Literary Theory and Criticism
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This presentation is a part of my academic presentation of Literary Theory and Criticism, M.A. English Department of English, M.K Bhavnagar University and it is submitted to Prof. Dr. Dilip Barad Sir
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This document discusses the themes in Robert Frost's poetry. It provides biographical information about Frost, lists some of his most famous poems, and analyzes the main themes in his work, including nature, communication, everyday life, isolation, duty, love, and death. The document explains that Frost often depicted rural life and focused on humanity's relationship with the natural world and struggles with communication. It also notes isolation, duty, love, and death as significant recurring themes.
Biographia literaria lecture no 06
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Wordsworth’s theory of poetic diction
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Coleridge poet v/s critics
Samuel Taylor Coleridge was an English poet, literary critic, and philosopher born in 1772 and died in 1834. He was a founder of the Romantic Movement in England and wrote famous poems like The Rime of the Ancient Mariner and Kubla Khan. His critical work is contained in Biographia Literaria where he discusses his views on poetry and criticism. Coleridge believed that the highest form of poetry did not require distinguishing objects and instead focused on describing the poet and characteristics of imagination. He was the first English critic to base literary criticism on philosophical principles and was more interested in the creative process than analyzing finished works.
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This document contains a presentation by Asha Dodiya, a student in the MA program at Maharaja Krishnakumarsinhji Bhavnagar University. The presentation discusses William Wordsworth's views on poetry as expressed in the preface to Lyrical Ballads in 1802. It explains how Wordsworth was a poet of the common man because he used simple language and characters from common life in his poems. The presentation also provides details on some of Wordsworth's famous poems and analyzes his poem "The Solitary Reaper."
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Paper 3 preface to lyrical ballads
Wordsworth's preface to Lyrical Ballads outlines his poetic experiment of using simpler language focused on rural subjects and ordinary people. He argues poetry should be a spontaneous expression of emotion that avoids artificial conventions. The preface also discusses using the language of real people, though admits some editing was done, and explores how this collection was a departure from 18th century poetry.
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This document discusses the themes in Robert Frost's poetry. It provides biographical information about Frost, lists some of his most famous poems, and analyzes the main themes in his work, including nature, communication, everyday life, isolation, duty, love, and death. The document explains that Frost often depicted rural life and focused on humanity's relationship with the natural world and struggles with communication. It also notes isolation, duty, love, and death as significant recurring themes.
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Wordsworth’s theory of poetic diction
William Wordsworth was primarily a poet, not a critic, but his views on poetry can be found in the preface to Lyrical Ballads from 1802. The preface introduced poems that were new in theme and style. Wordsworth asserts that the language of poetry is a selection from the real language of men, with no essential difference between prose and poetry. He emphasized writing in the ordinary language of people, not a crafted poetic language. The poems depict realistic characters in realistic situations with a strong narrative element.
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Coleridge's Biographia Literaria is analyzed in a paper submitted for a literary theory course. The document provides biographical information on Coleridge, noting he was a poet, critic, and philosopher born in 1772 in England who was a key figure of Romanticism. It discusses Biographia Literaria, in which Coleridge defines a poem as an organic whole and describes two cardinal points of poetry as giving novelty through imagination. The document also examines Coleridge's views on Wordsworth's poetic creed and the differences between prose, poems, and poetry.
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Samuel Taylor Coleridge was an English poet, literary critic, and philosopher born in 1772 and died in 1834. He was a founder of the Romantic Movement in England and wrote famous poems like The Rime of the Ancient Mariner and Kubla Khan. His critical work is contained in Biographia Literaria where he discusses his views on poetry and criticism. Coleridge believed that the highest form of poetry did not require distinguishing objects and instead focused on describing the poet and characteristics of imagination. He was the first English critic to base literary criticism on philosophical principles and was more interested in the creative process than analyzing finished works.
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This document contains a presentation by Asha Dodiya, a student in the MA program at Maharaja Krishnakumarsinhji Bhavnagar University. The presentation discusses William Wordsworth's views on poetry as expressed in the preface to Lyrical Ballads in 1802. It explains how Wordsworth was a poet of the common man because he used simple language and characters from common life in his poems. The presentation also provides details on some of Wordsworth's famous poems and analyzes his poem "The Solitary Reaper."
