Architecture can be traced in history since the beginning of civilization. It is an ancient discipline
and the results of its thinking and endeavor provide us with some of the most lasting examples of
our culture. Our monuments, cities, and village speak of our culture over the longest span of
time. Yet, the representation of architecture and its role in our society has not flowered. To
bridge this gap in understating between the profession and society, a National Museum of
Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
1.Anthropometry
a. Furniture for students
b. Work space required for students
c. Work space required for lecturer
d. Furniture for handicapped students
e. Optimum view angles
a.
c. University of jodhpur(reference)
LECTURE HALLS
a. Courtyard
b. Storage
c. Projection rooms
d. Elevated center court of lecture theaters
e. Lecture theaters outdoor steps
f. Ramp that is leading to lecture halls
g. Isometric view of lecture theaters
2.LECTURE HALLS
Design factors
b. basic considerations
c. IDEAL LOCATION FOR LECTURE ROOM
3.CLIMATE RESPONSIVE DESIGN STRATEGIES FOR
WARM AND HUMID
Form and Planning
a. Design recommendations for warm and humid
b.
c. Building orientation
d. Building structure
e. Roof design
f. Windows and ventilation
g. Shading devices
h. Courtyard option
4.CLIMATE RESPONSIVE DEISGN STRATEGIES FOR
HOT AND HUMID
a. Thermal comforts in building
b. Building design strategies
6. TYPES OF SITTING ARRANGEMENT
a. Straight rows
b. Angled rows
c. U shaped rows
d. Curved rows
e. Groups tables or pairs
f. Seating arrangement
7. TYPES OF LECTURE ROOM LAYOUTS
THROUGH CASE STUDIES
a. IIM Ahmedabad
b. IIM Bangalore
c. IIT BombayCONTENT
10. SEATING ARRANGEMENT IN LECTURE HALLS
a. Details of seating arrangement
b. References of seating arrangement
c. Inferences of seating arrangement
11.FACILITIES FOR PROJECTION AND TELEVISION
a. basic considerations
b. Types of projection systems
c. Some general rules
d. Overhead projection
e. Space for rear projection
f. Shape of viewing area
g. Planning the projection system
h. References
I .Inference
8. SHAPES OF CLUSTER ROOM + CLUSTER LAYOUT
PATTERN
9. CONCEPT PLANNING FOR CAMPUS
Size
a. Humans needs
b. Zonal pattern
c. Molecular pattern
d. Linear pattern
e. Homogeneous patterns
f. Heterogeneous pattern
12. SPACE AND FURNISHINGS FOR THE LECTURE:
( TEACHING SPACES)
a. Instructor workstation in a lecture hall
b. Sizes and standards required
13. DESIGN REQUIREMENTS
a. The use of wall space
. Windows
. Window selection requirements
. Observation windows
. Glazing
. doors
. Door function
. Glazing
14. ACOUSTICS AND LIGHTING
a. Lightening
b. Types of lighting used
c. References
d. Inferences
e. Acoustics introduced
f. Types and properties for good acoustics
g. Design features
h. Noise level
i. Noise emittance
j. Room acoustics and material used for acoustics
k. Finishing's usedCONTENT
15. HEATING AND AIR CONDITIONING
a. HVAC system
b. Indoor air conditions
c. Outdoor air conditions
d. To increase energy efficiency and reduce
noise levels
e. To provide uniform airflow at the inlet to the
diffuser
16. AESTHATIC CONSIDERATIONS
a. Surface treatments and colors
Architecture can be traced in history since the beginning of civilization. It is an ancient discipline
and the results of its thinking and endeavor provide us with some of the most lasting examples of
our culture. Our monuments, cities, and village speak of our culture over the longest span of
time. Yet, the representation of architecture and its role in our society has not flowered. To
bridge this gap in understating between the profession and society, a National Museum of
Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
The Museum possesses the largest collection of the world famous Gandhara Sculptures after Lahore. There is also a well appointed library in the Museum, which meets the needs of the scholars and students through its stock of 4600 books and references of arts and allied subjects.
