Skip to main content
UploadLanguage (EN)Support
BusinessMobileSocial MediaMarketingTechnologyArt & PhotosCareerDesignEducationPresentations & Public SpeakingGovernment & NonprofitHealthcareInternetLawLeadership & ManagementAutomotiveEngineeringSoftwareRecruiting & HRRetailSalesServicesScienceSmall Business & EntrepreneurshipFoodEnvironmentEconomy & FinanceData & AnalyticsInvestor RelationsSportsSpiritualNews & PoliticsTravelSelf ImprovementReal EstateEntertainment & HumorHealth & MedicineDevices & HardwareLifestyle
Rohit Surekh, profile picture
Uploaded byRohit Surekh
PPTX, PDF48,822 views

Development of colonial architecture in india

The document describes the evolution of colonial architecture in India from the British, Portuguese, French, and Dutch colonial eras, highlighting notable buildings and their architectural styles. Key examples include St. Andrew's Kirk in Madras, the Victoria Memorial in Calcutta, and the Gateway of India, showcasing a blend of local and colonial influences. Additionally, it details the influences of Portuguese and Dutch architecture, particularly in Goa and Kerala, emphasizing the fusion of cultural elements in the region's architectural heritage.

Education◦
Downloaded 3,075 times
Development of Colonial architecture in India
British Colonial Era: 1615 to 1947
The British arrival in 1615 overthrew the Mughal empire. Britain reigned India for over three hundred years and their legacy still remains through building and infrastructure that populate their former colonies. The major cities colonized during this period were Madras, Calcutta, Bombay, Delhi, Agra, Bankipore(Patna),Karachi, Nagpur, Bhopal and Hyderabad. St Andrews Kirk, Madras 1. It is renowned for its colonial beauty. The building is circular in form and is sided by two rectangular sections one is the entrance porch. 2. The entrance is lined with twelve colonnades and two British lions and motto of East India Company engraved on them. 3. The interior holds sixteen columns and the dome is painted blue with decorated with gold stars
The Victoria Memorial ,Calcutta It is the most effective symbolism of British Empire, built as a monument in tribute to Queen Victoria’s reign. The plan of the building consists of one large central part covered with a larger dome. Colonnades separate the two chambers. Each corner holds a smaller dome and is floored with marble plinth.
The memorial stands on 26 hectares of garden surrounded by reflective pools
Chhatrapati Shivaji Terminus,Mumbai The station building is designed in the High Victorian Gothic style of architecture. The building exhibits a fusion of influences from Victorian Italianate Gothic Revival architecture and traditional Indian architecture. The skyline, turrets, pointed arches, and eccentric ground plan are close to traditional Indian palace architecture The centrally domed office structure has a 330 feet long platform connected to a 1,200 feet long train shed, and its outline provides the skeleton plan for building. VT's dome of dovetailed ribs, built without centring, was considered as a novel achievement of the era.
The interior of the building was conceived as a series of large rooms with high ceilings The columns of the entrance gates are crowned by figures of a lion (representing Great Britain) and a tiger (representing India). The main structure is built from a blend of India sandstone and limestone, while high-quality Italian marble was used for the key decorative elements. The main interiors are also decorated with Italian marble and polished Indian blue stone. The stone arches are covered with carved foliage and grotesques. Internally, the ceiling of the booking hall was originally painted blue, gold and strong red on a ground of rich blue with gold stars. Its walls were lined with glazed tiles
Gateway of India •The architect George Wittet combined the elements of the Roman triumphal arch and the 16th-century architecture of Gujarat Its design is a combination of Hindu and Muslim architectural styles; •The arch is of Muslim style while the decorations are of Hindu style. • T he gateway is built from yellow basalt and reinforced concrete. •The stone was locally obtained, and the perforated screens were brought from Gwalior. •The gateway faces out to Mumbai Harbour from the tip of Apollo Bunder.
Portuguese: 1498 to 1961
• The interior of Goan -Portuguese houses consisted of elaborate patterns created with tiles imported from Europe and a false ceiling installed of wood. • The walls are painted with bright colours contrasting to the earthy coloured furniture. • The walls were made out of mud or laterite stone and coloured with vegetable and natural dyes. • Gateposts and compound walls were craved with great detail.
• The Portuguese - Catholic houses faced the street with unique large ornamental windows opening onto verandas. • Bold colours were painted on houses constructing distinct identity, allowing the sailors to recognize their houses from sea. • The covered porches and verandas were designed for socializing contrary to the Hindu styled housing. • Front doors were lined with columns, and railings were popular in embellishment
• Portuguese dominance in Goa still remains evident. • Colonizers' missionary spirit built many magnificent cathedrals, churches, basilicas and seminaries. The Basilica of Bom Jesus (Good Jesus),Old Goa • The former capital during the Portuguese rule. The three storied Renaissance styled church was built of plaster and laterite in1605, • It holds the mortal remains of St. Francis Xavier. The interior is built in a Mosaic- Corinthian style and adorned with wood and gold leaf. • The walls embrace old painting of saints as the floor is laid with pure white marble. The ornamented entrance to the church. Interior view towards altar
