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SCREAM – opening sequence analysis
 Film title
 Non-diegetic sound of phone ringing
- Acts as a sound bridge to next shot
- Establish domestic setting
 Non-diegetic sound of girl screaming
- represents title
- Infers that the genre is horror/thriller
- Creates enigma code: why is she
screaming? Who is she?
 Mise-en-scene
- Domestic iconography
- Reinforces home setting
 Low key lighting
- Ominous atmosphere
 Pan up to woman
- Introduce key character
- Gender stereotype: vulnerability
- Poses her as victim
CLOSE UP
 Mid-shot
- Emphasises facial expressions
- Shows significance of phone call to the
plot
 Camera movement
- Moves around her: shows window
establishing that it is night time, making
her more vulnerable
 Dialogue
- Woman speaks calmly: false sense of
security
- Male voice from phone; stereotypical
gender of villain/antagonist
CLOSEUP/MID-SHOT
 Zoom in/close up
- Show subtle changes in expression
 Tilted frame
- Unnerving
- Foreshadows that the balance of the
household will shift
 Mise-en-scene : windows in background
- Highlights time setting
- No lights visible outside; house seems
secluded; more vulnerable
CLOSE UP
 Ambient sound: crickets
- House is not in an urban location
- tension
 diegetic sound: swing creaking
- juxtaposed to crickets
- unsettling
- creates sense that someone is present;
audience waiting for something bad to
happen
ESTABLISHING LONG SHOT
 Jump cut
- Breaks tension; audience may jump
slightly
 Mise-en-scene
- Reinforces domesticity; audience still
waiting for something to disrupt
equilibrium of home
 Zoom out
- Shows character in relation to setting
- Emphasises she is home aloneEXTREME CLOSE UP
 Foreground shot/mise-en-scene: knife block
- Stereotypical iconography of genre
- Foreshadows death
 Tracking
- Following her around house
- Shows all exits/entrances the killer may
use
- Builds tension
 Slow pace
- Adds longevity; suspense
- Audience becomes more fearful
 Continuity editing
- Further rising tension
LONG/MID-SHOT

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SCREAM opening sequence analysis: phone call, screams, vulnerability

  • 1. SCREAM – opening sequence analysis  Film title  Non-diegetic sound of phone ringing - Acts as a sound bridge to next shot - Establish domestic setting  Non-diegetic sound of girl screaming - represents title - Infers that the genre is horror/thriller - Creates enigma code: why is she screaming? Who is she?  Mise-en-scene - Domestic iconography - Reinforces home setting  Low key lighting - Ominous atmosphere  Pan up to woman - Introduce key character - Gender stereotype: vulnerability - Poses her as victim CLOSE UP  Mid-shot - Emphasises facial expressions - Shows significance of phone call to the plot  Camera movement - Moves around her: shows window establishing that it is night time, making her more vulnerable  Dialogue - Woman speaks calmly: false sense of security - Male voice from phone; stereotypical gender of villain/antagonist CLOSEUP/MID-SHOT
  • 2.  Zoom in/close up - Show subtle changes in expression  Tilted frame - Unnerving - Foreshadows that the balance of the household will shift  Mise-en-scene : windows in background - Highlights time setting - No lights visible outside; house seems secluded; more vulnerable CLOSE UP  Ambient sound: crickets - House is not in an urban location - tension  diegetic sound: swing creaking - juxtaposed to crickets - unsettling - creates sense that someone is present; audience waiting for something bad to happen ESTABLISHING LONG SHOT  Jump cut - Breaks tension; audience may jump slightly  Mise-en-scene - Reinforces domesticity; audience still waiting for something to disrupt equilibrium of home  Zoom out - Shows character in relation to setting - Emphasises she is home aloneEXTREME CLOSE UP  Foreground shot/mise-en-scene: knife block - Stereotypical iconography of genre - Foreshadows death  Tracking - Following her around house - Shows all exits/entrances the killer may use - Builds tension  Slow pace - Adds longevity; suspense - Audience becomes more fearful  Continuity editing - Further rising tension LONG/MID-SHOT