1.Anthropometry
a. Furniture for students
b. Work space required for students
c. Work space required for lecturer
d. Furniture for handicapped students
e. Optimum view angles
a.
c. University of jodhpur(reference)
LECTURE HALLS
a. Courtyard
b. Storage
c. Projection rooms
d. Elevated center court of lecture theaters
e. Lecture theaters outdoor steps
f. Ramp that is leading to lecture halls
g. Isometric view of lecture theaters
2.LECTURE HALLS
Design factors
b. basic considerations
c. IDEAL LOCATION FOR LECTURE ROOM
3.CLIMATE RESPONSIVE DESIGN STRATEGIES FOR
WARM AND HUMID
Form and Planning
a. Design recommendations for warm and humid
b.
c. Building orientation
d. Building structure
e. Roof design
f. Windows and ventilation
g. Shading devices
h. Courtyard option
4.CLIMATE RESPONSIVE DEISGN STRATEGIES FOR
HOT AND HUMID
a. Thermal comforts in building
b. Building design strategies
6. TYPES OF SITTING ARRANGEMENT
a. Straight rows
b. Angled rows
c. U shaped rows
d. Curved rows
e. Groups tables or pairs
f. Seating arrangement
7. TYPES OF LECTURE ROOM LAYOUTS
THROUGH CASE STUDIES
a. IIM Ahmedabad
b. IIM Bangalore
c. IIT BombayCONTENT
10. SEATING ARRANGEMENT IN LECTURE HALLS
a. Details of seating arrangement
b. References of seating arrangement
c. Inferences of seating arrangement
11.FACILITIES FOR PROJECTION AND TELEVISION
a. basic considerations
b. Types of projection systems
c. Some general rules
d. Overhead projection
e. Space for rear projection
f. Shape of viewing area
g. Planning the projection system
h. References
I .Inference
8. SHAPES OF CLUSTER ROOM + CLUSTER LAYOUT
PATTERN
9. CONCEPT PLANNING FOR CAMPUS
Size
a. Humans needs
b. Zonal pattern
c. Molecular pattern
d. Linear pattern
e. Homogeneous patterns
f. Heterogeneous pattern
12. SPACE AND FURNISHINGS FOR THE LECTURE:
( TEACHING SPACES)
a. Instructor workstation in a lecture hall
b. Sizes and standards required
13. DESIGN REQUIREMENTS
a. The use of wall space
. Windows
. Window selection requirements
. Observation windows
. Glazing
. doors
. Door function
. Glazing
14. ACOUSTICS AND LIGHTING
a. Lightening
b. Types of lighting used
c. References
d. Inferences
e. Acoustics introduced
f. Types and properties for good acoustics
g. Design features
h. Noise level
i. Noise emittance
j. Room acoustics and material used for acoustics
k. Finishing's usedCONTENT
15. HEATING AND AIR CONDITIONING
a. HVAC system
b. Indoor air conditions
c. Outdoor air conditions
d. To increase energy efficiency and reduce
noise levels
e. To provide uniform airflow at the inlet to the
diffuser
16. AESTHATIC CONSIDERATIONS
a. Surface treatments and colors
Data collection - Climate Analysis - Tropical Wet and Dry Climate - Architect...LipikaPandey
CLIMATE ANALYSIS
TROPICAL WET AND DRY CLIMATE
HOT AND HUMID
HOT AND DRY
DESIGN STRATEGIES
ORIENTATION AND POSITIONING
SHADING DEVICES
VENTILATION AND CROSS VENTILATION
PASSIVE COOLING TECHNIQUES
COLOR SCHEME
ENERGY EFFICIENT TECHNIQUES
CONSTRUCTION TECHNIQUES AND MATERIALS TO BE USED - ROOF, WALL, WINDOWS
report of dance, drama and music academy and auditoriumShourya Puri
case study of triveni kala sangam and kala kendra, goa.
site analysis of gurugram
literature study of dance, drama and music studio and auditorium
about gurugram
Best Architecture is synthesis of several elements like space, structure, services, and materials. The character of a space can be enhanced through the relationship of the spaces. The feel of authenticity of a space is maintained through the perfect blend of mass, colour, lighting.
