Indian music industry
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The recorded music industry in India began in the early 20th century with the establishment of offices of gramophone companies in major cities. While initially only classical music was recorded, the industry took off in the 1930s with the rise of "talkies" and expanded to include folk, devotional, and film music. By the late 20th century, the music industry was worth over Rs. 1000 crores annually, dominated by film soundtracks but also including regional music and the newer genre of Indi-pop made popular by artists in the 1990s and promoted through new television and digital media.
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Indian film history
Bollywood refers to the Hindi-language film industry based in Mumbai, India. It derives its name from a portmanteau of Bombay (the former name of Mumbai) and Hollywood. Bollywood is the largest film producer in India and one of the largest film industries in the world in terms of films and tickets produced and sold annually. The Indian film industry has evolved greatly from the silent films of the 1910s to become a technologically advanced, globally recognized industry producing over 1000 films annually across multiple regional languages including Hindi, Bengali, Tamil, Telugu, and others. Key events in its history include the first talkie film in 1931, the arrival of color film in the late 1930s, and the "
The indian cinema
Indian cinema has undergone massive changes since its beginnings in the silent film era of the 1910s. It started with the first cinema show in 1896 and early imports from Britain and America, before a domestic film industry grew in Bombay in the 1930s centered around musicals and dance reflecting Hindu culture. India's first full length and talking films were made in the 1910s-1920s, helping establish the industry. The 1940s-1960s were considered the Golden Age of Indian cinema marked by new techniques and parallel cinema that became hugely popular. Today the Indian film industry produces around 1000 films annually in over 16 regional languages, becoming the largest film producer globally with some films achieving success at the Oscars and international festivals.
Evolution of Indian Cinema
Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra. The silent era ended in 1931 with Ardeshir Irani's first talkie film Alam Ara. Major studios like Prabhat, Bombay Talkies and New Theatres produced socially conscious films in the 1930s. The 1950s-60s were considered the golden age of Indian cinema. Satyajit Ray's Pather Panchali in 1955 brought international acclaim. The blockbuster Mughal-e-Azam was released in 1960. The angry young man persona of Amitabh Bachchan dominated the 1970s. Regional cinema also thrived with films from Karnataka
Regional Cinema
This document summarizes the history and development of regional cinemas in India, including Hindi, Gujarati, Bhojpuri, Bengali, Tamil, Telugu, and Assamese cinemas. It discusses the first films produced in each regional language and highlights some influential films and filmmakers. It also describes the growth of these regional film industries over time from their origins to modern revivals, with many now competing globally.
Presentation on indian cinema
This document provides an introduction and overview of Indian cinema. It discusses how Indian cinema began in the late 19th/early 20th century and has since grown to become one of the largest film industries in the world. The summary highlights that Indian cinema includes multiple regional language film industries, produces over 1000 films per year, and has found markets in over 90 countries. It also notes that Indian cinema has undergone generational changes from its beginnings to the present day.
Evolution of Indian Cinema- From It's Birth to Present
This document provides an overview of the evolution of Indian cinema from its beginnings in the late 19th century to modern times. It traces the key developments, including the first films screened in India in 1896, the establishment of the first film production company in 1898, the release of the first full-length Indian feature film in 1913, the introduction of talking pictures in 1931, and the growth of regional film industries. The document also discusses important periods and movements like the Parallel Cinema of the 1950s and India's Golden Age from the late 1940s to 1960s. It profiles some of the major figures and films that shaped Indian cinema and its global impact over time.
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The document provides a history of Indian cinema, beginning with its origins in 1913 with Dadasaheb Phalke's Raja Harishchandra, the first full-length motion picture in India. It describes the golden era from 1944-1960s which produced many critically acclaimed films and saw the emergence of Parallel Cinema centered in Bengali films by directors like Satyajit Ray. Parallel Cinema aimed to provide realistic, artful films as an alternative to mainstream commercial cinema and influenced filmmakers through the 1970s-1980s before declining in the 1990s due to commercialization, though it saw a resurgence with recent films.
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The document discusses the Hindi film industry known as Bollywood. It notes that Bollywood is the largest film industry in the world in terms of films produced annually, around 1000 films per year. The industry has seen significant growth in recent decades and generates billions of dollars in revenue. However, it still faces challenges like piracy and competition from regional and Hollywood films. Overall, Bollywood has become a major part of the global entertainment industry due to its large scale of production and increasing international reach and popularity.
