This document summarizes the architectural history of colonial buildings in Kolkata, India from the 18th-21st centuries. It describes several iconic buildings like the Writer's Building, Raj Bhavan, Indian Museum, and Victoria Memorial that were constructed in the Neoclassical, Baroque, and Indo-Saracenic styles. It also mentions how the architectural styles evolved over time from English colonial architecture to incorporate more local Indian elements, and emerging Art Deco structures in the early 20th century.
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
Bharat Bhavan is an autonomous multi-arts complex and museum in Bhopal, India, established and funded by the Government of Madhya Pradesh. The architect of Bhavan is Charles Correa.
When the British first made inroads into India, little impact had been, was, or even intended on being made. Structures were mainly reflective of their functions, simple warehouses and a number of rather temporary administration facilities with residences remaining few in number, these kept to the traditional and vernacular. However, as British interests in India expanded, more permanent structures were required to facilitate the infrastructure of the new British Raj- symbols of their new status as the power seat; a sense of permanence and prominence.
Bharat Bhavan is an autonomous multi-arts complex and museum in Bhopal, India, established and funded by the Government of Madhya Pradesh. The architect of Bhavan is Charles Correa.
Introduction to Awadh Architecture
It's History and Architecture Details
Various Architectural Buildings in Lucknow and their features
Survey of an old resedential building and its architectural and construction details.
Christopher Charles Benninger, Indian architectDivya Suresh
ARCHITECTURE TO HIM?
“architecture is a curious craft !”
“one structure may follow all the laws of design ,yet be worth less ,while still another may beak all the principles and be profound !”
“A building may be bad without doing anything wrong ,yet another work may have to sin against architecture to reach perfection .”
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Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
Architecture and monuments of kolkata 1Hira Prasad
The Prince Royal's College, Junior Section, Thailand, Seoul Choongmoo Elementary School, Republic of Korea and Birla High School Junior Section, Kolkata---Global Project--History, Architecture and Monuments of Respective Cities.
This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
Introduction to Awadh Architecture
It's History and Architecture Details
Various Architectural Buildings in Lucknow and their features
Survey of an old resedential building and its architectural and construction details.
Christopher Charles Benninger, Indian architectDivya Suresh
ARCHITECTURE TO HIM?
“architecture is a curious craft !”
“one structure may follow all the laws of design ,yet be worth less ,while still another may beak all the principles and be profound !”
“A building may be bad without doing anything wrong ,yet another work may have to sin against architecture to reach perfection .”
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
Architecture and monuments of kolkata 1Hira Prasad
The Prince Royal's College, Junior Section, Thailand, Seoul Choongmoo Elementary School, Republic of Korea and Birla High School Junior Section, Kolkata---Global Project--History, Architecture and Monuments of Respective Cities.
This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
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Development of Colonial architecture in India – Dutch, Portuguese, French and British architectural influences in India: merging of local architecture with various Colonial styles
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Los recursos administrativos son actuaciones de los particulares en los que se solicita de la Administración la revisión o revocación de una resolución administrativa o de un acto de trámite
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
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The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
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Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
6. CONSTRUCTION PHASES
FIRST
PHASE
(1777-1778)
SECOND
PHASE
(1820-1821)
• Designed as barracks to
provide accommodation to
the john company's ‘writers’.
• A three storied structure .
• A long veranda being
added on the south front
and two small pediments
on columns by lord
wellesley.
• And a better ornamented
façade (by capt. George
lindsay).
7. ROTUNDA GEORGIA
N ROOFS
DORIC PEDIMENTED ENTRANCES
MINERVA STATUES
IONIC COLUMNS
ITALIAN GRECIAN FONTAGE
NEOCLASSICAL
ARCHITECTURE
THIRD PHASE- complete re-
modelling of the front façade by
E.J. Martin(1877-1905)
9. ENGLAND IN 1700S
• 1729 – East India House,
Leadenhall St., London
• STYLE- Neoclassical
• 1734- Bank of England ,
Threadneedle street, London
• STYLE- Neoclassical
20. Steel Dome installed in1860s by the Viceroy Lord Elgin.
Lord Curzon brought electricity and lift ( Bird Cage Lift ).