A structure build in the memory of great social reformer from Western Maharashtra, India,Mr. Rajaram Bapu Patil follows the principles of aesthetic and functional design
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
12.11.2.22 -sensory experience in architecture-dissertation.pptxSHALININIVETHAD
THIS PPT IS ABOUT THE SENSORY EXPERIENCE FROM MUNDAE ENVIRONMENT TO THE HEALING SPACE ( SELECTED ONLY RELIGIOUS SPACES AS THEY HAVE ALL THE PARAMATERES WHICH IS LISTED BY THE ROGER ULRICH
THE PARAMETERES DIFFERS ACCORDING WITH THE TRANSITION SPACE
THE HEALING OF SPACES IS STRONGER ALONG WITH THE EVERY SINGLE TRANSITION IN SPACE
The Kanchanjunga Apartments, designed by Charles Correa, are a direct response to the present culture, the escalating urbanization, and the climatic conditions for the region. They pay homage to the vernacular architecture that once stood on the site before the development in a number of ways. More on Kanchanjunga Apartments after the break.
Data collection - Climate Analysis - Tropical Wet and Dry Climate - Architect...LipikaPandey
CLIMATE ANALYSIS
TROPICAL WET AND DRY CLIMATE
HOT AND HUMID
HOT AND DRY
DESIGN STRATEGIES
ORIENTATION AND POSITIONING
SHADING DEVICES
VENTILATION AND CROSS VENTILATION
PASSIVE COOLING TECHNIQUES
COLOR SCHEME
ENERGY EFFICIENT TECHNIQUES
CONSTRUCTION TECHNIQUES AND MATERIALS TO BE USED - ROOF, WALL, WINDOWS
report of dance, drama and music academy and auditoriumShourya Puri
case study of triveni kala sangam and kala kendra, goa.
site analysis of gurugram
literature study of dance, drama and music studio and auditorium
about gurugram
Best Architecture is synthesis of several elements like space, structure, services, and materials. The character of a space can be enhanced through the relationship of the spaces. The feel of authenticity of a space is maintained through the perfect blend of mass, colour, lighting.
A structure build in the memory of great social reformer from Western Maharashtra, India,Mr. Rajaram Bapu Patil follows the principles of aesthetic and functional design
Sanskar Kendra casestudy, ahmedabad, india casestudymanoj chauhan
Sanskar Kendra is a museum at Ahmedabad, India, designed by the architect Le Corbusier. It is a city museum depicting history, art, culture and architecture of Ahmedabad. Another Patang Kite Museum is there which includes a collection of kites, photographs, and other artifacts.
Address: Bhagtacharya Road, Near Sardar Patel, Bridge, Paldi, Ahmedabad, Gujarat 380006
Opened: 1956
Owner: Amdavad Municipal Corporation
Function: Museum
Architect: Le Corbusier
12.11.2.22 -sensory experience in architecture-dissertation.pptxSHALININIVETHAD
THIS PPT IS ABOUT THE SENSORY EXPERIENCE FROM MUNDAE ENVIRONMENT TO THE HEALING SPACE ( SELECTED ONLY RELIGIOUS SPACES AS THEY HAVE ALL THE PARAMATERES WHICH IS LISTED BY THE ROGER ULRICH
THE PARAMETERES DIFFERS ACCORDING WITH THE TRANSITION SPACE
THE HEALING OF SPACES IS STRONGER ALONG WITH THE EVERY SINGLE TRANSITION IN SPACE
The Kanchanjunga Apartments, designed by Charles Correa, are a direct response to the present culture, the escalating urbanization, and the climatic conditions for the region. They pay homage to the vernacular architecture that once stood on the site before the development in a number of ways. More on Kanchanjunga Apartments after the break.
History of Town Planning_Building and Town PlanningA Makwana
The term town planning is used to indicate the arrangement of various components of a town in such a way that the town as such attains the significance of a living organism.
Philip johnson- history of architectureSelf employed
ACCORDING TO PHILIP JOHNSON ‘CRUTCHES’ BY WHICH ARCHITECTS EVADE THEIR REAL RESPONSIBILITIES ARE:
HISTORY - JUSTIFYING ELEMENTS WHICH ARE EARLIER USED.