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Indian film history
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Evolution of Indian Cinema
Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra. The silent era ended in 1931 with Ardeshir Irani's first talkie film Alam Ara. Major studios like Prabhat, Bombay Talkies and New Theatres produced socially conscious films in the 1930s. The 1950s-60s were considered the golden age of Indian cinema. Satyajit Ray's Pather Panchali in 1955 brought international acclaim. The blockbuster Mughal-e-Azam was released in 1960. The angry young man persona of Amitabh Bachchan dominated the 1970s. Regional cinema also thrived with films from Karnataka
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This document provides an overview of the evolution of Indian cinema from its beginnings in the late 19th century to modern times. It traces the key developments, including the first films screened in India in 1896, the establishment of the first film production company in 1898, the release of the first full-length Indian feature film in 1913, the introduction of talking pictures in 1931, and the growth of regional film industries. The document also discusses important periods and movements like the Parallel Cinema of the 1950s and India's Golden Age from the late 1940s to 1960s. It profiles some of the major figures and films that shaped Indian cinema and its global impact over time.
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The document provides a history of Indian cinema, beginning with its origins in 1913 with Dadasaheb Phalke's Raja Harishchandra, the first full-length motion picture in India. It describes the golden era from 1944-1960s which produced many critically acclaimed films and saw the emergence of Parallel Cinema centered in Bengali films by directors like Satyajit Ray. Parallel Cinema aimed to provide realistic, artful films as an alternative to mainstream commercial cinema and influenced filmmakers through the 1970s-1980s before declining in the 1990s due to commercialization, though it saw a resurgence with recent films.
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The document discusses the Hindi film industry known as Bollywood. It notes that Bollywood is the largest film industry in the world in terms of films produced annually, around 1000 films per year. The industry has seen significant growth in recent decades and generates billions of dollars in revenue. However, it still faces challenges like piracy and competition from regional and Hollywood films. Overall, Bollywood has become a major part of the global entertainment industry due to its large scale of production and increasing international reach and popularity.
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Cinema has always been one of the greatest source of entertainment since ages . This presentation will take you in a flashback journey of our glorious 100 year's of Indian Cinema.
Evolution of indian cinema
The first Bollywood movie was Alam-Ara, released in 1931. It was directed by Ardeshir Irani and was India's first talkie film. The 1930s-1940s saw the rise of talkies and the inclusion of music, singing, dancing and background scores in films. Many early films dealt with social issues and injustice. The 1950s-1960s are considered the Golden Age of Indian cinema, which saw impactful films from directors like Satyajit Ray, Bimal Roy, Raj Kapoor, and V. Shantharam. The 1970s saw the rise of masala films. The 1980s-1990s saw a revival of musical love stories and incorporation of new technologies. The
History of Indian Cinema
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The Indian film industry is the largest in the world, producing over 1200 films annually. It has an estimated worth of Rs. 4,500 crore annually and is expected to grow at 18% each year. While Hindi films remain the largest segment, South Indian languages like Telugu, Tamil, and Malayalam have seen considerable growth. The industry supports over 6 million workers but a large portion of revenues occur outside the legal economy due to issues like piracy.
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The document discusses the Indian film industry, with a focus on Bollywood. It notes that India is the largest producer of films globally in terms of tickets and films produced. Bollywood refers specifically to the Hindi-language film industry based in Mumbai. The industry has grown significantly over the years and was valued at $2.5 billion in 2008. However, it still faces challenges like piracy, inconsistent entertainment taxes across states, and increasing talent costs. Its future prospects include greater collaborations with Hollywood and a shift toward better content and breaking conventions.
History of Indian Cinema (part-IV)
The golden age of Indian cinema was between 1944-1960. This period saw the rise of great directors who made landmark films that gained national and international fame, helping establish Indian cinema as a force globally. Socio-political melodramas from this era like Mother India and Pyaasa are considered some of the best films ever made. It was also a time when parallel cinema emerged. Central organizations like the CBFC, NFDC, and Film Division were established to regulate, promote and archive Indian cinema.