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This document provides an overview and summary of T.S. Eliot's essay "Tradition and Individual Talent". The essay discusses Eliot's views on the relationship between a poet and their literary tradition, the importance of the "historical sense", and his theory of "depersonalization" in poetry. Eliot believes that great works arise from a poet's ability to transcend their own personality and emotions and effectively communicate significant feelings that live within the poem itself. The essay emphasizes that criticism should focus on the poetry, not the poet.
Paper 3 preface to lyrical ballads
Wordsworth's preface to Lyrical Ballads outlines his poetic experiment of using simpler language focused on rural subjects and ordinary people. He argues poetry should be a spontaneous expression of emotion that avoids artificial conventions. The preface also discusses using the language of real people, though admits some editing was done, and explores how this collection was a departure from 18th century poetry.
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Wordsworth and Coleridge were influential English poets during the Romantic era in the late 18th century. They published Lyrical Ballads together in 1798, marking an important change in literature. Wordsworth believed poetry should use ordinary language and reflect emotions recollected over time. Coleridge saw all art as an organic whole and emphasized the suspension of disbelief in supernatural elements. Both poets were inspired by nature and philosophy during a time of war and political upheaval in Europe following the French Revolution. Their works came to define the Romantic period in contrast to prior neoclassical styles.
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Wordsworth and Coleridge were influential English poets during the Romantic era in the late 18th century. They published Lyrical Ballads together in 1798, marking an important change in literature. Wordsworth believed poetry should use ordinary language and reflect emotions recollected over time. Coleridge saw all art as an organic whole and emphasized the suspension of disbelief in supernatural elements. Both poets were inspired by nature and philosophy during a time of war and political upheaval in Europe following the French Revolution. Their works came to define the Romantic period in contrast to prior neoclassical styles.
Wordsworth and Coleridge comparison in Poetry concept
This document compares the poetry of William Wordsworth and S.T. Coleridge. It provides biographical information on both poets, including their dates of birth and death. It then examines their differing definitions of poetry, subject matter, language used, and purposes of poetry. While their styles differed, with Wordsworth focusing on common language and subjects and Coleridge using more sophisticated language, together they made landmark contributions to English romantic poetry.
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William Wordsworth was an English poet born in 1770 who died in 1850. Some of his most famous works included The Prelude, Tintern Abbey, and Daffodils. He is well known as a nature poet, with many of his poems like Tintern Abbey, The Prelude, and Daffodils focusing on themes found in nature. The document also discusses some of Wordsworth's other notable works and themes he explored in his poetry like the power of the human mind and childhood.
Papar8
This document provides an analysis of the poem "To His Coy Mistress" by Andrew Marvell from the perspective of cultural studies. It introduces the poet and context of the Renaissance period. It then summarizes the theme of the poem encouraging a mistress to abandon her shyness and enjoy physical love given the brevity of life. The document argues that while the poem references the historical fact of plague in 17th century Europe, it focuses more on presenting themes of love and beauty rather than accurately representing the time period.
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Wordsworth was an English Romantic poet born in 1770 who died in 1850. He is known for his poems focused on themes of nature, where he portrayed himself as a "priest of nature" who truly loved natural beauty. Some of his most notable works include Lyrical Ballads, Poems in Two Volumes, and The Prelude, which was an autobiographical poem about his interactions with nature that helped assure him of his poetic mission. In his "Preface to Lyrical Ballads", Wordsworth outlined his view of poetry as "experiments" using the everyday language of lower and middle class people.
Poets
This document provides brief introductions to several English literature poets from different time periods:
Walter Scott was a Scottish historical novelist, poet, playwright, and historian known for works like The Bride of Lammermoor and The Lady of the Lake.
Thomas Campbell was a Scottish poet best known for war songs like "Ye Mariners of England" and poems about hope and battles.
Thomas Hood was an English poet and humorist remembered for poems like "Bridge of Sighs" and "The Song of the Shirt" as well as collections of short stories and novels.
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This document provides information about several Romantic poets:
- Sir Walter Scott, a Scottish novelist known for works like Waverley and The Lady of the Lake.
- Thomas Campbell, a Scottish poet who wrote patriotic songs and the didactic poem "The Pleasures of Hope".
- Thomas Hood, an English poet best known for "The Bridge of Sighs" and "The Song of the Shirt" about the poor conditions of workers.