UTILITY - IF UTILITY OF A BUILDING OVERCOMES ARTISTIC INVENTIONS ,THEN IT IS MERELY AN ASSEMBLAGE OF USEFUL PARTS.
DESIGN ACCORDING TO HIS BELIEF – “ TO GO AGAINST THE GRAIN”
DECONSTRUCTIVIST ARCHITECTURE – “ HE PRESENTED DESIGN ISSUE IN STRICTLY STYLISTIC TERMS.”
Visual Style and Aesthetics: Basics of Visual Design
Visual Design for Enterprise Applications
Range of Visual Styles.
Mobile Interfaces:
Challenges and Opportunities of Mobile Design
Approach to Mobile Design
Patterns
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Maximize Your Content with Beautiful Assets : Content & Asset for Landing Page pmgdscunsri
Figma is a cloud-based design tool widely used by designers for prototyping, UI/UX design, and real-time collaboration. With features such as precision pen tools, grid system, and reusable components, Figma makes it easy for teams to work together on design projects. Its flexibility and accessibility make Figma a top choice in the digital age.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
Technoblade The Legacy of a Minecraft Legend.Techno Merch
Technoblade, born Alex on June 1, 1999, was a legendary Minecraft YouTuber known for his sharp wit and exceptional PvP skills. Starting his channel in 2013, he gained nearly 11 million subscribers. His private battle with metastatic sarcoma ended in June 2022, but his enduring legacy continues to inspire millions.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Book Formatting: Quality Control Checks for Designers
Post librelization arch
1. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST
LIBERALIZATION ARCHITECTURE
IN INDIA
HISTORY OF ARCHITECTURE-IV
2. HISTORY OF ARCHITECTURE-IV
NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
INTRODUCTION OF POST
LIBERALIZATION ARCHITECTURE :-
INDIAN ARCHITECTS BEFORE INDEPENDENCE WERE WORKING UNDER THE
BRITISH ARCHITECTS. AFTER THE BRITISH LEFT INDIA IN 1947, INDIAN
ARCHITECTURE WAS IN CHAOS.PERHAPS, THERE WAS AN IDENTITY
CRISIS, A DILEMMA WHETHER TO ADHERE TO HISTORICAL PRECEDENTSOR
MOVE FORWARD WITH TIMES USING NEW IDEAS, IMAGES AND
TECHNIQUES. WHILE IN OTHER FIELDS LIKE ART, MUSIC AND CULTURE,
THE DISTINCT INDIAN IMPRINT WAS MORE ENHANCED IN THE POST-
INDEPENDENCE PERIOD; NO SUCH THING WAS DISCERNIBLE IN THE CASE
OF ARCHITECTURE. JAWAHAR LAL NEHRU THE FIRST PRIME MINISTER OF
INDIA, HAD CALLED FOR AN OPEN ARCHITECTURAL COMPETITION FOR THE
DESIGN OF ASHOKA HOTEL IN 1956, WHICH WAS WON BY B.E. DOCTOR,
AN ARCHITECT FROM BOMBAY. USING TECHNOLOGY TO CREATE LARGE
PILLAR – LESS SPACES, DOCTOR CREATED FAÇADE THAT BORROWED
FROM ISLAMIC, HINDU, BRITISH AND MODERN ARCHITECTURE.HE INVITED
LE CORBUSIER TO DESIGN THE CAPITAL OF THE STATE PUNJAB,
CHANDIGARH. LE CORBUSIER DESIGNED THE LEGISLATIVE ASSEMBLY,
SECRETARIAT AND HIGH COURT.
CHANDIGARH BECAME A POWERFUL SYMBOL OF NEW INDIA AND INSPIRED
THE ARCHITECTS AND THE PUBLIC FOR A FORWARD LOOKING MODERN
ARCHITECTURE IN THE POST-INDEPENDENCE PERIOD.