History of TV in India
This document provides an overview of the history and development of television in India. It discusses key inventors and innovations that led to the creation of the first electronic television in 1927. It outlines important dates in the development of television broadcasting globally and in India. Key events discussed include the introduction of television in India in 1959, the Satellite Instructional Television Experiment from 1975-1976, and the establishment of Doordarshan as the national television network in 1976.
Doordarshan
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Introduction & Development Of Film In India
The history of film began in the 1890s with the invention of motion picture cameras and the establishment of film production companies and cinemas. Early films were under a minute long and silent, but technological developments like rotating cameras, continuity editing, and multi-reel films made motion pictures into a large entertainment industry by the early 1900s. Indian cinema began in the early 1900s with short silent films, and Dadasaheb Phalke's 1913 film Raja Harishchandra was the first full-length Indian feature film. Sound was introduced to Indian films in the 1930s, and the parallel cinema movement of the 1950s-60s produced acclaimed social-realist films. While new technologies have challenged the film
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The presentation is on the topic- Indian Film Industry, and is mainly concentrated on Bollywood.
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The Indian film industry, also known as Bollywood, is the largest film producer in the world. It produces over 1000 films annually compared to around 500 films produced by Hollywood. Some key points about the history and development of the Bollywood industry include: 1) The first Indian silent film was released in 1913, with the first talkie film released in 1931. 2) The industry experienced a "Golden Age" from 1940-1960 during which many critically acclaimed films were produced. 3) Modern Bollywood from the 1990s onward saw the rise of new stars and more fictional storytelling. 4) Piracy and content regulation remain ongoing challenges for the industry's continued growth.
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1. Impact of Movie on the Culture of the country
2. Impact of Movies on the Tourism Industry
3. Impact of Movies on the Economy
4. Impact of Movies on Politics
5. Impact of Movies on Youth
6. Impact of Movies on Crime
7. Impact of Movies on Fashion
8. Role and Opportunities for CA
Soviet montage 2019 new
This document discusses the technique of montage in film editing. It begins by defining montage as editing together short shots to compact space, time, and information. It then discusses the development of montage, particularly in Soviet films of the 1920s, where directors like Eisenstein and Vertov used montage to tell stories or illustrate ideas through juxtaposing images. The document outlines key aspects of Soviet montage theory and how it was shaped by the political context in Russia after the Bolshevik Revolution. It provides examples of famous Soviet montage sequences and discusses how the technique was later adapted by modern filmmakers.
100 years of indian cinema
100 years of Indian Cinema muse is a much awaited, long anticipated film movement taking place in the history of 100 years of Indian Cinema.
It is a movement with many firsts- a first public interest initiative that analyses and gives introspection about the impact of Indian Cinema on the society, people and the world in 100 years.
Indian cinema- hindi cinema
The evolution of Indian cinema from Raja Harishchandra to Bollywood.
It primarily focuses on Hindi cinema.
Has a quite good mention of Parallel cinema.
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This document discusses the impact of cinema and Bollywood on Indian culture and society. It notes that cinema is a powerful medium for mass communication that has replaced drama and stage acting. Bollywood influences fashion trends and promotes western lifestyles among youth. However, it also addresses social issues and provides moral messages in some films. While movies can negatively impact youth by showing unrealistic scenes, violence, and vulgarity, they can also empower women and spread awareness on issues like literacy and dowry. The effect depends on how individuals interpret what they see.
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Impact of Cinema and Bollywood on Society and Indian Culture
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Similar to Indian music industry
Importance of caseate in growth of traditional music
- Cassette tapes played a key role in the growth of traditional Indian music from the late 1980s to early 1990s by making music portable for individuals.
- The introduction of musical cassettes in 1965 was one of the first times music became portable. They were distributed widely in India after their introduction in Europe.
- Traditional music genres like ghazals and bhajans found a place in contemporary music marketed through cassette tapes, exposing more people to traditional forms.
- Cassettes helped popularize both classical and folk music, allowing these traditions to reach wider audiences while commercial music industries grew in India. They supported the growth of the music entertainment industry overall.