- Elizabeth Barrett Browning, a popular Victorian poet remembered for works like "Sonnets from the Portuguese" and her epic poem "Aurora Leigh".
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This document compares the British Romantic poets William Wordsworth and Samuel Taylor Coleridge. It outlines that while Wordsworth focused on realistic descriptions of nature and common life through simplified language, Coleridge introduced elements of mystery, wonder and the supernatural. The works, characteristics, themes and sample poems of each poet are contrasted, with Wordsworth portrayed as highlighting the relationship between man and nature through imagination, and Coleridge exploring the creative power of imagination and lived in the world of fancy.
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This document provides a comparative study of the Victorian poets Robert Browning and Alfred Lord Tennyson. It outlines key biographical details of both poets, including their major works. The document analyzes differences in their writing styles, noting that Browning focuses on the psyche of characters while Tennyson draws from external realities and uses ornate language. Specific poems, Mariana and Childe Roland to the Dark Tower Came, are compared to illustrate differences in how they convey landscape and narrative. The conclusion reiterates that Browning and Tennyson took opposite approaches to exploring truth through their writing.
Metaphysical poetry flea
This document provides a summary of metaphysical poetry. It identifies John Donne as the founder of metaphysical poetry and notes that the term was first coined by Samuel Johnson, though meant as a criticism. The major metaphysical poets are identified as John Donne, George Herbert, Andrew Marvell, Abraham Cowley, and Richard Crashaw. The document then analyzes Donne's poem "The Flea" in which he tries to convince his lover that engaging in intimacy would not be a sin or loss of virtue by using the biological image of a flea that has fed on both of their blood. It concludes with a quote from Samuel Johnson about relieving the pain of being human.
Comparison between The Rime of Ancient Mariner and Frankenstein
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This document discusses William Wordsworth as a literary critic. It provides biographical details about Wordsworth, noting that he was born in 1770 and died in 1850, and belonged to the Romantic Age in English literature. It describes how Wordsworth advocated choosing humble rustic subjects and simplicity in theme and treatment. It lists some of Wordsworth's important works like Lyrical Ballads and The Prelude. It states that through his criticism, Wordsworth demolished old faulty views and opened new perspectives, though he was primarily a poet rather than a dedicated critic.
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This document provides information about a presentation on Henry Louis Vivian Derozio's poem "The Fakeer of Jungheera" as a love story. It includes the name of the presenter, Asha Dodiya, and details about her semester, class, paper topic, and contact information. It then provides an introduction to Derozio as a poet and educator during the Bengal Renaissance and discusses themes in the poem such as the beauty of the character Nuleeni, the affection between characters, and sorrow and suffering.
On histories and stories selected essays by A.S. Byatt (farijulbari@gmail.com)
This document is the introduction to a collection of essays by A.S. Byatt titled "On Histories and Stories". Byatt discusses how the essays explore the complicated relationships between reading, writing, and the academic study of literature. She describes how she has always seen herself primarily as a writer though she has taught literature. The introduction provides context for the essays, which examine British novels about history and the intersections between fiction and history. Byatt reflects on changes in how contemporary literature is studied and hopes the essays will help broaden discussions of modern writing.
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Samuel Taylor Coleridge was an English poet, critic and philosopher born in 1772 in Devonshire, England. He attended Christ's Hospital School in London where he met his lifelong friend Charles Lamb. Coleridge was influenced by French revolutionary ideals in his early life but later became disillusioned with the revolution. He collaborated with poet William Wordsworth on the collection Lyrical Ballads in 1798, which is considered the first major work of the Romantic period and includes Coleridge's famous poem "The Rime of the Ancient Mariner". Coleridge viewed nature as stimulating poetic creativity by providing symbols to reflect emotions rather than as a moral guide or source of consolation like Wordsworth. He died in 18
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Samuel Taylor Coleridge was a prominent English Romantic poet born in 1772 in Devonshire. Some of his most famous poems include "The Rime of the Ancient Mariner," published in 1798 in collaboration with William Wordsworth, and "Kubla Khan," published later that year. Coleridge was known for his intense imaginative power and mastery of language, as evidenced by passages from his poems describing supernatural scenes at sea and the stately pleasure-dome built by Kubla Khan. The document provides an overview of Coleridge's background and career as a poet of the Lake School as well as summaries and excerpts of several of his major works.