ARCHITECTURAL HISTORY OF
INDIA:-
INDIA HAD A GLORIOUS HISTORY IN TERMS OF ITS RICH ART AND
ARCHITECTURE, STARTING FROM 3000 B.C.DURING THE BRITISH PERIOD
FROM 1615- 1947, THE MAJOR CITIES OF DELHI, CALCUTTA, MUMBAI
AND CHENNAI WERE HIGHLIGHTED WITH RICH COLONIAL STYLES OF INDO-
SARCENIC ARCHITECTURE. AFTER INDEPENDENCE, THERE WAS A BOOM
OF BUILDING ACTIVITIES AND THERE WERE CONFUSIONS AND DEBATES
ON THE STYLE OF ARCHITECTURE TO BE FOLLOWED– MODERNISM OR
HISTORICISM. DIFFERENT STYLES OF MODERNISM EVOLVED RAISING THE
QUESTION OF IDENTITYIN POST INDEPENDENT ARCHITECTURE.
THE INDUS VALLEY
CIVILIZATION
3000-1700 BC
THE INDUS VALLEY CIVILIZATION DATES TO 3000-1700 BC WITH TOWNS OF
MOHENJODAROAND HARAPPA WITH A GOOD TOWN PLANNING SYSTEM AND AN
ELABORATE DRAINAGE SYSTEM (BRICK LINED DRAINAGE ON ALL THE STREET SIDES).
POST MAHAJANPADA
PERIOD
600-200 AD
THIS PERIOD ARCHITECTURE RANGES FROM BUDDHIST STUPA, VIHARAS,
TEMPLES (BRICK AND WOOD), ROCK CUT ARCHITECTURE, AJANTA AND
ELLORA, STEP WELLS, ETC
MIDDLE AGES 200-1500 AD
THE MIDDLE AGES ARCHITECTURE SPEAKS OF SCULPTURED TEMPLES BOTH
SOUTH INDIA TEMPLES AND NORTH INDIA TEMPLES. THE SOUTH INDIA
TEMPLESHAD A SQUARE CHAMBERED SANCTUARY TOPPED BY A THREE SPIRE
WITH AN ATTACHED PILLARED MANDAPA AS INBRIHADESWARA TEMPLE, WHILE
THE NORTH INDIA TEMPLES HAD ELABORATED SPIRES, BEAUTIFUL
SCULPTURES, DELICATE CARVINGS, GOPURAMS AND COURTYARDS AS IN
KAILASA TEMPLE, KHAJURAHO TEMPLE, KONARK TEMPLE
MUGHAL ARCHITECTURE 1500-1615 AD
THE MUGHAL ARCHITECTURE HIGHLIGHTS THE MUGHAL TOMBS OF
SANDSTONE AND MARBLE WHICH RECIPROCATE THE PERSIAN INFLUENCE AS IN
RED FORT, FATEHPURSIKRI, TAJ MAHAL, ETC
COLONIALISIM- INDO
SARCENIC
ARCHITECTURE
1615-1974 AD
INDO-SARCENIC ARCHITECTURE CHARACTERIZES ALL INSTITUTIONAL
BUILDINGS BUILT IN THIS PERIOD.DOMES, OVERHANGING EAVES, POINTED OR
CUSPED ARCHES, VAULTED ROOFS, DOMED CHATTRIS WITH FINIALS, TOWERS
OR MINARETS, HAREM WINDOWS, OPEN ARCADING, ETC. SIR EDWIN LUTYENS,
BRITISH ARCHITECT DESIGNED THE PARLIAMENT, SECRETARIAT, AND THE
WHOLE CAPITAL OF NEW DELHI. THESE BUILDINGSDRAW ELEMENTS FROM
NATIVE INDO-ISLAMIC AND INDIAN ARCHITECTURE AND COMBINED IT WITH THE
GOTHIC REVIVAL AND NEO-CLASSICAL STYLES FAVOURED IN VICTORIAN
BRITAIN.LAVISH COLONNADES, RECTANGULAR WINDOWS, PEDIMENTS FOR
WINDOWS, CLASSICAL PORTICO, RUSTIFICATION ON THE PLASTER, WERE SOME
CHARACTERS
3. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
HISTORY OF ARCHITECTURE-IV
ARCHITECTS AND THEIR STRUCTURES :-
AR. LE CORBUSIER
INDIAN ARCHITECTURE WITNESSED A REVOLUTION WHEN THE
PUNJAB GOVERNMENT ENGAGED LE CORBUSIER TO DESIGN
THE NEW CITY OF CHANDIGARH. BUILT IN THREE STAGES,
CORBUSIER DIVIDED THE CITY INTO THREE SECTIONS. THE
‘HEAD’ CONSISTED OF POLITICAL, BUREAUCRATIC AND
JUDICIAL RESIDENTIAL COMPLEXES IN THE HEART OF THE
CITY. THE ‘BODY’ HOUSED THE UNIVERSITY AND THE
RESIDENTIAL COMPLEXES IN THE HEART OF THE CITY. THE
'FEET' CONSISTED OF INDUSTRIAL SECTORS AND THE
RAILWAY STATION. APART FROM THE INITIAL LAYOUT OF THE
CITY, CORBUSIER ALSO DESIGNED SEVERAL BUILDINGS IN
CHANDIGARH. THE HIGH COURT BUILDING HAS A SLOPING
ROOF, SUPPORTED BY CONCRETE WALLS, WHICH ALLOW AIR
TO PASS THROUGH THEM. THE ASSEMBLY IS A SQUARISH
STRUCTURE TOPPED WITH A HUGE INDUSTRIAL CHIMNEY
WHILE THE SECRETARIAT IS MADE UP OF HUNDREDS OF
ROOMS WITH AN AIRY EXTERIOR.