Indian music
This document discusses the different types of music found in India. It begins by defining music and then outlines the main types of traditional and modern Indian music, including Hindustani, Carnatic, folk, pop, rock, and hip hop. It notes that Indian music originated from the Vedas and details some characteristics of Hindustani and Carnatic classical music traditions. The document also briefly explores ragas, talas, and the development of popular music genres in India as well as some famous Indian musicians and bands. It concludes by considering trends in Indian music and the importance of preserving traditional forms.
music in india
Music has been an important part of human culture for thousands of years. It serves many purposes such as religious ceremonies, entertainment, accompanying dance, and enhancing oral traditions. The earliest known musical instruments included flutes made from bones that date back to prehistoric times. Ancient Egyptian and biblical texts also describe various instruments. Over time, different musical styles developed in regions like Europe, India, and other parts of the world. The modern Indian music industry is a multi-billion dollar business, though it faces challenges in international popularity and preserving classical music traditions. Strategies to strengthen the industry include appealing to youth, using new media, and international performances.
The History of Music Videos
Music videos started in the late 1930s with live TV performances by artists like Elvis Presley. In the 1940s, "Soundies" were early music videos that played on visual jukeboxes. The first music video made specifically for television aired in 1956 of Tony Bennett walking in a park. The Beatles helped establish the music video genre with films for their songs in the 1960s. Today, music videos are primarily used to market artists and are most commonly viewed on websites like YouTube rather than TV channels.
Indie Music Research
Indie music originated in the 1950s-60s as underground, artistic music performed in small venues. It grew in popularity in the 1980s and is now supported by music festivals and digital distribution platforms. However, indie music is still less popular than genres like pop and R&B. It is characterized by a distinct style differing from "bubblegum pop" and is often targeted at adolescents and young adults. Some popular contemporary indie artists mentioned are Lana Del Rey, Two Door Cinema Club, Florence and the Machine, and Ed Sheeran.
History of music videos
The history of music videos began in the 1930s with short film musical shorts. In the 1960s, bands began creating music videos when they could not perform live. The launch of Top of the Pops in 1964 increased demand for music videos. In the 1980s, MTV was launched as a dedicated music video channel, greatly expanding the audience for videos. Modern technology has allowed music videos to explore new themes and visual effects, while YouTube has enabled easy access and stronger connections between artists and fans.
History of music videos
Music videos originated as promotional devices for music recordings in the 1970s. The UK show "Top of the Pops" helped promote singles and increased competition between artists. In 1981, MTV launched in the US playing music videos 24/7, making the music video a central part of music marketing. With the rise of YouTube in 2005, some artists found success through videos viewed online, and platforms like MTV, iTunes, and Vevo now provide online streaming and downloads of music videos.
Music genre
Pop music originated in the 1950s developing from rock and roll. The history of pop includes the first pop songs in Victorian music halls and the rise of recording in the early 20th century which allowed music to be more widely distributed through records. Pop music continued to evolve, influencing and borrowing from other genres like country, dance, and bubblegum pop. While various forms of popular music had long existed, modern British pop music rose in the mid-late 1950s as a softer alternative to rock, drawing influences from other genres but also having international success and impact through artists like The Beatles.
Brief history of music videos
The creation of the gramophone in 1900 enabled recorded music and helped launch a new era. In the 1960s, bands were carefully manufactured with prescribed personalities and styles. Music videos initially showed bands simply performing but grew more artistic. David Bowie's 1972 videos helped establish music videos as a narrative art form. Michael Jackson's groundbreaking "Thriller" video in 1983 was influential. The 1981 launch of MTV was pivotal in promoting the music video as an art form and YouTube now allows global access to music videos.
History Of Music Advertising
The document discusses various forms of music advertising throughout history, including print media like posters and magazines, and electronic media like radio, television, and the internet. It provides details on the emergence and evolution of different advertising methods, such as the first print music ads in newspapers in the 19th century, the rise of music magazines in the 1920s-1980s, the introduction of radio advertising in the 1920s and the addition of music programming and interviews in the 1930s-1960s, the impact of television and music videos from the 1960s onward, and the modern prevalence of music advertising across various media platforms and channels.
