Interactive Arts - Class 02
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This document provides a brief history of the development of interactive art and design. It outlines the evolution of participatory art forms like happenings and multimedia works. Key figures and their influential projects are mentioned, including Joseph Beuys' social sculpture concept from the 1960s, Allan Kaprow's happenings, and Jasia Reichardt's 1968 Cybernetic Serendipity exhibition. Early video and computer games, as well as interactive art installations from the 1990s onwards are also summarized.
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Minimalism originated in the 1960s as a reaction to abstract expressionism. It emphasizes simplicity, absence of emotion and ornamentation. Key artists include Donald Judd, Frank Stella and Agnes Martin. Minimalist architecture by designers like Tadao Ando focuses on essential materials and relationships with nature. Minimalist design applies clean lines, neutral colors and open spaces to interiors, furniture and products. Photography strives for simplicity while retaining significance, and minimalist music uses repetition and gradual transformation.
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Minimalism aims for simplicity and anonymity by focusing on basic geometric forms and industrial materials rather than the artist. Important minimalist artists include Donald Judd, Dan Flavin, and Frank Stella. Judd helped found the movement and used box structures throughout his career, believing art should not convey the artist's personal views. Flavin primarily used fluorescent lights to create pieces that allowed the lights and shadows to stand alone. Stella emphasized the flatness of the canvas in his paintings that transitioned into sculpture. Sol LeWitt regarded the process of creating conceptual works as more important than the finished product. Minimalism has influenced other art forms like literature and music that also aim to strip works down to their basic elements.
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This document provides a short history of interactive media, beginning with early concepts like cybernetics, command lines, and ELIZA. It discusses important milestones like the Xerox Star graphical user interface, the Apple Lisa personal computer, and multimedia authoring tools. It also mentions several interactive artworks and artists that pushed the boundaries of interactivity, including Gerald Van DerKaap's "BlindRom", Anti-Rom, John Maeda's "Reactive Books", David Rokeby's "Very Nervous System", and Greyworld's "The Source". The document stresses that interactive media has evolved from navigating digital archives to more participatory forms like Web 2.0, cosplay, and tactical media.
MVA Presentation 2
The document discusses urban intervention and tactical media art. It provides examples of artists who use public spaces and media to raise awareness of social and political issues. These include the Red Ball Project, which placed giant red balls in cities, and The Yes Men, who create fake news stories to draw attention to important topics. The document also discusses influential groups like the Situationists who created experimental art experiences in public settings and the rise of tactical media in the 1990s which allowed users to more easily spread messages through mainstream outlets.
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This document provides an overview of modern art movements from the 20th century including Impressionism, Expressionism, Abstractionism, Abstract Expressionism, Pop Art, Op Art, Conceptual Art, and contemporary art forms. It discusses key artists such as Monet, Van Gogh, Picasso and styles such as action painting. Impressionism focused on capturing light and color outdoors while Expressionism depicted emotions through bold colors and forms. Later movements increasingly moved towards non-representational abstractions and incorporating popular culture.
roy ascott
Roy Ascott is a pioneering British artist who worked with interactive computer art, cybernetic art, and telematic art since the 1960s. He helped establish radical new media art programs at Ealing Art College in London and other schools. Ascott has exhibited widely internationally and published over 170 academic papers on art and new media. He is the founding president of the Planetary Collegium research center and has held professorships focused on technology and art.
Week 4 Lecture, 20th Century
The document provides an overview of developments in art during the 1920s, including the emergence of Dada and Surrealist movements. Dadaists like Hannah Hoch used photomontage to critique post-WWI German society. The Bauhaus school was also founded during this time with the goal of uniting art and industry. In 1924, Andre Breton published the first Surrealist manifesto, advocating the exploration of unconscious thought and dream imagery. Surrealist techniques like automatism and found objects aimed to access the subconscious mind.
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Pop art developed in the 1950s and originated from post-impressionism, fauvism, dadaism, and abstract expressionism. It featured imagery from popular culture and mass media in an emotionally detached style using bright colors and new technologies like silkscreening. Key figures included Richard Hamilton, Andy Warhol, and Roy Lichtenstein, who are known for works depicting celebrities, brand logos, and comic strips in a pop aesthetic.
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Interactive Arts - Class 02
- 1. Class 02 – Short histories VA2440/VART2156 Very short histories of development of interactive art/design
- 2. Class 02 – Schedule Participatory art Happenings Multimedia Games Interactive art
- 3. Joseph Bueys – Social Sculpture A social organism as a work of art Every human being is an artist Artwork that takes place in the social realm, an art that requires social engagement, the participation of its audience, for its completion. A brief genealogy of social sculpture, Alan W. Moore
- 6. Allan Kaprow – How to Make a Happening Forget all the standard art forms. Don’t paint pictures. Don’t make poetry. Don’t build architecture. Don’t arrange dances. Don’t write plays. Don’t compose music. Don’t make movies, and above all don’t think you’ll get a Happening by putting all these together.
- 8. Jasia Reichardt – Cybernetic Serendipity (ICA), 1968
- 9. Jasia Reichardt – Cybernetic Serendipity (ICA), 1968
- 10. Sound Activated Mobile – Edward Ihnatowicz, 1968
- 11. Petit Mal – Simon Penny, 1993
- 12. Early video game – Tennis for Two
- 13. Early video game – Spacewar!
- 14. Early arcade game – Death Race
- 15. Desktop publication – HyperCard, 1987
- 16. Desktop publication – Macromind Director, 1988
- 17. Louvre Museum CDROM, 1995
- 18. BlindRom – Gerald Van Der Kaap, 1995 Around 1993, a Dutch photographer Gerald Van Der Kaap created a useless cdrom, the BlindRom v0.9 – The Prototype. It was packaged in the Mediamatic magazine in Amsterdam.
- 19. BlindRom – Gerald Van Der Kaap, 1995
- 20. Antirom, 1995 Antirom, an art group in London published a number of cdroms and websites that have no particular functions but challenged the conventional point and click interface in a playful manner.
- 21. Antirom, 1995
- 22. Puppet Motel – Laurie Anderson, 1995
- 23. Puppet Motel – Laurie Anderson, 1995
- 24. Aesthetics + Computation Group (MIT) – John Maeda Prof. John Maeda from the MIT Media Lab created the Reactive Books series that challenged the traditional multimedia aesthetics and treated computation as a creative platform.
- 25. Aesthetics + Computation Group (MIT) – John Maeda
- 26. Wooden Mirror – Daniel Rozin, 1999
- 27. VNS – David Rokeby, 1982
- 28. VNS – David Rokeby, 1982
- 29. ART+COM, 2002
- 30. ART+COM, 2002
- 31. Perfume, 2013
- 32. March, Grahame Weinbren, 1997 Grahame Weinbren worked on interactive cinema with storytelling.
- 33. First interactive multimedia artwork in Hong Kong Anyone knows the first interactive multimedia artwork in Hong Kong?
- 35. First interactive multimedia popular work in Hong Kong Anyone knows the first interactive multimedia work of popular culture in Hong Kong?
- 37. Art+01, Heritage Museum Opening Exhibition, Hung Keung, Bryan Chung, 2001 It was the first interactive installation in Hong Kong. We used a number of infra-red sensors to detect participants’ motion and control the play back of the 3 video displays.