21.
22.
23.
24. Drawing and dining rooms.
Yellow Drawing Room: first floor , has wonderful paintings.
Blue Drawing Room: Elegantly furnished room used by the governor to meet guest.
Brown Dining Room: Adjacent to the Blue Dining room, it is used for small
conferences and meetings.
Halls and banquet rooms
Throne Room: The Throne Room, as the name suggests, contains the throne
of Wellesley. It also contains an Urn used to carry Mahatma Gandhi's ashes.
Council Chamber.
The Marble Hall : Located on the ground floor of the Raj Bhavan, this is used for state
and private meetings.
The Banquet Hall : The Banquet Hall with rows of Doric pillars on each side, flowering
chandeliers and black Mahogany tables has entertained eminent guests like Queen
Elizabeth.
26. INDIAN MUSEUM
1875
by WALTER L. B. GRANVILLE
KOLKATA
“an Italianate palace ...
around a colonnaded
courtyard” ~ Jan Morris
27. SOCIO-CULTURAL
• Beginning of a significant epoch initiating the socio-
cultural and scientific achievements of the country.
•
Beginning of modernity and end of medieval era
46. STYLE
• Indo Saracenic Revival
Architecture -
Architectural style movement
by British architects in the
late 19th century in British
India. It drew elements from
native Indo-
Islamic and Indian
architecture, and combined it
with the Gothic
revival and neo-classical
styles favoured in Victorian
Britain.
47. FEATURES • onion (bulbous) domes
• overhanging eaves
• pointed arches,
cusped arches, or
scalloped arches
• Colonnaded area on
both sides
• Domed kiosks and
many miniature domes
• domed chhatris
• pinnacles
• towers or minarets
• Use of Makrana marble
50. GARDEN
• Total area of 64 acre with the building covering an area of 338sq.Ft by 228 sq.Ft.
• On way to the north gate is a bronze statue of Queen Victoria by Sir George
Frampton.The Queen is seated on her throne, wearing the robes of the Star of
India.
• Approaching the building from the south, visitors pass the King Edward VII
memorial arch with a bronze equestrian statue of the King by Sir Bertram
Mackennal surmounting it and a marble statue of Lord Curzon by F.W. Pomeroy,
R.A.
• There are also other statues of various dignitaries like Lord Bentinck, Governor-
General of India (1828-1835), Lord Ripon (Governor- General of India from 1880
to 1884; the statue of Sir Rajendranath Mookerjee, the pioneer industrialist of
Bengal is on the eastern side.
53. WHY?
• Sense of “rightful self-glorification”, which came to appeal to the
aesthetic sensibilities of continental Europeans and Americans, whose
architects came to astutely incorporate telling indigenous
“Asian exoticism" elements, whilst implementing their own engineering
innovations supporting such elaborate construction, both in India and
abroad, evidence for which can be found to this day in public, private and
government owned buildings.
• Public and government buildings were often rendered on an intentionally
grand scale, reflecting and promoting a notion of an unassailable and
invincible British empire.
60. ‘…Not only The handsomest town in Asia
but one of the finest in the world.”
L. de Grandpré, French visitor in A Voyage
in the Indian Ocean and to Bengal, 1803.
Editor's Notes
The plan comprises a central core with four radiating wings.
The state rooms located in the central core are accessed from the outside by a flight of grand steps on the north.
On the south is another portico surmounted by a colonnaded verandah with a dome above.
The four wings accommodate the various offices and residential quarters along with four sets of staircases. The plan of the wings allows for a great deal of natural ventilation in the spaces while also permitting views across the gardens.
The entire compound is surrounded by a balustraded wall with a grand arched gateways.