The future of music
This document discusses the history of the music industry from the 19th century to today. It covers key developments and changes over time, including the invention of the phonograph in 1877, the rise of radio in the 1920s, the dominance of major record labels in the 1980s-90s, the growth of digital music in the late 1990s and 2000s, and the impact of YouTube and social media on music distribution and discovery in the 21st century. Case studies are provided on early YouTube stars like Justin Bieber and Boyce Avenue, as well as how MySpace helped unknown artists get discovered. The last sections discuss strategies for musicians to stay relevant today through social media engagement and maintaining communication with fans.
History of music videos!
Music videos have a history dating back to early sound films, where upcoming music was promoted. In the 1940s, short films called Soundies featuring jazz musicians were an early form of music videos. The first music videos made specifically for television were the Snader Telescriptions in the 1950s. In the 1960s, videos began being made to promote artists on music programs like Top of the Pops. The launch of MTV in 1981 marked the beginning of an era where music videos were widely shown on television to promote music and artists.
Music vids history
This document provides a brief history of music videos, beginning with early forms in the 1940s such as Soundies - short films of musical performances made for visual jukeboxes. In the 1950s, musical clips were included in films and television shows as filler. The first music videos made specifically for television were the Snader Telescriptions in the 1950s. In 1981, MTV was launched beginning an era of dedicated music video television. MTV had a significant impact on music promotion and the careers of many artists. Today, music videos are central to music marketing but downloading videos online has challenged MTV's dominance.
History of the music industry
This document provides a history of the music industry from 1800 to 2014. It discusses the evolution from sheet music sales in the 1800s to the development of recording technologies like the phonograph, microphone, and flat record player. Major events and innovations are highlighted for each decade, including the rise of rock music in the 1950s, the introduction of MTV in the 1980s, and the growth of digital music technologies like the CD, MP3, iTunes, and social media influences in the 2000s. The document also briefly outlines the typical process for making a music video and their main purposes.
The history of music videos
Music videos have evolved significantly over time. Early precursors included the Kinetoscope in 1895 which played sound and video together, and theaters in the 1920s showing music alongside films. Promotional films helped promote artists like the Beatles in the 1960s. MTV launched in 1981 and was the first to regularly air music videos, helping to promote songs visually. As technology advanced, platforms like YouTube, launched in 2005, made it even easier to share and discover music videos online, leading to viral hits receiving over a billion views.
Music video research
The document provides an overview of the history and development of music videos from the 1920s to present day. It discusses key innovations like affordable video equipment in the 1980s that helped establish the music video as a popular marketing tool. The document also summarizes Richard Dyer's star theory about how the music industry manufactures celebrities and stars to generate profits through merchandise and representing social ideologies. Popular contemporary artists and the dominance of Universal Music Group in the current industry are briefly outlined.
The Big 4 Presentation
The music industry is dominated by four major corporate labels known as the Big 4: Universal Music Group, Warner Music Group, Sony Music Entertainment, and EMI Group. Each owns several smaller subsidiary labels that serve different regions, cultures, and markets. Alongside recorded music, live music became increasingly important and is now dominated by Live Nation. The document then provides brief histories and details about Sony Music Group, Warner Music Group, and Universal Music Group, the largest of the Big 4 labels.
The big 4 presentation
The music industry is dominated by four major corporate labels known as the Big 4: Universal Music Group, Warner Music Group, Sony Music Entertainment, and EMI Group. Each owns several smaller subsidiary labels that serve different regions, cultures, and markets. Alongside recorded music, live music became increasingly important and is now dominated by Live Nation. The document then provides brief histories and details about Sony Music Group, Warner Music Group, and Universal Music Group, the largest of the Big 4 labels.
Music in the 1980’s
In the 1980s, audiences consumed music primarily through radio, cassette tapes, vinyl records, and the new emerging format of compact discs. Television also became an important medium for music through the launch of MTV. Popular artists of the decade included UB40, Madonna, Stevie Wonder, Duran Duran, and Michael Jackson. Genres like pop, dance music, and new wave rose to prominence during this period. Music was distributed mainly through music shops and radio play, and some artists gained additional exposure through appearances in films and television shows. The music industry profited from retail sales, concerts, and the growing popularity of music videos.
History of music video
The document provides a history of the music video from its origins in the late 19th century as illustrated songs to promote sheet music sales, to its emergence as a major marketing tool and art form in the 1980s with the launch of MTV. Key developments discussed include the rise of promotional clips in the 1930s-40s, the influence of 1960s films like A Hard Day's Night, the growth of music video channels like MTV and VH1 in the 1980s, and the impact of digital distribution through YouTube and iTunes in the 2000s.