Se Cathedral, Velha Goa The architecture style of the Se Cathedral is Portuguese- Manueline. The exterior is Tuscan, whereas the interior is Corinthian. •The Se Cathedral's tower houses a large bell known as the "Golden Bell" on account of its rich tone. •The main altar is dedicated to Catherine of Alexandria, and there are several old paintings on either side of it. •On the right there is a Chapel of the Cross of Miracles, where a vision of Christ is said to have appeared in 1919. • There are six main panels, on which scenes from the life of Saint Catherine are carved. There is a huge gilded reredos above the main altar.
French: 1673 to 1954
Many streets retain French names, and French-style villas are a common sight. In the French quarter, the buildings are typically colonial style with long compounds and stately walls. The Indian quarter consists of houses lined with verandas and with large doors and grills.
18th Century Tamil Building: Ananda Ranga Pillai Mansion Ground Floor Interior - Tamil style First Floor Interior - French Style Long Section Plan Among the buildings owned by Tamil noble men and traders, the house of Ananda Ranga Pillai (109 on the street that bears his name), built in 1735, is one of the oldest. Spared by the British in 1761, this is one of the most beautiful examples of a traditional Tamil house with European influence in Pondicherry. On the ground floor, in typically Indian fashion, the courtyard is surrounded by exquisitely carved wooden pillars; On the first floor, the terrace is supported by elegant masonry columns of European design. This edifice is plainly the expression of the two cultures to which the great dubash of the French governor Dupleix belonged.
The ceilings are marked by heavy wooden beams and wooden joists supporting terrace roofing made of brick-on-edge masonry in lime mortar, called argamasse in French and Madras roofing in English; the main building material for all masonry works was burnt bricks in lime mortar (the lime was made by burning sea shells from the local shore or lime stone quarried from Tutipet)
Partial street frontage ,compound wall with curved panels, grand pieced gate ,parapet with pot balusters Large courtyard with circular arched inner façade with ornate balcony . Wooden railing over wrought iron baluster Large hall,columns carring heavy wooden beams that support the roof. Semi circular arched gate with engaged columns Stucco design
Franco–Tamil houses Then, a corridor leads to the interior or central courtyard, open to the sky, called mutram, lined up by an inner veranda with country (canal) tiles of baked earth over wooden columns. Beyond, are the more private spaces like sami arai (pooja room), storeroom or bedroom and kitchen which opens in to a rear courtyard that encloses a well, toilet and bathroom. It is built on rubble foundations, with walls of flat bricks and Madras terrace roofing. It is characterized by a street veranda, called talvaram with Mangalore tiles over wooden posts and a raised platform with wooden columns and masonry benches for visitors, called tinnai.
• Exchange of architectural patterns is evident in the facades of two- storied buildings where the ground floor is usually of the Tamil type with talvaram, tinnai and carved doors, while the first floor features French influence with arched windows, plaster decoration, luted pilasters, columns with capitals, architectural motifs such as mouldings of the doors inspired by French designs, also floral designs such as acantha leaves, leading to a mix of Tamil and French styles which is the signature mark of Pondicherry heritage (balconies rest on cantilevered wooden joists). • Probably it was considered fashionable to use French features in the façades of the native buildings. However the interior structure has never been influenced by western decorative motifs and, in many cases, in the street facades, there was no compromising on the age-old functional elements of talvaram and tinnai.
Basilica of the Sacred Heart of Jesus, Pondicherry This 100 years old historical church is 50 mts. long 48 mts. wide and 18 mts. high with Latin rite cross shape in aerial view is in Gothic style. Statues of the four evangelists were erected, beneath which there are four lamp posts describing their lives and the inviting Jesus and the twelve apostles on the front facade. The church illuminated inside and out with chandeliers, focus and flood lights.
Dutch: 1605 to 1825
. The dutch building usually have a structure features massive teak beams. The upper floor is located in the front wing and can be reached with a wooded staircase. This upper storey has a wooden floor. A long open veranda runs along the length of each wing of the building.
Mattancherry Palace •The palace is a quadrangular structure built in Nālukettu style, the traditional Kerala style of architecture, with a courtyard in the middle. •In the courtyard there stands a small temple dedicated to 'Pazhayannur Bhagavati', the protective goddess of the Kochi royal family. •There are two more temples on either side of the Palace, one dedicated to Lord Krishna and the other to Lord Siva. • Certain elements of architecture, as for example the nature of its arches and the proportion of its chambers are indicative of European influence in basic Nāluketttu style. •The Dining Hall has carved wooden ornate ceiling decorated with a series of brass cups. • The palace also contains rare examples of traditional Kerala flooring, which looks like polished black marble but is actually a mixture of burned coconut shells, charcoal, lime, plant juices and egg whites
Bastion Bungalow •Bastion Bungalow of Kerala is a famous tourist site in the fort of Kochi. At present the Bastion Bungalow serves as the official seat of the Sub-Collector. • The structure of the Bastion Bungalow is spherical in type and has tiled roof. •The first floor verandah gives a unique view with a wooden portion in the front. •The Bastion Bungalow of the fort Kochi was the camp office and residence of RDO.
Old harbour hotel A 300 year-old building that has for long been a heritage monument of this town, now reopened as a boutique hotel. Built in the Dutch style of architecture with hints of Portuguese influences, it was the first hotel of old Cochin High ceilings, arched porticos, period furniture and works of art combine to create a tranquil oasis