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GDCV1845/GDSS1845 – Videogames and arts
Class 11
Social impacts of videogames
Class 11
Schedule
Historical account
Issues
Violence
Gender
Addiction
On the Road, Jack Kerouac, 1957
Crash, J.G. Ballard, 1973
Crash, David Cronenberg, 1996
Crash, David Cronenberg, 1996
Road Movie
Dead Race 2000 – Paul Bartel, 1975
Death Race, 1976
Death Race, 1976
Death Race, 1976
The game triggered outrage not only because it was
violent, but because it depicted violence which
questioned the state’s monopoly on legitimized violence
and did not follow culturally accepted narratives of
violence, such as military or police violence, or the
western.
The Agony and the Exidy: A History of Video Game Violence and the Legacy of Death Race
Carly A. Kocurek
Death Race, 1976
We were really unhappy with that game. We (Atari) had
an internal rule that we wouldn’t allow violence against
people. You could blow up a tank or you could blow up a
flying saucer, but you couldn’t blow up people. We felt
that that was not good form, and we adhered to that all
during my tenure.
Nolan Bushnell, Atari founder
LA Riots, 1992
Pulp Fiction, Quentin Tarantino, 1994
Natural Born Killers, Oliver Stone, 1994
Carmageddon, 1997
Grand Theft Auto, 1997-2013
Grand Theft Auto, 2003
Two teenagers – William and Joshua Buckner, 16 and
14 years old, respectively – opened fire on vehicles on
the Interstate 40 highway in Tennessee with a 0.22
calibre rifle, killing one person and injuring another
severely.
They told the police who arrested them that they were
bored, and decided to mimic their favorite videogame,
Grand Theft Auto.
The Register UK
Columbine high school, 1999
Elephant, Gus Van Sant, 2003
Call of Duty
Halo
Red Dead Redemption
Assassin’s Creed
Violence
Any legitimate violence?
Violence in videogames
Glorious Mission
News on Glorious Mission
Custer Revenge 1982
RapeLay 2006
Gender and videogames
Robbie Cooper
Robbie Cooper – Immersion
Robbie Cooper – Alter Ego
Videogames addiction
Addiction
He cuts himself off from the world, in exile from reality,
far from objective reality and the real life of the city and
the community; … it makes one lose any sense of true
reality. In the end, it is always, I think, under this charge
that the interdiction is declared. We do not object to the
user’s pleasure per se, but to a pleasure taken in an
experience without truth…
Derrida (1995)
Videogames in Hong Kong

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Class 11 - Social impacts of videogames