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原件一模一样【微信：176555708】【加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）成绩单】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：176555708】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理加利福尼亚大学圣迭戈分校毕业证（UCSD学位证）学位证【微信：176555708 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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一比一原版(uon毕业证书)澳洲纽卡斯尔大学毕业证如何办理
原版一模一样【微信：741003700 】【(uon毕业证书)澳洲纽卡斯尔大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(uon毕业证书)澳洲纽卡斯尔大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(uon毕业证书)澳洲纽卡斯尔大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(uon毕业证书)澳洲纽卡斯尔大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(uon毕业证书)澳洲纽卡斯尔大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
一比一原版（CSULB毕业证）加州州立大学长滩分校毕业证如何办理
原件一模一样【微信：176555708】【加州州立大学长滩分校毕业证（CSULB学位证）成绩单】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：176555708】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理加州州立大学长滩分校毕业证（CSULB学位证）学位证【微信：176555708 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
ABSTRACT: Salman Rushdie’s novels are humorous books about serious times. His cosmopolitanism and
hybrid identity allowed him access to multiple cultures, religions, languages, dialects, and various modes of
writing. His style is often classified as magic realism, blending the imaginary with the real. He draws
inspiration from both English literature and Indian classical sources. Throughout his works, there is a lineage of
‘bastards of history’, a carnival of shameful characters scrolling all along his works. Rushdie intertwines fiction
with reality, incorporating intertextual references to Western literature in his texts, and frequently employing
mythology to explore history. This paper focuses on Rushdie’s three novels: Midnight’s Children, Shame, and
Haroun and the Sea of Stories, analyzing his postmodern storytelling techniques that aim to explore human
vices and follies while offering socio-political criticism.
KEYWORDS : Magic Realism, Rushdie, Satire, Storytelling, Transfictional Identities
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
ABSTRACT: Security plays an important role in human life and endeavors. Securing information and
disseminating are critical challenges in the present day. This study aimed at identifying innovative technologies
that aid cybercrimes and can constitute threats to cybersecurity in North Central (Middle Belt) Nigeria covering
its six States and the FCT Abuja. A survey research design was adopted. The researchers employed the use of
Google form in administering the structured questionnaire. The instruments were faced validated by one expert
each from ICT and security. Cronbach Alpha reliability Coefficient was employed and achieved 0.83 level of
coefficient. The population of the study was 200, comprising 100 undergraduate students from computer science
and Computer/Robotics Education, 80 ICT instructors, technologists and lecturers in the University and
Technical Colleges in the Middle Belt Nigeria using innovative technologies for their daily jobs and 20 officers
of the crime agency such as: Independent Corrupt Practices Commission (ICPC) andEconomic and Financial
Crimes Commission (EFCC). Three research purposes and questions as well as the hypothesis guided the study
on Five (5) point Likert scale. Data collected were analyzed using mean and standard deviation for the three
research questions while three hypotheses were tested using t-test at 0.05 level of significance. Major findings
revealed that serious steps are needed to better secure the cybers against cybercrimes. Motivation, types, threats
and strategies for the prevention of cybercrimes were identified. The study recommends that government,
organizations and individuals should place emphasis on moral development, regular training of its employees,
regular update of software, use strong password, back up data and information, produce strong cybersecurity
policy, install antivirus soft and security surveillance (CCTV) in offices in order to safeguard its employees and
properties from being hacked and vandalized.
KEYWORDS: Cybersecurity, cybercrime, cyberattack, cybercriminal, computer virus, Virtual Private Networks
(VPN).
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On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...
