadeto black, usually signifies the end of something, maybeis the
end of easy life.
Sec 15-17: fadefromblack to a wide shot
Sec 19-20: over the shoulder close-up, telling the audience wherehe is headed
Sec 21-23: fadeto white then swiftly to the next shot, this fade could suggesta
new beginning for the main character as he is in the west
0-25: music is played (Guitar and bass), themusic is calm and slow.
9-26: narrator briefly explaining to the audience the story of Jack
Sec 26-29: company ident, the equilibrium period stops here. Fades into black
Sec 30-36: faster editing, the pacing of shots dramatically increased (Moment
of disequilibrium starts here)
29-36: no music played, allows the dialog to be clearly heard
37-39: drop in bass to a low pitch sound, allows another music to start
39: mid shot introducing the hero
42-44: reviling the identity of the Good Samaritan
54-1:06: montage, showing theyoung woman’s (RoseRoss) story
1:01-1:02: hints to the audience why Roseis in danger.
40-1:07: guitar + vocalbackground music, creates a suitable atmosphere for
dialog and other sound to be easily picked up
1:07: cut to black then fade fromblack to next shot
1:07-1:11: eeriemusic is played, and after gun shotbecomes silent
1:08-1:15: montage, introducing a new threat to the main characters, probably
the protagonistof the story. End of moment of disequilibrium, begging of
Period of disequilibrium
1:15-1:21: guitar music intensifies and fades out in the last 2 seconds
1:23, 1:25 and 1:27: wecan hear the guitar shortly playing, during dialog
showing key events
1:16-1:49.5: faster paceof shots, the montage shows the 2 sides but there is a
grey line making it difficult realising who is the good team and the bad team,
1:50: black title card, maybe a mistakemade by the editing team
1:51-2:02: montageshowing the2 sides colliding and fighting
2:03-2:04: titlecards “INA LAND BEYOND LAW”
2:08: title card “THEMOST DANGEROUS”
2:10: title card “ARE THE LAST”
2:12: title card “TO FALL”
1:29-2:15: thesameguitar music builds up tempo, during dialog becomes
quieter, and is silent at sometimes.
2:15-2:16: tilecard “SLOW WEST”

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Slow West trailer brief analysis

  • 1. Slow West trailer analysis Trailer length: 2:26 Sec 1: cut fromblack to a wide shot up to sec 2.5. Text “Winner Sundance Film festival”, leaving a good impression on the viewer, at this moment the audience will expect a movie worthy of its title. Sec3-5: 1 wide shot and 1 mid shot introducing the 2 characters Sec 5-11: mid, over the shoulders and close-up shot, they establish the relationship between the 2 characters Sec 12: fade fromclose up to white, signifies a new day or begging Sec 13: fade fromwhite to a mid-shotthis this time the girl isn’there, the fade shifts us to a later point in the story e.g. 1week later or 1month later Sec 14-15: fadeto black, usually signifies the end of something, maybeis the end of easy life. Sec 15-17: fadefromblack to a wide shot Sec 19-20: over the shoulder close-up, telling the audience wherehe is headed Sec 21-23: fadeto white then swiftly to the next shot, this fade could suggesta new beginning for the main character as he is in the west 0-25: music is played (Guitar and bass), themusic is calm and slow. 9-26: narrator briefly explaining to the audience the story of Jack Sec 26-29: company ident, the equilibrium period stops here. Fades into black Sec 30-36: faster editing, the pacing of shots dramatically increased (Moment of disequilibrium starts here) 29-36: no music played, allows the dialog to be clearly heard 37-39: drop in bass to a low pitch sound, allows another music to start 39: mid shot introducing the hero 42-44: reviling the identity of the Good Samaritan
  • 2. 54-1:06: montage, showing theyoung woman’s (RoseRoss) story 1:01-1:02: hints to the audience why Roseis in danger. 40-1:07: guitar + vocalbackground music, creates a suitable atmosphere for dialog and other sound to be easily picked up 1:07: cut to black then fade fromblack to next shot 1:07-1:11: eeriemusic is played, and after gun shotbecomes silent 1:08-1:15: montage, introducing a new threat to the main characters, probably the protagonistof the story. End of moment of disequilibrium, begging of Period of disequilibrium 1:15-1:21: guitar music intensifies and fades out in the last 2 seconds 1:23, 1:25 and 1:27: wecan hear the guitar shortly playing, during dialog showing key events 1:16-1:49.5: faster paceof shots, the montage shows the 2 sides but there is a grey line making it difficult realising who is the good team and the bad team, 1:50: black title card, maybe a mistakemade by the editing team 1:51-2:02: montageshowing the2 sides colliding and fighting 2:03-2:04: titlecards “INA LAND BEYOND LAW” 2:08: title card “THEMOST DANGEROUS” 2:10: title card “ARE THE LAST” 2:12: title card “TO FALL” 1:29-2:15: thesameguitar music builds up tempo, during dialog becomes quieter, and is silent at sometimes. 2:15-2:16: tilecard “SLOW WEST”