AR. RAJ REWAL
THE ASIAN VILLAGE IN NEW DELHI, DESIGNED BY RAJ REWELL
AND BUILT AS A COLOSSAL COMPLEX WITH MORE THAN 800
RESIDENTIAL UNITS, LANDSCAPED COURTS, STREETS,
RESTAURANTS AND SHOPS, ALL CATERING TO SPORTS
PERSONS WHO HAD ASSEMBLED FOR 1982 ASIAN GAMES,
IS ONE OF THE ARCHITECTURAL LANDMARKS OF MODERN
INDIA.
AR. B. V. DOSHI
TAKING INSPIRATION FROM LE CORBUSIER'S CREATIVITY, A
YOUNG INDIAN ARCHITECT B V DOSHI DESIGNED THE
INSTITUTE OF INDOIOGY IN AHMEDABAD. DOSHI'S
CONTEMPORARY, DESIGNED THE HINDUSTAN LEVER
PAVILION FOR THE INDIA INTERNATIONAL TRADE FAIR IN
1961. THE PAVILION WAS AN EXPOSED CONCRETE
STRUCTURE RESEMBLING A CRUMPLED PACKING CASE
MADE OF CONCRETE WITH A ZIGZAG RAMP TO WALK
ALONG.
AR. CHARLES CORREA
CORREA ALSO DESIGNED THE GANDHI SANGHRALAYA IN
AHMEDABAD AS A TRIBUTE TO MAHATMA GANDHI.
CHARLEAS CORREA ALSO DESIGNED LIC BHAVAN
DELHI.AND MANY MORE PROJECTS.
4. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
HISTORY OF ARCHITECTURE-IV
CASE STUDY:- HIGH COURT CHANDIGARH
LOCATION:- CHANDIGARH, PUNJAB, INDIA
ARCHITECT:- LE CORBUSIER
OPENED:- 15 AUG 1956
TYPOLOGY:- GOVERNMENT BUILDING
FUNCTION:- THE HIGH COURT WAS THE FIRST STRUCTURE TO
BE BUILT IN CAPITOL COMPLEX. CORBUSIER ENVISAGED THE
BUILDING AS VAULTED STRUCTURE, MONOUMENTAL IN SCALE
SET AGAINST THE BACKDROP OF SHIVALIK HILLS.
PLANNING
• THE BUILDING HAS AN I SHAPED PLAN AND EIGHT DOUBLE HIGHT
COURTRROMS ANDD A TRIPPPLE HEIGHT COURT ON THE GROUND
FLOOR WITH OFFICES ABOVE EACH COURT.
• THE COURTROOMS ARE IDENTICALLY EXPRESSED ON THE MAIN
FAÇADE AND ARE SEPERATED FROM THE HIH COURT BY A GREAT
ENTRANCE PORTICO.