Indian music industry
- 2. RECORDED MUSIC INDUSTRY • It had its beginnings in 1907 • Gramophone company of India opened an office in Calcutta • Gramophones were being imported since 1898 • It reached Tamilnadu in the early twenties • It was revolutionized the recorded music industry • Through Gramophone music was accessible to all • First recording of Indian song took place in 1902 in Bombay
- 3. RECORDED MUSIC INDUSTRY • The records released were confined to classical music • Later, Folk songs, Patriotic songs and devotional hymns dominates • But, When talkies became popular around 1931, record industry took off • Gramco’s sales were initially of English only, • Later, Mehfil and Quwali singers too had their songs • The standard disc was seven inches in diameter • It restricted the length of song to three and half minutes
- 4. RECORDED MUSIC INDUSTRY • Later, 12 inches were introduced to provide for extra time • The Electrical and Musical Instruments Ltd. Was established on 20th April, 1931 • Soon after, Columbia, German & French companies joined group • In 1930s, EMI was the largest music company in India and the world
- 5. MUSIC INDUSTRY@POST 1947 • Gramco ruled Indian Music Market in 1969 and 73. • In 1982, CBs/Tata launched its own venture in Bombay • By 2000, IMI worth around Rs. 10,000 millions • 95% of Music records were sold through Compact Disc • In India, Audio Cassettes continued to dominate • All the global music players, EMI, Sony, Worner Bros, Polygram, Gramco, BMG-Crescendo, CBS records have their presence in India • They launched joint ventures with Indian music companies
- 6. MUSIC INDUSTRY@POST 1947 • Indian companies like, T-series, Bombino Music, Oriental records, Super Records, Venus, Tips, Time, Zee Music and several others proved its potential • Indian Music Industry estimated in 1995 with Rs.899 crores • In 2008, it raised to Rs. 1500 crores • Pirated music sales comprise around 40% of the market
- 7. MUSIC GENRES • Film music continue to dominate the IMI • Along with Bollywood music, regional film music like Tamil, Telugu, Malayalam, Kannada, Panjabi & Bhojpuri have respective share • It holds other genres like, devotional, Classical and Semi- classical of both Hindustani & Carnatic traditions • Folk music traditions have a minor share • Film Music-65%, Indi-Pop-10%, Dev.Music-10%, Classical music, International Music, regional music having -5%
- 8. INDI-POP • DD live coverage of Grammy Awards in 1982 and • Launch of two satellite music channels MTV & V have filliped the IMI • Zee TV & other major TV channels too launched their music channels • These media platforms became major instruments to IMI • Gave coverage for live shows, concerts, sponsored events. • Music channels air the music videos for free • Until mid 90s, Popular Music in India was synonymous with film music only
- 9. INDI-POP • In 1994, Indi-Pop made its appearance • Alisha Chinai breaking into scene with her album ‘Made in India’ • Its sales soared to 2.2 million copies. • Later, Daler Mehndi stormed with ‘Bolo Ta Ra Ra’ (1.5 million copies) • Satellite Channels, Music Channels played major role in promoting Indi-Pop • Other singers like Baba Sehgal, Shweta Shetty, Remo Fernandes & A.R. Rehman made their mark
- 10. MUSIC ON RADIO & TV • FM, Satellite Radio and TV Channels are major avenues • AIR’s FM-Vividh Bharati is dedicated to music primarily for Film music • Talent hunt shows focused on singing, dancing & acting • Sony channel started singing talent show, Indian Idol • Abhijeet Sawant’ album has sold over 9 lacks copies • Channel-V-Popstars became popular • Young film maker were invited to produce 30 music videos • They were uploaded in www.myspace.com
- 11. MUSIC ON RADIO & TV • Hindi film music continues to be the most popular category • 50% of the market dedicated to this • Regional Language film music, Classical and Semi-classical, devotional and folk music have also gained • Living Media (India Today), BCCL ( ToI) have entered the music business • Indian Music industry is worth of Rs. 1150 crores • The phenomenon raised with the mobile telephone industry, Internet & music channels, FM radio stations etc.
- 12. MUSIC ON RADIO & TV • New millennium provided the additional revenue to IMI • Ring-tones, Music downloads, helped to the new market • Ring tone downloads gave the additional revenue of Rs 400/- Cr • Liberalization opened the doors to tie-ups with foreign companies • These tie-ups helped to minimize the piracy.
- 13. THANK YOU
Editor's Notes
- DD live coverage of Grammy Awards in 1982 and Launch of two satellite music channels MTV & V have filliped the IMI Zee TV & other major TV channels too launched their music channels These media platforms became major instruments to IMI Gave coverage for live shows, concerts, sponsored events. Music channels air the music videos for free Until mid 90s, Popular Music in India was synonymous with film music only