Wordsworth coleridge poetic create :comparison
This document compares the poetic theories of William Wordsworth and Samuel Taylor Coleridge. It discusses their views on what defines a poet and the poetic process. While Wordsworth believed poets should use simple, common language drawn from everyday life, Coleridge argued language is too individualized and poets need a vast vocabulary. Overall their partnership was influential for English Romantic poetry, though Coleridge's poetic talents declined where Wordsworth's endured longer.
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T.S Eliot's Tradition and Individual Talent
This document provides biographical information about T.S. Eliot and summarizes his influential essay "Tradition and Individual Talent". It notes that Eliot was an American-born poet, playwright, and critic who published the essay in 1919 exploring his concept of literary tradition. The essay is divided into three parts discussing Eliot's view that tradition is obtained through hard work, not imitation, and that true criticism focuses on the poetry itself rather than the poet. Eliot concludes that poetry provides an escape from emotion and personality by giving the poet a sense of literary tradition spanning both past and present.
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This document provides information about T.S. Eliot's essay "Tradition and Individual Talent". It discusses that the essay was first published in 1919 and later included in Eliot's 1920 collection The Sacred Wood. The essay is divided into three parts that discuss Eliot's concepts of tradition, the theory of depersonalization in poetry, and his conclusion that true poetry results from an escape of personality and emotion through acquiring an understanding of tradition.
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Biographia literaria chapter14
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Sem 2
This document provides biographical information about the poet Samuel Taylor Coleridge and analyzes him as a poet. It notes that Coleridge was born in Devonshire in 1772 and was considered a poet of the Lake School. It also quotes Coleridge saying that to be a great poet, one must also be a profound philosopher. The document lists some of Coleridge's notable poems, including "Destiny of Nations", "Ode to the Departing Year", and "French Anode". It praises Coleridge's poetry for its intense imaginative power, superb control, and simplicity of diction. His poem "Christabel" is summarized as being about a witch who wins over the heroine Christ
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Samuel taylor coleridge(1772 1834)
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
T.s eliot theory of impersonality
T.S. Eliot's theory of impersonality in poetry argues that a poet should not express their personal emotions and experiences in a poem. Instead, the poet must surrender their personality and see themselves as a vessel for tradition. According to Eliot, a poet achieves impersonality by becoming deeply immersed in the works of past poets and expressing the sense of literary tradition, rather than their individual self. Eliot also believed that the poet and the poetry should be considered separate entities, with criticism focusing on the work itself rather than the poet. Eliot's own poems like "The Waste Land" exemplify this theory through their detached, observational style.
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Literary Theory and Criticism
- 1. Name : Kailash Baraiya Class : M.A. , Sem : 1 , Year : 2016, Roll No. : 17 Paper No. : 03 Enrollment No. : 2069108420170001 Topic : Coleridge's views on Prose, Poem and poetry Submitted To : Professor Dr. Dilip Barad, Department of English, M.K Bhavnagar University
- 2. S.T. Coleridge Coleridge was born in 1772 and died in 1834. Samuel Taylor Coleridge was a Poet, Philosopher and Critic. Coleridge was also knowen as a talented Prose writer, especially as the author of the 'Biographia Literaria'.
- 3. About coleridge's Essay 'Biographia Litraria' ● Preface to a collection of Poem 'Sibylline Leaves'. ● 'Immethodical Mascellany' of of 'life and Opinions'.
- 5. ➔ Prose ● The prose can also have meter and rhyme. ● For Example : “Thirty days hath September, April, June, and November.” ● The immediate object of Prose is to give Truth. ● The major object of other kind of work like Novel and Romance to give pleasure. ● The elements and objects of the Prose is different than Poem.
- 6. ➔ Poem ● Poem means the best words in best order. ● The journey of reading poem gives pleasure. ● Poem is different than prose. ● The poem of any length neither can be nor ought to be, all poetry. ● Poem is the mixture of heart and mind.
- 7. ➔ Poetry ● “Poetry of the highest kind may exist without meter and even without the distinguishing objects of a Poem.” ● Poetry gives an aesthetic delight. ● Poetry is an activity of poet's mind. ● In Poetry imagination Play a vital role.