• IT CONTAIS A ROW OF EIGHT COURT ROOMS ON GROUND FLOOR
LEVEL AND A MAIN COURTROOM SEPERATED FROM THE OTHERS BY A
LARGE ENTRANCE HALL. A RESTAURANT, ALIBRARY AND OTHER SIDE
ROOMS ARE ACCOMMODATED IN REAR, LOWER PART OF THE
BUILDING.
• THE SIGNIFICANCE OF THE HIGH COURT IS UNDERSCORED BY ITS
ISOLATION FROM THE REST BY A GIANT MENT FORLAWYERS AND
JUDGES.
• EACH COURTROOM IS INDIVIDUALLY ASSESSABLE TO THE PUBLIC
FROM OUTSIDE.
• ON THE SOUTH EASTERN SIDE IS A PUBLICENTRANCE AND A CAR PAR
AT A LOWER LEVEL.
• IN CONTRAST WITH THE DEEP WALLS THERE IS A BARRIER : THE RAMP
AS A TRANSVERSE PEDESTRIAN ACCESS ELEMENT IT IS A DIVIDING
ELEMENT WITHIN THE DEPTHS OF SPACE, REFERRING FUNCTIONALL IT
TO ACCESS LEVEL OF COURTROOMS AND FINALLY IT IS SIMPLY A
FREE STANDING SCULPTURE.
• THE CONTINUITY OF THE SURFACE OF THE ESPLANDED WITH THE
ENTRANCE PORTICO ON NORTH WESTERN SIDE SUSTAINS THE UNITY
OF THE EXTERNAL AND INTERNAL SPACES.
• THE FLOOR OF THE ENTRANCE AREA IS FINISHED WITH STONE WHICH
IS SET IN ROWS OF VARYING WIDTHS.
5. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
HISTORY OF ARCHITECTURE-IV
ELEVATION
• AN EMPHATIC COLOR SCHEME HAS BEEN USED TO ENHANCE
VISUAL DELIGHT OF THE BUILDING ACROSS THE PLAZA THREE
PYLONS OF PORTICO RISING 18.3M FROM GROUND EXPRESS
THE MAJESTY OF LOW. THEY ARE CEMENTED RENDERED AND
PAINTED GREEN YELLOW AND PINKISH RED RESPECTIVELY.
• THE FLANKING WALLS ARE PAINTED BLACK. THE PREDOMINANT
CHARACTER OF THE BUILDING IS CREATED BY A DOUBLE EFFECT
THE FIRST INPRESSION IS OF A DOMINANT BOX FRAME,
ESTABLISHING A RECTANGULAR BLOCK AS A FIGURE.
• THE SPACE BETWEEN THE TWO ROOFS IS LEFT OPEN TO ENABLE
CURRENTS OF AIR TO MOVE BETWEEN THE FLAT ROOF OF THE
OFFICE BLOCK AND THE UNDERSIDE OF THE PARASOL ROOF
WITH SLOPES TOWARDS THE CENTRE IN THE FORM OF A ROW
OF ARCHES.
• THE BUILDING RISES DIRECTLY FROM THE EARTH, THE MAIN
FAÇADE DEFINED BY FULL HEIGHT CONCRETE BRISE SOLEIL AND
THE ARCH FORMS RESTRICTED TO THE UNDERSIDE OF THE
PARASOL ROOF.
• THE PARASOL ROOF WHICH SLOPES TOWARDS THE CENTRE
PROVIDES A TROUGH FROM WHICH RAIN WATER GUSHES OUT
THROUGH HEAVY SPOUTS AT EITHER ENDS. THE SPACE
BETWEEN UPPER AND LOWER ROOFS IS LEFT OPEN TO ALLOW
FREE MOVEMENT OF AIR, COOLING THE INTERIORS
CONSIDERABLY.
• THE ORIENTATION OF THE HIGH COURT IS SUCH THAT THE MAIN
FAÇADE FACES NORTHWEST, AND THUS DOES NOT RECEIVE
DIRECTSUNLIGHT UNTIL LATE IN THE DAY, LONG AFTER THE
HOURS DURING WHICH THE COURT IS NORMALLY IN SESSION.
THE LIGHT WHICH ENTERS THE COURT ROOMS DURING THE
MORNING AND EARLY AFTERNOON IS ESSENTIALLY REFLECTED
GLARE WHICH IS DIFFUSED BY SUN BRAKERS AND ALSO BY
CURTAINS WITHIN THE CHAMBER.
6. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
HISTORY OF ARCHITECTURE-IV
INTERIOR
• BECAUSE THE EXPOSED CONCRETE SURFACE INSIDE THE COURT
ROOMS PRODUCED A PROBLEM IN ACOUSTICS, IT WAS FOUND
NECESSECARY TO INTRODUCE A SOUND ABSORPTIVE SURFACE
AND THE SOLUTION WAS THE CREATION OF A SERIES OF A
LARGE TAPESTRIES TO COVER THE INTERIOR WALSS BEHIND THE
JUDGE BENCHS.
• ON THE OTHER HAND, A TAPESTRY IS LIKE A WALL MADE OF
WOOL WHICH CAN BE REMOVED, ROLLED TOGETHER, AND
TAKEN AWAY TO BE HUNG ON ANOTHER WALL THAT’S WHY
CALLED THEM “MURALNOMAD”.
• THE TAPESTRIES ALSO SERVED THE PURPOSE OF
SATISFACTORY ACOUSTICS. IT WAS A GOOD OCCASION TO
BLEND THE ARCHITECTURE OF ARMED CONCRETE (A SOUNDING
MATERIAL) WITH THE CRAFT OF WOOL( A SUBSTANCE THAT
ABSORB SOUND).
• THOUGH THESE TAPESTRIES WERE CREATED FOR ACOUSTIC
REFINING, YET THEY ENHANCE THE QUALITY OF SPACES WITH
THEIR POLYCHROME TONES AND THE INTELLECTUAL PRESENCE
AND POETRY OF CERTAIN SYMBOLS.
LIGHTING
• THE MAIN FAÇADE OF THE HIGH COURT IS ORIENTED TOWARDS
NORTH WEST, IT THEREFORE DOES NOT RECEIVE DIRECT SUNLIGHT
UNTIL LATE IN DAY. LONG AFTER THE HOURS DURING WHICH THE HIGH
COURT IS NORMALLY IN SESSION.
• THE LIGHT WHICH ENTERS THE COURT ROOMS DURING THE MORNING
AND EARLY AFTERNOON IS ESSENTIALLY REFLECTED GLARE WHICH IS
DIFFUSED BY SUN BRAKERS AND ALSO BY CURTAINS WITHIN THE
CHAMBER.
• MOREVER BECAUSE OF THE OPEN CHARACTER OF THE STAIRWAYS
RAMPS AND CORRIDORS: PEOPLES CANNO MOVE AROUND THE
BUILDING DURING THE RAINY SEASONS WITHOUT GETTING
DRENCHED. NEVERTHLESS, IT IS A BUILDING WITH ONE OF THE MOST
BEAUTIFUL FAÇADES, WITH AN EXCEPTIONALLY INVITING AND
ALLURING.
GEOMETRY
• THE FOLLOWING ANALYSIS SHOWS THAT CORBUSIER DESIGNED THE
GROUND PLAN ON THE BASIS OF ORDERING PRINCIPLES THAT REFER
SYMBOLICALLY TO TRANSCENDEENTAL CONNECTIONS.
• THE INFLUENCE OF THE INSIGHTS GAINED FROM THE MODULAR
ABOUT GOLDEN SECTION AS RESULT OF LINKING SINGLE AND DOUBLE
SQUARES AS IN THE SITE PLAN.
• THE ENTRANCE HALL TO THE HIGH COURT CONSIST OF DOUBLE
SQUARE OF A DEFINED SIZE. THIS IS THE DETERMININNG INITIAL
FIGURE FOR THE ANALYSIS OF GEOMETRY AND SCALE.
7. NAME:- ABHISHEK DATTATRAY MOHALKAR
CLASS:- S. Y B.ARCH ROLL NO:- 2019109
YEAR:-2020-21 TERM:- IV
POST LIBERALIZATION ARCHITECTURE
HISTORY OF ARCHITECTURE-IV
PHOTOGRAPHS
REFRENCES
www.highcourtpunjab/architecture.com
www.archdaily.com
www.slideshare.net
www.jetir.com